![Image](https://m.media-amazon.com/images/M/MV5BMjVmNWQ4ZjEtNjFmMi00ZGRmLTk0ZTEtYzM3Zjc3MDYwYTc0XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Barcelona-based studio Filmax has scooped international rights to “Just One Small Favor,” the new film from Zeta Studios, which is behind Netflix smash hit “Elite” and HBO Max Spanish banner title “García!”
Released in Spain by Universal on Nov. 10, “Favor” will receive its market premiere at this week’s American Film Market.
Directed by Juana Macías (“We Are Pregnant”), the acerbic screwball family comedy is set at the swanky summer home of the well-off Gallardos, cared for meticulously by Amparito, a second mother to the three children.
In her dying wish, she asked to be buried in the family vault. When the Gallardos refuse, they receive letters from Amparito, revealing skeletons in the closet and damaging home truths, turning their lives upside down.
“‘Just One Small Favor,’ is a screwball, situation comedy, with acerbic wit and a good dose of bad blood,” said Macías.
“The whole story plays out over one,...
Released in Spain by Universal on Nov. 10, “Favor” will receive its market premiere at this week’s American Film Market.
Directed by Juana Macías (“We Are Pregnant”), the acerbic screwball family comedy is set at the swanky summer home of the well-off Gallardos, cared for meticulously by Amparito, a second mother to the three children.
In her dying wish, she asked to be buried in the family vault. When the Gallardos refuse, they receive letters from Amparito, revealing skeletons in the closet and damaging home truths, turning their lives upside down.
“‘Just One Small Favor,’ is a screwball, situation comedy, with acerbic wit and a good dose of bad blood,” said Macías.
“The whole story plays out over one,...
- 11/1/2023
- by John Hopewell
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BYTg1ZjI1NzAtNmNkNy00YmFkLWI4OWEtNTU4ZGY5YWI0YjQyXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
Btf Media and Spain’s Af Films have teamed up to co-produce “Hasta el Fin del Mundo,” the next film of actress Aislinn Derbez (“Miss Bala”), who marks her debut as an executive producer through her shingle Ais Ais Baby.
The romantic drama is also the feature debut of Emiliano Castro Vizcarra, who has written and directed numerous shorts, winning multiple awards, including Best Director at the Cineteca Nacional.
“Hasta el Fin del Mundo” (“Together Till the End”), a working title, is described as a compelling drama where a man’s destiny takes an unexpected turn when a woman from his past resurfaces after 15 years.
It’s also the first time Derbez is paired with actor Mauricio Ochmann who plays Manuel, a successful businessman about to marry the love of his life. However, a sudden phone call changes everything, leading Manuel to rekindle a connection with Esmeralda, played by Derbez,...
The romantic drama is also the feature debut of Emiliano Castro Vizcarra, who has written and directed numerous shorts, winning multiple awards, including Best Director at the Cineteca Nacional.
“Hasta el Fin del Mundo” (“Together Till the End”), a working title, is described as a compelling drama where a man’s destiny takes an unexpected turn when a woman from his past resurfaces after 15 years.
It’s also the first time Derbez is paired with actor Mauricio Ochmann who plays Manuel, a successful businessman about to marry the love of his life. However, a sudden phone call changes everything, leading Manuel to rekindle a connection with Esmeralda, played by Derbez,...
- 10/19/2023
- by Anna Marie de la Fuente
- Variety Film + TV
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Bowfinger Int’l Pictures, run by Spanish actor-director Santiago Segura and producing partner María Luisa Gutiérrez, and Beta Fiction Spain (Bfs), the Spanish affiliate of Germany’s Beta Film, have teamed up to produce “Infiltrada” (“Infiltrated”) the true story of a young Spanish policewoman who infiltrated the Basque separatist group, Eta.
To be directed by Bilbao-based helmer Arantxa Echevarría, the feature film based on true events follows the 20-year old policewoman, known only by her alias Aranzazu Berradre Marín, who managed to embed herself with members of the terrorist group, even sharing living quarters with them.
Eventually, she helped lead to the dismantling of the infamous organization that used terrorist tactics in its campaign for an independent Basque state.
Based on extensive research that included the collaboration of journalists and interviews with people who were directly involved in the operation, “Infiltrada” will depict not only the events but will also...
To be directed by Bilbao-based helmer Arantxa Echevarría, the feature film based on true events follows the 20-year old policewoman, known only by her alias Aranzazu Berradre Marín, who managed to embed herself with members of the terrorist group, even sharing living quarters with them.
Eventually, she helped lead to the dismantling of the infamous organization that used terrorist tactics in its campaign for an independent Basque state.
Based on extensive research that included the collaboration of journalists and interviews with people who were directly involved in the operation, “Infiltrada” will depict not only the events but will also...
