User reviews

Ethel & Ernest is a tribute by author Raymond Briggs to his working class parents. Both meet in 1928, Ethel who is older, is a maid to a wealthy family. Ernest, a milkman who is 5 years her junior waves at her every day and then one day brings her flowers and asks her out.

Ernest is a Labour supporter, Ethel believe that the toffs are born to rule and is a Conservative. They get married and Ernest saves enough money to put down a deposit for a house and get a mortgage. Eventually little Raymond arrives but they could not have anymore children. When war breaks out Raymond is sent to the country where he would be away from the bombing raids.

After the war, Ernest cheers on the creation of the welfare state but ongoing rationing places a strain. As Raymond gets older, he does his bit in National Service and later goes to art school and insists on having long hair.

The film becomes more episodic as we go through the swinging sixties and eventually to their old age. Ernest, ever the optimist, although it dawns on him that as a manual worker, he was always relatively low paid (he finds out that Raymond could earn just as much as him by working one day in art school) but he did manage to buy a house in London and eventually purchased a car.

A charming animated film of two people in love and coping with events but also a social history of the twentieth century. Lovely voice work from Brenda Blethyn and Jim Broadbent.

This is based on British graphic novelist Raymond Briggs' parents. It's 1928 London. Ernest Briggs (Jim Broadbent) rides his bike to work every day and he catches the eye of a Lady's maid Ethel (Brenda Blethyn) in her 30s. She's surprised when he shows up at the door asking for a date. It's the start of a life long love affair.

This reminds me of the first five minutes of Up. It's a poignant portrayal of a love that is built over a lifetime. It's not a happily ever after riding into the sunset. It's a life of living together, loving together, and working together. There are personal struggles and living under world struggles. It always hits me when a husband or wife can't survive after the death of the other. It's a good tissue movie.

Having grown up, and loving to bits (still do), the stories and animations of 'Father Christmas', 'The Bear' and particularly 'The Snowman' and similarly being blown away by 'When the Wind Blows' (another seemingly personal work and I couldn't help being reminded by that when viewing 'Ethel & Ernest'), 'Ethel & Ernest' is yet another Raymond Briggs masterwork.

This 2016 animated adaptation couldn't have been more perfectly adapted and is simply sublime also on its own. Its story structure may be somewhat episodic, but actually in no way does that matter at all in this instance. This is due to how brilliantly made 'Ethel & Ernest' was and my vast emotional connection with it. Easily a highlight of my festive-period film/television watching.

Like with 'Father Christmas', 'The Bear', 'The Snowman' and 'When the Wind Blows', the animation from start to finish is stunning, from the level of detail to the meticulousness of the drawing. Not to mention the quaint and atmospheric colours and the gut-wrenching scenes depicting World War II and how people lived during it. The music is never intrusive yet always has a presence when needed. The use of music and songs from each stage of both characters' lives giving a sense of authenticity and effectively taking one back.

Furthermore, the script has a perfect balance of gentle yet hilarious humour (the funniest lines often coming from Ethel), genuine pathos such as the genuinely heart-rending ending beautifully done and fascinating history that is either educational, takes one back or both (it is somewhat fun to spot the historical figures and events). It also has darker moments (such as the carnage and terror WWII brought) that are quite harrowing and never trivialised and a beautifully pitched, never heavy-handed but admittedly at some time painful honestly. As can be seen, the range of emotions is very wide.

The story is easily the most personal of all Briggs stories and essentially a very affectionate yet compellingly real auto-biographical tribute to his real-life parents. It is a story and tribute that is throughout immensely charming, deeply touching, funny and very honest. It is gripping from start to finish, and with a lot going on but with a gentle pace that allows the events to breathe the hour and a half length feels justified and doesn't feel too long or the content over-stretched. Structurally it may seem episodic and slight, but the content is very much eventful.

Ethel and especially Ernest themselves are very likable protagonists in all their life stages, while their chemistry and love for one another is very affectionate but sometimes imperfect, a realistic depiction of marriage. Raymond is also charmingly portrayed. While all the vocal cast do a sterling job, Brenda Blethyn and Jim Broadbent are truly outstanding and give Ethel and Ernest remarkably vivid life, making them compellingly real characters and relatable rather than stock or caricatures.

