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- Actress
- Producer
Persis Khambatta was born on October 2, 1948 in Bombay, India. When aged 16, as Femina Miss India, she entered Miss Universe 1965, dressed in off-the-rack clothes she bought at the last minute. Khambatta became a model for companies such as Revlon. Her biggest acting break was getting the role of Lieutenant Ilia, the bald Deltan alien in Star Trek: The Motion Picture (1979). This led to roles in Nighthawks (1981), Megaforce (1982) and Warrior of the Lost World (1983). She was considered for the title role in the James Bond film Octopussy (1983), but was passed over in favor of Maud Adams. Khambatta became the first citizen of India to present an Academy Award in 1980. She was nominated for the Saturn Award for Best Actress for her Star Trek role. Khambatta also made guest appearances in many popular American television series. In the early 1980s, she was seriously injured in a car crash in Germany and had to have heart bypass surgery.
A year before her death, she wrote and published a coffee table book titled "Pride of India" which featured former Miss Indias; it was dedicated to Mother Teresa, and part of the royalties went to the Missionaries of Charity. On August 17, 1998, Persis Khambatta was taken to the Marine Hospital in South Mumbai, complaining of chest pains. She died of a heart attack on August 18, 1998 at the age of 49; her funeral was held in Mumbai.- Actor
- Director
- Producer
Born Sahabzade Irfan Ali Khan, in Jaipur, Rajasthan (NW India) January 7, 1967 to a Pashto-speaking Muslim family. Khan's mother, Begum Khan, was from the Tonk Hakim family and his father, Jagirdar Khan, from the Khajuriya village near the Tonk district, ran a tire business.
The Khan family name comes from Turkish and Mongol languages and mean "king" or great leader. Descendants of Genghis Khan (13th century) in central Asia adopted Islam and became the Moghuls, who conquered India for several centuries until British rule.
Irfan was a skilled cricket player. In his early 20's he was selected for the CK Nayudu Tournament (a stepping stone to First Class cricket). He did not turn up for the tournament owing to lack of funds and as a result he focused on acting.
In 1984 he earned a scholarship to the National School of Acting in New Delhi.
He was awarded the Padma Shri, India's fourth highest civilian honor for his contribution to the field of arts.
His portrayal of Paan Singh Tomar in the acclaimed biographical sports drama Paan Singh Tomar (2011) won him the National Film Award for Best Actor and a Filmfare Critics Award for Best Actor. His performance in the BAFTA Award nominated romance The Lunchbox (2013) earned him universal acclaim by the critics and audiences.
Globally, Khan was in The Warrior (2001), The Namesake (2006), The Darjeeling Limited (2007), the Academy Award-winning film Slumdog Millionaire (2008), New York, I Love You (2009), The Amazing Spider-Man (2012), Life of Pi (2012), Jurassic World (2015) and Inferno (2016). As of 2017, his films have grossed $3.643 billion at the worldwide box office. In 2018, Khan was diagnosed with a neuroendocrine tumor.
Khan got married to his wife Sutapa Sikdar, in 1995. She is a Hindu of the Brahmin caste. She is a movie producer, dialogue writer and screenwriter. Among her famous movies are Khamoshi: The Musical (Dialogue Writer, 1996), Supari (Dialogue Writer, 2003), Kahaani (Dialogue Writer, 2003), Madaari (Producer, 2016), Qarib Qarib Singlle (Producer, 2017)
They have two kids: Ayaan Khan, Babil Khan
Unlike most Indian film stars, Irrfan has been outspoken on religion. On Arnab Goswami's talk show, he took on Muslim fundamentalists, including India's Grand Imam. Irrfan Khan argued against "transactional religious interaction" and for "personal religious discovery"..."to discover yourself, to find God". Though he admits he is "not an authority" on the Koran and Islamic Holy scriptures he has bravely stood by his comments despite heavy criticism and even threats of violence. He's aware of the dangers that his frank comments pose to him and his family. His wife commented, "We are very proud of him."- Actor
- Music Department
- Soundtrack
For Amrish Puri, it was virtually the 'Summer of 42'. The actor's long simmering affair with acting found culmination when he reached his early 40s. And while his dream of playing the hero may have been thwarted, he went on to become the most loved villains of all time. He was also an artiste who redefined the dynamics for character actors. If he wowed the critics with his rough-edged portrayals in the art films of Shyam Benegal and Govind Nihalani, he won over the masala movie buffs with his louder-than-life histrionics. Puri with his reverberating baritone, piercing glance and dramatized dialogue delivery was a formidable figure against the hero. His costumes were all about prolific imagination and his one-liners ranging from, 'Mogambo khush hua' to 'Dong kabhi wrong nahin hota' are now part of cinema glossary. Puri even went ahead and worked in Steven Spielberg's Indiana Jones And The Temple Of Doom and Richard Attenborough's Gandhi, only to return and endorse the diversity that is Bollywood.
But behind the tough facade was a genteel person. "Upright and a true karma-yogi," as son and marine navigator Rajeev Puri describes him. "People from all walks of life loved him - even the police and the politicians." Rajeev adds, "A decade after his demise, some film or the other of his is constantly playing on channels - out of the 350 he did, 200 were hits!" And when people till date come up to him requesting for a photograph because he's the famed Mogambo's (Puri's character in Mr India) son, Rajeev realizes that Mogambo truly is larger than life, in fact beyond it.
Puri graduated from the BM College in Shimla, Himachal Pradesh. Puri was a leader of the RSS youth wing there and that explains why he remained a stickler for discipline and punctuality. In the '50s, he moved to Mumbai and found a job with the Employees' State Insurance Corporation (ESIC). There he met my mother Urmila, a Konkani, and married her. His elder brothers Chaman Puri and Madan Puri were also actors. In fact, we lived with Madanji at Kings Circle for a few years before we shifted to our Santacruz home. Puri passion was acting. He worked during the day and in the evening did amateur theatre with Ebrahim Alkazi, Satyadev Dubey, Vijay Tendulkar and Girish Karnad among others. In fact, Satyadev Dubey and he began Hindi theatre in Mumbai with plays like Hayavadana and Yugati winning him much applause. He became well known as a stage character actor, which led to him doing ads and finally films in the early '70s.
Believe it or not, Amrish Puri wanted to become a Bollywood movie star, but failed a screen test in 1953. And what a failure it was! Mr. Puri, went on to become one of the most renowned and credible villains in the history of Indian cinema. His most memorable and often quoted role is the character of 'Mogambo' (with the catchphrase "Mogambo Khush Hua"). It is still remembered fondly from Mr. India (1987).
On the silver screen, the very first time we felt that times were changing was when dad went to Jaisalmer to shoot Reshma Aur Shera (1971). It was an Ajanta Arts film directed by Sunil Dutt. A lot of new actors were being featured - Raakhee, Amitabh Bachchan, Ranjeet. Puri brought home pictures of the shoot. Puri's son must have been around 12 then and was excited watching them.
Another film, which was to change his life was Girish Karnad's Kannada film Kaadu (1973) where he played the villainous village headman. Girish Karnad handed his Filmfare Best Director trophy to Amrish as a gesture of appreciation. He was then noticed by Shyam Benegal, who featured him in his films Manthan, Nishant and Bhumika through the '70s. He also became part of Govind Nihalani's critically acclaimed films Party, Vijeta, Aakrosh and Ardh Satya. Dad had a flair for roles that betrayed authority and rode the crest of new wave cinema with his earthiness.
In 1980, director Bapu roped in dad to play Duryodhana in Boney Kapoor's Hum Paanch. Soon other filmmakers started offering him villainous roles in commercial films too. After Feroz Khan's Qurbani (1980) there was no looking back.
One film that took him to the acme of his career was Mr India (1987). As the part menacing part comical Mogambo, he won fans across audiences. Mogambo was a favorite with kids because he was a comic-strip like character. At every function he attended, dad was asked to say the Mogambo dialogue. First Amjad Khan as Gabbar Singh in Sholay (1975) and later dad as Mogambo gave villainy a new status. He went on to become the highest paid villain. Earlier character actors were paid paltry sums as compared to the hero.
Puri's career spanned three decades and around 300 films. Among these his favorites remained Koyla, Vidhaata, Pardes, Chachi 420, Ghatak, Ghayal, Damini, Meri Jung and Saza-E-Kala Pani.
Off camera, his children remember their father as someone who was larger than life, someone who was strict but never unreasonable. Someone who urged us to speak the truth. He urged us to follow the three Ps - patience, perseverance and persistence.
Puri was realistic and that's why he insisted that his children seek a secure profession. He once told his son, "See, acting is my first love. I've been polishing my act for years. It took me long to establish myself. There's no need for you to be awed by the profession. You needn't risk your future. You must complete your education." That's why, I joined the Merchant Navy in 1978. I sailed for 11 years. It used to be fun watching his films on the ship.
