User reviews

Call me strange, but Kim Ki-Duk's THE ISLE is one of my favourite Korean movies. Not just the beautiful imagery, not just those scenes that had people fainting in the theatres, but because I empathised a lot with the characters, and the symbolism of their environment and their actions was very much in tune with my sensibilities. OK, so I'm strange .

Much as I enjoyed watching it, I won't try and argue that watching THE ISLE is a 'pleasant' experience - not one to leave you with a smile, so I was prepared for something a little bit serious and grim with ADDRESS UNKNOWN.

It is not a little bit serious and grim at all... it is *completely* serious and amazingly grim.

Kim Ki-Duk is less interested in exploring the somewhat global issues of human feelings here, but instead wants to explore the feelings of a nation - Korea, still living in the shadow of the Korean war. The characters here come across as a little apersonal (it's ok, I just invented it) because they are embodiments of the country's experience... the division, the loss of autonomy, the dehumanisation that people feel, caught up in the conflicts between North and South and between Capitalism and Communism. Obviously to suggest that this was a universal Korean experience would be unreasonable, though Kim Ki-Duk is not interested in exploring balancing factors in this particular movie. People suffer. And suffer. And suffer. And then they suffer for a while. He is relentless in his examination of the pain that he clearly feels, for himself and for his country.

It must be said that I know almost nothing about Korean history (though I am learning a lot as I type!), or of contemporary Korean society, so I don't know how common the feelings that Kim Ki Duk expresses here are, or how realistic his assessment of Korea's post war condition is. It all feels very believable, very convincing... but certainly none of the Korean people I have met are quite as utterly miserable as they must be if ADDRESS UNKNOWN were an accurate depiction of their lives.

I think there is no doubt that for at least some people, and some communities, the feelings that Kim Ki Duk brings to the fore in the movie represent real feelings and real situations. But I think that it must be assumed that it is not an even-handed assessment of the situation, that he was quite certain what he wanted to say and permitted no deviation from it. In a way this is the movie's undoing... it is so relentless in its pursuit that it becomes too easy to get detached from it, to treat it as political allegory rather than a tale of human hardship. A little more warmth, a little bit of humour, maybe just one or two moments where at least one character was *slightly* happy... and I would have been much more able to bond with them, and their tragedies and miseries would have been that much more poignant as a result.

A fairly small matter, and to a degree this observation may simply be an observation that I am not Korean. The movie is a very personal look at the feelings and circumstances of a nation, and having had no comparable experience myself, it is obvious that I'm going to struggle to fully relate.

If I couldn't empathise with the characters though, I could at least sympathise with them. The characters themselves were good characters, and the performances were mostly very good. Notable exceptions are the American soldiers in the movie, whose English dialogue and delivery is really quite embarrassingly bad The movie is very light on dialogue - little that is important is expressed through words, because it doesn't need to be. Always a good thing in a movie.

It is the younger characters of the movie that are centre stage, those who were born years after the Korean war ended, but are still suffering its consequences. It's always refreshing to see young actors deliver mature performances, and this is one such example.

THE ISLE probably impacted me mostly because of the visuals - the beautifully photographed and haunting environment in which the movie took place. ADDRESS UNKNOWN is not nearly as pretty, which can partly be based on location, but also the fact that the style is a lot more realistic, gritty even, as opposed to THE ISLE's abstractness. It is still well filmed though.

I wrote of THE ISLE after seeing it:

"if you want to take away the beauty of his film, you have to be willing to pay the price of the horror"

ADDRESS UNKNOWN is a less successful movie for me because once you get past it's horror, instead of beauty you find there's just a bit more horror . OK, it's not as bad as that... but the tone is quite unremittingly bleak. I don't know whether to recommend the movie or not. I liked it, but I'm not sure how many others will. Definitely not a movie to put on to take your mind off a troublesome day anyway!

I love this movie! OK, it's horrible, it's disgusting, watching it made

me sick...and saying that I experienced physical pain is not a lie.

There is no happiness in this film. Everyone is depressed and

everyone has difficult problems to deal with, and those problems

don't get solved, but rather get worse during the film. But this is

why I love it! A film that can give you such strong feelings, even if

the strong feelings are depression and pain, is a GOOD film!

Might be good to see this if you think YOU have problems. =)

Not unlike the Oscar Wilde play from which my "One Line Summary" for this comment is co-opted the director of `Address Unknown' requires his audience to think.

In all of the Kim Ki-duk films I have seen (The Isle, Address Unknown, Bad Guy) what lies on the surface differs greatly from what lies beneath it. He is working in a language of metaphor and allegory with characters that range from caricature to archetype to fodder. By fodder I mean they are impenetrable and near impossible to empathize/sympathize with for the sole reason that emotional attachment is not the director's intention. He is creating a fictional world made to comment on the world we live in.

