- Runtime
- 2h 34m(154 min)
- Sound mix
- Color
- Aspect ratio
- 2.39 : 1
- Camera
- Arri Alexa, Zeiss Master Prime Lenses
- Arriflex 235, Panavision C-, E- and G-Series Lenses
- Arriflex 435, Panavision Primo, C-, E- and G-Series Lenses
- Panavision Panaflex Lightweight, Panavision C-, E- and G-Series Lenses
- Panavision Panaflex Platinum, Panavision Primo, C-, E- and G-Series Lenses
- Red One MX
- Silicon Imaging SI-2K
- Sony CineAlta F35, Zeiss Master Prime Lenses
- Laboratory
- Company 3, Los Angeles (CA), USA(digital intermediate)
- DeLuxe, Hollywood (CA), USA
- Film Length
- 4,228 m(Spain)
- Negative Format
- 35 mm(also horizontal, Kodak Vision3 500T 5219)
- ARRIRAW
- Redcode RAW
- Uncompressed Digital
- Cinematographic Process
- ARRIRAW(source format)
- Digital Intermediate(2K, master format)
- Dolby Vision
- Fusion Camera(dual-strip 3-D, source format)
- HDCAM SR(1080p/24, source format)
- Panavision(anamorphic, source format)
- Redcode RAW(4.5K, source format, aerial shots: Hong Kong)
- VistaVision(source format, some scenes)
- Printed Film Format
- 35 mm(also Technicolor 3D, Kodak Vision 2383)
- 70 mm(horizontal, IMAX DMR blow-up, dual-strip 3-D, Kodak Vision 2383)
- D-Cinema(also 3-D version)
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