![Image](https://m.media-amazon.com/images/M/MV5BMTE3ZmJhNzMtMDhlNC00YTEwLWI5NDgtNDhmZmZhN2Y3ZTcxXkEyXkFqcGc@._V1_QL75_UX500_CR0,9,500,281_.jpg)
This article is part of IndieWire’s 2000s Week celebration. Click here for a whole lot more.
If the movies of the 2000s were defined by a period of violent transition (both onscreen and off), the music that was written for those movies captured the full sweep of that change — and the endless possibilities it allowed for in turn. The aughts were absent a single identifying element as strong to the decade as synths were to the ’80s or symphonic grandeur was to the ’90s, and to judge by our list of the period’s best scores it sounds like they might have been all the better for it.
On the one hand, the 2000s saw venerated masters like John Williams and Terence Blanchard deliver some of the greatest work of their careers, while journeyman like “Lord of the Rings” composer Howard Shore emerged into legendary status with a single...
If the movies of the 2000s were defined by a period of violent transition (both onscreen and off), the music that was written for those movies captured the full sweep of that change — and the endless possibilities it allowed for in turn. The aughts were absent a single identifying element as strong to the decade as synths were to the ’80s or symphonic grandeur was to the ’90s, and to judge by our list of the period’s best scores it sounds like they might have been all the better for it.
On the one hand, the 2000s saw venerated masters like John Williams and Terence Blanchard deliver some of the greatest work of their careers, while journeyman like “Lord of the Rings” composer Howard Shore emerged into legendary status with a single...
- 8/14/2024
- by IndieWire Staff
- Indiewire
![Image](https://m.media-amazon.com/images/M/MV5BOGUzMGQyZjMtMjhmNi00MGY0LWE3NmUtYmY2ZmQwOGY0Mzc3XkEyXkFqcGc@._V1_QL75_UX500_CR0,25,500,281_.jpg)
1980 war Pedro Almodóvar erstmals mit einem Film auf dem San Sebastian Film Festival vertreten. Bei der vom 20. bis 28. September stattfindenden 72. Ausgabe des Festivals wird er mit dem Donostia Award geehrt.
Pedro Almodóvar wird beim San Sebastian Film Festival mit dem Donostia Award geehrt (Credit: El Deseo Da S.L.U. – El Deseo da S.L.U. / Iglesias Más)
Der spanische Regisseur, Drehbuchautor und Produzent Pedro Almodóvar wird am 26. September im Rahmen des 72. San Sebastian Film Festival (20. bis 28. September) mit dem Donostia Award geehrt, mit dem das Festival einen außergewöhnlichen Beitrag zur Welt des Kinos würdigt. Wie das Festival heute mitteilt, wird Almodovar die Auszeichnung vor einem Screening seines aktuellen, ersten englischsprachigen Films „The Room Next Door“ erhalten. Überreicht wird ihm der Donostia Award von Tilda Swinton, neben Julianne Moore Hauptdarstellerin des Films über zwei Freundinnen, die den seit einigen Jahren abgerissenen Kontakt zueinander wieder aufnehmen und dabei tief in ihre Vergangenheit eintauchen.
Pedro Almodóvar wird beim San Sebastian Film Festival mit dem Donostia Award geehrt (Credit: El Deseo Da S.L.U. – El Deseo da S.L.U. / Iglesias Más)
Der spanische Regisseur, Drehbuchautor und Produzent Pedro Almodóvar wird am 26. September im Rahmen des 72. San Sebastian Film Festival (20. bis 28. September) mit dem Donostia Award geehrt, mit dem das Festival einen außergewöhnlichen Beitrag zur Welt des Kinos würdigt. Wie das Festival heute mitteilt, wird Almodovar die Auszeichnung vor einem Screening seines aktuellen, ersten englischsprachigen Films „The Room Next Door“ erhalten. Überreicht wird ihm der Donostia Award von Tilda Swinton, neben Julianne Moore Hauptdarstellerin des Films über zwei Freundinnen, die den seit einigen Jahren abgerissenen Kontakt zueinander wieder aufnehmen und dabei tief in ihre Vergangenheit eintauchen.
- 8/14/2024
- by Jochen Müller
- Spot - Media & Film
![Tilda Swinton at an event for I Am Love (2009)](https://m.media-amazon.com/images/M/MV5BMTM4NzMzMTkwNV5BMl5BanBnXkFtZTcwMzU4MDg1Mw@@._V1_QL75_UY207_CR13,0,140,207_.jpg)
![Tilda Swinton at an event for I Am Love (2009)](https://m.media-amazon.com/images/M/MV5BMTM4NzMzMTkwNV5BMl5BanBnXkFtZTcwMzU4MDg1Mw@@._V1_QL75_UY207_CR13,0,140,207_.jpg)
Tilda Swinton Julianne Moore in The Room Next Door Photo: Iglesias Más Film at Lincoln Center has announced that Pedro Almodóvar’s The Room Next Door, starring Julianne Moore and Tilda Swinton with John Turturro, Alex Høgh Andersen and Alessandro Nivola, will be the Centerpiece selection of the 62nd New York Film Festival. RaMell Ross’s Nickel Boys and Steve McQueen’s Blitz are the Opening and Closing Night gala selections.
Almodóvar has a long and honoured history with the festival. Women On The Verge Of A Nervous Breakdown (NYFF26) was the Opening Night selection, and he also opened NYFF with All About My Mother (NYFF37). Bad Education (NYFF42) and Volver (NYFF44) were selected as Centerpieces, and Live Flesh (NYFF35), Talk To Her (NYFF40), Broken Embraces (NYFF47), and Parallel Mothers (NYFF59) were Closing Night selections. Additional NYFF selections include The Flower Of My Secret (NYFF33), The Skin I Live In...
Almodóvar has a long and honoured history with the festival. Women On The Verge Of A Nervous Breakdown (NYFF26) was the Opening Night selection, and he also opened NYFF with All About My Mother (NYFF37). Bad Education (NYFF42) and Volver (NYFF44) were selected as Centerpieces, and Live Flesh (NYFF35), Talk To Her (NYFF40), Broken Embraces (NYFF47), and Parallel Mothers (NYFF59) were Closing Night selections. Additional NYFF selections include The Flower Of My Secret (NYFF33), The Skin I Live In...
- 8/1/2024
- by Anne-Katrin Titze
- eyeforfilm.co.uk
![Image](https://m.media-amazon.com/images/M/MV5BMTc1ODc2MTYtMWIwNi00NjY2LWFhNjUtMGRjNzNjNGJkMzVmXkEyXkFqcGc@._V1_QL75_UX500_CR0,0,500,281_.jpg)
After just wrapping production a few months ago, Pedro Almodóvar is already putting the finishing touches on his next feature. Following Venice Film Festival’s announcement of a world premiere for The Room Next Door, starring Julianne Moore and Tilda Swinton, it’s now been unveiled as the Centerpiece selection for the 62nd New York Film Festival, making its U.S. premiere at Alice Tully Hall on October 4.
Here’s the synopsis: “Ingrid (Julianne Moore), a best-selling writer, rekindles her relationship with her friend Martha (Tilda Swinton), a war journalist with whom she has lost touch for a number of years. The two women immerse themselves in their pasts, sharing memories, anecdotes, art, movies—yet Martha has a request that will test their newly strengthened bond. Pedro Almodóvar’s finely sculpted drama, his first English-language feature, is the unmistakable work of a master filmmaker, a hushed and humane portrayal of...
Here’s the synopsis: “Ingrid (Julianne Moore), a best-selling writer, rekindles her relationship with her friend Martha (Tilda Swinton), a war journalist with whom she has lost touch for a number of years. The two women immerse themselves in their pasts, sharing memories, anecdotes, art, movies—yet Martha has a request that will test their newly strengthened bond. Pedro Almodóvar’s finely sculpted drama, his first English-language feature, is the unmistakable work of a master filmmaker, a hushed and humane portrayal of...
