14 reviews
I saw this film by accident. It was a second, unbilled, feature at a Saturday matinee I attended when I was 9. I have no idea, now, what that first feature was, but this movie took me in and moved me in a way that had never happened before. Laughed before, yes. Been scared of course! Hid my eyes and left the theater peering ahead at dark corners and the spaces between streetlights.
With this film, however, for the first time (and not the last), I found myself crying in a theater. I am certain, now, I wasn't in tears for the people in the film, but for my own life and at the way I had always responded to my grandfather. The movie -- dare I say this -- held a mirror to the reality I knew as a well cared-for middle-class kid in a small eastern town at mid-century and let me know that I, too, would some day grow up, grow old, come to know sorrow and, one day, die.
Soon, very soon after this, I encountered Citizen Cane on late night television and all things changed again. But this little film opened me up to the power and potential that movies can have toward making people see, understand and feel.
With this film, however, for the first time (and not the last), I found myself crying in a theater. I am certain, now, I wasn't in tears for the people in the film, but for my own life and at the way I had always responded to my grandfather. The movie -- dare I say this -- held a mirror to the reality I knew as a well cared-for middle-class kid in a small eastern town at mid-century and let me know that I, too, would some day grow up, grow old, come to know sorrow and, one day, die.
Soon, very soon after this, I encountered Citizen Cane on late night television and all things changed again. But this little film opened me up to the power and potential that movies can have toward making people see, understand and feel.
For a modest little B picture When I Grow Up packs a lot of heart string tugging punch. Sam Spiegel produced this when he was operating under S.P. Eagle and screenwriter Michael Kanin got his only directorial credit for the screen.
This is the story of two generations of Reeds, present day 1951 with Harry Morgan and Elizabeth Fraser trying to raise Bobby Driscoll whom they see as willfully disobedient. Living with them is Morgan's father and Driscoll's grandfather Charley Grapewin. After a hand wringing session with Morgan and Fraser about how are we going to deal with this rebellious kid, Grapewin goes up to the attic and finds a diary he kept as a kid.
As he reads his thoughts back then we're transported to 1892 and now Grapewin's role is also played by Driscoll. He's being brought up by a very stern father in Robert Preston and a deferring wife in Martha Scott. He also as a little sister in Sherry Jackson who delights in tormenting him and the parents always take her side. She's daddy's little girl and everyone knows it. Watching Preston he's far from the charming conman Harold Hill who was operating in Iowa in this era.
The influence of Mark Twain is unmistakable here as Driscoll slips neatly into a Tom Sawyer like childhood. The Huckleberry Finn of the story is Johnny McGovern whom Driscoll's parents warn about associating with such disreputable people. McGovern's mom is reputed to be a lady of easy virtue.
A decision by the boys to run away and join the circus has an impact that's felt two generations away. That's all I can say about how the lives of Charley Grapewin and his grandson are affected, but affected they are.
The closest film I could compare this with is A Tree Grows In Brooklyn. Nostalgia to be sure, but tempered with a very hard realism about what life was like in semi-rural setting for Driscoll and an urban setting for the Nolan family in A Tree Grows In Brooklyn.
When I Grow Up hasn't got the production values a major studio could have given it. But the ensemble cast is just about perfect in their roles and it will get the tear glands working.
This is the story of two generations of Reeds, present day 1951 with Harry Morgan and Elizabeth Fraser trying to raise Bobby Driscoll whom they see as willfully disobedient. Living with them is Morgan's father and Driscoll's grandfather Charley Grapewin. After a hand wringing session with Morgan and Fraser about how are we going to deal with this rebellious kid, Grapewin goes up to the attic and finds a diary he kept as a kid.
As he reads his thoughts back then we're transported to 1892 and now Grapewin's role is also played by Driscoll. He's being brought up by a very stern father in Robert Preston and a deferring wife in Martha Scott. He also as a little sister in Sherry Jackson who delights in tormenting him and the parents always take her side. She's daddy's little girl and everyone knows it. Watching Preston he's far from the charming conman Harold Hill who was operating in Iowa in this era.
The influence of Mark Twain is unmistakable here as Driscoll slips neatly into a Tom Sawyer like childhood. The Huckleberry Finn of the story is Johnny McGovern whom Driscoll's parents warn about associating with such disreputable people. McGovern's mom is reputed to be a lady of easy virtue.
A decision by the boys to run away and join the circus has an impact that's felt two generations away. That's all I can say about how the lives of Charley Grapewin and his grandson are affected, but affected they are.
The closest film I could compare this with is A Tree Grows In Brooklyn. Nostalgia to be sure, but tempered with a very hard realism about what life was like in semi-rural setting for Driscoll and an urban setting for the Nolan family in A Tree Grows In Brooklyn.
When I Grow Up hasn't got the production values a major studio could have given it. But the ensemble cast is just about perfect in their roles and it will get the tear glands working.
- bkoganbing
- Aug 29, 2014
- Permalink
"When I Grow Up" is a nice family film that might be nice to watch with your kids. It's got a lot to say about childhood...but even more about proper parenting.
