66
Metascore
12 reviews · Provided by Metacritic.com
- 83The A.V. ClubMatt SchimkowitzThe A.V. ClubMatt SchimkowitzAiming for authenticity, Kokotajlo finds supernatural power and dramatic weight in the genre’s rustic simplicity.
- I enjoyed its surreal tinge and the thickening atmosphere. However, I came away a little disappointed with the wavering tone, wondering if it this might have horror blockbuster legs if it were a little more even. As it stands, this is a fantastically enigmatic horror film done beautifully well.
- 80VarietyGuy LodgeVarietyGuy LodgeDaniel Kokotajlo‘s impressive second feature unfolds in a vein of British folk horror that has been popular of late — with films from Ben Wheatley’s “A Field in England” to Mark Jenkins’s “Enys Men” all tapping into that retro “Wicker Man” eeriness — but rarely with such rattling sensory specificity or formal refinement.
- 78Paste MagazineMatthew JacksonPaste MagazineMatthew JacksonStarve Acre is not one of those horror films that everyone going in blind will enjoy. It’s not a crowd pleaser or a popcorn thriller. It’s a steady, methodically engineered, beautifully realized meditation on the slow, persistent sting of grief, and a gentle unearthing of the things we bury deep in our souls.
- 70Screen DailyJonathan RomneyScreen DailyJonathan RomneyIf Starve Acre seems to walk on well-trodden ground, Kokotajlo is nevertheless adept at inhabiting and revitalising the material. Familiar themes and moods haunt the film with their own uncanny insistence.
- 70IGNHanna FlintIGNHanna FlintStarve Acre is a rousing addition to the British folk horror tradition with intensely emotional lead performances that takes viewers on a nostalgic journey into pagan ritual.
- 70Wall Street JournalKyle SmithWall Street JournalKyle SmithAt times, it’s scary how derivative it is. Still, as crepuscular weirdness seeps across the story and leads to a delirious ending, it’s largely effective.
- 60The GuardianPeter BradshawThe GuardianPeter BradshawSmith and Clark, at the head of a very capable supporting cast, keep the movie on an even dramatic keel, with intelligent, thought-through performances putting life back into some familiar tropes.
- 60ColliderTherese LacsonColliderTherese LacsonIt is moody and creepy, though perhaps not brave enough to wander into true melodrama or bizarre fantasy. In the end, its performances and the way it incorporates Gothic elements, along with a strong visual aesthetic, make the film a worthwhile watch.
- Not even the most masterly work can entertain for very long when it is put to preposterous use.