- 8/1/2024
- by Leonard Pearce
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BY2M5YjMwZWQtNjI4ZS00NDM4LWJmOTMtMDRjNDRlZTA5MjIzXkEyXkFqcGc@._V1_QL75_UX500_CR0,30,500,281_.jpg)
First Madrid, then New York, then Venice, and now: the New York Film Festival.
Pedro Almodóvar’s “The Room Next Door,” which shot earlier this year on-location in Madrid and Manhattan, will play the New York Film Festival (NYFF) as its Centerpiece on October 4. NYFF has billed the melodrama, starring Tilda Swinton and Julianne Moore, as a U.S. premiere, which means New York is the next destination for Almodóvar’s first English-language feature after world-premiering in the Venice competition. That also means no Telluride screening, but it could still show up in Toronto for a North American premiere. The NYFF presentation of “The Room Next Door” will take place at Alice Tully Hall at Lincoln Center.
Here’s a more detailed synopsis than we’ve seen before, courtesy of NYFF: “Ingrid (Julianne Moore), a best-selling writer, rekindles her relationship with her friend Martha (Tilda Swinton), a war journalist with...
Pedro Almodóvar’s “The Room Next Door,” which shot earlier this year on-location in Madrid and Manhattan, will play the New York Film Festival (NYFF) as its Centerpiece on October 4. NYFF has billed the melodrama, starring Tilda Swinton and Julianne Moore, as a U.S. premiere, which means New York is the next destination for Almodóvar’s first English-language feature after world-premiering in the Venice competition. That also means no Telluride screening, but it could still show up in Toronto for a North American premiere. The NYFF presentation of “The Room Next Door” will take place at Alice Tully Hall at Lincoln Center.
Here’s a more detailed synopsis than we’ve seen before, courtesy of NYFF: “Ingrid (Julianne Moore), a best-selling writer, rekindles her relationship with her friend Martha (Tilda Swinton), a war journalist with...
- 8/1/2024
- by Ryan Lattanzio
- Indiewire
![Image](https://m.media-amazon.com/images/M/MV5BMzQzNjkyODMtMDAyNC00OTU2LWFlMTgtYTE0MTk0ODU1N2IzXkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BMzQzNjkyODMtMDAyNC00OTU2LWFlMTgtYTE0MTk0ODU1N2IzXkEyXkFqcGc@._V1_QL75_UX140_CR0,0,140,140_.jpg)
Pedro Almodóvar’s The Room Next Door, starring Julianne Moore and Tilda Swinton, will receive its U.S. premiere as the centerpiece selection for the 2024 New York Film Festival on Oct. 4.
The film, an adaptation of Sigrid Nunez’s novel What Are You Going Through, marks Spanish auteur Almodóvar’s first English-language feature and follows best-selling writer Ingrid (Moore) and Martha (Swinton) as they rekindle their friendship after losing touch. As they immerse themselves in past memories, anecdotes, art and movies, Martha makes a request that will test their renewed bond.
“I am delighted that The Room Next Door will be the centerpiece of the New York Film Festival,” said Almodóvar. “This festival has been my bridge to New York audiences for decades, so it only felt natural that the two protagonists go see a film at the Alice Tully Hall in one of the scenes of the movie. It...
The film, an adaptation of Sigrid Nunez’s novel What Are You Going Through, marks Spanish auteur Almodóvar’s first English-language feature and follows best-selling writer Ingrid (Moore) and Martha (Swinton) as they rekindle their friendship after losing touch. As they immerse themselves in past memories, anecdotes, art and movies, Martha makes a request that will test their renewed bond.
“I am delighted that The Room Next Door will be the centerpiece of the New York Film Festival,” said Almodóvar. “This festival has been my bridge to New York audiences for decades, so it only felt natural that the two protagonists go see a film at the Alice Tully Hall in one of the scenes of the movie. It...
- 8/1/2024
- by Hilary Lewis
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BMWZlNmFhYTYtZjNhYy00MjYzLTg1MmMtNDdhNWEyMDdiYWIzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
A bio-series about iconic ranchera singer Chavela Vargas starring “La Reina del Sur” lead Kate del Castillo is in the works. Colombia’s Caracol Televisión and indie Miracol Media are co-producing “Chavela,” which will trace the tumultuous life and career of the legendary singer.
Del Castillo will transform into Vargas, the mythical woman in the red poncho, who boldly rejected the conventions of her time, paving the way for a unique and groundbreaking journey in the landscape of Mexican popular music.
Her internal battle with personal demons, heartbreak, and alcoholism propelled her to become a trailblazer, stepping onto the stage to sing Mexican songs in a jorongo, the traditional Mexican poncho, and pants. With a guitar pressed against her heart, a tequila in hand, and a pistol holstered on her belt, she mesmerized audiences, captivating both men and women alike.
“I came out of hell, but I did it singing,...
Del Castillo will transform into Vargas, the mythical woman in the red poncho, who boldly rejected the conventions of her time, paving the way for a unique and groundbreaking journey in the landscape of Mexican popular music.
Her internal battle with personal demons, heartbreak, and alcoholism propelled her to become a trailblazer, stepping onto the stage to sing Mexican songs in a jorongo, the traditional Mexican poncho, and pants. With a guitar pressed against her heart, a tequila in hand, and a pistol holstered on her belt, she mesmerized audiences, captivating both men and women alike.
“I came out of hell, but I did it singing,...
- 1/23/2024
- by Anna Marie de la Fuente
- Variety Film + TV
![Rebecca Zlotowski in Dear Prudence (2010)](https://m.media-amazon.com/images/M/MV5BMTc1NTcyODExM15BMl5BanBnXkFtZTcwMDQyMDUxNQ@@._V1_QL75_UX500_CR0,47,500,281_.jpg)
Mubi has announced its lineup of streaming offerings for September, including the exclusive streaming premieres for Rebecca Zlotowski’s Other People’s Children; and Lola Quivoron’s Rodeo; and Rotting in the Sun by Sebastián Silva, whose work is highlighted in a series that also includes The Maid, Life Kills Me, and Nasty Baby.
Additional selections include a mini-retro of last year’s TIFF (Pacifiction and the newest film by Sophy Romvari among them), 10 by Pedro Almodóvar, and David Lynch’s rare 1988 short The Cowboy and the Frenchman, starring Harry Dean Stanton and Jack Nance.
Check out the lineup below and get 30 days free here.
September 1
Volver, directed by Pedro Almodóvar
Women on the Verge of a Nervous Breakdown, directed by Pedro Almodóvar
Matador, directed by Pedro Almodóvar
Dark Habits, directed by Pedro Almodóvar
Law of Desire, directed by Pedro Almodóvar
High Heels, directed by Pedro Almodóvar
Kika, directed by Pedro Almodóvar
Live Flesh,...
Additional selections include a mini-retro of last year’s TIFF (Pacifiction and the newest film by Sophy Romvari among them), 10 by Pedro Almodóvar, and David Lynch’s rare 1988 short The Cowboy and the Frenchman, starring Harry Dean Stanton and Jack Nance.
Check out the lineup below and get 30 days free here.
September 1
Volver, directed by Pedro Almodóvar
Women on the Verge of a Nervous Breakdown, directed by Pedro Almodóvar
Matador, directed by Pedro Almodóvar
Dark Habits, directed by Pedro Almodóvar
Law of Desire, directed by Pedro Almodóvar
High Heels, directed by Pedro Almodóvar
Kika, directed by Pedro Almodóvar
Live Flesh,...
- 8/31/2023
- by Nick Newman
- The Film Stage
![Image](https://m.media-amazon.com/images/M/MV5BNWEzNzc5OTctOWQ2OS00MjNiLTg3Y2EtNTk4ODQzOGU1Mzk3XkEyXkFqcGc@._V1_QL75_UX500_CR0,0,500,281_.jpg)
“Veneno” writer-director-creators Javier Ambrossi and Javier Calvo – popularly known as Los Javis – have dropped an international trailer for its sequel, “Vestida de Azul” (“Veneno 2: Dressed in Blue”) sharing it in exclusivity with Variety.
Sold to HBO Max for the U.S., where it aired to acclaim, “Veneno” was picked as one of Variety’s best international series in 2020.
