The Devil in the Dark
- Episode aired Mar 9, 1967
- TV-PG
- 50m
IMDb RATING
8.3/10
4.6K
YOUR RATING
The Enterprise is sent to a mining colony that is being terrorized by a mysterious monster, only to find that the situation is not that simple.The Enterprise is sent to a mining colony that is being terrorized by a mysterious monster, only to find that the situation is not that simple.The Enterprise is sent to a mining colony that is being terrorized by a mysterious monster, only to find that the situation is not that simple.
George Allen
- Engineer #1
- (as George E. Allen)
Lee Allen
- Janus VI Miner
- (uncredited)
Tom Anfinsen
- Civilian Engineer
- (uncredited)
Bill Blackburn
- Lieutenant Hadley
- (uncredited)
Frank da Vinci
- Lt. Osborne
- (uncredited)
Robert Hitchcock
- Miner
- (uncredited)
Monty O'Grady
- Miner
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn his book "Star Trek Memories", William Shatner identified this as his favourite episode, because his father died during filming and Leonard Nimoy's delivery of the mind meld lines made him laugh. He thought it was "exciting, thought-provoking and intelligent, it contained all of the ingredients that made up our very best Star Treks."
- GoofsUsing clubs to attack the Horta would make no sense. Since the Horta exudes an extremely corrosive fluid to create its tunnels, capable of dissolving large quantities of solid rock in seconds, all it would need to do to protect against the clubs is release a large quantity of the corrosive. Any kind of club used to attack the Horta at that point would simply disintegrate when it touched the corrosive on the Horta's exterior.
- Quotes
[McCoy has been ordered to help a silicon-based life form]
McCoy: You can't be serious. That thing is virtually made out of stone!
Captain James T. Kirk: Help it. Treat it.
McCoy: I'm a doctor, not a bricklayer.
Captain James T. Kirk: You're a healer. There's a patient. That's an order.
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsFeatured in Star Trek: The Animated Series: One of Our Planets Is Missing (1973)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
Featured review
I sympathized with the plight of the first man, Schmitter, we see killed in this episode. He reminded me of the trepidation associated with being a lone security guard at night somewhere - the type of work I did briefly about 20 years ago. Of course, I was never in danger of being burned to a crisp, as the colony chief (Lynch) is fond of describing. The monster in the dark here, murdering members of a deep mining colony, creates a scary impression in the first act. We don't really see it in the early scenes and, as many of us realize, the best monsters are sometimes left to the imagination. 'Big and shaggy' is one voiced description, but it actually turns out to resemble a big, lumpy pepperoni pizza, skittering along the ground like a silicon centipede - a limitation of the show's budget, unfortunately. This also shows in the latest matte painting, famous to Trek fans, the only way to convey a long shot of the mining operations.
But, the whole theme of this episode is about what's on the inside, rather than outward appearances, anyway. Sure, this Horta, a newly-discovered silicon-based life-form, looks like a mindless monster at first glance. Thanks to Spock's telepathic ability (probably the best use of a Vulcan mind meld for plot purposes), we learn it's a highly intelligent, even sophisticated creature. Besides Spock's instrumental use of his talent, McCoy gets to supersede his usual medical routine - healing a creature resembling rocks or asbestos. He also gets to utter one of his most famous lines, "I'm a doctor, not a bricklayer!" I found it very true-to-life in his scene where he exults in his success, though he's unable to get Kirk to share in his enthusiasm - Kirk's too busy organizing results. The episode throws unexpected turns in character & motivation at the audience as the story progresses; Spock champions the need to possibly preserve this discovered life as Kirk takes his usual stand on preventing the deaths of any red-shirts (no half measures, as in "The Man Trap"). But later, it's Kirk who, for some reason, holds back on firing a killing blast, as if the heat of the hunt had worn off and he'd had time to reflect on Spock's point (I believe it was during this episode's filming that Shatner learned his father had died). Uncharacteristic for most of the first season, this has a happy ending. The conflict stems from the needs of basic capitalism, such as meeting standard quotas, versus protecting the natural environment and its inhabitants - a space age version of protecting owls from the tractors of modern advancement. Somehow, despite many killings and a sense that everything could go to hell at any moment with one raised phaser, Kirk and Spock manage to broker an agreement which satisfies everyone. I guess people and silicates are more reasonable in the 23rd century.
But, the whole theme of this episode is about what's on the inside, rather than outward appearances, anyway. Sure, this Horta, a newly-discovered silicon-based life-form, looks like a mindless monster at first glance. Thanks to Spock's telepathic ability (probably the best use of a Vulcan mind meld for plot purposes), we learn it's a highly intelligent, even sophisticated creature. Besides Spock's instrumental use of his talent, McCoy gets to supersede his usual medical routine - healing a creature resembling rocks or asbestos. He also gets to utter one of his most famous lines, "I'm a doctor, not a bricklayer!" I found it very true-to-life in his scene where he exults in his success, though he's unable to get Kirk to share in his enthusiasm - Kirk's too busy organizing results. The episode throws unexpected turns in character & motivation at the audience as the story progresses; Spock champions the need to possibly preserve this discovered life as Kirk takes his usual stand on preventing the deaths of any red-shirts (no half measures, as in "The Man Trap"). But later, it's Kirk who, for some reason, holds back on firing a killing blast, as if the heat of the hunt had worn off and he'd had time to reflect on Spock's point (I believe it was during this episode's filming that Shatner learned his father had died). Uncharacteristic for most of the first season, this has a happy ending. The conflict stems from the needs of basic capitalism, such as meeting standard quotas, versus protecting the natural environment and its inhabitants - a space age version of protecting owls from the tractors of modern advancement. Somehow, despite many killings and a sense that everything could go to hell at any moment with one raised phaser, Kirk and Spock manage to broker an agreement which satisfies everyone. I guess people and silicates are more reasonable in the 23rd century.
- Bogmeister
- Jul 28, 2006
- Permalink
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