As an actor he had a great ability to switch on and off. He was not fond of smoking, drinking or parties. His idols were Dilip Kumar, Motilal, Balraj Sahni and Amitabh Bachchan. He worked with Raj Kumar, Dilip saab, Amitji... he was like a student in front of them and had absolutely no ego. Also, a lot of youngsters began their careers with him like Ajay Devgan in Phool Aur Kaante and Shah Rukh Khan in Deewana. He was easy to work with except that he had no patience with people who didn't respect time.
Puri was particular about having nutritious food. He was largely vegetarian but enjoyed fish. He practiced yoga and was an early riser. He was one of the first members of Talwalkars gym in Mumbai. Also, he preserved his vocal chords. He stayed away from fried stuff. He'd just have a piece of sev puri when we insisted. Once he happened to shave off his hair for a Rakesh Kumar film. He was told his personality looked better that way. The bald look appealed to Steven Spielberg, who then offered him Indiana Jones And The Temple Of Doom, where he played Mola Ram. Puri realized that with a shaved head, he could try different get ups. He was well-versed with the art of make-up and wigs. He knew the concentration of hair that a hairpiece for a 50-year-old character or a 60-year-old character would require. He also spent time with the tailors - in fact, directors often asked him to work on his costumes. He'd pick his own ties, bows, shirts for a role. He enjoyed observing people as he drove in his car. He'd keenly watch the hawaldar, the fit of his shirt, how worn out his shoes were which helped him play one in Gardish.
Puri loved watches. He owned all the possible brands. He was intrigued by its technology and the way each piece was assembled. Each time he'd go abroad, he'd visit a showroom and call me up excitedly, "Tikoo (my pet name) I've bought such a handsome looking watch!" Another fascination he had was for Mercedez Benz cars. He'd keep buying the latest editions. His family maintained his 1983 model in showroom condition.
Known for frequently portraying menacing, sadistic villains, Puri received a huge fan mail of around 50 to 60 letters a day. Some fans would constantly sit on the footpath outside our home to catch a glimpse of him. Women also wrote to him. Many were crazy about him. But he was not a young actor. By the time he got recognition he was 45. My mom did feel possessive with all the attention being showered on him. But she understood. He was at an age where he knew what to absorb and what to keep away from. He was cautious. He did have shades of romance in his role opposite Farida Jalal in Dilwale Dulhania Le Jayenge. That subtle equation suited his age. His female co-stars liked him because he was protective about them. He'd check with the production guys whether they were comfortable or not. While he was being pampered, he wanted them to enjoy those facilities too. He was like a father figure to junior artistes too. He'd call up the producers who defaulted on their payments.
Once they were shooting at Amritsar railway station for Gadar - Ek Prem Katha. Huge crowds had gathered and there was so much noise that the shooting couldn't proceed. Sunny Deol wanted to leave. Dad took over and in his baritone said, "Allow us to do our work. I want pin drop silence!" There was a hush and the shooting resumed.
Shyam Benegal cast him in movies such as Nishant (1975), Bhumika (1977), and Manthan (1976). Yash Chopra cast him in Mashaal (1984), the same year that Steven Spielberg cast him in his best-known role outside of India, as Mola Ram in Indiana Jones and the Temple of Doom (1984). His elder brother is none other than Bollywood actor Madan Puri.
Guddu Dhanoa's Jaal The Trap for (2003) was shot in Himachal Pradesh. Unfortunately, Puri met with an accident there. He suffered serious injuries on his face and eye. He lost a lot of blood and consequently had to undergo blood transfusion. Something went wrong there because in the coming years, he developed a blood disorder (myelodysplastic syndrome). It began with weakness and reduced appetite. When he came to know about the fatality of his illness he was shaken. But he had an iron will. He wanted to project a strong side to the world. Puri knew that at age 72 there was little that he could repair and that he was ailing. Jo hona hai woh hoga - that was his stance.
Puri was keen to complete the projects on hand, even though he was in pain. His terminal illness was detected in September 2003 and by December 15, 2004, he had finished all his films - Kachchi Sadak, Mujhse Shaadi Kaoroge, Hulchul, Ksna and Aitraaz despite looking emaciated, pale, frail . He was at home for a brief period. But he didn't want to remain bedridden. When asked how he was feeling he'd just say, "Kal se behtar hoon." Then one day he had a fall at home and suffered a massive brain hemorrhage. He passed away in Mumbai on January 12, 2005 due to a brain hemorrhage
Puri had served as the President of Cine and TV Artistes Association for six years before his demise. As a mark of respect the industry remained shut for two days. The whole road from our house in Juhu to the electric crematorium at Shivaji Park was full with people. There were onlookers perched on trees and buildings.
As a tribute to him the Times Of India carried a piece, which was titled, "No guns only roses." People recall his famous dialogue in Pardes, "What's the bottom line?" Well, for me it would be never doing anything that would disappoint him.- Writer
- Composer
- Director
Satyajit Ray was born in Calcutta on May 2, 1921. His father, Late Sukumar Ray was an eminent poet and writer in the history of Bengali literature. In 1940, after receiving his degree in science and economics from Calcutta University, he attended Tagore's Viswa-Bharati University. His first movie Pather Panchali (1955) won several International Awards and set Ray as a world-class director. He died on April twenty-third, 1992.- Actor
- Writer
- Director
Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."
Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.
Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.
Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.
The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.
Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.
He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.
Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.
Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.
As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.
He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.
According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.- Actor
- Producer
- Second Unit Director or Assistant Director
Shashi Kapoor is one of the leading actors of Indian cinema having appeared in 160 movies - 12 in English and 148 in Hindi. He has appeared in 148 Hindi films - of them played the solo lead hero in 61 films, was lead hero in 53 released multi star cast Hindi films, 2 unreleased multi star film and 21 Hindi films had him in supporting role, worked in 4 films as a child artist and made 7 guest appearances.
Indian actor of Bollywood, Parallel Cinema, and International productions; Shashi Kapoor is the youngest son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shashi grew up traveling around the country with his father's acting trope "Prithvi Theatres." from 1940-59. He began appearing on stage from the age of four. He also began working in films in the early 1940s. As a child, he appeared in 4 films from 1948-53 which includes 2 films of his eldest brother Raj Kapoor as the hero and Sangram, where Shashi played Ashok Kumar.
By 1956, an 18-year old Shashi was both actor and assistant stage manager for "Prithvi Theatre." That year, "Shakespeareana" --a traveling theater group under English actor Geoffrey Kendal, and "Prithvi Theatre" were both booked to play in Calcutta. While checking the audience reaction from backstage, Shashi's glance fell on Jennifer Kendal. Shashi soon learned she was playing Miranda in "The Tempest," and secured an introduction. The two began courting, and expressed a desire to wed. Geoffrey Kendal was uncertain about loosing not only his daughter, but his leading lady and theater manager. He insisted that the couple wait at least two years. Shashi began touring with "Shakespeareana" and in 1958 he again asked for Jennifer's hand in marriage and was again refused. However, Jennifer decided to go against her father's wishes, and in July of 1958, the couple were married in the traditional Indian style in Bombay.
Shashi debuted as a leading man in Yash Chopra's Dharmputra (1961). From 1961-64 his Hindi films with him as the solo heroes were box office flops. But Nanda believed that Shashi does have the potential to be popular leading man and signed happily 8 films opposite him over the period 1962-1968. Except for their first 2 films together and Juaari, other 5 films of the pair Nanda-Shashi turned out to be super-hits from 1965-70.A versatile actor, Shashi worked in both mainstream popular Hindi cinema, art films and in Indian-set English-language films, such as those made by the film-making team Ismail Merchant and James Ivory. He was one of the first Indian stars to go international, as he worked in both British and American films, and directed the Soviet Union co-production _Ajooba (1991) which was a disaster.He tried his hand at English films when his Hindi films were flops from 1961-64 and achieved success in 1963 with 2 commercially successful English movies.He did 6 English films as lead hero till 1983 and then played villain in Deceivers and another lead role in 1993 and rest 4 English films had him in supporting role as narrator/guest appearance from 1987-1998. Shashi started having solo hits opposite Rakhee, Asha Parekh, Sharmila Tagore, Zeenat Aman from 1968-1975 but had a weak period as a solo lead hero from 1974-1978 where he had 13 flops off 24 films as solo lead and this made him accept multi star cast films from 1976-85. He achieved success in multi star films from 1976-84.In the multi star films he did , he was paid more than co-stars Vinod Khanna, Amitabh Bachchan, Jeetendra, Rishi and Randhir Kapoor. But Sanjeev Kumar,Pran and Dharmendra were paid at same rate as Shashi in the films where they were his co-stars. Only Rajesh Khanna was paid more than Shashi in the 2 films they did together. He played supporting role to Rajesh Khanna at peak of his career in Prem Kahani and then in Alag Alag.