This time round, Los Javis produce through Suma Content, the Madrid-based label they launched in 2021, where they also serve as its creative directors. The series is its fourth production after “Una navidad con Samantha Hudson,” a Christmas special, “Cardo,” and “Cardo 2.” An Atresplayer original series, “Vestidas de Azul” is produced for Atresmedia Television in collaboration with Suma Content. Atresmedia TV International Sales handles international distribution.
The trailer begins two years after “Veneno” with Valeria, her figure inspired by the real-life Spanish journalist Valeria Vegas who penned La Veneno’s memoirs, returning...
Sold to HBO Max for the U.S., where it aired to acclaim, “Veneno” was picked as one of Variety’s best international series in 2020.
This time round, Los Javis produce through Suma Content, the Madrid-based label they launched in 2021, where they also serve as its creative directors. The series is its fourth production after “Una navidad con Samantha Hudson,” a Christmas special, “Cardo,” and “Cardo 2.” An Atresplayer original series, “Vestidas de Azul” is produced for Atresmedia Television in collaboration with Suma Content. Atresmedia TV International Sales handles international distribution.
The trailer begins two years after “Veneno” with Valeria, her figure inspired by the real-life Spanish journalist Valeria Vegas who penned La Veneno’s memoirs, returning...
- 6/21/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
![Image](https://m.media-amazon.com/images/M/MV5BMDA5NzI0ZTctMWI1YS00NjBiLWFkODktYjZkZGNmMzkzMGQzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,15,500,281_.jpg)
Composer Alberto Iglesias returns to the Oscars for a fourth time and his fourth Original Score nomination with Parallel Mothers.
But this nom is more special than usual: This year’s marks the composer’s first with his longtime collaborator, Oscar winner Pedro Almodóvar. Their partnership began back in 1995 with The Flower of My Secret and has spanned 13 film projects.
Iglesias joined Deadline’s Crew Call podcast to discuss his sonic approach to the Penélope Cruz-Milena Smit switched-at-birth drama, his early roots with Almodóvar, and the recent Oscar controversy that is leaving his Score category out of the live telecast.
Iglesias’ previous original score Oscar nominations include 2006’s The Constant Gardner, 2008’s The Kite Runner, and 2012’s Tinker Tailor Soldier Spy.
Listen to our conversation below:
Subscribe to the Crew Call podcast: Apple Podcasts, Spotify...
But this nom is more special than usual: This year’s marks the composer’s first with his longtime collaborator, Oscar winner Pedro Almodóvar. Their partnership began back in 1995 with The Flower of My Secret and has spanned 13 film projects.
Iglesias joined Deadline’s Crew Call podcast to discuss his sonic approach to the Penélope Cruz-Milena Smit switched-at-birth drama, his early roots with Almodóvar, and the recent Oscar controversy that is leaving his Score category out of the live telecast.
Iglesias’ previous original score Oscar nominations include 2006’s The Constant Gardner, 2008’s The Kite Runner, and 2012’s Tinker Tailor Soldier Spy.
Listen to our conversation below:
Subscribe to the Crew Call podcast: Apple Podcasts, Spotify...
- 3/10/2022
- by Anthony D'Alessandro
- Deadline Film + TV
![Pedro Almodóvar](https://m.media-amazon.com/images/M/MV5BMGM2NTk2MDEtN2Y4Ni00YzNjLWE1NDQtMWM4MjJlZWI1NmU2XkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Pedro Almodóvar](https://m.media-amazon.com/images/M/MV5BMGM2NTk2MDEtN2Y4Ni00YzNjLWE1NDQtMWM4MjJlZWI1NmU2XkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
The Spanish actor on 35 years working with Pedro Almodóvar, the joy of her 80s pop band, and facing up to her country’s past
Rossy de Palma was working as a waitress in a rockabilly bar when she met Pedro Almodóvar, prince of the underground film scene in 1980s Madrid. Four decades on, she remains one of the director’s regular collaborators – a vivid, volatile figure in films such as Women on the Verge of a Nervous Breakdown and The Flower of My Secret. She’s also acted for Robert Altman and Terry Gilliam, modelled for Alexander McQueen and Jean Paul Gaultier, and released her own line of cosmetic products. Almodóvar’s latest film, Parallel Mothers, is a tale of fraught maternal mix-ups and buried secrets from the Spanish civil war. De Palma, 57, plays the confidante of Penélope Cruz’s troubled heroine.
Hi Rossy, where are you? I thought you lived in Madrid.
Rossy de Palma was working as a waitress in a rockabilly bar when she met Pedro Almodóvar, prince of the underground film scene in 1980s Madrid. Four decades on, she remains one of the director’s regular collaborators – a vivid, volatile figure in films such as Women on the Verge of a Nervous Breakdown and The Flower of My Secret. She’s also acted for Robert Altman and Terry Gilliam, modelled for Alexander McQueen and Jean Paul Gaultier, and released her own line of cosmetic products. Almodóvar’s latest film, Parallel Mothers, is a tale of fraught maternal mix-ups and buried secrets from the Spanish civil war. De Palma, 57, plays the confidante of Penélope Cruz’s troubled heroine.
Hi Rossy, where are you? I thought you lived in Madrid.
- 1/23/2022
- by Xan Brooks
- The Guardian - Film News
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Since the 1980s Alberto Iglesias has created beautiful, thrilling music for the screen working broadly throughout his native Spain and Hollywood and with a versatile array of directors and genres—underpinned by his iconic collaborations with Pedro Almodóvar. Iglesias' film suites are fashioned with lucious jazz and emotive orchestral poetry. He beautifully balances the tension of theatrical melodrama with voyages into memory and the vibrancy of inner-city life, with its sophisticated glamour and debauched underbellies. This mix provides a healthy dose of Iglesias collaborations with Almodóvar, from their early years with films such as The Flower of My Secret (1995) and Live Flesh (1997) to this year’s Parallel Mothers and The Human Voice (where Igelsias’s key focus was to riff on his Almodóvar themes of the past). Julio Medem’s Sex and Lucia (2001) defines the 2000s moment of contemporary Spanish cinema’s bursts on the global sphere, soundtracked by that early millenium “Igelsias” sound.
- 11/23/2021
- MUBI
Pedro Almodóvar’s challenging films shouldn’t be only for his dedicated fans: nobody mixes genuine human compassion with world-class filmmaking as well as he … while maintaining a marvelous sense of humor, of human proportion. This 1999 effort is perhaps Pedro’s strongest drama, and yet another heartfelt endorsement of womankind. For the life-beleaguered Manuela, tragedy and melodramatic setbacks only bring out a primal determination to heal all wounds.
All About My Mother
Blu-ray
The Criterion Collection 1012
1999 / Color / 2:35 widescreen / 101 min. / Todo sobre mi madre / available through The Criterion Collection / Street Date January 28, 2020 / 39.95
Starring: Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa María Sardá, Toni Cantó, Eloy Azorín, Carlos Lozano.
Cinematography: Affonso Beato
Film Editor: José Salcedo
Original Music: Alberto Iglesias
Produced by Augustín Almodóvar
Written and Directed by Pedro Almodóvar
My descriptions of this movie can’t convey what a warm, moving, and even funny experience it is.
All About My Mother
Blu-ray
The Criterion Collection 1012
1999 / Color / 2:35 widescreen / 101 min. / Todo sobre mi madre / available through The Criterion Collection / Street Date January 28, 2020 / 39.95
Starring: Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa María Sardá, Toni Cantó, Eloy Azorín, Carlos Lozano.
Cinematography: Affonso Beato
Film Editor: José Salcedo
Original Music: Alberto Iglesias
Produced by Augustín Almodóvar
Written and Directed by Pedro Almodóvar
My descriptions of this movie can’t convey what a warm, moving, and even funny experience it is.