All in all, nothing to fault here, another masterful Raymond Briggs adaptation. 10/10 Bethany Cox

I've just got around to watching this today. As a 50-year-old I could relate to so much of it and relate it to my grandparents and uncles and aunties who were around during this time. Frankly, I found the film utterly heartbreaking. I must have had tears in my eyes pretty solidly for the last 30 minutes of it. It was quite overwhelming in places especially when Raymond views a body in the morgue which was very reminiscent of something that happened to me recently. I was going to write that it was a perfect slice of life but that is not big enough as it really does pretty much cover two entire lives. My boys who are under ten it has to be said were not gripped by it and did fade in and out of watching it but for adults, I can't recommend it highly enough.

In a year where the Christmas TV schedules have been packed with 'specials' that weren't special at all it's very refreshing (and a nice change) to have something as lovely as 'Ethel and Ernest' on to watch.

Beautifully animated, it brings to life Raymond Briggs' graphic novel of the same name. Capturing the life of his parents this charts their struggles, their highs/lows against the changing face of Britain.

The book covers some tough issues, and I was pleased to see that the film did not shy away from these either, but doing so in a dignified and poetic way.

Parents thinking this is going to be like 'The Snowman', another adaptation of Briggs' work should be warned though, this isn't always child friendly due to the content.

Well done to all those involved in the making of this film.

Having watched all Raymond Briggs films i was very surprised to find that another one was made and luckily i just managed to watch it as i did not know it was being aired within the Christmas period 2016.

I have enjoyed Snowman, The Father Christmas, When the Wind blows and more and watched when i was a child.I now watch these same films with my children. If you have watched the films before this then you know it'll be an excellent film. This film like the others offers humour,great characters and just overall great enjoyment.

I might have to say that this film is now my overall favourite out of the Briggs films. It has humour,cosy English culture but also a sad realism.Based in the era of my grand parents it was nice to see how they were back then living a similar life.As based on true events it was a sad film but very interesting as it was factual.

Overall i loved it,my partner and kids loved it.Its a great film for all ages and new and old fans of Raymond Briggs.Ill definitely be getting this on Blu ray.

I suspect that most viewers of "Ethel & Ernest" - especially those who hail from the United Kingdom - will find this movie extremely charming. I thought it was charming as well, though I did have a few issues with it. The movie does manage to do enough things right to make it worth a look. The animation and art design is extremely well done. It captures the look of Raymond Briggs' drawing, and it's appropriately detailed right down to the shadows the characters make. The movie moves from vignette to vignette fairly quickly, so there are no slow spots. And all the characters in the movie (especially the title characters) have that aforementioned charm that always engages the viewer.

Still, while I thought that the movie was GOOD, I didn't find it to be GREAT. The main weakness with the movie is with its storytelling style. Although the narrative of the movie is never boring, it is all the same very rushed. I often wished the movie would slow down significantly so we could soak in the color and feeling of a particular moment. The rushed style also weakens the title characters quite a bit. They could have been better developed, letting us know more about what they were feeling or thinking. As it is, they are somewhat weak, so much so that at the (rushed) ending, there isn't the emotional feeling from the movie that you would think there is.

Despite the weaknesses, the movie is still worth a look, and it manages to be entertaining enough. Just keep your expectations a little subdued, and you should find the movie enjoyable.