He won the Filmfare Best Supporting Actor Award for Deewaar (1975). He won two Filmfare Best Movie Awards for his work as producer and star of Junoon (1979) and Kalyug (1981).He costarred in 11 films with Amitabh Bachchan of which 4 (Deewar,Trishul, Suhaag,Namak Halal) were successful,1 (Kala Pathar)was average hit and rest 6 were flops. Shashi Kapoor did 61 solo lead hero films in Hindi and, of them, 35 were super-hits. Shashi did 55 multi-star cast movies where Shashi was one of the lead heroes and, of them, 33 were super-hits, 20 were flops, 2 remain unreleased.
Shashi and Jennifer had three children; Kunal Kapoor, an actor and ad director, Karan Kapoor a photographer and sometimes actor, and Sanjana Kapoor, an actress who has run Prithvi Theatre in Mumbai since 1993. After his wife Jennifer died of cancer in 1984, Shashi started becoming obese and began taking on fewer roles in films, and shifted his focus to character roles.His first break as supporting actor after he became obese was given by Rajesh Khanna in film Alag Alag where his role along-with the lead pair of the film was appreciated.
In 2010, Shashi was presented with the Filmfare Lifetime Achievement Award.- Actor
- Additional Crew
- Music Department
Om Puri was an Indian actor who has appeared in both mainstream Indian films and art films. His credits also include appearances in British and American films. He has received an honorary OBE.
Puri was born in Ambala, Haryana. His father worked on the railways and served in the Indian Army. Puri graduated from the Film and Television Institute of India. He is also an alumnus of the 1973 class of National School of Drama where Naseeruddin Shah was a co-student.
Puri had worked in numerous Indian films and in many films produced in the United Kingdom and the United States. He made his film debut in the 1976 film Ghashiram Kotwal, based on a Marathi play of the same name. He has claimed that he was paid "peanuts" for his best work. He had collaborated with Amrish Puri as well as Naseeruddin Shah, Shabana Azmi and Smita Patil in art films such as Bhavni Bhavai (1980), Sadgati (1981), Ardh Satya (1982), Mirch Masala (1986) and Dharavi (1992). He had been active in cinema. He was critically acclaimed for his performances in many unconventional roles such as a victimized tribal in Aakrosh (1980) (a film in which he spoke only during flash-back sequences); Jimmy's manager in Disco Dancer (1982); a police inspector in Ardh Satya (1982), where he revolts against life-long social, cultural and political persecution and for which he got the National Film Award for Best Actor; the leader of a cell of Sikh militants in Maachis (1996); as a tough cop again in the commercial film Gupt in 1997; and as the courageous father of a martyred soldier in Dhoop (2003). In 1999, Puri acted in a Kannada movie A.K. 47 as a strict police officer who tries to keep the city safe from the underworld - it became a huge commercial hit. Puri's acting in the movie is very memorable. He has rendered his own voice for the Kannada dialogues. In the same year, he starred in the successful British comedy film East is East, where he played a first-generation Pakistani immigrant in the north of England, struggling to come to terms with his far more westernized children. Om Puri had a cameo in the highly acclaimed film Gandhi (1982, directed by Richard Attenborough). In the mid-1990s, he diversified to play character roles in mainstream Hindi cinema, where his roles are more tuned to mass audiences than film critics. He became known internationally by starring in many British films such as My Son the Fanatic (1997), East Is East (1999) and The Parole Officer (2001). He appeared in Hollywood films including City of Joy (1992), opposite Patrick Swayze; Wolf (1994) alongside Jack Nicholson; and The Ghost and the Darkness (1996) opposite Val Kilmer. In 2007, he appeared as General Zia-ul-Haq in Charlie Wilson's War, which stars Tom Hanks and Julia Roberts. He has worked in Hindi television serials like Kakkaji Kaheen (1988) (roughly meaning "Uncle says") as a paan-chewing 'Kakkaji', which was a parody on politicians, and Mr. Yogi (1989) as a suave 'Sutradhaar' who enjoys pulling the protagonist's leg. These two serials underlined Om Puri's versatility as a comedian. He received critical acclaim for him performance in Govind Nihalani's television film Tamas (1987) based on a Hindi novel of the same name. He essayed comic roles in Hindi films like Jaane Bhi Do Yaaro which reached a cult status, followed by Chachi 420 (1997), Hera Pheri (2000), Chor Machaye Shor (2002) and Malamaal Weekly (2006). His more recent Hindi film roles include Singh Is Kinng, Mere Baap Pehle Aap and Billu. Puri was seen in the role of Mohammad Ali Kasuri in Road to Sangam (2009). In 2010, he appeared in The Hangman. In 2011 he was in the Indian action movie Don 2. He had also worked in Aahat TV Series in some episodes during second season which was aired between 2004-2005 on Sony channel.- Actor
- Music Department
- Producer
Born in south Mumbai, Kapoor is the second son of film director and actor Raj Kapoor. He did his schooling with his brothers at Mumbai's Campion School. His brothers are well-known actors, Randhir Kapoor and Rajiv Kapoor.
Rishi Kapoor debuted in his father's 1970 film Mera Naam Joker, playing his father's role as a child. Rishi Kapoor had his first lead role opposite Dimple Kapadia in the popular 1973 film Bobby which became an instant hit among youngsters. He made a popular pairing with future wife Neetu Singh in 1974-1981 but the pair was successful only in films with big casts, since films with Rishi as the lead - like Zehreela Insaan, Zinda Dil, Doosara Aadmi, Anjane Mein, Jhoota Kahin Ka, Dhan Daulat - were box office flops. Rishi Neetu pair was successful in multi-star films like Khel Khel Mein, Kabhie Kabhie, Amar Akbar Anthony, Pati Patni Aur Woh, Duniya Meri Jeb Mein. The only solo hit of the Rishi Neetu was Rafoo Chakkar. Rishi Kapoor got 51 films as the solo lead hero from 1974-1997 but of them 40 were box office flops, and he managed only 11 hits: Bobby, Laila Majnu, Rafoo Chakkar, Sargam, Karz, Prem Rog, Nagina, Honeymoon, Banjaran, Heena and Bol Radha Bol. So, he was offered the role of playing younger brother to lead heroes in movies with big casts from 1977-1994. Rishi Kapoor did 41 films with big casts from 1976-2000 where Rishi was cast as 2nd or 3rd lead hero. Of them, 16 were flops and 25 were hits. He was often offered the role of younger brother to main lead heroes in the multi-hero films he did where his character would be a romantic one and the story would revolve on the main lead hero of the film. In the '90s, his 2 hero films Deewana, Damini and Eena Meena Dika were hits. He got the plum lead hero roles in two-hero films only few times like in Hum Kisi Se Kum Nahin, Badalte Roshtey, Aap Ke Deewane, Saagar then in the '90s with Chandni, Deewana (1992), Damini (1993) and Gurudev (1994); otherwise in the 2 hero films Rishi did in the late 70s and throughout the '80s, it was his other co-star whose character overshadowed Rishi's and the other co-star was appreciated more like in case of Katilon Ke Kaatil, Coolie, Sitamgar, Zamana. After several box office failures from in 1990s, he eventually moved on to supporting roles in the 2000s. In 1999 he directed the film Aa Ab Laut Chalen. His last film as a romantic lead was the 5-year delayed release Karobaar: The Business of Love (2000), which was unsuccessful. He has since then played supporting roles in films like Yeh Hai Jalwa, Hum Tum, Fanaa, Namaste London, Love Aaj Kal and Patiala House. He also appeared in the British films Don't Stop Dreaming and Sambar Salsa. He was paired with Neetu Singh in the film Do Dooni Chaar (2010). Rishi has acted in the movie Chintu Ji in which he plays himself. In 2012 he appeared in a villainous role in Agneepath and in the multi-starer Housefull 2 where he appeared with brother Randhir for the first time.- Harihar Jariwala a.k.a. Sanjeev Kumar was born in a Gujrati family in 1938. He portrayed many roles irrespective of the age or the type of chararcter. The actor ballooned in size in later years of his life due to the gastronomical pleasures he had inherited by sleeping in a kitchen while he was a child (which became the cause of his death in 1985 when he died of a heart ailment). Interestingly the actor was one of the very few who didn't have any competition within the industry. Sanjeev's notable performances were in films like Sholay, Parichay, Aandhi, Angoor and the Satyajit Ray masterpiece Shatranj Kay Khiladi.