The story begins with a mother and father jumping to conclusions about their son after a neighbor comes and tells them that Danny is an evil jerk-face. But Danny seems like a very decent kid, and the 'evil' that he supposedly did was actually standing up for a small kid being bullied by a much bigger kid. When Danny intervened, the bully brought his gang back...and they were driven away by Danny and his small friend. So, the bully told his mom that he was being bullied by Danny...and the stupid mother verbally berates Danny's mom...and Danny, without even listening to her son, assumes the worst. Danny's father isn't any better and it seems like both parents use the notion "spare the rod..." but don't consider any other option!
After Danny's mom berates Grandpa (wow is this a nasty family), Grandpa considers running away...and he remembers a time when he was a kid and he wanted to run away as well...running away and joining the circus. Where does it all go from there, see the film.
The story is very sentimental and has a lot to say about good parenting...something sadly lacking in the parents in the film. It also has a lot to say about understanding, love and forgiveness. It's a very old fashioned sort of tale...but very well told and never dull. Well worth seeing.
By the way, while Bobby Discoll was wonderful playing both Danny and his grandfather, it's sad for me to watch him due to Discoll's very abbreviated adulthood. Sad...very sad.
The story begins with a mother and father jumping to conclusions about their son after a neighbor comes and tells them that Danny is an evil jerk-face. But Danny seems like a very decent kid, and the 'evil' that he supposedly did was actually standing up for a small kid being bullied by a much bigger kid. When Danny intervened, the bully brought his gang back...and they were driven away by Danny and his small friend. So, the bully told his mom that he was being bullied by Danny...and the stupid mother verbally berates Danny's mom...and Danny, without even listening to her son, assumes the worst. Danny's father isn't any better and it seems like both parents use the notion "spare the rod..." but don't consider any other option!
After Danny's mom berates Grandpa (wow is this a nasty family), Grandpa considers running away...and he remembers a time when he was a kid and he wanted to run away as well...running away and joining the circus. Where does it all go from there, see the film.
The story is very sentimental and has a lot to say about good parenting...something sadly lacking in the parents in the film. It also has a lot to say about understanding, love and forgiveness. It's a very old fashioned sort of tale...but very well told and never dull. Well worth seeing.
By the way, while Bobby Discoll was wonderful playing both Danny and his grandfather, it's sad for me to watch him due to Discoll's very abbreviated adulthood. Sad...very sad.
- planktonrules
- Apr 6, 2021
- Permalink
It was from reading these comments that I located the film in 16mm and later transferred it to video. Bobby Driscoll has always been a favorite of mine and everyone I have been in touch with says that this was his best film.This is a very special and wonderfully sentimental story that should be seen by every male of any age. I, like so many others, cried at the end. It brought back memories of my parents and the struggles of being a young teenager. This film is also blessed with an inspired musical score. The opening theme will haunt you for a long time. When I Grow Up is a classic and should be available on video! Let's unite and demand it!
I have never been able to forget this movie. I was 7 or 8 years old when I saw it. I stayed all day on that Saturday, which was matinée day at the local theater 2 blocks from my home and saw it several times in that one day I was allowed to go to the movies. It was the first movie that made me feel part of it. My most memorable moment was when he was reading and making his own diary and attempting to spell words which were only sounds. Sounds he made with his mouth and a slap or finger popping in and out of his cheek. There was as definite connection for me with Bobby Driscoll in that movie. I felt like his personal friend and peeking in on his life, giving my the feeling of the love I had for my own. I only wish I knew where I could obtain that movie on DVD or VHS, for to me, it is truly a classic. I'm now 63 years old, and when looking at photos of Bobby back then, I become that 7/8 year old boy for just a moment. I can't believe I have found this information on this site, to bring back such a wonderful time in my life.
I saw this film by accident; it was a second, unbilled, feature at a Saturday matinée I attended when I was 9. I have no idea, now, what that first feature was, but this movie took me in and moved me in a way that had never happened before. Laughed before, yes. Been scared -- of course! Hid my eyes and left the theater peering ahead at dark corners and the spaces between streetlights, certainly.
With this film, however, for the first time (and not the last), I found myself crying in a theater. I am certain, now, I wasn't in tears for the people in the film, but for my own life and at the way I had always responded to my grandfather. The movie -- dare I say this -- held a mirror to the reality I knew as a well cared-for middle-class kid in a small eastern town at mid-century and let me know that I, too, would some day grow up, grow old, come to know sorrow and, one day, die.
Soon, very soon after this, I encountered Citizen Cane on late night television and all things changed again. But this little film opened me up to the power and potential that movies can have toward making people see, understand and feel.
With this film, however, for the first time (and not the last), I found myself crying in a theater. I am certain, now, I wasn't in tears for the people in the film, but for my own life and at the way I had always responded to my grandfather. The movie -- dare I say this -- held a mirror to the reality I knew as a well cared-for middle-class kid in a small eastern town at mid-century and let me know that I, too, would some day grow up, grow old, come to know sorrow and, one day, die.
Soon, very soon after this, I encountered Citizen Cane on late night television and all things changed again. But this little film opened me up to the power and potential that movies can have toward making people see, understand and feel.
