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Bela Lugosi was born Béla Ferenc Dezsö Blaskó on October 20, 1882, Lugos, Hungary, Austria-Hungary (now Lugoj, Romania), to Paula de Vojnich and István Blaskó, a banker. He was the youngest of four children. During WWI, he volunteered and was commissioned as an infantry lieutenant, and was wounded three times.

A distinguished stage actor in his native Hungary, Austria-Hungary, he began his stage career in 1901 and started appearing in films during World War I, fleeing to Germany in 1919 as a result of his left-wing political activity (he organized an actors' union). In 1920 he emigrated to the US and made a living as a character actor, shooting to fame when he played Count Dracula in the legendary 1927 Broadway stage adaptation of Bram Stoker's novel. It ran for three years, and was subsequently, and memorably, filmed by Tod Browning in 1931, establishing Lugosi as one of the screen's greatest personifications of pure evil. Also in 1931, he became a U.S. citizen. Sadly, his reputation rapidly declined, mainly because he had been blacklisted by the main studios and had no choice but to accept any part (and script) handed to him, and ended up playing parodies of his greatest role, in low-grade poverty row films. Due to shady blacklisting among the top Hollywood studio executives, he refused to sell out or to compromise his integrity, and therefore ended his career working for the legendary Worst Director of All Time, Edward D. Wood Jr..

Lugosi was married to Ilona Szmik (1917 - 1920), Ilona von Montagh (? - ?), and Lillian Arch (1933 - 1951). He is the father of Bela Lugosi Jr. (1938). Lugosi helped organize the Screen Actors Guild in the mid-'30s, joining as member number 28.

Bela Lugosi died of a heart attack August 16, 1956. He was buried in a Dracula costume, including a cape, but not the ones used in the 1931 film, contrary to popular--but unfounded--rumors.

John Barrymore was born John Sidney Blyth on February 15, 1882 in Philadelphia, Pennsylvania. An American stage and screen actor whose rise to superstardom and subsequent decline is one of the legendary tragedies of Hollywood. A member of the most famous generation of the most famous theatrical family in America, he was also its most acclaimed star. His father was Maurice Blyth (or Blythe; family spellings vary), a stage success under the name Maurice Barrymore. His mother, Georgie Drew, was the daughter of actor John Drew. Although well known in the theatre, Maurice and Georgie were eclipsed by their three children, John, Lionel Barrymore, and Ethel Barrymore, each of whom became legendary stars. John was handsome and roguish. He made his stage debut at age 18 in one of his father's productions, but was much more interested in becoming an artist.

Briefly educated at King's College, Wimbledon, and at New York's Art Students League, Barrymore worked as a freelance artist and for a while sketched for the New York Evening Journal. Gradually, though, the draw of his family's profession ensnared him, and by 1905, he had given up professional drawing and was touring the country in plays. He survived the 1906 San Francisco earthquake, and in 1909, became a major Broadway star in "The Fortune Hunter". In 1922, Barrymore became his generation's most acclaimed "Hamlet", in New York and London. But by this time, he had become a frequent player in motion pictures. His screen debut supposedly came in An American Citizen (1914), though records of several lost films indicate he may have made appearances as far back as 1912. He became every bit the star of films that he was on stage, eclipsing his siblings in both arenas.

Though his striking matinee-idol looks had garnered him the nickname "The Great Profile", he often buried them under makeup or distortion in order to create memorable characters of degradation or horror. He was a romantic leading man into the early days of sound films, but his heavy drinking (since boyhood) began to take a toll, and he degenerated quickly into a man old before his time. He made a number of memorable appearances in character roles, but these became over time more memorable for the humiliation of a once-great star than for his gifts. His last few films were broad and distasteful caricatures of himself, though in even the worst, such as Playmates (1941), he could rouse himself to a moving soliloquy from "Hamlet". He died on May 29, 1942, mourned as much for the loss of his life as for the loss of grace, wit, and brilliance which had characterized his career at its height.

James Gleason was born in New York City to William Gleason and Mina Crolius, who were both in the theatre. He was married to Lucile Gleason (born Lucile Webster), and had a son, Russell Gleason. As a young man James fought in the Spanish-American War. After the war he joined the stock company at the Liberty Theater in Oakland, California, which his parents were running. James and his wife then moved to Portland, Oregon, where they played in stock at the Baker Theater. For several years afterward they toured in road shows until James enlisted in the army during World War I. When he returned he appeared on the stage in "The Five Million." He then turned to writing, including "Is Zat So", which he produced for the NY stage. He also wrote and acted in "The Fall Guy" and "The Shannons on Broadway." Next he wrote The Broadway Melody (1929) for MGM. He collaborated, in 1930, on The Swellhead (1930), Dumbbells in Ermine (1930), What a Widow! (1930), Rain or Shine (1930) and His First Command (1929). He and his wife were then contracted to Pathe, Lucille to act, and James (or Jimmie as he was known) as a writer. Probably his most famous acting role was as Max Corkle, the manager of Joe Pendleton who was wrongly plucked from this life into the next, in the hit fantasy Here Comes Mr. Jordan (1941).