- Actor
- Music Department
- Producer
At the start of his career, he played supporting or villainous characters in films such as Purab Aur Paschim, Sachaa Jhutha, Aan Milo Sajna, and Mastana in 1970, and in Mera Gaon Mera Desh, Elaan and Aan Milo Sajna in 1971.He got his first break as the solo lead hero in the film Hum Tum Aur Woh (1971), which was followed by the 1971 multi-hero film 'Mere Apne' directed by Gulzar. It was the melodious R.D.Burman composed Rafi-Asha "Sasoan Mein Kabhi" from the film Parchaiyaan in 1972 and from Hum Tum Aur Woh - the Kishore Asha duet Do Bataon Ki Mujhko Hai Tamanna and the solo song Priye Praneswhari where his romantic skills got noticed among audiences.In 1973, his performance as an army officer facing death row in another film scripted and directed by Gulzar, Achanak, was critically acclaimed. The song-less film echoed the true life story of K. M. Nanavati vs. State of Maharashtra and Khanna portrayed Kawas Nanavati, the real life Navy officer.Between 1973 and 1982, Khanna played the lead role in in a number of solo and multi starer movies.In films with 'Rajesh Khanna' as the lead hero, Vinod Khanna always had either the antagonist role or supporting role and not even the parallel lead. These film were Sachaa Jhutha Aan Milo Sajna, Prem Kahani, Kudrat and Rajput. Vinod accepted his roles in Kudrat and Rajput even after he had become a successful solo lead hero himself just due to rapport he shared with Rajesh Khanna. His successful films as solo lead hero include 'Farebi' with Moushumi Chatterjee;Qaid in 1975 and 'Zalim' in 1980, both together with Leena Chandavarkar; and Inkaar in 1978 opposite Vidya Sinha followed by Aap Ki Khatir, Hatyara, Main Tulsi Tere Angan Ki, Khoon Ki Pukar, Taaqat, Jail Yatra, Raajmahal. His successful multi hero films, with him also playing the main lead hero, were Shankar Shambhu,Chor Sipahee and Ek Aur Ek Aur Ek Gyarah, where he appeared together with Shashi Kapoor; in Hera Pheri, Khoon Pasina, Amar Akbar Anthony and Muqaddar Ka Sikandar where he played lead hero with .Amitabh Bachchan; and in Haath Ki Safai and Aakhri Daku where he played lead hero with Randhir Kapoor. He later appeared as lead hero with Sunil Dutt in ,Daku Aur Jawaan.Khanna became a follower of the spiritual teacher Osho (Rajneesh) and left the film industry in 1982 for five years. Though he had stopped ,acting in films in 1982, the films with him as the main lead released in 1982(film-s for which he had completed shooting by the end of the year 1981) like Raj Mahal, Taaqat and the multi star Rajput , where Vinod Khanna played supporting role to main lead heroes Rajesh Khanna and Dharmendra were successful.He returned to Bollywood with Insaaf where he played together with Dimple Kapadia, became a hit.After his comeback he played romantic roles in Jurm and Chandni, but he was mostly offered roles in action films.After he made comeback in 1987, his successful solo hero films released in 1987-88 were Satyamev Jayate, Insaaf , Faisla, Mahaadev, Aakhri Adaalat. Aruna Raje's Rihaee (1990) where he played an emancipated man who accepts his wife's straying and Gulzar's underrated metaphysical melodrama, Lekin (1991) are regarded as his great work.His on screen pair with Meenakshi Seshadhri was widely appreciated and the pair had hits like Satyamev Jayate, Mahaadev,Jurm, Humshakal and Police Aur Mujrim.In the 1990s, Khanna successful solo hero films C.I.D. (1990), Jurm and Humshakal. He appeared in multi-hero casts in films such as Khoon Ka Karz, Police Aur Mujrim, Kshatriya, Insaaniyat Ke Devta, Ekka Raja Rani, Eena Meena Deeka, and the 2002 film Kranti. In 1997 he was the producer for Himalay Putra, in which he also starred, together with his son Akshaye Khanna.- Actor
- Music Department
- Producer
On Stats Alone, The Most Popular Actor In The History Of Cinema!
The only actor to enjoy near God-like status across the length and breadth of India for a quarter century!
Elected in several expert online polls, as The Greatest Actor In The History Of World Cinema !
With 100+ All-Time Blockbusters- 48 Platinum Jubilee hits + 27 Golden Jubilee hits + 26 Silver Jubilee Hits, & 17 average hits, over 25 yrs.
So these quite wonderful film business websites have come up with a inflation adjusted analysis of few of his random films, which I shall present about now, just to open the eyes of today's audiences, to just the massive quantum of collections, achieved by this one actor alone. They've done this chronologically for just few of his mildly to very successful (~42/125 ie 1/3rd) lead/parallel lead films leaving out vast sums of his other massively successful films , from late 60s to late 90s, & only inflation-adjusted worldwide collection numbers, so audiences of today can get a decent idea.
1. Raaz - 284 Crores 2. Bandhan - 437 Crores 3. Aradhana - 1092 Crores 4. Ittefaq - 266 Crores 5. Doli - 344 Crores 6. Do Raaste - 1014 Crores 7. Kati Patang - 540 Crores 8. Safar - 426 Crores 9. The Train - 284 Crores 10. Sachcha Jhutha - 781 Crores 11. Aan Milo Sajna - 710 Crores 12. Amar Prem - 387 Crores 13. Mehboob Ki Mehndi - 233 Crores 14. Anand - 220 Crores 15. Haathi Mere Saathi - 903 Crores 16. Andaz - 516 Crores 17. Maryada - 581 Crores 18. Dushman - 644 Crores 19. Apna Desh - 492 Crores 20. Shehzada - 223 Crores 21. Daag - 689 Crores 22. Namak Haraam - 212 Crores 23. Aap Ki Kasam - 311 Crores 24. Prem Nagar - 440 Crores 25. Ajnabee - 243 Crores 26. Roti - 388 Crores 27. Prem Kahani - 168 Crores 28. Maha Chor - 143 Crores 29. Mehbooba - 177 Crores 30. Chhaila Babu - 197 Crores 31. Aashiq Hoon Baharon Ka - 146 Crores 32. Muqabla - 175 Crores 33. Amar Deep - 139 Crores 34. Thodisi Bewafai - 143 Crores 35. Kudrat - 174 Crores 36. Fiffty Fiffty - 179 Crores 37. Rajput - 339 Crores 38. Ashanti - 217 Crores 39. Dharam Kanta - 272 Crores 40. Maqsad - 318 Crores 41. Swarg - 85 Crores 42. Aa Ab Laut Chalen - 153 Crores
Have a look at that. And we've just begun checking (a random 1/3rd of his films) !
He was born on 29 December 1942 in Amritsar, Punjab, India, and entered Hindi films in the year 1965 when began shooting for Raaz and did 180 films - 163 feature films and 17 short films. By 2011, he held the record for maximum number of films as solo lead hero and least number of multi star cast films in Hindi Cinema. Of the 163 films - 106 were solo hero films and 22 were multi star films and 29 films had him in special effective guest appearances(though only 97 solo and 20 two hero films only released and 11 unreleased from 1966 till 2013).He ranked first and won the United Producers All India Contest held in 1965 by beating 10000 candidates and the prize of it was acting in films Akhri Khat and Raaz. He first tasted success as an actor with 3 consecutive hit films like Aakhri Khat,Raaz and Aurat.His first brush with super-stardom was when outburst from his fans forced the director to change the story of Baharaon Ke Sapne's ending from a tragic one to a happy one after 1 week of its release. Though Baharon Ke Sapne was average in some centers it was declared flop in most places. In 1969 Rajesh Khanna achieved super-stardom with Shakti Samantha's 'Aradhana" (1969).He became the craze of the nation, and critics across India started calling him the First Superstar of both Indian Cinema (No. 1 Actor) and Hindi Films and remained so alone as the Superstar for 7 years (1969-1976) and had to share the status with Amitabh from 1977-1991 till he left films to join politics in 1991.He overtook his predecessors Dev-Dilip-Raj, Shammi Kapoor,Rajendra Kumar in terms of extreme popularity with audience and critics, quality of performances, variety of roles and films by doing quickly 47 films from 1966-75 which included 36 Golden Jubilee Hits(21 of the 36 were platinum) and 4 silver silver jubilee hits and only 7 flops in 9 years. He also made the world record of having 17 successive super-hits in 3 years from 1969-71 which included 15 consecutive solo super-hit films and 2 two hero films namely Andaz and Maryada. The main difference between him and his predecessors,successors, contemporaries was that Khanna's films ran successfully in whole of India and not just Hindi speaking areas and he did films of every genre simultaneously and has more critically acclaimed films to his credit than all other Hindi Actors of every generation. He stands out even by selection of his films as he regularly did both offbeat alternate cinema along with commercial potboiler films and had success in both.He introduced intelligent cinema to the masses with ease. Those 15 consecutive hit solo lead hero films from 1969-71 were Aradhana, Doli, Bandhan, Ittefaq, Do Raaste, Khamoshi, Safar, The Train, Kati Patang, Sachaa Jhutha, Aan Milo Sajna, Mehboob Ki Mehendi, Choti Bahu, Anand and Haathi Mere Saathi. His next release Maalik flopped ending thereby the record.
