IMDb RATING
7.2/10
5.8K
YOUR RATING
"The Bubble" is the story of a group of young people who live in Tel Aviv, Israel. The movie follows the group's difficulties of living in Israel's reality. Their routine breaks when a young... Read all"The Bubble" is the story of a group of young people who live in Tel Aviv, Israel. The movie follows the group's difficulties of living in Israel's reality. Their routine breaks when a young Palestinian man enters their lives."The Bubble" is the story of a group of young people who live in Tel Aviv, Israel. The movie follows the group's difficulties of living in Israel's reality. Their routine breaks when a young Palestinian man enters their lives.
- Awards
- 12 wins & 4 nominations
Alon Friedman
- Yali
- (as Alon Freidmann)
Tzion Baruch
- Shaul
- (as Zion Baruch)
Shredi Jabarin
- Jihad
- (as Shredy Jabarin)
Eliana Bekier
- Dalfi
- (as Eliana Bekiyer)
Yossi Marshek
- Self - Actor in "Bent"
- (as Yossi Marshak)
Hussein Yassin Mahajne
- Ashraf's Father
- (as Housin Yassin)
Eva Huri
- Ashraf's Mother
- (as Eva Khoury)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe play that several characters go to watch in this movie is a real play, "Bent" by Martin Sherman, which was first produced in 1979 in London (with Ian McKellen in the lead role) and then in New York (with Richard Gere taking over for McKellen). The play is about the persecution of gay people at the hands of the Nazis, and was one of the first works to bring attention to that aspect of the Holocaust. The play was made into the movie Bent (1997).
- GoofsAll entries contain spoilers
- Crazy creditsBent by Martin Sherman ©1979
- ConnectionsFeatured in Hands Untied: Looking for Gay Israeli Cinema (2014)
Featured review
This is a sweet, poignant look at young lives and loves in Tel Aviv and the damning, degrading effects of the political landscape around it. The central characters laughingly call Tel Aviv "the Bubble" because it seems insulated from the conflict between Israel and Palestinian Territories. As the movie brings to light, that is clearly not the case. The hatred, anger, blind violence, "otherization" and decades (centuries?) of mistrust on both sides color everything and everyone the question becomes are they blind to it or just so scarred they can't recognize it.
The movie focuses on the relationships — familial, sexual and friendships — between three long-time friends, two gay men and one hetero woman. Their chemistry and crazy lives would make for an entirely enjoyable romantic comedy without the layers of cultural context and history, but with the addition of, it creates a memorable, urgent and rewarding story.
When one of the men falls for a gay Palestinian, their bubble is popped irreversibly as they are all forced to confront the realities of life in a region defined — and seemingly sustained by — hatred. And being a gay Palestinian, it would seem, means twice the agony and hardships as there is little tolerance for alternative life styles within that culture and religion. That's less the case in Israel, at least according to the movie.
I appreciated the straightforward, unflinching approach the film brought to the love scenes, regardless of orientation. The sex scenes between the men were just as sweet, tentative and passionate — more so in fact — than the sex scenes featuring the girl. Even though the movie is now six years old, this approach resonates with me because same-sex scenes usually lack the same panache as different-sex scenes, at least in Hollywood style movies. (Hollywood, check the election results and get with the times; love is love).
The entire cast was effective, but Daniella Wircer as Lulu was awesome. She had such great energy; truly a rare talent.
This is a fine movie and one that, it seems to a westerner, excavates the Israeli/Palestinian conflict effectively and without finger-pointing. It also reminds us that we all have a role to play in ending hatred and cycles of violence.
--www.cowboyandvampire.com--
The movie focuses on the relationships — familial, sexual and friendships — between three long-time friends, two gay men and one hetero woman. Their chemistry and crazy lives would make for an entirely enjoyable romantic comedy without the layers of cultural context and history, but with the addition of, it creates a memorable, urgent and rewarding story.
When one of the men falls for a gay Palestinian, their bubble is popped irreversibly as they are all forced to confront the realities of life in a region defined — and seemingly sustained by — hatred. And being a gay Palestinian, it would seem, means twice the agony and hardships as there is little tolerance for alternative life styles within that culture and religion. That's less the case in Israel, at least according to the movie.
I appreciated the straightforward, unflinching approach the film brought to the love scenes, regardless of orientation. The sex scenes between the men were just as sweet, tentative and passionate — more so in fact — than the sex scenes featuring the girl. Even though the movie is now six years old, this approach resonates with me because same-sex scenes usually lack the same panache as different-sex scenes, at least in Hollywood style movies. (Hollywood, check the election results and get with the times; love is love).
The entire cast was effective, but Daniella Wircer as Lulu was awesome. She had such great energy; truly a rare talent.
This is a fine movie and one that, it seems to a westerner, excavates the Israeli/Palestinian conflict effectively and without finger-pointing. It also reminds us that we all have a role to play in ending hatred and cycles of violence.
--www.cowboyandvampire.com--
- cowboyandvampire
- Nov 10, 2012
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Details
Box office
- Budget
- $1,500,000 (estimated)
- Gross US & Canada
- $157,121
- Opening weekend US & Canada
- $38,882
- Sep 9, 2007
- Gross worldwide
- $1,029,926
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