White-haired London-born character actor, a familiar face in Hollywood for more than five decades. He was born George William Crisp, the youngest of ten siblings, to working class parents James Crisp and his wife Elizabeth (nee Christy). Despite his humble beginnings, Donald was educated at Oxford University. He saw action with the 10th Hussars of the British Army at Kimberley and Ladysmith during the Boer War and subsequently moved to the United States to begin a new life as an actor.

Arriving in New York in 1906 he began as a singer in Grand Opera with the company of impresario John C. Fisher. By 1910, he had climbed his way up the ladder to become stage manager for George M. Cohan. He was a member of D.W. Griffith's original stock company in the early days of the film industry, beginning with Biograph in New Jersey and featured in The Birth of a Nation (1915) (as General Ulysses S. Grant), Intolerance (1916) and Broken Blossoms (1919). He later joined Famous Players Lasky (subsequently Paramount) and turned with some success to directing in the 1920s, on occasion also appearing in his films (as for example in Don Q Son of Zorro (1925), as Don Sebastian). By the early 30s, Crisp concentrated exclusively on acting and became one of the more prolific Hollywood character players on the scene. Though he was actually a cockney, he -- for unknown reasons -- invented a Scottish ancestry for himself early on, claiming that he was born in Aberfeldy and affected a Scottish accent throughout his career. Crisp's particular stock-in-trade types were crusty or benevolent patriarchs, stern military officers, doctors and judges. He had lengthy stints under contract at Warner Brothers (1935-42) and MGM (1943-51) with an impressive list of A-grade output to his credit: Burkitt in Mutiny on the Bounty (1935), Colonel Campbell in The Charge of the Light Brigade (1936), Maitre Labori in The Life of Emile Zola (1937), Phipps in The Dawn Patrol (1938), General Bazaine in Juarez (1939), Francis Bacon in The Private Lives of Elizabeth and Essex (1939) and Sir John Burleson in The Sea Hawk (1940). He is perhaps most fondly remembered as the famous canine's original owner in Lassie Come Home (1943), Elizabeth Taylor's dad Mr. Brown in National Velvet (1944), and, above all, as the head of a Welsh mining family in How Green Was My Valley (1941) (the role which won him an Oscar for Best Supporting Actor). In a less sympathetic vein, Crisp gave a sterling performance as a ruthless tobacco planter in the underrated Gary Cooper drama Bright Leaf (1950).

Donald Crisp died in May 1974 in Van Nuys, California, at the age of 91. He is commemorated by a star on the Hollywood Walk of Fame on Vine Street.

Respected character actor of the silent and early sound period, specializing in cruel villains. The son of Kansas City policeman Noah Webster Beery and Frances Margaret Fitzgerald Beery, Noah Nicholas Beery and his younger brother Wallace Beery both left home in their teens, each seeking a career as a performer. Noah made his stage debut at the age of 16 and worked steadily in the theatre until his early 30s. Following his brother into films, he quickly established himself as a competent player and a familiar heavy in all sorts of films, particularly westerns. He never achieved the great fame of his younger brother, but succeeded in carving a memorable niche for himself in the history of film. His son Noah Beery Jr. became equally familiar as a character actor, though usually in more genial roles.

Beginning his show business career at age 13 as an entertainer on Mississippi riverboats, Guy Kibbee graduated to the legitimate stage and spent many years in the theater. In the 1930s he was signed by Warner Brothers, and became part of what was known as "the Warner Brothers Stock Company", a cadre of seasoned character actors and actresses who enlivened many a Warners musical or gangster film. Kibbee specialized in playing jovial, but not particularly bright, businessmen and government officials. He was memorable as the stuffy lawyer with a secret weakness for showgirls in Gold Diggers of 1933 (1933).

Margaret Dumont would not consider it a tragedy that she is best-known for her performances as the ultimate straight woman in seven of the Marx Brothers' films (including most of their best). It is a popular myth that she never understood their jokes (offscreen and on); restored footage of Groucho's "Hooray for Captain Spaulding" shows her laughing at his ad libs. Apart from a small role in a 1917 Dickens adaptation, she spent her early career on the stage, ending up with the Marxes in the late 1920s in the stage versions of The Cocoanuts (1929) and Animal Crackers (1930), and was given a Paramount contract at the same time they were. She played similar roles alongside other great comedians, including W.C. Fields, Laurel & Hardy and Jack Benny and also played straight dramatic parts (her chief love), but few of them made much impact - it is as Groucho Marx's foil that she ranks among the immortals, and she died shortly after being reunited with him on The Hollywood Palace (1964).