Anju Mahendru was his girl friend in 1968-1972, the then aspiring actress but they had breakup in 1972 when Anju was not ready for marriage while Khanna wanted to marry her, and Khanna married his fan Dimple Kapadia in March 1973, 8 months before Dimple's debut film Bobby released in theaters.
Khanna's pairing with Mumtaz always produced much success as they had all of their 8 films together as major platinum jubilee hits.His films with Sharmila Tagore, Asha Parekh, Tanuja, Hema Malini and Zeenat Aman was a favorite with audiences too in 70's.
From 1976 on-wards till 1978, he had 5 box office hits as lead hero(2 silver jubilee hits, 2 platinum hits, 1 average hit), 3 hits in guest appearances, 1 flop in guest appearance and 8 films of him as the main lead flopped unexpectedly although his performances and the film's music were praised by critics and thereby 76-78 is considered his bad phase.
K.Balaji wanted to establish himself in Hindi film industry as a producer and thereby wanted to remake his Tamil film Sivaji Ganeshan starer Dheepam in Hindi. At a time when Khanna's films were not working at the box office, Khanna got this film out of the blue and went on to become a big hit. Khanna bounced back with twin success of Amardeep and Prem Bandhan then again started giving many critically acclaimed and commercially successful films including 35 Golden Jubilee Hits(includes 25 platinum) and 14 SJH starting from 1979 till 1991 and had 9 average hits from 1976-1996. In the 80's his films opposite Tina Munim, Hema Malini, Reena Roy, Rekha, Shabana Azmi, Smita Patil and Poonam Dhillon were big hits.
He produced three films and co-produced 4 films. He had total 105 box office hits(91 as lead hero and 14 in guest appearance) from 1966-1991.He left film industry in 1991 and entered politics by joining the Congress Party in 1991 and became a member of parliament. Khanna was awarded Filmfare Special award in 1991 for having starred in 101 films as the solo lead hero(92 solo film released till 1992 and includes 7 unreleased solos and Anuraag) and having done just 21 two hero films(only 19 released till 1991) but having appeared in 153 films in short span of 25 years between 1966-1991. Has won most number of All India Critics Award for Best Actor for a record 7 times and was nominated for same 10 times.He holds record for being the actor to win maximum BJFA awards for Best Actor - 4 and was nominated the most for it - 25 times.He is still adored and fondly remembered by the masses. Songs from his films adorn the lips of youth and adolescents. He was the first mega-star and has left behind a storehouse of the finest moments in film history.- Producer
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- Additional Crew
Labeled the eternal romantic and with one of the best musical senses in the business, Yash Chopra is arguably India's most successful director of romantic films. Although he made action-oriented films like the ever-popular Deewaar (1975), it is in tackling love and its various aspects that he has been at his best. One of the few remaining commercial Indian directors who started their careers in the 1950s, he has successfully moved with the times from the socially significant Dhool Ka Phool (1959) to the young and cool Dil To Pagal Hai (1997).
Yash Chopra was born in Lahore in 1932, to an accountant in the PWD division of the British Punjab administration, the youngest of eight children. He began as an assistant director to I.S. Johar before working with his elder brother, the legendary B.R. Chopra; while another brother, Dharam Chopra, worked as his cameraman. He was given his first directorial opportunity with Dhool Ka Phool (1959), a melodrama about illegitimacy; it became a hit and even now remains popular today. Encouraged by this success, the Chopra brothers made a few more movies together, the most notable being Waqt (1965), India's first multi-starrer; and Ittefaq (1969), a thriller. On the personal front, Chopra married Pamela Chopra (née Singh) in 1970, and they had two children, Aditya Chopra and Uday Chopra, both working in the film industry today.
In 1973, the Chopra brothers separated, with Yash Chopra founded his studio, Yash Raj Films, and launched it with Daag: A Poem of Love (1973), a successful melodrama about a polygamous man. He then entered one of his best phases with two Amitabh Bachchan classics: Deewaar (1975) and Kabhi Kabhie (1976). These movies set the standard for the 1970s and 1980s, establishing Bachchan as the greatest and most beloved Indian film star of all time. His respective roles--a bitter criminal and a sensitive, brooding poet--are considered to be his greatest performances, although complete opposites of each other.
In the 1980s, Chopra went through a rough time. Two of his melodramas, Silsila (1981) and Faasle (1985); and two action-oriented films, Mashaal (1984) and Vijay (1988), flopped at the box office, although the latter became a critically acclaimed classic years later. However, he made a comeback with his musical love triangle Chandni (1989). The film was a huge success, with great performances by established heroine Sridevi and action hero Vinod Khanna. Then came what critics and Chopra himself considered his best film, Lamhe (1991), a beautiful film about cross-generational love. It couldn't survive the box office, however, due to its incestuous nature.
Parampara (1993), done for an outside producer, was a misfire, but then came the box-office hit and trend setter Darr (1993). Starring the then-débutant Shah Rukh Khan, it showed a sympathetic look at obsessive love and an emotion often overlooked in love--fear--and its success catapulted Khan to super-stardom. In 1995, Chopra turned to production and Aditya Chopra made his directorial debut with Dilwale Dulhania Le Jayenge (1995), which had the longest-running initial release in cinema history. He directed one more film, Dil To Pagal Hai (1997), a love story set against the theater, which became a huge success and a cult hit, before he retired from directing. However, in 2004, he made a grand comeback with Veer-Zaara (2004), a touching cross-border love story, which he said would be his last directorial effort.
The ages of the director and playback singer Lata Mangeshkar, his muse, proved you need to be young, as well as crazy, at heart, to be a true romantic....- Actor
- Producer
- Director
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.- Actor
- Second Unit Director or Assistant Director
Sushant Singh Rajput was born on January 21, 1986 in Purnia, Bihar to K. K. Singh and Usha Singh. He has 4 sisters (i.e. Neetu, Meetu, Priyanka & Shweta). He was an Indian television & film actor, dancer and entrepreneur. He became a household name after playing the role of Manav in the TV series, Pavitra Rishta (2009) on Zee TV. He made his Bollywood debut with Kai Po Che (2013), directed by Abhishek Kapoor, which was adapted from Chetan Bhagat's novel, The 3 Mistake of My Life, and then launched himself to soaring heights in the film industry. He also worked in movies like Shuddh Desi Romance (2013), PK (2014), Detective Byomkesh Bakshy! (2015), M. S. Dhoni: The Untold Story (2016), Raabta (2017), Kedarnath (2018), Sonchiriya (2019), Chhichhore (2019) and Netflix film Drive (2019). He died on June 14, 2020 at his Mumbai residence. His last film, Dil Bechara (2020) was released on July 24, 2020 as a free film on Disney+ Hotstar Multiplex.- Actor
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- Composer
Amjad Khan was a renowned Bollywood actor and film director, widely popular for his performance as Gabbar Singh in Sholay (1975). He went to both R. D. National College and St. Andrew's High School in Bandra.
Khan was the president of the Actors Guild Association and took a keen interest in the matters of the film industry. As a youngster, Khan acted with his father, Jayant, in movies like Nazneen (1951) and Ab Dilli Dur Nahin (1957).
With the film Hindustan Ki Kasam (1973), he first appeared as a professional silver-screen performer. When he played Gabbar Singh in Sholay (1975), he transformed the stereotypical Bollywood bad guy into a new genre icon. Gabbar transformed into him preparing for the role- this has been his most famous role of all time.
In Prakash Mehra's Muqaddar Ka Sikandar (1978), he portrayed the part of Dilawar, a gangster. He was also cast in several other movies, including Shatranj Ke Khilari (1977), Hum Kisise Kum Naheen (1977), Ganga Ki Saugand (1978), Des Pardes (1978), Dada (1979), Chambal Ki Kassam (1980), Naseeb (1981), Satte Pe Satta (1982), and Nastik (1983).
In films like Yaarana (1981) and Laawaris (1981), he portrayed likeable protagonists. In addition to his dramatic roles, he branched out and performed comedic roles in the films Qurbani (1980), Love Story (1981), Chameli Ki Shaadi (1986).
In the Hindi parody film Ramgarh Ke Sholay (1991), helmed by Ajit Dewani, he once again played the part of Gabbar Singh, and the film became an unexpected blockbuster.
He debuted as a director with Chor Police (1983), in which he also co-starred with Parveen Babi, Shatrughan Sinha, Kader Khan, and Shakti Kapoor. His film Ameer Aadmi Ghareeb Aadmi (1985) was released in 1985- it was a great commercial success. He also appeared in a small role in [link= tt0154591 in 1973.