By exploring the eclectic residents of an isolated South Korean village in close proximity to an American military base Ki-duk is dealing with a number of issues such as globalization (the base, the bullies who moved to America), language (the theme of English, the comic interlude of the Playboy translation), gender (obvious), race (obvious), history (that family whose father turned out to be a traitor, the constant references to the past from the veterans), tradition (the archery), relationships (Korean girl and U.S. solider), war (obvious) and violence (obvious). The bleak, violent, at times repulsive world the film takes place in is so over-the-top that the audience can't help but think that it is just a means to an end.

In films like `The Isle' and `The Bad Guy' the black humour and sarcasm are more evident. `Address Unknown' is a tad more subtle but there are more than enough hints to indicate the film should not be taken at face value. An excellent example is the constant, almost laughable violence.

Kim Ki-duk is one of a handful of directors striving to create intelligent cinema that is accessible as well. The East is bursting at the seams with talent and I really hope it starts to get the recognition it deserves.

Wow. I never felt so scarred after leaving the cinema and seeing a good film. Doom is making it's appearance and it will not go away even after the very end. The whole setting of the film is marvelous. Desolate, hopeless and there's no way out of the barren landscape. All persons are victim of this place, knowing they cannot escape, with all consequences. The fact that those who should have gotten it don't, makes it a very bitter ride. I watched every second, hopeless but fixed to the screen. Only minor is the somewhat overacting of some of the featured American soldiers, but okay still a perfect 9 out of 10. Highly recommended, another fine piece of Korean cinema.

This movie is a portrait of human beings. There are no "the good ones" and "the bad ones". The characters are victims of their circumstances. The problem I saw in this movie was: there are so many stories that after 80 or 90 minutes the film becomes tedious and artificial. Every single story has a dramatic end. There are so many screams, cryings and dramas that it begins to be artificial. Although I know in war is impossible to have a big smile in the face; in this case is a drama after drama within a whole drama. Thus the movie loses its effectiveness. I think the movie must show more clearly the main story and use two or three stories, as maximum, to support it. I have seen better movies of Kim Ki Duk, that's why I rate this one with a 6.

One of the reasons I enjoyed this film as much as I did is because it is one of those rare films that sticks with you! After I finished watching it, I felt compelled to stay up way later then I should have because I just could not stop talking about it! There was just so much going on! It was so powerful...dark, emotional, complex, intense. However, unlike most reviews that I have read, I noticed a few comedic elements as well. It was kind of a sad funny, but they were scenes that literally gave you a moment to catch your breath and laugh before being thrown back into the darkness... which I felt really made the film that much more powerful! The director is just so talented it's sick! No pun intended!

This is gritty and bleak realism at its best. We are in a countryside village on the border to North-Korea were poverty and war (both the Korean war and the continuation of the cold war) takes its toll on the villagers. Prospects are none, but some think of America as one and therefore learns English. This also provides some of the small pieces of comedy in the movie, for example when some youngsters try to translate from a hustler magazine or when two bullies are tough with speaking English with strong Korean accent; Koreans have trouble pronouncing f for instance.. Some other comedy is the US army battalion running and crawling everywhere and the war veteran crazy for medals always bragging about killing 3 commies.

Anyway this very grim and bleak realism is obviously made as a political commentary. I don't blame any of them, they are victims of their circumstances. I sympathize with every one of them. Kim Ki-Duk don't blame anyone either, the Americans are portrayed as human, not as heroes nor devils, but the theme of globalization and colonization still lies implied in the movie. Actually its full of commentary. I wont get into it here.

I know there's a big difference between countryside Korea and big city Korea, but even though I cant say if its real or not, I believe this to be quite realistic. The utter consequences the movie depicts of course is fiction and made to emphasize the horror and drama, this is a movie after all.

This was not very well received in Korea and understandably so, it takes up problems that are very actual today and brings up a painful past. To get rid of these problems it is very important however, that someone like Kim Ki-Duk makes these kind of movies and for people to see them. So go see it!! But its not a pleasant watch.

Do you love animals? Have you ever ate dog meat? Beware, this film can make you nauseous. This film has an outer cover of a very light drama. But, remember, this is a Kim Ki-duk movie, so intense and deeply emotional. I really love his films for the fact that how creative he is around emotions and creating situations that breaks the cliché and our expectations. Amazing movie.