- 2/1/2020
- by Glenn Erickson
- Trailers from Hell
The 33rd entry in an on-going series of audiovisual essays by Cristina Álvarez López and Adrian Martin. Mubi's retrospective, The Art of Transgression: The Cinema of Almodóvar, is showing August 18 – October 19, 2019 in the United Kingdom.Artistic and media representations of every kind take pride of place in the films of Pedro Almodóvar. All such vignettes mirror the main action and comment on it in various ways. But Almodóvar juices an even greater value from them: he generates a plot from their gradually knit or unfolded interconnection, as the years of the story pass and the various pieces fall into place. Kika (1993) is an extreme entry in this auteur’s filmography, an outrageous satire that temporarily abandoned the sentimental vein in his work. For that very reason, it reveals the formalist aspect of his storytelling structures all the more clearly. The Flower of My Secret (1995) took another path: its rich...
- 9/26/2019
- MUBI
From Filmmaker‘s archives, and online for the first time, here is our interview with Pedro Almodovar about All About My Mother as well as many other things, including Tennessee Williams, rejecting primary colors and the difficulties, sometimes, of being “Almodovar.” This piece originally ran in our Fall, 1999 issue. “Mainly women,” says Leo, the desperate, devastated, lovelorn romance writer played by Marisa Paredes in Pedro Almodovar’s eleventh feature film, The Flower of My Secret. “Adventurous, suicidal lunatics.” He might as well be talking about the characters found in Almodovar’s films, for his is a body of work dominated by actresses, […]...
- 7/6/2019
- by Adam Pincus
- Filmmaker Magazine - Blog
From Filmmaker‘s archives, and online for the first time, here is our interview with Pedro Almodovar about All About My Mother as well as many other things, including Tennessee Williams, rejecting primary colors and the difficulties, sometimes, of being “Almodovar.” This piece originally ran in our Fall, 1999 issue. “Mainly women,” says Leo, the desperate, devastated, lovelorn romance writer played by Marisa Paredes in Pedro Almodovar’s eleventh feature film, The Flower of My Secret. “Adventurous, suicidal lunatics.” He might as well be talking about the characters found in Almodovar’s films, for his is a body of work dominated by actresses, […]...
- 7/6/2019
- by Adam Pincus
- Filmmaker Magazine-Director Interviews
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’re highlighting the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Bisbee ’17 (Robert Greene)
Over the past decade, Robert Greene has carved out a place as one of the most vital American documentarians working today, and with Bisbee ’17, he has produced perhaps his most accomplished work to date. A chronicle of the centennial reenactment of the forced deportation of mining workers that occurred in the eponymous Arizona town, the film emerges as a clear-eyed, blistering look into contemporary political divisions through an entire spectrum of viewpoints, while still possessing some of the most lucid and impressive filmmaking of the year. – Ryan S.
Where to Stream: Amazon Prime
The Childhood of a Leader (Brady Corbet)
The feature debut from...
Bisbee ’17 (Robert Greene)
Over the past decade, Robert Greene has carved out a place as one of the most vital American documentarians working today, and with Bisbee ’17, he has produced perhaps his most accomplished work to date. A chronicle of the centennial reenactment of the forced deportation of mining workers that occurred in the eponymous Arizona town, the film emerges as a clear-eyed, blistering look into contemporary political divisions through an entire spectrum of viewpoints, while still possessing some of the most lucid and impressive filmmaking of the year. – Ryan S.
Where to Stream: Amazon Prime
The Childhood of a Leader (Brady Corbet)
The feature debut from...
- 7/5/2019
- by Jordan Raup
- The Film Stage
We’ve got a new trailer to share with you for Terry Gilliam’s long-awaited fantasy adventure film, The Man Who Killed Don Quixote. This is a passion project of his that he’s been working on trying to get made for the past 25 years. Well, after going to hell and back to get it made, he finally did it and it’s set to hit theaters on April 10th, 2019!
The Man Who Killed Don Quixote stars Adam Driver (Star Wars: The Last Jedi) in the role of Toby and Jonathan Pryce (Pirates of the Caribbean) in the role of Don Quixote. I’ve always enjoyed Gilliam’s style, and as you’ll see in the trailer, you can tell that he had a lot of fun making it.
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote,...
The Man Who Killed Don Quixote stars Adam Driver (Star Wars: The Last Jedi) in the role of Toby and Jonathan Pryce (Pirates of the Caribbean) in the role of Don Quixote. I’ve always enjoyed Gilliam’s style, and as you’ll see in the trailer, you can tell that he had a lot of fun making it.
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote,...
- 2/26/2019
- by Joey Paur
- GeekTyrant
Terry Gilliam has been to hell and back multiple times on his journey to make his passion project The Man Who Killed Don Quixote. The last we heard, Gilliam had lost the rights to the film and we had no idea if it would ever get released, especially after Amazon dropped it.
Well, I’ve got some great news for all of you Gilliam fans out there! Screen Media picked up the North American rights to the film and they have partnered up with Fathom Events to give the film a theatrical release in March 2019! This is great news!
David Fannon, President of Screen Media had this to say in a statement:
“Terry Gilliam is a true auteur and his latest film does not disappoint. It is the perfect pairing of a film with a filmmaker, the story of Don Quixote, a man who believes in things that seemingly no one else believes in,...
Well, I’ve got some great news for all of you Gilliam fans out there! Screen Media picked up the North American rights to the film and they have partnered up with Fathom Events to give the film a theatrical release in March 2019! This is great news!
David Fannon, President of Screen Media had this to say in a statement:
“Terry Gilliam is a true auteur and his latest film does not disappoint. It is the perfect pairing of a film with a filmmaker, the story of Don Quixote, a man who believes in things that seemingly no one else believes in,...
- 12/17/2018
- by Joey Paur
- GeekTyrant
![Matthew Glave, Jana Gallagher, and Emily Bett Rickards in Funny Story (2018)](https://m.media-amazon.com/images/M/MV5BNGUyMzAyNDUtZTIyMC00MGQ1LWI4YTctMmE1YjE0MGE5YTI4XkEyXkFqcGdeQXVyNzc0MTgzMzU@._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Matthew Glave, Jana Gallagher, and Emily Bett Rickards in Funny Story (2018)](https://m.media-amazon.com/images/M/MV5BNGUyMzAyNDUtZTIyMC00MGQ1LWI4YTctMmE1YjE0MGE5YTI4XkEyXkFqcGdeQXVyNzc0MTgzMzU@._V1_QL75_UX140_CR0,0,140,207_.jpg)
The festival’s 7th edition will open with ‘Funny Story’.
Melissa Leo will receive the Icon award at the seventh edition of the Mallorca International Film Festival (October 25-31).
Leo will attend the event to accept her award, which will be given as part of a centrepiece gala screening of The Fighter. She won the Oscar for best supporting actress in 2011 for her role in David O’Russell’s boxing drama.
The Mallorca event will open with Michael J. Gallagher’s Funny Story, which premiered at Utah’s Slamdance Film Festival in the United States in January 2018.
The festival will screen 15 narrative features,...
Melissa Leo will receive the Icon award at the seventh edition of the Mallorca International Film Festival (October 25-31).
Leo will attend the event to accept her award, which will be given as part of a centrepiece gala screening of The Fighter. She won the Oscar for best supporting actress in 2011 for her role in David O’Russell’s boxing drama.
The Mallorca event will open with Michael J. Gallagher’s Funny Story, which premiered at Utah’s Slamdance Film Festival in the United States in January 2018.
The festival will screen 15 narrative features,...
- 10/16/2018
- by Ben Dalton
- ScreenDaily
Terry Gilliam's long-time passion project, The Man Who Killed Don Quixote, really must be a cursed film! The director has been trying to get this film made for decades! Things looked bright for him and the project when he actually completed production on it with Adam Driver and it ended up premiering at the Cannes Film Festival.
Well, things just took another crazy turn as Gilliam just lost the rights to his film! Screen Rant reports that the Paris Court of Appeal just ruled in favor of the film’s former producer, Paulo Brancho, who sued for rights to the project on the grounds that Gilliam made the film illegally. Wow! I didn't see that coming!
According to Branco and his production company Alfama, Gilliam and his team didn't hold the rights to make the film. Screen Daily quotes Branco as saying:
"The film belongs in its entirety to...
