![Image](https://m.media-amazon.com/images/M/MV5BYmNkNTg2NzItZGNiNS00Njk5LWEwOTEtY2I5NmY3Y2Q5NmM1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BYmNkNTg2NzItZGNiNS00Njk5LWEwOTEtY2I5NmY3Y2Q5NmM1XkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
There are numerous laugh-out-loud moments in Saltburn, Emerald Fennell’s darkly comic and voyeuristic exploration of the British aristocracy being released on Friday by Amazon MGM Studios. Despite the hugely impressive efforts of Rosamund Pike and Richard E. Grant, however, most don’t belong to the lead cast, but to Paul Rhys.
As Duncan, the imperious and terrifying butler, the Welsh actor silently steals scenes from under the toffee noses of both those he dutifully serves at the Saltburn mansion (including Pike, Grant, Jacob Elordi and Alison Oliver) and the lower-class interloper he’s keeping a beady eye on (Barry Keoghan) each time he appears with hilariously po-faced magnificence.
And it’s a face that crops up again in another starry title landing late in the awards season corridor. In Ridley Scott’s much-anticipated biopic Napoleon, out Nov. 22 via Apple Original Films and Sony Pictures, Rhys plays Talleyrand, the crafty...
As Duncan, the imperious and terrifying butler, the Welsh actor silently steals scenes from under the toffee noses of both those he dutifully serves at the Saltburn mansion (including Pike, Grant, Jacob Elordi and Alison Oliver) and the lower-class interloper he’s keeping a beady eye on (Barry Keoghan) each time he appears with hilariously po-faced magnificence.
And it’s a face that crops up again in another starry title landing late in the awards season corridor. In Ridley Scott’s much-anticipated biopic Napoleon, out Nov. 22 via Apple Original Films and Sony Pictures, Rhys plays Talleyrand, the crafty...
- 11/15/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
![Image](https://m.media-amazon.com/images/M/MV5BMjNjZTdjYmItMzlmMi00MWRjLWIzZDItNGEwNzMwMWZlMTYzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY140_CR36,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BMjNjZTdjYmItMzlmMi00MWRjLWIzZDItNGEwNzMwMWZlMTYzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY140_CR36,0,140,140_.jpg)
Tim Roth is a director’s actor. The London native began his on-screen career under the helm of Alan Clarke with a volatile role in his 1982 television play “Made In Britain,” exploding in front of the camera and immediately putting himself on the map. One director after another was lining up to work with him, leading to plum subsequent parts in the years to follow with Mike Leigh (“Meantime”), Stephen Frears (“The Hit”), Peter Greenaway, and Robert Altman (“Vincent & Theo”) by the time he had reached his first full decade in films.
Continue reading Tim Roth On Making ‘Sundown’ Like a Silent Movie, The Directors Who Shaped Him & Rejoining The MCU In ‘She-Hulk’ [Interview] at The Playlist.
Continue reading Tim Roth On Making ‘Sundown’ Like a Silent Movie, The Directors Who Shaped Him & Rejoining The MCU In ‘She-Hulk’ [Interview] at The Playlist.
- 1/28/2022
- by Mitchell Beaupre
- The Playlist
In general, I’m a fan of van Gogh movies—a pretty nifty micro-genre because those films examine our ingrained notions about the intrinsic relationship between artistic genius on the one hand and mental illness, poverty, and ostracism on the other.There are two major aesthetic choices that any director making a van Gogh movie must make: (1) how your own cinematic style will comment on or parallel van Gogh’s painterly aesthetics, and (2) how the main actor will portray van Gogh’s madness. Given the subject matter, the director’s own style in these movies takes on a more significant role than in your average film. The most respected movies on the subject remain Vincente Minnelli’s Lust for Life (1956), with Kirk Douglas bellowing melodramatically as a tortured soul, and Maurice Pialat’s Van Gogh (1991), with Jacques Dutronc almost sleepwalking through the picture like an apathetic desk clerk. Robert Altman...
- 10/16/2018
- MUBI
![Vincent van Gogh](https://m.media-amazon.com/images/M/MV5BYzk5ODM5MDEtNjA2YS00Y2U4LWI0YTktY2E2ZDMxY2NlMzhkXkEyXkFqcGdeQXVyNDUzOTQ5MjY@._V1_QL75_UY207_CR12,0,140,207_.jpg)
![Vincent van Gogh](https://m.media-amazon.com/images/M/MV5BYzk5ODM5MDEtNjA2YS00Y2U4LWI0YTktY2E2ZDMxY2NlMzhkXkEyXkFqcGdeQXVyNDUzOTQ5MjY@._V1_QL75_UY207_CR12,0,140,207_.jpg)
“What do you paint?” The question comes from an asylum inmate who is seated next to Vincent van Gogh (Willem Dafoe). Van Gogh replies with a single word: “Sunlight.” That may be as good a description of van Gogh’s art as you’re likely to get. In his brief time on this planet, and the even briefer period of his full creative effusion, van Gogh painted flowers, wheat fields, vineyards, cafés, chairs, boats, starry nights, and himself, but what he really painted was the light that bounced off those things and rippled through them. He painted the ecstatic holiness he saw in that light, with each brush stroke a mystic gob of sensuality and spirit.