The movie centers on the lives of rundown rural community of South Koreans who happen to live proximate to a U.S. military base. The lives and stories of several citizens intertwine in this bleak and gritty flick. There is a Korean woman and her half-black son, the product of a relationship with a G.I. Another local makes a living collecting and killing dogs he sells for food. A young girl lives a detached life but develops a friendship with an introverted friend who dotes on her, when he's not being beaten and bullied by local toughs. There are more characters in this tale, but most all of them have somehow been adversely affected by the omnipresent US soldiers who drift, comically at times, in and out of their existence. And, the movie overflows with brutality, mostly of Koreans against each other. At some point, most assuredly near the end of the film, the tragedy is so overwhelming it becomes lugubrious. How many bad things can happen to a small community? In this movie there is no end to it, and one wonders what is the point.

There's a scene in this film where a man plays with a puppy. When the puppy, wagging its tail, approaches, the man, at first affectionate, slaps its nose. Two or three times. It is the most heartless moment in a cruel and vacuous movie. The cruelty is everywhere and stops the audience caring about anyone or anything. Except the dogs. Couple of questions. How does a bullet in the eye get fixed with what looks like soy sauce? Since when did a traditional Korean family allow a teenage daughter to bonk her U.S. soldier boyfriend in the family home? And where did the director drag up those American actors? Friday night in Itaewon? Boy oh boy they were bad. The boyfriend was bad, out of control and saying truly scary things. He blamed it all on the Korean mountains that were closing in on him. Hello? Calling Planet Earth? On top of that, in a movie set in the 1970s, no period pop music. Unforgivable. A real dog.

South Korean films are hard to get used to. They're laborious to witness and completely uninterested in pacing. I've found this to be the case in 9 out of every 10 Korean films that I have seen, and I have seen a LOT of them. For the most part, South Korean dramas are made for the art house audience, the same one that goes gaga over "The Hours" and the like. That is to say, if you like misery piled on top of misery sandwiched in between more misery so you can "feel intelligent", then this film, and others of its ilk, is your cup of tea. I have seen a lot of artsy film from South Korea and enjoyed many of them. "Sopyonje", a film that has relatively few moments of joy, ranks as my favorite film of al time. This movie, though, is just tedius and bored. It shouldn't surprise any viewer that American soldiers come across as worst than Satan in this movie, because the writer/director has probably NEVER MET a real American in his life. Judging by the American dialogue and "characters" here, this seems to be the case. Then again, I'm sure American films don't do justice to Korean characters, but that's neither here nor there. In any case, "Address Unknown" is a useless movie that provides nothing to the world at large.

ADDRESS UNKNOWN is such a grubby and begrimed film. It features ugly characters in ugly situations and settings, and offers little or nothing in the way of artistic redemption. It is nearly impossible to believe that the same director, Ki-duk Kim, fashioned the elegant and haunting film, "3-Iron" which charted the despair and loneliness of a homeless couple who seek solace and sanctuary in the empty vacation homes of strangers. ADDRESS UNKNOWN skirts the line between pathos and bathos, and then plunges in without a backward glance. Thus, ADDRESS UNKNOWN becomes almost punch-drunk and silly instead of emotive or poignant.

A bit of a goofy movie here that supposedly explores the relationship of the Korean People to G.I.'s when the Korean War was going on, but it's all a bit too melodramatic, goofy and over the top to ever take seriously. A motley of Korean lower-class decrepit people try to get by on what they have, one of them harvests dog meat, a kid is ostracized because he's half Black, another has eye problems etc. It's somewhat interesting, maybe a tad overacted, but that all is forgiven when an actor billed as Mitch Mahlum screeches everything to a halt with his performance as a GI who falls in love with the girl with eye problems. He is just SO BAD. I can understand Asian directors maybe having difficulty with American actors because of the language barriers, but Mahlum just fails in all aspects, line delivery, mannerisms, and just EVERYTHING. Just horrible. But funny bad horrible. Yay!

First thing coming to my mind after having watched Adress Unknown was: would this guy (I mean, Kim) prefer to be living right now in a unified country ruled by Kim Jong-un?, because the odds for this would be extremely high should the American army happened not to be around there. Well, I do not want to discuss on Kim Ki-duk political ideas, but regarding cinematography this is very likely his worst product, which is a pity since I highly appreciate some of his other films, mainly Pietà and Moebius.

Cinematographic manipulation hardly can go that far as in this film, we should turn to Soviet cinema from the 20s-30s to find something of a similar level. But even getting rid of any contextual historical and political issue does not improve the film in the least: it's not much more than a piling up of rough (bordering disgusting), senseless violent and dim-witted scenes in a bleak, desolate landscape (which seems to actually honour the equalizing merits of the plot and execution of the film).

Sadly, my opinion on Kim Ki-duk cinematography has received a strong blow with this film... anyway, I'll give him another try, maybe he just had a bad day when decided to film this thing.