Well, things just took another crazy turn as Gilliam just lost the rights to his film! Screen Rant reports that the Paris Court of Appeal just ruled in favor of the film’s former producer, Paulo Brancho, who sued for rights to the project on the grounds that Gilliam made the film illegally. Wow! I didn't see that coming!
According to Branco and his production company Alfama, Gilliam and his team didn't hold the rights to make the film. Screen Daily quotes Branco as saying:
"The film belongs in its entirety to...
- 6/18/2018
- by Joey Paur
- GeekTyrant
We have no idea when we will get to see Terry Gilliam's long-awaited The Man Who Killed Don Quixote, but today we have a new international Catalan poster to share with you for the film.
I also included some recent comments made by Gilliam expressing his hatred for superhero films, calling them bullshit. During a recent interview, the filmmaker said:
"I hate superheroes. It’s bullshitt. Come on, grow up! We’re not going to be teenagers for the rest of our lives.""It’s great to dream of great powers. Superheroes are all about power. That’s what I don’t like about superheroes. They’ve gotta beat the other powerful superheroes. Come on, a bit of peace, love, and understanding is what we need."
It's funny that he's saying this because this is coming from the guy who tried to direct Watchmen at one point in his career.
I also included some recent comments made by Gilliam expressing his hatred for superhero films, calling them bullshit. During a recent interview, the filmmaker said:
"I hate superheroes. It’s bullshitt. Come on, grow up! We’re not going to be teenagers for the rest of our lives.""It’s great to dream of great powers. Superheroes are all about power. That’s what I don’t like about superheroes. They’ve gotta beat the other powerful superheroes. Come on, a bit of peace, love, and understanding is what we need."
It's funny that he's saying this because this is coming from the guy who tried to direct Watchmen at one point in his career.
- 6/13/2018
- by Joey Paur
- GeekTyrant
We've got a brand new trailer for you to watch for director Terry Gilliam's long-awaited film The Man Who Killed Don Quixote. It's been a long road for the filmmaker to get the movie made, but he did it! He actually completed his passion project and it looks like a fantastic film! The new trailer offers us a good amount of new footage and additional insight into the story. It looks like it's going to be a fun film filled with all of the wonderful things that I enjoy about the films Gilliam makes.
The movie stars Adam Driver (Star Wars: The Last Jedi) in the role of Toby and Jonathan Pryce (Pirates of the Caribbean) in the role of Don Quixote, and this is the synopsis:
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby,...
The movie stars Adam Driver (Star Wars: The Last Jedi) in the role of Toby and Jonathan Pryce (Pirates of the Caribbean) in the role of Don Quixote, and this is the synopsis:
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby,...
- 4/30/2018
- by Joey Paur
- GeekTyrant
New photos have surfaced of Terry Gilliam's The Man Who Killed Don Quixote, which may be the best look anyone gets at it for awhile. Take a look at some of the pictures (via Dark Horizons) and get the deets below:
The Man Who Killed Don Quixote was originally going to be the closing night film showed at Cannes, but that's up in the air now due to allegations that Gilliam does not own the rights to the film. Alfama Films Production explained the situation in a released statement (via Screen Daily):
“Alfama Films Production has been granted permission to obtain a writ against the Cannes Film Festival and will ask the president of the Paris District Court to impose a ban on the screening of the film by Terry Gilliam, The Man Who Killed Don Quixote, due to the violation of its rights, rights which have been...
The Man Who Killed Don Quixote was originally going to be the closing night film showed at Cannes, but that's up in the air now due to allegations that Gilliam does not own the rights to the film. Alfama Films Production explained the situation in a released statement (via Screen Daily):
“Alfama Films Production has been granted permission to obtain a writ against the Cannes Film Festival and will ask the president of the Paris District Court to impose a ban on the screening of the film by Terry Gilliam, The Man Who Killed Don Quixote, due to the violation of its rights, rights which have been...
- 4/27/2018
- by Mick Joest
- GeekTyrant
![Antonio Banderas at an event for The Skin I Live In (2011)](https://m.media-amazon.com/images/M/MV5BMTUyOTQ3NTYyNF5BMl5BanBnXkFtZTcwMTY2NjIzNQ@@._V1_QL75_UX140_CR0,2,140,207_.jpg)
![Antonio Banderas at an event for The Skin I Live In (2011)](https://m.media-amazon.com/images/M/MV5BMTUyOTQ3NTYyNF5BMl5BanBnXkFtZTcwMTY2NjIzNQ@@._V1_QL75_UX140_CR0,2,140,207_.jpg)
Pedro Almodovar will team with Antonio Banderas and Penelope Cruz on the veteran Spanish director’s next film, “Dolor y Gloria,” which is set to shoot from the first half of July.
“Dolor y Gloria” is set up at El Deseo, the Madrid-based production house created by Almodovar and his brother Agustín to produce “The Law of Desire” in 1987.
Described by Almodovar as a film with male protagonists – in contrast to his last outing, “Julieta” – “Dolor y Gloria” (literally “Pain and Glory”) stars Banderas and Asier Etxeandía (“Velvet”) in the leading roles. Cruz and Julieta Serrano – “two actresses I adore,” Almodovar said Tuesday in a press statement – will play secondary roles.
“Dolor y Gloria” turns on “creation, both cinematographic and theatrical, and the difficulty of separating creation from one’s own life,” Almodovar said.
The film recounts “a series of meetings, some physical, others remembered decades later, of a film...
“Dolor y Gloria” is set up at El Deseo, the Madrid-based production house created by Almodovar and his brother Agustín to produce “The Law of Desire” in 1987.
Described by Almodovar as a film with male protagonists – in contrast to his last outing, “Julieta” – “Dolor y Gloria” (literally “Pain and Glory”) stars Banderas and Asier Etxeandía (“Velvet”) in the leading roles. Cruz and Julieta Serrano – “two actresses I adore,” Almodovar said Tuesday in a press statement – will play secondary roles.
“Dolor y Gloria” turns on “creation, both cinematographic and theatrical, and the difficulty of separating creation from one’s own life,” Almodovar said.
The film recounts “a series of meetings, some physical, others remembered decades later, of a film...
- 4/17/2018
- by John Hopewell and Emiliano De Pablos
- Variety Film + TV
Terry Gilliam's long-awaited The Man Who Killed Don Quixote actually exists! The first international trailer has been released to prove it and it looks wonderful. After all of these years, and all the problems this production has faced, Gilliam has finally made his passion project. The film stars Adam Driver (Star Wars: The Last Jedi) in the role of Toby and Jonathan Pryce (Pirates of the Caribbean) in the role of Don Quixote. As a fan of Gillam's film work, I couldn't be more excited about this!
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby, an advertising executive, for his trusty squire, Sancho Panza. The pair embark on a bizarre journey, jumping back and forth in time between the 21st and magical 17th century. Gradually, like the infamous knight himself, Toby becomes...
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby, an advertising executive, for his trusty squire, Sancho Panza. The pair embark on a bizarre journey, jumping back and forth in time between the 21st and magical 17th century. Gradually, like the infamous knight himself, Toby becomes...
- 4/5/2018
- by Joey Paur
- GeekTyrant
This is our first official photo from director Terry Gilliam's The Man Who Killed Don Quixote. After all that Gilliam has gone through in trying to make this film over the years, it's crazy that it actually got made. This first photo features Adam Driver (Star Wars: The Last Jedi) as Toby and Jonathan Pryce (Pirate of the Caribbean) in the role of Don Quixote.
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby, an advertising executive, for his trusty squire, Sancho Panza. The pair embark on a bizarre journey, jumping back and forth in time between the 21st and magical 17th century. Gradually, like the infamous knight himself, Toby becomes consumed by the illusory world and unable to determine his dreams from reality. The tale culminates in a phantasmagorical and emotional finale...
The Man Who Killed Don Quixote tells the story of a deluded old man who is convinced he is Don Quixote, and who mistakes Toby, an advertising executive, for his trusty squire, Sancho Panza. The pair embark on a bizarre journey, jumping back and forth in time between the 21st and magical 17th century. Gradually, like the infamous knight himself, Toby becomes consumed by the illusory world and unable to determine his dreams from reality. The tale culminates in a phantasmagorical and emotional finale...