He won the best supporting actor in the BFJA Awards for Sholay in 1976. Apart from that, he won best supporting actor at the Filmfare awards for Dada (1980) and Yaarana (1982). Khan also won best performance in a comedic role at the Filmfare awards for Maa Kasam (1986).- Actor
- Director
Shamsher Raj "Shammi" Kapoor was the son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shammi's acting career began in 1948, when he joined his father's theatrical company "Prithvi Theatres." Like his father and his brothers, Shammi eventually moved into the world of movie-making. He made his big screen debut in 1953. His earliest films were mostly low-budget swashbucklers and romances that failed to succeed at the box office. Shammi referred to himself at that point in his career as a "male starlet."
In April of 1955, on the sets of Rangin Raaten (1956), Shammi met and fell in love with the actress Geeta Bali. She was an established actress, and he was still struggling in his career. Four months later, Geeta agreed to marry Shammi and they wed in small ceremony witnessed by Hari Walia who produced and directed their next film together Coffee House (1957). The couple had two children, a son Aditya Raj Kapoor born in 1956 and a daughter Kanchan born in 1961.
The film Tumsa Nahin Dekha (1957) was a turning point in Shammi's career. For this film, he cut his hair and shaved off his pencil-thin mustache; creating a new look and persona. The film was a success and was soon followed by more hits. By 1961, Shammi's boisterous shout of "Yahoo!" and his exuberant hip-shaking dance moves, in his first color picture Junglee (1961), had made him a star. His natural talent for dancing and his modern and casual fashion sense brought him comparisons to Elvis Presley, and Shammi became known as the "Rebel Star."
In 1965, while Shammi was filming Teesri Manzil (1966), his wife Geeta fell ill with smallpox and passed away. After months away from the set, Shammi eventually returned to film the song "Tumne Mujhe Dekha." Shammi's success continued and in 1968, his acting talent was formally recognized. He received the Filmfare Best Actor award for his role in Brahmachari (1968).
In 1969, Shammi married Neila Devi from the former royal family of Bhavanagar. Their families had long been friends and they first met when Neila was 9 and Shammi was 19. Neila later recalled that Shammi had pulled her pigtails while she was watching one of his plays from the backstage wings. Shammi's sister-in-law first suggested the match to him. Eventually, Shammi called Neila on the phone to propose. They spent hours talking, and were married the next day.
By the 1970s, Shammi's weight gain and competition from other popular actors was taking a toll on his status as a romantic hero. Andaz (1971) was one of his last hits as a leading man.
Shammi enjoyed directing two films, Manoranjan (1974) and Bundal Baaz (1976). The films met with some critical success but neither did well at the box-office. As the '70s continued, Shammi began transferring his acting talents into supporting roles. He won another Filmfare Award for Best Supporting Actor in Vidhaata (1982).
Shammi took to the Internet early, and was the founder and chairman of Internet Users Community of India. He managed his own website and made online videos to speak directly to his fans. He loved to share stories about his career, his friends, and his famous family: father Prithviraj Kapoor, elder brother Raj Kapoor, younger brother Shashi Kapoor, and their spouses, children, and grandchildren; many of whom work in the film industry.
In later years, Shammi continued to take on supporting roles in film and TV. He was presented with the Filmfare Lifetime Achievement Award in 1995. His last film was the posthumously released Rockstar (2011), in which he appeared alongside his great-nephew Ranbir Kapoor.
The last seven years of his life, he suffered from chronic renal failure and underwent dialysis three times a week. But it never dampened his warmhearted spirit, until the end he continued to share his joy for life. Shammi Kapoor passed away around 5:15 am, August 14th, 2011 at Mumbai Breach Candy hospital.- Actress
- Music Department
- Soundtrack
born and raised in Junagad, Ms. Babi was spotted by renowned B.R. Ishara at Ahmedabad University, and he approached her to act in his forthcoming movie, Charitraheen, which was a sequel to Chetna. Her co-star in this movie was none other than renowned Indian cricketer Salim Durrani. Parveen Babi lit up the silver screen with her charming looks and personality from the 1970s.
Among her more memorable movies with megastar Amitabh Bachchan are: Deewar, Namak Halal, Amar Akbar Anthony, and Kala Pathar. Her most glorious moment was when Time Magazine chose to display her photograph on their cover page in 1976, depicting the changing face of Bollywood and Bollywood actresses.
After acting in her last movie, Akarshan, she suddenly disappeared from public view and became more or less a recluse. It is known that she took up interior designing, and had a very close circle of friends.
She then left for the United States of America and was not seen nor heard for about 10 years.
She created a stir when she filed a writ petition in the Bombay High Court, charging several dignitaries, including Bollywood actor, Amitabh Bachchan, for attempting to kill her. This petition was dismissed by the Court for want of evidence.
On Sunday January 22, 2005, neighbors at her Juhu residence noticed that she not collected her milk nor her newspapers from her doorstep for the last three days. The neighbors notified the Secretary of the building, who in turn notified the police.
On Saturday January 22, 2005, a police team opened the door to her apartment with a duplicate key, and found her dead body.
The police believe that the door had been locked from the inside for last three days, and suspect no foul play.
Ms. Babi was an only child in a noble Junagad-based family. Her dad had passed away when she was very young, and her mom also passed away several years ago.- Director
- Editor
- Writer
By no means is he any glamorous director, yet Hrishikesh Mukherjee is one of the most popular and beloved filmmakers in Indian cinema. His magic lay not in the glamor or largeness so often associated with cinema, but in its simplicity and warmth.
He began his career in Bombay, 1951, as an editor and assistant director to Bimal Roy, another great director himself. His first directorial venture, Musafir (1957), centering on an old house where three unrelated stories dealing with birth, marriage and death occur in a series, was a disaster. But director Raj Kapoor was impressed and strongly recommended Hrishida as director for Anari (1959). Starring Kapoor himself and Nutan, the film was a critical and commercial success.
His next film, Anuradha (1960), about an idealistic doctor who neglects his wife to focus on his work, got him the President's Medal Award. But from then on throughout the 1960s decade, none of Hrishida films were particularly distinguishable, barring Asli-Naqli (1962), a Muslim melodrama; Anupama (1966), which was based on a true incident; Aashirwad (1968), a family drama; and Satyakam (1969), about an idealist seeing his dreams crumble after Indian independence.
Then Hrishida made what is considered his masterpiece - Anand (1971). This classic film gave a complex but compassionate look at the balance between hope, fear, life and death and saw Rajesh Khanna's greatest performance as a terminally ill man who wishes to live life to the full before he dies. It was an auspicious beginning to the 1970s, for that time proved to be an exceptionally good time for Hrishida as he gave the public excellent films like Guddi (1971), a semi-satiric look at the film industry and generally considered as Jaya Bhaduri's debut film; Abhimaan (1973), the Bachchans' greatest ever performance together; and Chupke Chupke (1975), a comedy about a newlywed professor's joke on his pompous brother-in-law. These films gave an extremely skilled and detailed look at the middle-class mentality.