What a wonderful thing Raymond Briggs has done. This magnificent, sensitive and funny animated film about the lives of his parents Ethel and Ernest is a triumph. It surpasses even his famous THE SNOWMAN (1982) and, I daresay, is what he will truly be remembered for. In this age in which we live at present, when the ordinary people are rising up in revolt against their snotty and arrogant politicians, in what the elites patronisingly call 'populism' (and what is wrong with the populus, then, that it should become a term of derision?), we have here the perfect paean to real life, to real people, to real hopes and to real dreams. With his subtle and loving humour, which pervades the entire film, Briggs brings to life his parents in the most intimate possible manner. He allows us to chuckle at their foibles, without ever once looking down upon their numerous limitations. The story starts in 1928 when his parents meet. Ethel is a lady's maid who waves at the jolly young man who rides past her window every day. Before long, he turns up with flowers and asks her to go to 'the pictures' with him. And soon enough they are married. But time goes by and they do not seem able to have a baby, and Ethel cries and says she is getting too old. But Fate intervenes, and Raymond is born, though the doctor warns Ernest they must not have any more, as 'it was hit and miss' and 'more children means no wife'. So they settle for the one child. We are taken through the whole of the period between 1928 and 1971 as seen through the eyes of Ethel and Ernest. Ernest reads the paper every day eagerly, and is always saying things like: 'Crikey! Hitler's just invaded Russia!' and reacting to world events in the kitchen. Ethel pays little attention and does not much grasp the significance of things. For instance, when told that the Duke and Duchess of Windsor are going to meet with Hitler, her reaction is 'He can't be too bad then.' Raymond does not hesitate to make fun of himself, mocking his own affectations as an art student and his refusal to comb his hair. Every day domesticity is elevated to the status of a mythology in this film, and Alan Bennett's eye for the details of daily life is actually surpassed here, which I would not have thought possible. This film is really a love poem by Raymond Briggs to his parents, whose own lifelong love story is so touchingly revealed to us in all of its minutiae. Rarely can anyone have paid such an intense and devoted tribute to his parents, in any art form. To do so with Briggs's magical drawing talent is so evocative and so moving that we have here what is truly a transcendent work of art. The direction by Roger Mainwood is perfect, and Jim Broadbent's voice for Ernest and Brenda Blethyn's voice for Ethel are beyond perfection. The other voices are also excellent. This film may not have the obvious attraction of snowmen flying through the air, but it soars nevertheless, higher than the air in fact, into a realm of pure love and pure simplicity. Long live real people! And may those who celebrate them always be honoured, as Raymond Briggs deserves to be for many long, long years to come.

A utter delight from start to finish. Raymond Briggs ability to turn 'ordinary' people into extraordinary stories is incomparable. The story of his mum and dad living through incredible times, world war 2, particularly.

The voices of Broadbent and Blethyn are the highlight, there able to bring Ethel and Ernest to life as us the audience fall in love with these simple but very human characters. Visually as expected it's beautiful yet simplistic in its form and adult Raymond has a very poignant and educated voice which works beautifully alongside his less informed but traditional parents.

I could wax lyrically about this all night but do yourself a favor take 90 minutes out of your lives and laugh, cry and wonder how Briggs is once again able to make the simplistic fantastic!

Ethel & Ernest is a delicate and profound animation that, with its simple style and heartfelt narrative, tells the story of an ordinary British couple. Based on the book of the same name by Raymond Briggs, the film is a tribute to the life of the author's parents. Set in a classic and nostalgic atmosphere, it illustrates the everyday experiences and deep connection between these two characters. The film's visual style and use of soft colors, along with meticulous attention to detail, create a unique and inviting space that draws the audience into this family's world.

One of the most notable aspects of Ethel & Ernest is its warm and straightforward storytelling. Despite the absence of complex plot twists, it succeeds in captivating its audience. The story unfolds linearly and without pretension, depicting the life events of this couple from the 1920s to the 1970s. With visual beauty, it creatively brings these moments to life, keeping the viewer engaged. The film's portrayal of social, economic, and cultural changes in Britain over time is also skillfully woven into the narrative. By journeying through the stages of the couple's life, viewers witness the evolution of the era, adding historical and social richness that distinguishes this animation from other similar works.

Another strength of Ethel & Ernest lies in its focus on family values, unity, and upbringing. The film artfully conveys the importance of family, responsibility, and raising children, inviting viewers to reflect on these themes with a gentle touch. This attention to meaningful subjects in a straightforward and unembellished story enhances the film's impact, naturally allowing its messages to reach the audience in a sincere way.

The voice acting in this animation is also professionally and effectively delivered. The excellent performances by Jim Broadbent and Luke Treadaway, in particular, add a believable dimension to the characters, with their voices capturing the emotional depth within the story and drawing viewers closer to the film's essence. The warmth and sincerity of their voice acting, combined with the visual storytelling, makes the main characters feel realistic and relatable.

The film's music complements its gentle, warm atmosphere, using delicate, understated choices to subtly enhance each scene's emotions and add to the welcoming tone. Without overpowering the visuals, this simple and calm music accentuates the film's charm and impact.

