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1-11 of 11
- A captivating look behind the scenes of the remarkable life of a young Swedish girl who became one of the most celebrated actresses of American and World cinema.
- A six-part documentary about the Broadway musical
- Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love.
- Michele Lee, Hal Linden, and Leslie Uggams perform show stoppers that didn't win. Vivian Reed belts out "Sweet Georgia Brown." Jerry Orbach takes on "All I Care About." The cast of Chorus Line sings "One" and "I Hope I Get It."
- 20049.0 (28)TV EpisodeAt the beginning of the twentieth century, Broadway was dominated by two names: George M. Cohan and Florenz Ziegfeld Jr.. Cohan wrote and starred in his own shows. Ziegfeld pioneered the revue show, most notably The Follies fashioned after the Follies Bergere of Paris. His shows were an amalgam of American life at the time, most notably what was happening in New York. The show also borrowed heavily from musical theater of the period, namely vaudeville and minstrel shows. From these came many of Ziegfeld's biggest acts, such as Fanny Brice and Bert Williams, who broke the color barrier. But what the Ziegfeld Follies did more than anything was glorify the American girl by featuring them in exotic and flamboyant costumes. Two major composers emerged from this era of Broadway: Irving Berlin and Jerome Kern, who were based in an area of New York called Tin Pan Alley, the center of popular music. Kern in particular, with production by Ziegfeld and lyrics by Oscar Hammerstein II, would lead Broadway into a new era with the 1927 stage production of 'Show Boat', the first Broadway story musical. But the advent of talking movies would usher in the new era of musicals to the American public.