“At Eternity’s Gate,” Julian Schnabel’s fluky and transporting drama about van Gogh’s tumultuous, fervid, and artistically possessed last days, is a movie that channels the light — the evanescent glow of van...
“At Eternity’s Gate,” Julian Schnabel’s fluky and transporting drama about van Gogh’s tumultuous, fervid, and artistically possessed last days, is a movie that channels the light — the evanescent glow of van...
- 9/3/2018
- by Owen Gleiberman
- Variety Film + TV
![Julian Schnabel](https://m.media-amazon.com/images/M/MV5BMTM4ODM4Mzg5OV5BMl5BanBnXkFtZTcwMDg2ODQ1MQ@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
![Julian Schnabel](https://m.media-amazon.com/images/M/MV5BMTM4ODM4Mzg5OV5BMl5BanBnXkFtZTcwMDg2ODQ1MQ@@._V1_QL75_UY207_CR2,0,140,207_.jpg)
CBS Films has acquired U.S. distribution rights to “At Eternity’s Gate,” the new film from fine artist and director Julian Schnabel that was for sale at this year’s Cannes.
The deal was for $1.75 million and the picture will star Willem Dafoe, fresh off an Oscar-nominated turn in “The Florida Project,” as Vincent Van Gogh. Oscar Isaacs (“Ex Machina”), Rupert Friend (“Homeland”) and Mads Mikkelsen (“Valhalla Rising”) round out the cast. A 2018 release is planned, with CBS Films positioning “At Eternity’s Gate” as an awards contender.
Schnabel hasn’t made a film since 2010’s “Miral,” a coming of age drama about a Palestinian girl that received a tepid critical response and withering box office returns. He fared much better with 2007’s “The Diving Bell and the Butterfly” and 2000’s “Before Night Falls,” both of which scored Oscar nominations and rave reviews.
Schnabel is an eccentric figure, often pajama clad,...
The deal was for $1.75 million and the picture will star Willem Dafoe, fresh off an Oscar-nominated turn in “The Florida Project,” as Vincent Van Gogh. Oscar Isaacs (“Ex Machina”), Rupert Friend (“Homeland”) and Mads Mikkelsen (“Valhalla Rising”) round out the cast. A 2018 release is planned, with CBS Films positioning “At Eternity’s Gate” as an awards contender.
Schnabel hasn’t made a film since 2010’s “Miral,” a coming of age drama about a Palestinian girl that received a tepid critical response and withering box office returns. He fared much better with 2007’s “The Diving Bell and the Butterfly” and 2000’s “Before Night Falls,” both of which scored Oscar nominations and rave reviews.
Schnabel is an eccentric figure, often pajama clad,...
- 5/15/2018
- by Brent Lang
- Variety Film + TV
Actor Tim Roth
Tim Roth Is Telling No Lies
By
Alex Simon
Editor's Note: This article appears in the March issue of Venice Magazine.
One of the film world’s great chameleons, Tim Roth was born in London May 14, 1961, the son of a journalist and a school teacher. After dropping out of art school, Roth was discovered by maverick British director Alan Clarke, and cast in his incendiary 1982 study of the skinhead movement in the UK, Made in Britain. Tim Roth hasn’t stopped working since, with over 70 feature and TV roles to his credit including such iconic titles as The Hit, The Cook, the Thief, His Wife & Her Lover, Vincent and Theo, Quentin Tarantino’s Reservoir Dogs and Pulp Fiction, Woody Allen’s Everyone Says I Love You, and most recently, the lead in Francis Coppola’s first feature in ten years, Youth Without Youth.
Roth stepped behind the...
Tim Roth Is Telling No Lies
By
Alex Simon
Editor's Note: This article appears in the March issue of Venice Magazine.
One of the film world’s great chameleons, Tim Roth was born in London May 14, 1961, the son of a journalist and a school teacher. After dropping out of art school, Roth was discovered by maverick British director Alan Clarke, and cast in his incendiary 1982 study of the skinhead movement in the UK, Made in Britain. Tim Roth hasn’t stopped working since, with over 70 feature and TV roles to his credit including such iconic titles as The Hit, The Cook, the Thief, His Wife & Her Lover, Vincent and Theo, Quentin Tarantino’s Reservoir Dogs and Pulp Fiction, Woody Allen’s Everyone Says I Love You, and most recently, the lead in Francis Coppola’s first feature in ten years, Youth Without Youth.
Roth stepped behind the...
- 3/6/2009
- by The Hollywood Interview.com
- The Hollywood Interview
Altman's Editor Peroni in Suicide Mystery
American film editor Geraldine Peroni died at her New York home on Tuesday after reportedly committing suicide. She was 51. The city's medical examiner's office ruled the movie maker - who frequently worked with director Robert Altman - had killed herself, however her family are disputing that finding. Peroni was due to edit the new Heath Ledger and Jake Gyllenhaal film Brokeback Mountain later this year. Peroni worked on eight Altman films, including Vincent And Theo, Dr T And The Women and The Company. Altman says, "Her death is a big loss. She made my work so easy. She reads me better than anybody had ever read me, and, consequently, she did the work; I didn't have to. So it was a wonderful situation. But those things don't last." During her 20 year film career, she was nominated for an Academy Award and a BAFTA award for The Player.
- 8/10/2004
- WENN
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.