- 1/27/2023
- by Anna Marie de la Fuente
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BOGU1YjE0NTEtOWJiMC00MzdmLTg1OTUtMmNhMjA1ZTAwMDU5XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
In February, Carla Simon’s “Alcarràs” walked off with Spain’s first Berlin Golden Bear in nearly 40 years as Spain notched up its biggest main competition presence at the Berlinale since 1997.
This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.
With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.
The big money is now in TV. Meanwhile Spanish cinema, a darling of arthouse crowds during Spain’s 1975-1982 transition to democracy, is once more back on the international radar, though faced by huge...
This May, Spain has four movies selected for Cannes – Albert Serra’s Competition entry “Pacifiction”; Rodrigo Sorogoyen’s “The Beasts,” in Premiere; Elena López Riera’s Directors’ Fortnight bow “The Water”; and José Luis López Linares’ “Goya, Carrière and the Ghost of Buñuel,” a Cannes Classics doc feature. That reps a Cannes presence roughly on par with recent standout years such as 2018 and 2019.
With Netflix launching “Through My Window” in February, three of the streaming giant’s five most-watched non-English language movies are from Spain.
The big money is now in TV. Meanwhile Spanish cinema, a darling of arthouse crowds during Spain’s 1975-1982 transition to democracy, is once more back on the international radar, though faced by huge...
- 5/19/2022
- by John Hopewell
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BZGM5ZDk0MTQtNzI4MC00YjI3LThhYmMtZTU2Y2Y2N2NjOTJlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Wrapping March 26, the 25th Malaga Festival and its Spanish Screenings delivered another confirmation of Spain’s build as a fiction force in a new platform era.
Following, nine final takes on what may prove a historic edition.
A Vibrant Spanish Screenings
Málaga’s plus-size 2022 Spanish Screenings fairly rocked. Extra funding from Spain’s Avs Hub Plan, covering far more buyers’ flights, meant attendance skyrocketed. Screenings delegate numbers shot up to 609 by early week, overall industry attendees to over 1,100 . It showed. “They were highly successful,” said Latido Films’ head Antonio Saura said of the event. “Buyers were able to see movies which at other festivals they often just can’t catch,” he added. “There was a lot more dynamism to trading, taking the Screenings to a new level,” agreed Ivan Díaz, Filmax head of international.
’Lullaby,’ ‘Utama’ Sweep Awards
Alauda Ruiz de Azúa’s finely observed mother-daughter relationship drama “Lullaby” and Alejandro Loayza Grisi’s “Utama,...
Following, nine final takes on what may prove a historic edition.
A Vibrant Spanish Screenings
Málaga’s plus-size 2022 Spanish Screenings fairly rocked. Extra funding from Spain’s Avs Hub Plan, covering far more buyers’ flights, meant attendance skyrocketed. Screenings delegate numbers shot up to 609 by early week, overall industry attendees to over 1,100 . It showed. “They were highly successful,” said Latido Films’ head Antonio Saura said of the event. “Buyers were able to see movies which at other festivals they often just can’t catch,” he added. “There was a lot more dynamism to trading, taking the Screenings to a new level,” agreed Ivan Díaz, Filmax head of international.
’Lullaby,’ ‘Utama’ Sweep Awards
Alauda Ruiz de Azúa’s finely observed mother-daughter relationship drama “Lullaby” and Alejandro Loayza Grisi’s “Utama,...
- 3/27/2022
- by John Hopewell
- Variety Film + TV
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A historic Malaga Festival-Spanish Screenings finally began to wind down Thursday evening. Spain has celebrated national showcases for decades, but it’s never seen anything quite like the last four days.
Briefly, five first takeaways from this year’s edition:
Spain’s On Fire
“Spain’s audiovisual sectors are on fire,” said Luis Cueto, at Spain’s Department of Commerce, at a Malaga round table on Thursday. Just one generation ago, Spanish cinema was regarded with suspicion in Spain’s august financial circles. No more. At the same panel, Arturo Azcorra at Spain’s Telecommunications Ministry announced €30 million ($33 million) in new incentives, largely for high-tech innovation, such as VFX prototypes, animation and AI production technology. Cueto presented an ambitious Spain Avs Hub website. Speakers took 100 minutes to drill down on new r expanded financial instruments planned for Spain’s film and TV, such as the country’s Ico state bank...
Briefly, five first takeaways from this year’s edition:
Spain’s On Fire
“Spain’s audiovisual sectors are on fire,” said Luis Cueto, at Spain’s Department of Commerce, at a Malaga round table on Thursday. Just one generation ago, Spanish cinema was regarded with suspicion in Spain’s august financial circles. No more. At the same panel, Arturo Azcorra at Spain’s Telecommunications Ministry announced €30 million ($33 million) in new incentives, largely for high-tech innovation, such as VFX prototypes, animation and AI production technology. Cueto presented an ambitious Spain Avs Hub website. Speakers took 100 minutes to drill down on new r expanded financial instruments planned for Spain’s film and TV, such as the country’s Ico state bank...
- 3/24/2022
- by John Hopewell, Emilio Mayorga and Ed Meza
- Variety Film + TV
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