Few people understood human nature as well as Hrishida - in all his films he examined their aspects, particularly their failings and foibles and the outworn values people always seem to hold on to. However in the 1980s, the advent of the superstar Amitabh Bachchan and of larger-than-life films saw Hrishida's brand of filmmaking die out. Recently he attempted a comeback with _Jhooth Bole Kauwa Kaate (1999)_, but sadly it was a futile effort as the film was a commercial and critical failure. However, the magic of his films still lingers after three decades, and he will be best remembered for his film Anand (1971), which told that people who die but remain in heart and mind do not die, but become immortal. No one justifies this truth more than Hrishida.- Actor
- Writer
It's difficult to think of Ranjit without a smile on our faces or a chuckle.Lovable, witty, energetic, effervescent.. his uncanny ability to diffuse any difficult situation with a dose of incredible humour. Ranjit was all this and more.In his short lifetime, Ranjit grew into an acting force to reckon with. Growing up under the tutelage of acting stalwarts parents, the legendary Pearl and Alyque Padamsee, the young Ranjit keenly observed his parents' tremendous contribution to Mumbai's Theatre world, and was hooked!This snowballed into an acting career from which there was no looking backWe are truly grateful that thanks to the legacy of Ranjit's work on screen, he will forever be immortalised. Recently, at the 27th Screen Actors Guild Awards 2021, Ranjit was remembered as one of Hollywood's 100 great legends in a bevvy that included among others : Sir Sean Connery, Olivia de Havilland, Kirk Douglas, Cloris Leachman and Christopher Plummer. This lovable fireball first made his presence felt in Basu Chatterjee's "Khatta Meetha". The screen lapped up his delectable presence and it was obvious that a young star was born and was here to stay. Ranjit went on to act with the industry's greats : Amitabh Bachhan, Smita Patil, Rekha, Anupam Kher & Shabana Azmi in widely acknowledged films like Khubsoorat, Kaalia, Kaante, Baton Baton Mein and Chakra.The young unstoppable Ranjit further went on to create impressive inroads in the world of international films and television.He acted in some of Hollywood's biggest ensembles that included Nicolas Caige, Steve Corell, Russell Peters, Richard Gere, Queen Latifah (in the 2006 film Last Holiday) and of course who can forget Ranjit as Rocky in Deepa Mehta's 'Bollywood/Hollywood' for which he was nominated for Best Actor in a supporting role at the 23rd Genie Awards. On international television, Ranjit's impactful presence can be seen in, NYPD Blues, Prison Break, Cosby, The Office (in which he played Vikram the telemarketer briefly hired for the Michael Scott Paper Company). His first screenplay/starring role in 'Sam & Me' won Honourable Mention at the 1991 Cannes Film Festival.Life had great open roads awaiting the brilliant Ranjit. So while we mourn this untimely loss, we as a family will endeavour to find solace and strength in loving memories of our beloved Chottu. We will continue to find comfort in memories of not only his work but also in his delightful humour, cheeky handwritten notes that always had a humorous ring to them, and most memorable of all, that innocent child-like sweet twinkle in his eyes. He left behind his wife Malini and son Avishay (Avi) who is a sports journalist in America.- Actor
- Director
- Producer
Satish Chandra Kaushik was a well-known Indian actor and comedian. He was also a director, producer, and screenwriter. Kaushik graduated from Kirori Mal College, Delhi, and received professional training from the National School of Drama, Delhi, and the Film and Television Institute, Pune.
In his lifetime, Kaushik was a part of more than 100 films and shows. His most famous theatre role was in the Hindi adaptation of Arthur Miller's play Death of a Salesman named Salesman Ramlal.
In the film industry, Kaushik gained popularity with his iconic role in the superhero film Mr. India (1987). His humorous role as a cook and the famous dialogue "Calendar, khaana do" became a household dialogue in the 1990s.
His most famous movies include Ram Lakhan (1989), Saajan Chale Sasural (1996), Deewana Mastana (1997), Brick Lane (2007), Udta Punjab (2016), Kaagaz (2021).
Roop Ki Rani Choron Ka Raja (1993) was Kaushik's first film as a director. The film did not do well at the box office.
The first hit film he directed was Hum Aapke Dil Mein Rehte Hain (1999). His other ventures as a director include Prem (1995), In Your Name (2003), Vaada (2005), Teree Sang: A Kidult Love Story (2009).
He won the Best Comic Actor award at the Filmfare Awards for his role in Ram Lakhan and Saajan Chale Sasural in 1990 and 1997, respectively. He won the Best Supporting Actor Award at the Dada Saheb Phalke Film Festival for his role in Kaagaz.
Shortly after celebrating Holi with his friends, Kaushik died due to cardiac arrest on March 9, 2023.- Nitesh Pandey was born on 17 January 1973 in Nainital, Uttarakhand, India. He was an actor, known for Om Shanti Om (2007), Pyaar Ka Dard Hai Meetha Meetha Pyaara Pyaara (2012) and Khosla Ka Ghosla! (2006). He was married to Arpita Pandey and Ashwini Kalsekar. He died on 23 May 2023 in Mumbai, Maharashtra, India.
- Vivek was born on 19 November 1961 in India. He was an actor, known for Sivaji (2007), Anniyan (2005) and Run (2002). He was married to Arulselvi Vivek. He died on 17 April 2021 in Chennai, India.
- Actress
- Writer
Kokila was born on January 4, 1931 in Valsad, Gujarat, India, in the Gujarati-speaking Balsara family.
She was married to Kamal Roy at a very young age, and shortly thereafter in 1946 both husband and wife decided to make a career on the silver screen. They traveled to Bombay, both applied, but only Kokila was chosen to act in a Gujarati movie, Ranakdevi, followed by Amar Raj, and Gunsundari in 1948. She was primarily effective in creating the Gujarati film industry. This is how Nirupa Roy was born.
She went on to act in many movies, initially as the leading lady then in various roles of a variety of Hindu Goddesses, so much so that people actually lined up to seek her blessings. From 1970s on she was type-cast to play the role of the mother for a number of leading actors, from Dev Anand to Amitabh Bachchan. She was perhaps the only actresses to have played the role of mother to Dharmendra and his son, Sunny Deol, albeit in different movies. In 1955 she acted as Dev Anand's mother, even though she is about 8 years younger than him.
A Capricorn, she then went on to act in movies like Do Bigha Zameen, Tangewali, and Garam Coat, a brand of movies which later came to be known as 'realistic movies'.
Her success has been reflected in 3 awards from 1955 to 1964 for her role in Munimji, Chhaya, and Shehnaai. She is also known for her trilogy with Bharat Bhushan namely Kavi Kalidas, Samrat Chandragupt, and Rani Rupmati.
But her most memorable role was yet to come in Deewar, opposite Shashi Kapoor and Amitabh. Dialogues for this movies, as like Sholay, are still remembered and talked about.
Throughout her career of over 60 years in movies, she has acted in over 250 movies. she did slow down considerably in the 1980s, but did make a comeback in 1999 with Lal Badshah.
Her marriage with Kamal Roy resulted in the birth of a son, Kiran, and 2 daughters. She was known to be very close to her son.
She was very friendly with yesteryear actress Shyama. She received one more award in 2003.
Her end came quickly on October 13, 2004, at the age of 73, when she passed away after a cardiac arrest in Bombay.
She will always be remembered, not only as the 'mother of Bollywood' for her roles in movies like Gunsundari, Rani Rupmati, Deewar, Amar Akbar Anthony and many others.- Music Artist
- Music Department
- Actor
Abhas Kumar Ganguly was born in Khandwa, now in Madhya Pradesh. His dad's name was Kunjilal, a lawyer by profession, and his mom's name was Gouri Devi, who came from a wealthy family.
Kishore was the youngest in the Ganguly family, preceded by Ashok Kumar, Sati, & Anoop Kumar (I). Sati was married to Sashadhar Mukherjee, who was the brother of film-maker Subodh Mukherji, and Bollywood actors Joy Mukherjee & Deb Mukherjee. Sati's son, Shomu Mukherjee, went on to marry Tanuja Samarth, and who subsequently gave birth to Kajol and Tanishaa Mukerji. Tanuja is the sister of Nutan, who, in turn, is the mother of actor Mohnish Behl. Tanuja and Nutan are the daughters of the famed Shobhna Samarth. Sati was also aunt-by-marriage to Ram Mukherjee, who would subsequently marry and give birth to Raj Mukherjee and Bollywood actress, Rani Mukerji. Ashok's daughter is noted Bollywood actress, Preeti Ganguli, who is married to comedian and character actor, Deven Verma. Ashok's grand-daughter is actress, Anuradha Patel.
While Ashok went on to become a successful actor, Abhas, who was renamed Kishore, shunned acting, and preferred singing and mimicking K.L. Saigal. His brother, Anoop, while struggling to make a name himself, noticed this, and encouraged Kishore to sing in his own voice.
When Sachin Dev Burman happened to visit Ashok, he heard Kishore singing, and immediately signed him to sing for Bollywood movies. After Sachin's passing away, his son, Rahul Dev Burman took over and openly favored Kishore over other male singers.
He always wanted to be a singer, but acting was thrust upon him, and he did his best to live up to it. A Leo, Kishore was also known for his mad-cap comedy movies, and for his eccentricity as he used to 'talk' to his trees in his home, and had even put up a sign 'Mental Hospital' right outside his residence in Khandwa. He was also parsimonious, so much so that he was in arrears to the Indian Income Tax authorities, yet never missed a chance to make fun of them (Aur Peechey Pad Gaya Income Taxum, Jai Govindam Jai Gopalam).
When he refused to endorse former Indian Prime Minister's 20 point Program during the 1975-1977 Emergency, he was banned from the Government-controlled media namely All India Radio and Vividh Bharati. Even duets with his voice were censored. He was not the only one in Bollywood, as others like I.S. Johar, Dev Anand, Shatrughan Sinha openly condemned Mrs. Gandhi's regime. After the emergency, her political party (Congress) was overwhelmingly ousted by the electorate in favor of the Janata Party.
Kishore made a record by being the only singer to have sung in more than 90 films for a single hero which was for Rajesh Khanna. Kishore sang in 91 films for Rajesh Khanna.His closest friends were Rajesh Khanna, R.D.Burman, S.D.Burman, Mohammad Rafi.He refused to lend his voice to Amitabh Bachchan in period 1982-1987 many times, when the latter refused to do a guest appearance in a Kishore-produced film and this affected Bachchan's career as many of his films flopped post 1983.