George Bancroft was raised in Philadelphia and attended high school at Tomes Institute (Philadelphia). He won an impressive appointment to the United States Naval Academy at Annapolis and graduated as a commissioned officer. He served in the Navy for the prescribed period of required service but no more. He decided to turn to show business, first as a theater manager. He worked in the old and fading minstrel show variety format into the 1920s but then decided to try his hand at acting. By 1923, he was good enough for Broadway and spent about a year there doing two plays. But he was already good enough for some early camera work for by 1921, so he had made his first appearance in the silent movie medium. Being a big man with dark features, he was a natural for heavies. And it seemed that early Westerns were an easy fit as well after his first four films. Through 1924 and into 1925, he did four, culminating with pay dirt in his appealing performance as rogue Jack Slade in the James Cruze Western The Pony Express (1925). With him was another up-and-coming character actor, Wallace Beery. Bancroft's acting made Paramount Pictures take a look at him as star material. His roles as tough guy took on more flesh into the later 1920s, especially in association with director Josef von Sternberg and his well-honed gangster films that started with Underworld (1927). Their work culminated with Sternberg's Thunderbolt (1929) for which Bancroft received an Oscar nomination. He was tops at the box office.

Bancroft's various on-screen personas as bigger-than-life strong man was not far from his off-screen character as Hollywood notability got to him. It was recalled that he became more difficult to deal with as his ego grew. At one point, he refused to obey a director's order that he fall down after being shot by the villain. Bancroft declared, "One bullet can't kill Bancroft!" Although he stayed busy through the 1930s, he was older and stouter -- the stuff of featured characters. And Bancroft was also getting a lot of competition from younger character actors. In the early '30s, his roles continued to typecast him as lead heavies, but increasingly, he was cast as second tier -- if with more variety -- in later roles. He was paper editor MacWade in Mr. Deeds Goes to Town (1936); a doctor in A Doctor's Diary (1937); a few sea captains along the way; and most memorably Marshal Curly Wilcox in the John Ford Western (his first with sound) Stagecoach (1939). Here he is particularly engaging tough lawman but with a big heart. Into the 1940s, he only did a handful of films. But he again had a rogue's spotlight with another name director -- Cecil B. DeMille -- in one of his always epic yarns. This time it was a Texas Ranger chasing a murderer over the Canadian border in North West Mounted Police (1940) with a stellar cast including Gary Cooper, everybody's favorite blond Madeleine Carroll, and Paulette Goddard as fleeing criminal, Jacques Corbeau's (Bancroft) daughter. By 1942, Bancroft had decided to move on, retiring with the intention of becoming a Southern California rancher. He quietly assumed this new role for a long run of 14 years before his passing.

A character actor whose film career spanned from Hollywood's Silent Era until the 1950s. Born in Kansas City, Missouri, on September 11, 1882, Erville would start his film career in 1918 at the age of 36 in Her Man (1918). Film pioneer D.W. Griffith utilized Erville in many of his films, including 1924's America (1924) and Isn't Life Wonderful (1924). In 1926, Erville was in Sally of the Sawdust (1925), and for the first time, worked behind as well as in front of the camera, as the movie's Assistant Director. By the time talkies became the norm, Erville found his age and white hair earned him many "old codger" roles as everything from a sheriff to a blank clerk, although a lot of his roles fell into the the "uncredited" bit category. Despite this, he did manage to make his mark in several credited roles, with one of the best being his portrayal of Nate Tompkins in 1941's Sergeant York (1941). His last film role would be uncredited in 1957's The Spirit of St. Louis (1957), and on August 4, 1957, he would pass away at the age of 74 in Glendale, California.

Scots actress, long in the United States, who specialized in housekeepers and mothers, most notably the housekeeper Mrs. Hudson in the Sherlock Holmes series of movies of the Thirties and Forties. She was born Mary Gilmour, the daughter of a Glasgow wire weaver. She worked as a dressmaker before finding work on the stage. Joining a company bound for an American tour, she came to the U.S. in her twenties, apparently making a few appearances on Broadway in small roles, but primarily touring in stock. With her mother Mary and daughter (also named Mary), she arrived in Los Angeles in the mid-Twenties and began playing variations on the roles she would spend her career doing. She became friends with John Ford while making Hangman's House (1928) and made seven more films for him. In 1939, she took on her most famous role as Sherlock Holmes's housekeeper and played the role in ten films and numerous radio plays. She was a charter member of the Hollywood Canteen, entertaining servicemen throughout the Second World War. On the radio show "Those We Love," she played the regular role of Mrs. Emmett. She entered retirement just as television reshaped the entertainment industry, making only a single appearance in that medium. Very active in the Daughters of Scotia auxiliary of the Order of Scottish Clans, she lived out her final years in Pasadena, California with her daughter and grandson. She died after a long illness on August 23, 1963.