- 2/21/2018
- by Joey Paur
- GeekTyrant
We're celebrating Pedro Almodóvar all week. Here's Chris Feil on Pedro's standby composer...
Here at The Film Experience, ruminating on Pedro Almodóvar’s list of frequent collaborators would most likely find an actress’s name come up first. But aside from his onscreen talent, there is one now prolific relationship the director has that’s equally worth celebrating: composer Alberto Iglesias.
The Almodóvar/Iglesias collaboration is now ten films deep, dating back to 1995‘s The Flower of My Secret without a single gap film since. His work is inextricable from what Almodóvar creates on screen, a cohesive piece of the melodrama that enhances the tone rather than defining it. Let's discuss five favorites from his work after the jump...
Here at The Film Experience, ruminating on Pedro Almodóvar’s list of frequent collaborators would most likely find an actress’s name come up first. But aside from his onscreen talent, there is one now prolific relationship the director has that’s equally worth celebrating: composer Alberto Iglesias.
The Almodóvar/Iglesias collaboration is now ten films deep, dating back to 1995‘s The Flower of My Secret without a single gap film since. His work is inextricable from what Almodóvar creates on screen, a cohesive piece of the melodrama that enhances the tone rather than defining it. Let's discuss five favorites from his work after the jump...
- 5/11/2017
- by Chris Feil
- FilmExperience
When you think Pedro Almodóvar, you think Rossy de Palma. The actress’ unconventional, but striking, beauty has often made her the most memorable player in the auteur’s works, from her uptight virgin in Women on the Verge of a Nervous Breakdown, to the heroine’s sister in The Flower of My Secret. In Julieta, which marks lucky number seven in de Palma’s collaborations with Almodóvar, she plays Marian, an overprotective housekeeper who looks after what she thinks should be her employer Xoan’s (Daniel Grao) interests. After meeting the title character, played in younger age by Adriana Ugarte, who is about to become the new mistress of the house, Marian reveals a secret that sets the entire plot into its tragic motion.
The usually glamorous actress – she’s been muse to designers like Thierry Mugler and Jean-Paul Gaultier – is seen sporting a frumpy, matronly look as Marian, in...
The usually glamorous actress – she’s been muse to designers like Thierry Mugler and Jean-Paul Gaultier – is seen sporting a frumpy, matronly look as Marian, in...
- 12/21/2016
- by Jose Solís
- The Film Stage
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Always Shine (Sophia Takal)
With the excess of low-budget, retreat-in-the-woods dramas often finding characters hashing out their insecurities through a meta-narrative, a certain initial resistance can occur when presented with such a derivative scenario at virtually every film festival. While Sophia Takal‘s psychological drama Always Shine ultimately stumbles, the chemistry of its leads and a sense of foreboding dread in its formal execution ensures its heightened view of...
Always Shine (Sophia Takal)
With the excess of low-budget, retreat-in-the-woods dramas often finding characters hashing out their insecurities through a meta-narrative, a certain initial resistance can occur when presented with such a derivative scenario at virtually every film festival. While Sophia Takal‘s psychological drama Always Shine ultimately stumbles, the chemistry of its leads and a sense of foreboding dread in its formal execution ensures its heightened view of...
- 12/2/2016
- by The Film Stage
- The Film Stage
Above: Spanish poster for Pepi, Luci, Bom (Pedro Almodóvar, Spain, 1980). Artist: Ceesepe.Is there a contemporary filmmaker with a more vivid graphic sensibility than Pedro Almodóvar? His always distinctive films, with their bold colors, deliberate blocking and impeccable set design, often look like cartoons or magazine spreads come to life. Following suit, the posters for his films have always been a testament to his aesthetic, whether in his scrappy underground days or his far more polished later years. With his 20th feature film, Julieta, opening December 21, and a Museum of Modern Art retrospective beginning in New York next Tuesday, I thought it was high time I featured the best artwork of Almodóvar’s 40 year career.Any cinephile in their twenties might be forgiven for thinking that Almodóvar is the most establishment of arthouse directors: perennially fêted by Cannes and the New York Film Festival, winner of two Oscars, and, since the late 1990s,...
- 11/29/2016
- MUBI
![Emma Suárez and Adriana Ugarte in Julieta (2016)](https://m.media-amazon.com/images/M/MV5BNTRlZTQwOTQtYTQ1Ny00ZjM1LTgwNjctZTZiOGU4NjYzODYyXkEyXkFqcGdeQXVyMTcwOTQzOTYy._V1_QL75_UX140_CR0,0,140,207_.jpg)
![Emma Suárez and Adriana Ugarte in Julieta (2016)](https://m.media-amazon.com/images/M/MV5BNTRlZTQwOTQtYTQ1Ny00ZjM1LTgwNjctZTZiOGU4NjYzODYyXkEyXkFqcGdeQXVyMTcwOTQzOTYy._V1_QL75_UX140_CR0,0,140,207_.jpg)
Sony Pictures Classics has set a Dec. 21 theater release for Pedro Almodóvar’s 20th film “Julieta,” and acquired the remainder of his film library. The new acquisitions include “Pepi, Luci, Bom;” “Labyrinth of Passion;” “Dark Habits;” “What Have I Done to Deserve This?;” “High Heels” and “Kika.” The full library also includes “Matador,” “Law of Desire,” “Women on the Verge of a Nervous Breakdown,” “The Flower of My Secret,” “Live Flesh,” “All About My Mother,” “Talk to Her,” “Bad Education,” “Volver,” “Broken Embraces,” “I’m So Excited!” and “The Skin I Live In.” “Julieta” premiered at the 2016 Cannes Film Festival.
- 8/8/2016
- by J. Clara Chan
- The Wrap
Almodóvar aficionados, like you and I, have been dreading this day. But every great movie face eventually only still flickers on screens and in our memories. The great Chus Lampreave, so memorable in so many Pedro Almodóvar movies, has died at 85 years of age. She had been home bound recently in Almería.
Her film career began when Pedro was just a pre-teen. She was given her first acting job by the director Jaime de Armiñán. Like many directors after him, he worked with her repeatedly, including in the Oscar nominated film My Dearest Senorita (1972). She came to international fame via her relationship with Pedro Almodóvar though. She joined his troupe early on as one of his subversive nuns in Dark Habits (1983). She was always easy to spot with those coke bottle glasses, that tiny frame and inimitable voice. Dark Habits was the first of eight collaborations with Pedro over the...
Her film career began when Pedro was just a pre-teen. She was given her first acting job by the director Jaime de Armiñán. Like many directors after him, he worked with her repeatedly, including in the Oscar nominated film My Dearest Senorita (1972). She came to international fame via her relationship with Pedro Almodóvar though. She joined his troupe early on as one of his subversive nuns in Dark Habits (1983). She was always easy to spot with those coke bottle glasses, that tiny frame and inimitable voice. Dark Habits was the first of eight collaborations with Pedro over the...
- 4/5/2016
- by NATHANIEL R
- FilmExperience
The team behind Sony Pictures Classics will collaborate with Pedro Almodóvar for the tenth time on the drama following a North American deal with El Deseo.
Silencio charts the life of a woman, Julieta, from 1985 to present day as she wrestles with madness and embarks on a series of journeys revolving around the disappearance of her daughter.
Almodóvar’s twentieth film stars Adriana Ugarte, Emma Suárez, Daniel Grao, Dario Grandinetti, Inma Cuesta, Michelle Jenner and Rossy de Palma.
The Spc team and Almodóvar first worked together on Women On The Verge Of A Nervous Breakdown at Orion Classics.
The association continued at Spc with I’m So Excited, The Skin I Live In, Broken Embraces, Volver, Bad Education, All About My Mother, Talk To Her and The Flower Of My Secret.
Silencio charts the life of a woman, Julieta, from 1985 to present day as she wrestles with madness and embarks on a series of journeys revolving around the disappearance of her daughter.