His marriages to some of the most popular and attractive Bollywood actresses (Madhubala, Yogeeta Bali,Leena Chandavarkar) not only raised eyebrows, but added to his popularity.Fact was each of these women with exception of Yogita Bali fell in love with Kishore Kumar. Madhubala loved him immensely but had health issues so died. Then in 1976 Yogita claimed to love him and married Kishore, but then Kishore realized she had married him for his money so divorced her. Leena was a widower but Kishore fell in love with her and proposed her and they were happily married till his death.
He introduced his son, Amit Kumar, (sired from his first wife Ruma Ghosh aka Ruma Guha Thakurta) to sing, often along with him, and then amazed his fans by marrying widowed Leena Chandavarkar, who was just two years older than Amit.
He sang 245 songs picturised on Rajesh Khanna across 92 films, which is an unbeaten record for singer-actor combination. Kishore sang 245 songs for Rajesh Khanna, 202 for Jeetendra, 119 for Dev Anand and 131 for Amitabh.
He had recorded the duets "Kaho Kahan Chale" for the film Bulundi, "Pyar Ka Dard Hai" from Dard and "Tum Jo Chale Gaye" from Aas Paas, a few days before his heart attack in 1981. He suffered his first heart attack on 24th January 1981 in Kolkata in the noon hours and within a gap of another four hours, suffered his second heart attack. The first solo song sung by him, after recovery from his two attacks was "Mere Sang Sang Aya" from Rajput (1982) and the duet with Asha - "Mausam Bheega Bheega" from Gehra Zakhm.
In the comedy, Badhti Ka Naam Dadhi (1974) a song 'Karne Chaley Thhey Shaadi Meri, Khud Ban Baithey Dulha', sung by Amit, hilariously chastised his dad for getting married, instead of searching for a bride for his son.
Through Leena he sired another son, Sumeet Kumar. Their marriage was intact until his unexpected passing on October 13, 1987, due to heart failure for the third time.
Kishore has not only been immortalized by his songs, but also by his talents as an Actor, Producer, Director, Script-Writer, & Lyricist. His movies continue to be popular even now on TV, as do his songs on both TV and radio.- Director
- Music Department
- Producer
Prakash Mehra, Born on 13th July 1939 in Bijnor, Uttar Pradesh was a legendary film maker of Indian Cinema, also known as the Godfather of Amitabh Bachchan, a public and media given title, at which he often frowned upon, always clarifying that he was nobody's Godfather, fate introduced talent to talent, and history was created. Mehra started his career and life, literally from scratch, after running away from his home and village, landing up in the city of Bombay In early 1950's. As a kid, aiming for the stars, with just 13 rupees in his pocket, he began his new life, sleeping hungry on railway stations, being his first address in the city of dreams. Destiny and perseverance, guided him to the sets of Hindi cinema, where he began by observing from the sidelines, whilst doing odd jobs, starting from serving tea to the stars, then getting a chance to become a production controller, then an assistant and so on. Mehra who was never formally educated beyond grade 5, in his village school, somehow always had a knack of writing in his broken words and especially penning down his emotions, backed by years of painful experiences of an orphan child who had lost both his parents, (mother who died when he was 5, father abandoned him when he was 8) and grew up on the mean streets. As luck would have it, Mehra's creativity and hard work was not going unrecognized by his peers and seniors, who spread the positive word, finally getting him a break that turned his fortunes in 1968, when he got his directorial debut with Haseena Maan Jayegi starring Shashi Kapoor and Babita. The film which along with its music, became a huge box office money spinner, steered him on to the path of success from where there was no looking back. From here on, he went on to direct Mela (1971), which became a silver jubilee, starring Feroz and Sanjay Khan, followed by another very successful venture, Samadhi (1972), starring Dharmendra, Asha Parekh and Jaya Bhaduri. It was after the success of "Samadhi", that destiny again played a huge hand through a series of events, that lead to a phenomenal collaboration of a director and actor, the likes of which was never seen before in the history of Indian cinema, the Mehra, Bachchan collaboration. In May of 1973, with everything mortgaged, including his home and wife's jewelry, facing the very real possibility of returning to the streets, as it was also the debut of his production house "Prakash Mehra Productions", Mehra released "Zanjeer".
The idea was that "Zanjeer", originally was to be made with Dharmendra as the lead star, after the success of "Samadhi". Dharmendra being the top super star at the time, opted out due to date constraints. This sent Mehra on the quest to find a replacement, and the expectations of the distributors of the time was, that a super star must be replaced by a super star, but fate would have none of it. One by one, due to some reason or the other, it just didn't workout with any of the top stars of the time. Then one fine day, Mehra received a call from the legendary actor "Pran", who Mehra not only respected as a senior and guide, but also genuinely loved and admired, fondly addressing him as "Pran sahab". Pran, asked Mehra, to check out a new kid on the block, whom he felt had talent, his name was Amitabh, also offered to accompany Mehra to a nearby theatre (Ambar Oscar) to watch his latest film, starring the great Mehmood in the lead. The two went on their way to watch the film. The wheels of fortune were set in motion, destiny through the guidance of a blessed soul "Pran", just introduced its super brilliant diamond in the rough, to its super brilliant jeweler with a keen eye. Talent was introduced to talent, Prakash Mehra was just introduced to Amitabh Bachchan.
Upon the announcement of the new hero of Zanjeer, every distributor dropped the film, none would want it. Trade pundits wrote the obituary of Mehra's career, from their point of view, not only was Bachchan, not a star, but a total disaster. Not only that, there wasn't even one song in the film, where the lead hero would sing or dance, this was not only unheard of but almost incomprehensible at the time. Mehra was dubbed senile.
From Mehra's point of view, there was no other star, and this is exactly how the film would be.. This also being the launch of his production house, Mehra had only 2 choices, all or nothing. It was the easiest choice he made, the jeweler knew the value of his diamond. He went all in, he released Zanjeer, with his own money on the line, in most of the major territories.
The movie had an abysmal opening, empty theaters the first few days, Mehra would sit on the wall of Worli sea face in those days and contemplate, "now what"?. Bachchan suffered from a high fever, staring at oblivion himself. Then week two onwards, the phone at Mehra's small office, started ringing, it was calls from exhibitors from Calcutta, it was a phenomenon they had never seen before, there were lines longer than trains at the box office. The same story repeated in various other territories of India, cash registers at the box office went ballistic. Fortune smiled upon the little orphan kid from Bijnor. History was created, and the superstar of the millennium was born.
Thereafter Prakash Mehra and Amitabh Bachchan began a journey, which resulted in 6 more, massive blockbuster hits: Hera Pheri, Khoon Pasina, Muqaddar Ka Sikandar, Laawaris, Namak Halaal and Sharaabi.
Prakash Mehra was aided In creating cinema history by some of the best talent as part of his team. His blockbusters were a collaboration of super talents and legends of the time, such as music maestro duo "Kalyanji Anandji", who's music compositions are untouchable till date. Lyricists such as the great Anjaan. Mehra himself a powerhouse of writing talent, penning many of his super hit songs, such as "Apni toh jaise taise" from Laawaris, etc.. Later addition, the one and only Bappi Lahiri, who became a permanent part of Mehra's team after giving some of the best chart buster music, in Namak Halal, followed by Sharaabi. The fantastic writing duo Salim Javed were the writers of Mehra's Zanjeer. The super talented Kader Khan, wrote some of the most phenomenal dialogues of Muqaddar ka Sikandar.
Apart from being work colleagues and peers, whom he greatly respected, he considered the late great Amjad Khan as one of his best friends and like family. Same was his relationship with late great Pran, legend Raj Kapoor, music maestro duo Kalyanji Anandji, and Bappi Lahiri amongst others.
The final collaboration between Mehra and Bachchan was Jaadugar, which bombed at the box office and ended their untouchable successful streak, bringing an end to an era of a collaboration, the likes of which were never seen before or since.
Prakash Mehra, went on to Produce and Direct "Zindagi Ek Juaa" starring Anil Kapoor and Madhuri Dixit in 1991, in 1993 produced Dalal, directed by Partho Ghosh, Starring Mithun Chakraborty in two languages, Bengali and Hindi, along with its music by Bappi Lahiri, it was a huge box office success.
Mehra received a lifetime achievement award from the India Motion Picture Directors Association (IMPDA) in 2006. He also received Lifetime Achievement as Producer from IMPPA (Indian Motion Picture Producers Association) on 19 September 2008.
Mr Prakash Mehra passed away on the 17th of May 2009, from complications arising out of pneumonia followed by multiple organ failure at Mumbai's Kokilaben hospital.