Metacritic reviews

Evan Twohy’s attempt to smuggle some sincerity into this largely absurdist tale shows that he isn’t especially committed to coherence.

Twohy seems to have long ago lost the thread of what Bubble & Squeak was really trying to say and the inventive ways he might say it.

When the laughs fade, the tone feels all too familiar. Despite superb work behind the camera and some picturesque Estonian locations, “Bubble” is less original than it wants to be.

No amount of narrative wackiness and star power can make [cabbages] or this Sundance Film Festival offering funny.

Despite an incredibly talented cast of top-tier comedy talent, the film fails to establish a cohesive comedic tone, becoming only more unmoored when it reaches for unearned emotional profundity later on.

Unfortunately, Bubble & Squeak far more often embraces the ridiculous more than the realistic, and ultimately struggles to combine these two into a whole that works.

This gonzo premise doesn’t have anywhere else to go, and to compensate, Twohy pads the screenplay with quirky antics that tax viewer patience and expose a narrative thinness that’s hard to ignore.

Not all movies need to serve up profound insights into the human condition, but the ones that don’t should at least be entertaining, and Twohy’s particular strain of absurdism is not just contrived, but deeply unfunny.

It’s one of the worst movies I’ve ever seen at Sundance.