A mysterious hypnotist reverts his beautiful assistant back into the form of a prehistoric sea monster that she was in a past life.A mysterious hypnotist reverts his beautiful assistant back into the form of a prehistoric sea monster that she was in a past life.A mysterious hypnotist reverts his beautiful assistant back into the form of a prehistoric sea monster that she was in a past life.
William Hudson
- Bob
- (as Bill Hudson)
Storyline
Did you know
- TriviaAllegedly, Peter Lorre was so appalled by the script that he immediately fired his agent for trying to get him a part in the movie.
- GoofsThere are a number of continuity errors during Dr. Lombardi's first performance at Tim Chappel's home: 1) when the dancer finishes, Ted and Dorothy shift to her position in the following shot, 2) during their conversation, the patio curtains are drawn wider in long shots than in closer shots, 3) when Lt. James finishes talking to Ted and leaves the frame, he is gone from the following wide shot, 4) Ted takes his seat twice, 5) the cutaways to Lt. James show him in a lit room when in all other shots the lights are dim, and 6) when Dr. Lombardi announces the creature's appearance, Lt. James mounts the stage from the right, but it is clear from preceding shots that he was nowhere in that vicinity.
- Quotes
Andrea Talbott: [to Lombardi] I hate this place. I hate the sound of the ocean. I hate you.
- ConnectionsEdited into Teenage Cave Man (1958)
Featured review
There are a few good things to be said about this schlock- I wouldn't just say its all bad and forget it. Yes it is slow at times, but better than you might expect with Chester Morris staying totally in character for every second he is on screen displaying acting skill and supreme polish. He is good as a strange, creepy hypnotist, although you don't get the impression that he relishes this role.
Marla English is a cut above the average 1950's big-chested b-actress in her role as the she-creature. Tom Conway is obviously washed-up but is OK in his role as a sleazy, cynical "event promoter".
The director framed Morris in most scenes to enhance his screen presence. Also there is some directorial skill in a few other scenes, such as when you have a three-layer deep scene with Ms. English close to the screen, the leading man in mid distance, and a carny operator in the background- this scene is a good piece of directing and staging as it ends focused on the carny who was in the background to start. Most 50's cheap-o films would not take the time and effort to plan and stage scenes as well as this.
The hypnotist (Morris) and the creature at times are menacing and overall Morris is hypnotic to watch, if at times slow-moving.
Washed up cheap cast and cheap 50's B&W but somewhat entertaining and not just a time-waster, despite its basic schlock nature.
Marla English is a cut above the average 1950's big-chested b-actress in her role as the she-creature. Tom Conway is obviously washed-up but is OK in his role as a sleazy, cynical "event promoter".
The director framed Morris in most scenes to enhance his screen presence. Also there is some directorial skill in a few other scenes, such as when you have a three-layer deep scene with Ms. English close to the screen, the leading man in mid distance, and a carny operator in the background- this scene is a good piece of directing and staging as it ends focused on the carny who was in the background to start. Most 50's cheap-o films would not take the time and effort to plan and stage scenes as well as this.
The hypnotist (Morris) and the creature at times are menacing and overall Morris is hypnotic to watch, if at times slow-moving.
Washed up cheap cast and cheap 50's B&W but somewhat entertaining and not just a time-waster, despite its basic schlock nature.
- How long is The She-Creature?Powered by Alexa
Details
Box office
- Budget
- $100,000 (estimated)
- Runtime1 hour 17 minutes
- Color
- Aspect ratio
- 1.85 : 1
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