- crittercat
- Mar 8, 2005
- Permalink
"Danny" (Bobby Driscoll) lives with his dad (Harry Morgan) and mum (Elisabeth Fraser) but isn't especially happy. Indeed, he feels neglected and determines to leave home and chance his arm in the outside world. Before he hits the road, though, he discovers an old diary written by his grandpa (Charley Grapewin) that details the trials and tribulation of his own youth - and tells of his desire to flee with his best pal "Duckface" (John Wilder) and join the circus. It's very hard work and the youngsters are largely ignored by the staff except, that is, for the clown "Bobo" (Poodles Hanneford) who promises to go into business with them if they make it big. Sadly, the 1890s wasn't the healthiest of times to live and when typhoid hits the town, it puts a great deal in perspective and back in 1950s America, it reminds the young "Danny" that maybe life could be quite a bit worse and maybe he ought to count his blessings? There's something really quite touching about the Driscoll effort(s) in this film as he skips from the older to the more modern character effortlessly and engagingly. It's quite a telling story of grass being greener, but also of childhood - and of the dreams we all had before life got us by the scruff of the neck. There's also quite a strong effort from both Robert Preston and Martha Scott as the 19th century parents facing a not dissimilar problem rearing a lad full of spark and ambition only without electricity and with more distracting elephants. It's simplicity is affecting and it's well worth a watch.
- CinemaSerf
- Dec 4, 2024
- Permalink
when i read the review by "meister-5" of kansas, city, missouri, regarding this motion picture, i thought i had written it. it is so sad that such an influential work has not made it to vcr and sold/rented on the marketplace. what a shame. the storyline is excellent and the acting is fabulous. it is clean and it impacted my life very similarly to that of your commenter "meister-5". i appreciate the info provided by imdb!
This could easily be the best performance Bobby Driscoll ever did. Like the other comments, this is a wonderful and unforgettable movie. Like others here, I saw it as a child. I think I was 10. I'm a movie buff and it has stayed with me all these years and yet almost nobody has ever heard of it. It is truly a shame that it's not available with such memorable performances from Driscoll, Robert Preston, Charley Grapewin and the others. Can it be that costly to make this exceptional film available again? It excels in every way possible ---directing, acting, music, cinematography, editing, and a superb original script. It's a rare treasure and deserves to be saved and seen. Please, someone, make it happen!
- mark.waltz
- Apr 28, 2022
- Permalink
I first saw the movie when I was around 12 or 13 years old. It has stuck with me all these years as one of the most moving father/son relationship moments I've seen. I tried to incorporate the best of the movie's redeeming values as we raised our son -- now a 34-year old Navy Chaplain. The trials and tribulations of the family and, particularly the father and son, are themes that each of us need to either experience or learn about in life. If we did, I think we would all have a better grasp on the humanity of us all. I've looked for the movie over the years; if it were on or available, I'd watch it over and over. Here's hoping other fathers and sons get to experience this wonderful movie. Roy
I saw "When I Grow Up" 40 years ago, have not only been looking for it ever since, but have also tried in vain to find anyone else in the world who has even heard of it. Even now, I can't tell the story line of the film without holding back tears when I get to the "Mom, where's Dad?" scene when Bobby Driscoll finally comes out of his fever coma.
Like the boy in the film, I also never achieved the going fishing relationship with my father that the film symbolizes. But I thought I would, "maybe next week or the month after that." And when my father died, "When I Grow Up" was one of the first things I thought of as having been a reminder or a warning that I hadn't heeded soon enough.
But when my own son was born, I remembered it and I heeded it. And the message of "When I Grow Up" was with my son and me all of the days of my Brandon's childhood. With a little luck, in a few years I'll be the grandfather responding to my grandson, "You know, I can't think of anything I'd rather do" when he says to me "Hey, Grandpa. Let's go fishing."
Like the boy in the film, I also never achieved the going fishing relationship with my father that the film symbolizes. But I thought I would, "maybe next week or the month after that." And when my father died, "When I Grow Up" was one of the first things I thought of as having been a reminder or a warning that I hadn't heeded soon enough.
But when my own son was born, I remembered it and I heeded it. And the message of "When I Grow Up" was with my son and me all of the days of my Brandon's childhood. With a little luck, in a few years I'll be the grandfather responding to my grandson, "You know, I can't think of anything I'd rather do" when he says to me "Hey, Grandpa. Let's go fishing."
I have been looking for this movie for 47 years. At times I thought I had the wrong title. I only saw the movie once but it influenced my thinking then and still today. I saw myself as Josh/Danny Reed. It was like looking into a mirror. I changed my attitude toward my relationship with peers, younger and older persons. I learned to treat people with respect and expect respect when deserved.
Like the other reviewers, I saw this film in the early 50's at a Saturday matinée. I was 8 or so, and have never forgotten that day. I wonder if all of you who have seen it remember the haunting harmonica tune played throughout, and especially during the last scene. I understand that TCM owns the rights to the film, but have never moved forward with it. I worked for Disney Studios for years, and even presented my case to them as a feature for the Disney Channel, especially since Bobby Driscoll was one of their classic performers. To no avail, I'm afraid.
The world is missing such a gem.
The world is missing such a gem.