Five sassy, tap dancing women aged 84 - 96. Meet the "Silver Belles".Five sassy, tap dancing women aged 84 - 96. Meet the "Silver Belles".Five sassy, tap dancing women aged 84 - 96. Meet the "Silver Belles".
- Awards
- 1 win total
Storyline
Featured review
This documentary follows the lives of the Silver Bells, ladies aged 84-96 who were Harlem showgirls in the heyday of 1930's clubs. It follows how they formed a tap troupe and still perform in New York. They follow them as they travel to their rehearsals and performances and interview them in their homes.
It is this independence that stands out most prominently in this movie. Watching them in their advanced ages maneuvering through the crowded streets they've lived on for so long. It makes a younger viewer tired as one of the ladies shows the route she has to take, which includes multiple trains and buses to get to rehearsal one way.
During the rehearsals you get to see the feisty side of some of these ladies and the perfectionism that they have for their craft. Some still teach the younger dancers attempting to make sure the art of tap is not lost. There are also photos and video clips of the clubs and performers from days gone by interspersed throughout. Looking at all the autographed pictures they possess and how many of the performers they worked with really makes you appreciate their clear memory. They definitely have stories to tell.
They told stories of how they were founding members of the American Guild of Variety Artists. This is a national union that began during the strike of showgirls in Harlem. So many benefit from this union but hardly anyone knows how it all began; that a handful of Black showgirls in Harlem said enough, we deserve better treatment. They also told stories about their performances abroad; riding steamer ships to faraway lands. How dance and the jazz culture took them to places they would never have had the opportunity to see.
Being that all of these women are older necessarily some physical limitations are evident. The most poignant part of the documentary is the possibility of injury. At their age some injures can be fatal. Even with that being the case these women keep performing. They keep the music playing, audiences smiling and hands clapping.
It is this independence that stands out most prominently in this movie. Watching them in their advanced ages maneuvering through the crowded streets they've lived on for so long. It makes a younger viewer tired as one of the ladies shows the route she has to take, which includes multiple trains and buses to get to rehearsal one way.
During the rehearsals you get to see the feisty side of some of these ladies and the perfectionism that they have for their craft. Some still teach the younger dancers attempting to make sure the art of tap is not lost. There are also photos and video clips of the clubs and performers from days gone by interspersed throughout. Looking at all the autographed pictures they possess and how many of the performers they worked with really makes you appreciate their clear memory. They definitely have stories to tell.
They told stories of how they were founding members of the American Guild of Variety Artists. This is a national union that began during the strike of showgirls in Harlem. So many benefit from this union but hardly anyone knows how it all began; that a handful of Black showgirls in Harlem said enough, we deserve better treatment. They also told stories about their performances abroad; riding steamer ships to faraway lands. How dance and the jazz culture took them to places they would never have had the opportunity to see.
Being that all of these women are older necessarily some physical limitations are evident. The most poignant part of the documentary is the possibility of injury. At their age some injures can be fatal. Even with that being the case these women keep performing. They keep the music playing, audiences smiling and hands clapping.
- riva-910-797068
- Dec 23, 2010
- Permalink
Details
Box office
- Gross US & Canada
- $36,406
- Opening weekend US & Canada
- $8,252
- Jul 23, 2006
- Gross worldwide
- $36,406
- Runtime1 hour 21 minutes
- Color
- Sound mix
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By what name was Been Rich All My Life (2006) officially released in Canada in English?
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