Almodóvar’s twentieth film stars Adriana Ugarte, Emma Suárez, Daniel Grao, Dario Grandinetti, Inma Cuesta, Michelle Jenner and Rossy de Palma.
The Spc team and Almodóvar first worked together on Women On The Verge Of A Nervous Breakdown at Orion Classics.
The association continued at Spc with I’m So Excited, The Skin I Live In, Broken Embraces, Volver, Bad Education, All About My Mother, Talk To Her and The Flower Of My Secret.
- 6/9/2015
- by [email protected] (Jeremy Kay)
- ScreenDaily
The team behind Sony Pictures Classics will collaborate with Pedro Almodóvar for the tenth time on the drama following a North American deal with El Deseo.
Silencio charts the life of a woman, Julieta, from 1985 to present day as she wrestles with madness and embarks on a series of journeys revolving around the disappearance of her daughter.
Almodóvar’s twentieth film stars Adriana Ugarte, Emma Suárez, Daniel Grao, Dario Grandinetti, Inma Cuesta, Michelle Jenner and Rossy de Palma.
The Spc team and Almodóvar first worked together on Women On The Verge Of A Nervous Breakdown at Orion Classics.
The association continued at Spc with I’m So Excited, The Skin I Live In, Broken Embraces, Volver, Bad Education, All About My Mother, Talk To Her and The Flower Of My Secret.
Silencio charts the life of a woman, Julieta, from 1985 to present day as she wrestles with madness and embarks on a series of journeys revolving around the disappearance of her daughter.
Almodóvar’s twentieth film stars Adriana Ugarte, Emma Suárez, Daniel Grao, Dario Grandinetti, Inma Cuesta, Michelle Jenner and Rossy de Palma.
The Spc team and Almodóvar first worked together on Women On The Verge Of A Nervous Breakdown at Orion Classics.
The association continued at Spc with I’m So Excited, The Skin I Live In, Broken Embraces, Volver, Bad Education, All About My Mother, Talk To Her and The Flower Of My Secret.
- 6/9/2015
- by [email protected] (Jeremy Kay)
- ScreenDaily
![Todd Haynes](https://m.media-amazon.com/images/M/MV5BOTQ5Njk0MDU1MF5BMl5BanBnXkFtZTcwMTQ1MzA2MQ@@._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Todd Haynes](https://m.media-amazon.com/images/M/MV5BOTQ5Njk0MDU1MF5BMl5BanBnXkFtZTcwMTQ1MzA2MQ@@._V1_QL75_UY207_CR1,0,140,207_.jpg)
All week our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. When I picked this year, it was under the mistaken assumption that we were writing on the best film of a year, and not the best film year in general. But having realized the mistake, I stand by my choice. 1995 is still the best! Straight up: 1995 wins, because Todd Haynes’s “[Safe]" is still my favorite film to have come out since, Idk, I’ve been alive. It’s deeply self-conscious about genre, while still managing to not really resemble anything I’ve ever seen. It’s the perfect film about L.A.; about how space is mobilized in cinema; about the environment; about Gothic horror; about white femininity; about film bodies; about falling in love in the movies. It’s Todd Motherf*#@$^ Haynes’s best film.
- 4/30/2015
- by Jane Hu
- Hitfix
![Xavier Dolan at an event for The Death & Life of John F. Donovan (2018)](https://m.media-amazon.com/images/M/MV5BMjIzODEyMDc2M15BMl5BanBnXkFtZTgwMTM4OTkyNjM@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Xavier Dolan at an event for The Death & Life of John F. Donovan (2018)](https://m.media-amazon.com/images/M/MV5BMjIzODEyMDc2M15BMl5BanBnXkFtZTgwMTM4OTkyNjM@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Xavier Dolan, Sophie Marceau and Sienna Miller also among those on the Cannes Film Festival’s Competition jury
The Cannes Film Festival has named the jury for its 68th edition, comprising nine world cinema names from Canada, Spain, the Us, UK, France, Mali and Mexico.
Us filmmakers Joel and Ethan Coen, who won the Palme d’Or in 1991 for Barton Fink and the Grand Prize of the Jury in 2013 with Inside Llewyn Davis, were previously announced as co-presidents of the jury, which will include four women and five men.
The jury will select from the films in Competition, with prize winners to be announced on stage at a ceremony on May 24. The winner of the Palme d’or will be screened during the festival’s closing evening on May 25, in the presence of the jury and the entire team of the winning film.
Click here for full line-up of filmsTHE Jury
Joel & Ethan Coen (Presidents) Directors, Writers...
The Cannes Film Festival has named the jury for its 68th edition, comprising nine world cinema names from Canada, Spain, the Us, UK, France, Mali and Mexico.
Us filmmakers Joel and Ethan Coen, who won the Palme d’Or in 1991 for Barton Fink and the Grand Prize of the Jury in 2013 with Inside Llewyn Davis, were previously announced as co-presidents of the jury, which will include four women and five men.
The jury will select from the films in Competition, with prize winners to be announced on stage at a ceremony on May 24. The winner of the Palme d’or will be screened during the festival’s closing evening on May 25, in the presence of the jury and the entire team of the winning film.
Click here for full line-up of filmsTHE Jury
Joel & Ethan Coen (Presidents) Directors, Writers...
- 4/21/2015
- by [email protected] (Michael Rosser)
- ScreenDaily
![Xavier Dolan at an event for The Death & Life of John F. Donovan (2018)](https://m.media-amazon.com/images/M/MV5BMjIzODEyMDc2M15BMl5BanBnXkFtZTgwMTM4OTkyNjM@._V1_QL75_UX140_CR0,1,140,207_.jpg)
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Xavier Dolan, Sophie Marceau and Sienna Miller also among those on the Cannes Film Festival’s Competition jury
The Cannes Film Festival has named the jury for its 68th edition, comprising nine world cinema names from Canada, Spain, the Us, UK, France, Mali and Mexico.
Us filmmakers Joel and Ethan Coen, who won the Palme d’Or in 1991 for Barton Fink and the Grand Prize of the Jury in 2013 with Inside Llewyn Davis, were previously announced as co-presidents of the jury, which will include four women and five men.
The jury will select from the films in Competition, with prize winners to be announced on stage at a ceremony on May 24. The winner of the Palme d’or will be screened during the festival’s closing evening on May 25, in the presence of the jury and the entire team of the winning film.
The Jury
Joel & Ethan Coen (Presidents) Directors, Writers, Producers...
The Cannes Film Festival has named the jury for its 68th edition, comprising nine world cinema names from Canada, Spain, the Us, UK, France, Mali and Mexico.
Us filmmakers Joel and Ethan Coen, who won the Palme d’Or in 1991 for Barton Fink and the Grand Prize of the Jury in 2013 with Inside Llewyn Davis, were previously announced as co-presidents of the jury, which will include four women and five men.
The jury will select from the films in Competition, with prize winners to be announced on stage at a ceremony on May 24. The winner of the Palme d’or will be screened during the festival’s closing evening on May 25, in the presence of the jury and the entire team of the winning film.
The Jury
Joel & Ethan Coen (Presidents) Directors, Writers, Producers...
- 4/21/2015
- by [email protected] (Michael Rosser)
- ScreenDaily
By Anjelica Oswald
Managing Editor
Damian Szifron’s Wild Tales (Relatos Salvajes) has been met with rave reviews since its premiere at the Cannes Film Festival for its humorous stories and unconventional methods. The feature film consists of six thematically similar, yet unrelated shorts. Wild Tales is Argentina’s submission for best foreign-language film at the Oscars and is one of 83 films up for consideration. Nine films will make the shortlist in January, but only five will be nominated. Looking at films that have been nominated in the 21st century, comedies haven’t had much success at being submitted or nominated, but Wild Tales could be one of the exceptions.
Pedro Almodovar is one of the producers for Wild Tales, which may help the film find success at the Oscars. Almodovar’s twisted sense of humor has been appreciated by the Academy in past years. 1988’s Women on the Verge of a Nervous Breakdown...
