A college student is hired to simply deliver a car to an LA parking garage. The job sounds too easy, so he checks the trunk and becomes a target in a secret war between forces of Heaven and ... Read allA college student is hired to simply deliver a car to an LA parking garage. The job sounds too easy, so he checks the trunk and becomes a target in a secret war between forces of Heaven and Hell who are after the contents of the trunk.A college student is hired to simply deliver a car to an LA parking garage. The job sounds too easy, so he checks the trunk and becomes a target in a secret war between forces of Heaven and Hell who are after the contents of the trunk.
Photos
Mike Ansbach
- The Driver
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Featured review
One of the worst of all time
This film is so bad, so poorly made, that it's really hard to know where to start. I don't often write critiques on films because I realize that every filmmaker has a different vision and things don't always work out as expected. Besides, often with movies, it's the old problem of too many chefs in the kitchen at one time. But not even the beautiful and talented Sean Young or not-so- beautiful, especially here, John Savage, can help. From the moment the movie started I had a sudden bad feeling that was right on the mark. It started without any sense of purpose and then moved to a job interviewer who spent endless moments smoking a cigarette in a dark room while he interviewed a job applicant. This dragged on for an impossibly long time, often repeating itself and inserting confusing flashes of possibilities the job seeker was apparently imagining as the employer talked. Offered $5,000, half now and half on delivery, to drive a vehicle from San Francisco to Los Angeles (why any of this we'll never know), the kid, smart as he appears to be, jumps at the chance and away he goes. Again, due to the blotchy amateurish editing that drags on throughout the film, the kid drives and drives and drives and eventually at the end of our tether, he arrives at a huge nearly empty parking garage in Los Angeles. The old amateurish filler of frightening dreams helps kill time while the driver and the poor audience patiently waits. Finally, after getting plenty of rest, the kid peeks into the glove compartment where he finds an envelope containing a key. His immediate instinct is to go open the trunk where a briefcase awaits so he naturally has to open the case. From the brilliant light that emanates from the case, we think maybe it's like that old Ralph Meeker(Mike Hammer) flick with radioactive stuff, but we'll never really know for sure what it was. Again for obscure reasons we'll never know, the kid hides the briefcase and when eventually a couple of rough fellows turn up to collect what is referred to as "the package" (not even a remote relative of The Transporter Franchise), and seeing no package, they become belligerent. Savage then turns up and spends half an hour talking to himself and looking tired and worn while the henchmen chase the kid around up and down and through the parking garage. More than once he is right at the open entrance but he'd rather go back and run around the garage some more. Several times the men corner him and demand to know where he has hidden the briefcase, but he won't talk. So they continue to chase him around endlessly shooting wildly at him, forgetting obviously, that if he's dead he can't tell them where he hid the briefcase. One might think an all out war in the dead of night might result in a call to the police, but no. Never happens. Probably no money left to hire police. I don't want to give away what is supposed, I think, to be a surprise twist, but I can only say that I don't expect a lot of CGI or extravagant sets, etc. on a Top Ramen budget, but such a misguided unintelligent script, utterly impossible lack of direction and editing that a five-year old could have done better. Like, what's with the occasional flashes of little things that went before and have no connection to what is going on now? I'll tell you what. In writing its called padding. All the flashbacks are just padding as is the tiresome drive from SF to LA. Even the initial interview is so drawn out with the interviewer smoking a full pack of cigarettes that's it's already very discouraging. Lots of padding, very little story and/or money and the end result: This is not a movie and should never have been made. How could Ms Young and Mr. Savage be so desperate as to allow themselves to be sucked into this mess?
- albrechtcm
- Jul 28, 2016
- Permalink
Details
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.78 : 1
Contribute to this page
Suggest an edit or add missing content