Ultimately, Ethel & Ernest is an animation that, through its endearing narrative and artistic design, explores the ordinary yet meaningful aspects of human life and foundational family values. With its linear, simple story, it leaves a lasting impression on the viewer, inspiring a sense of closeness and appreciation for life and the people around them long after the film concludes.

I had, of course, read the reviews of this film before unintentionally falling upon it by chance on Christmas television.

I have long lamented the lack of charm in most of the recent Disney films, for example, indeed the absence of charm in today's society in general, but it is present in this film in abundance. Not only is this film visually captivating but I was frequently moved to tears by the unexpected pathos of this story, which is a microcosm of the experiences of that most extra-ordinary generation who fought and survived the Second World War and who's members, through age and slow disease, are now virtually all departed from this world.

This film is sincere, amusing and observant, and like the Snowman, however different in style, will endure forever.

The notion of 'ordinary people' is perverse, like fingerprints, everyone is different, living in a celebrity culture where appearing on a television reality show can somehow make you special, someone to keep up with or be interested by, it was timely to receive this Christmas antidote to superficial stardom.

Raymond Briggs' endearing depiction of his parents through a tumultuous half of the 20th century was also an excellent history lesson, showing how major, earth-shattering events influenced supposedly ordinary people. Most of all, it showed how class, status, social mobility and home ownership influenced British social history. There are sadly few milkman around now, if there were, neither they nor contemporary equivalents, would be able to afford the spacious terrace house in Wimbledon!

Just as in Robert Tressell's landmark work 'The Ragged Trousered Philanthropists' Edwardian decorators did not think privilege was 'for the likes of us', former ladies maid Ethel, supported the status quo, voted Conservative, did not envisage storming the barricades anytime soon, whilst Ernest aspired to Labour's inspirational message after the travails of Workd War 2 and was an intrinsic part of the ideological spirit that brought the NHS, welfare state and a less class-ridden society.

Raymond is shown eschewing office work, despite having worked as a draughtsman during national service, for the seemingly risky and unstable world of art. How right he was, as we saw, to follow his talent and become one of the world's greatest illustrators. Although his parents were not famous, they showed the extraordinary stoicism that brought this country through. Sadly extreme voices, alienation and dissimilitude have turned true British grit, tolerance and decency upside down with the appalling, self-defeating referendum and disgraceful betrayal of 'Brexit means Brexit'. Whether part of a family (as here), community (partying on VE Day) or country (Ernest reading the paper daily and keeping up with news on the radio), we are part of one Europe and one world; fragmenting it will lead back to Morrison Shelters in the lounge - or worse.

The innate decency of Briggs and his parents, their acceptance of only being able to have one (super) child, Raymond's wife being schizophrenic and unable to have children, was a marker of this warm, life-affirming film which not only brought tears to our eyes, but should lead us to be better people and show a more caring attitude. We may not all be illustrators or artists, but we can all draw our conclusions....

Illustrator Raymond Brigg's linear account of his parents' lives shows the ordinary story of a family as it moves through the century. While the animation is decent, these characters who speak while describing the world quickly become unbearable. One has the impression of being in the head of old people who are attached to the smallest material details. The story suffocates under its description.

A slice of life, a really good slice. The story is really awesome, everything is executed superbly. I enjoyed every bit of it. I will appreciate my parent even more because of this film. Surprisingly not boring, I was looking forward to everything that is happening. Everything is unpredictable, a real true to life unedited event of realism. I love it.

I was totally absorbed by this film throughout. No film since has won me over with its warmth and gritty reality of how life was for many during that era. Buy it for the kids. Buy it for yourself. But watch it with love.

I started watching this on BBC2 not expecting much. Initially I was captivated by the absolutely stunning animation (one reviewer actually refers to it as "decent"!).

But then I got drawn into it, deeper and deeper. I have to admit that towards the end it actually made me cry and I almost never cry watching films or anything I guess.

And yet it was just drawings! But the thing is, when it's live actors, even great ones like Olivia Colman or Michael Caine for example, you still can tell yourself that no matter how brilliant their depiction, they are still actors and they are not really the people on the screen.

But with stunning animation, writing, dialogue and indeed unseen brilliant acting, something changes and you see maybe aspects of your own and all human existence in the unfolding images on screen.

Every single person involved in this glorious film should be so proud.

It is such A honest, portrayal of his parents life. I would recommended this film for anyone.