Managing Editor
Damian Szifron’s Wild Tales (Relatos Salvajes) has been met with rave reviews since its premiere at the Cannes Film Festival for its humorous stories and unconventional methods. The feature film consists of six thematically similar, yet unrelated shorts. Wild Tales is Argentina’s submission for best foreign-language film at the Oscars and is one of 83 films up for consideration. Nine films will make the shortlist in January, but only five will be nominated. Looking at films that have been nominated in the 21st century, comedies haven’t had much success at being submitted or nominated, but Wild Tales could be one of the exceptions.
Pedro Almodovar is one of the producers for Wild Tales, which may help the film find success at the Oscars. Almodovar’s twisted sense of humor has been appreciated by the Academy in past years. 1988’s Women on the Verge of a Nervous Breakdown...
- 10/30/2014
- by Anjelica Oswald
- Scott Feinberg
Sony Pictures Classics announced today that they have acquired all North American rights to Pedro Almodóvar’s new comedy currently titled I’M So Excited from El Deseo. The film, an ensemble comedy written and directed by Almodóvar, is set to begin production in July and will be released next summer. The cast includes Javier Cámara, Cecilia Roth, Lola Dueñas, Raul Arévalo, Carlos Areces, Antonio de la Torre, Hugo Silva, Willy Toledo, Miguel Ángel Silvestre, Blanca Suárez, José Luis Torrijo, José María Yazpik, Laya Martí with special collaborations from Penélope Cruz, Antonio Banderas and Paz Vega.
The Sony Pictures Classics team has a long history with Almodóvar that began with Women On The Verge Of A Nervous Breakdown at Orion Classics and has continued with seven films at Spc, including The Skin I Live In, Broken Embraces, Volver, Bad Education, All About My Mother, Talk To Her and The Flower Of My Secret.
The Sony Pictures Classics team has a long history with Almodóvar that began with Women On The Verge Of A Nervous Breakdown at Orion Classics and has continued with seven films at Spc, including The Skin I Live In, Broken Embraces, Volver, Bad Education, All About My Mother, Talk To Her and The Flower Of My Secret.
- 6/20/2012
- by Michelle McCue
- WeAreMovieGeeks.com
Telluride Film Festival 2011, Day 1
The first day of the festival proper also means the first round of Symposium speakers have arrived, and two of them are program fixtures. The first is documentarian Ken Burns, who’s spoken to the Symposium students every year since the second edition; the second is theater director / arts professor Peter Sellars, who’s become a regular over the last few years thanks to his unique speaking style. (More on that later.)
Burns, who’s also on the fest’s Board of Governors, was up first. Each speaker – and this goes for the entire Symposium – gets a 45-minute slot. Burns, whose 35 years as America’s foremost documentary chronicler of American history made him the most familiar of the three speakers to the bulk of the group, opened himself up to questions right away, rather than setting the agenda. Burns would often relate his answer to his latest epic-length production,...
The first day of the festival proper also means the first round of Symposium speakers have arrived, and two of them are program fixtures. The first is documentarian Ken Burns, who’s spoken to the Symposium students every year since the second edition; the second is theater director / arts professor Peter Sellars, who’s become a regular over the last few years thanks to his unique speaking style. (More on that later.)
Burns, who’s also on the fest’s Board of Governors, was up first. Each speaker – and this goes for the entire Symposium – gets a 45-minute slot. Burns, whose 35 years as America’s foremost documentary chronicler of American history made him the most familiar of the three speakers to the bulk of the group, opened himself up to questions right away, rather than setting the agenda. Burns would often relate his answer to his latest epic-length production,...
- 9/3/2011
- by Simon Howell
- SoundOnSight
With The Skin I Live In out today in the UK, here’s a handy guide to the films of director Pedro Almodóvar, and what to say if you’ve never seen one of his films…
We’ve all been there. You’re out with some friends eating tapas and drinking sangria, and someone mentions The Skin I Live In, the excellent new film from Pedro Almodóvar. But what if you don’t know the director’s work? Never fear. Here are ten things to say if you’ve never seen an Almodóvar film.
1. On women: “It's all about his mother...”
If you’re watching an Almodóvar film, you can bet that women are involved. Most evident, perhaps, in 2006’s Volver and 1999’s All About My Mother (both five star films), is that he’s a director keen to emphasise female identity, repeatedly highlighting their solidarity and resilience in the...
We’ve all been there. You’re out with some friends eating tapas and drinking sangria, and someone mentions The Skin I Live In, the excellent new film from Pedro Almodóvar. But what if you don’t know the director’s work? Never fear. Here are ten things to say if you’ve never seen an Almodóvar film.
1. On women: “It's all about his mother...”
If you’re watching an Almodóvar film, you can bet that women are involved. Most evident, perhaps, in 2006’s Volver and 1999’s All About My Mother (both five star films), is that he’s a director keen to emphasise female identity, repeatedly highlighting their solidarity and resilience in the...
- 8/25/2011
- Den of Geek
20th Century Fox have announced that The Skin I Live In will be released in the UK on August 26, 2011.
Directed by Pedro Almodóvar (Volver, All About My Mother), The Skin I Live In stars Antonio Banderas, Elena Anaya, Marisa Paredes, Bárbara Lennie, Blanca Suárez and Fernando Cayo.
Ever since his wife was burned in a car crash, Dr. Robert Ledgard (Banderas), an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. After twelve years, he manages to cultivate a skin that is a real shield against every assault.
In addition to years of study and experimentation, Robert needed a further three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig…...
Directed by Pedro Almodóvar (Volver, All About My Mother), The Skin I Live In stars Antonio Banderas, Elena Anaya, Marisa Paredes, Bárbara Lennie, Blanca Suárez and Fernando Cayo.
Ever since his wife was burned in a car crash, Dr. Robert Ledgard (Banderas), an eminent plastic surgeon, has been interested in creating a new skin with which he could have saved her. After twelve years, he manages to cultivate a skin that is a real shield against every assault.
In addition to years of study and experimentation, Robert needed a further three things: no scruples, an accomplice and a human guinea pig. Scruples were never a problem. Marilia, the woman who looked after him from the day he was born, is his most faithful accomplice. And as for the human guinea pig…...
- 4/28/2011
- by Jamie Neish
- HeyUGuys.co.uk
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Still sharing frustration with our UK readers over yesterday’s bad news about The Tree of Life release date roadblocks, so hope this temporarily relieves the pain. “Acclaimed Spanish writer...
- 4/28/2011
- by Ryan Adams
- AwardsDaily.com
Source: FilmShaft - Pedro Almodóvar’s “The Skin I Live In” Gets UK Release Date
Before Antonio Banderas became a Hollywood superstar he worked in Spain with its greatest living director, Pedro Almodóvar. Now the duo have teamed up for the first time in over twenty years to present a horror flick called The Skin I Live In.
This baroque psycho-shocker is certainly a change of pace for the pair and now it's got an official UK release date: 26th August. The film is playing at the 64th Cannes Film Festival next month.
"Acclaimed Spanish writer/director Pedro Almodóvar returns with his latest film The Skin I Live In, reuniting him with three of his previous collaborators: Antonio Banderas (Women on the Verge of a Nervous Breakdown, Tie Me Up, Tie Me Down), Elena Anaya (Talk to Her) and Marisa Paredes (All About My Mother, Talk to Her, The Flower of My Secret...
Before Antonio Banderas became a Hollywood superstar he worked in Spain with its greatest living director, Pedro Almodóvar. Now the duo have teamed up for the first time in over twenty years to present a horror flick called The Skin I Live In.
This baroque psycho-shocker is certainly a change of pace for the pair and now it's got an official UK release date: 26th August. The film is playing at the 64th Cannes Film Festival next month.
"Acclaimed Spanish writer/director Pedro Almodóvar returns with his latest film The Skin I Live In, reuniting him with three of his previous collaborators: Antonio Banderas (Women on the Verge of a Nervous Breakdown, Tie Me Up, Tie Me Down), Elena Anaya (Talk to Her) and Marisa Paredes (All About My Mother, Talk to Her, The Flower of My Secret...
- 4/28/2011
- by Martyn Conterio
- FilmShaft.com
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