Ida Moore was born on 1 March 1882 in Altoona, Kansas, USA. She was an actress, known for Johnny Belinda (1948), The Egg and I (1947) and The George Burns and Gracie Allen Show (1950). She died on 26 September 1964 in Los Angeles, California, USA.

Paul Harvey was born on 10 September 1882 in Sandwich, Illinois, USA. He was an actor, known for Spellbound (1945), Calamity Jane (1953) and Algiers (1938). He was married to Merle Stanton and Ottye Henrietta Cramer (actress). He died on 15 December 1955 in Los Angeles, California, USA.

Franklin Delano Roosevelt was born in Hyde Park, New York, to James and Sara Roosevelt. His father was 54 at the time of FDR's birth and already had a grown son, nicknamed "Rosy". Sarah was only 27 when FDR was born. Growing up, FDR had a happy but sheltered childhood. His family was very wealthy and FDR had a very privileged upbringing, with trips to Europe and private tutors. Sara Roosevelt was a loving but domineering and overprotective mother. FDR was a devoted son, but found clever and subtle ways to get around his mother's domination. At 14 he was sent to Groton, an exclusive prep school led by the Rev. Endicott Peabody. FDR did not enjoy his time at Groton, often being teased by the other kids for having a formal and stuffy manner. Since he had a nephew who was older than him, kids at Groton called him "Uncle Frank". He graduated from Groton in 1900 and went to Harvard, where he edited the "Crimson" but failed to be accepted into the Porcellian Social Club. He graduated Harvard in 1903. Soon after that he fell madly in love with his sixth cousin, Eleanor Roosevelt. They married in 1905, with President Theodore Roosevelt giving the bride away. However, from the start Franklin and Eleanor's marriage was not a happy one. She was quiet and shy, whereas he was boisterous and outgoing. The fact that his mother moved into the house next door to theirs, and ran things, did not help. Franklin and Eleanor had six children (one child died in infancy). In 1910 Franklin was elected to the New York State Legislature from Duchess County. There he made a name for himself as a crusading reformer who favored the "average guy" over big business and championed for honest government. In 1913 he was appointed Assistant Secretary of the Navy and served under Josephus Daniels and President Woodrow Wilson. In 1918 he began a love affair with his wife's social secretary, Lucy Mercer. When Eleanor discovered the affair, she was understandably devastated and told Franklin she wanted a divorce. At the urging of his mother, Frankilin chose to save the marriage and promised Eleanor that he would never have anything more to do with Lucy. The damage was done, however, and Franklin and Eleanor never again shared the intimacies of marriage, becoming more like political partners. In 1921 FDR was stricken with polio and paralyzed. He permanently lost the use of his legs, but refused to let that thwart his political ambitions. He spoke at the 1924 Democratic Convention for the candidacy of Alfred E. Smith, then the Governor of New York, calling him the "Happy Warrior". In 1928 FDR was elected Governor of New York and was well placed when the stock market crashed in 1929. As governor he took the lead in providing relief and public works projects for the millions of unemployed in the state. His success as New York's governor made him a strong candidate for the Presidency in 1932. He easily beat incumbent President Herbert Hoover.

When Franklin Roosevelt was sworn in as President on March 4, 1933, more than 15 million Americans were unemployed. Millions more had been hard hit by the Depression and the banking system had collapsed. FDR wasted no time in launching a radical economic recovery program, known as the New Deal. He created the Federal Deposit Insurance Corporation (FDIC), which made the federal government the guarantor of people's bank deposits - not the banks themselves - and allowed drought-stricken farmers to refinance their mortgages, He created public works programs including the Works Progress Administration (WPA) and Civilian Conservation Corps (CCC)--thus making the government the employer of last resort--as well as setting up the Social Security system, instituting a minimum wage, outlawing child labor--a widespread practice at the time, especially in mines, factories and textile mills--and mandating a 40-hour work week with overtime pay. In responding to the Depression, FDR forever changed the role of the federal government in American life. He was easily reelected in 1936, defeating Republican Alf Landon in a landslide. His second term as president was less successful than his first, however. The Supreme Court had ruled a number of New Deal measures unconstitutional. With an electoral mandate in the bank, FDR proposed "packing" the Supreme Court with justices of his political persuasion for every judge over the age of 70 that did not retire. However, Congress refused to pass the Supreme Court packing plan, and from that point on FDR was unable to get Congress to pass much of his legislation. Also, fascism was rising rapidly throughout Europe and Asia. Germany's Adolf Hitler and Italy's Benito Mussolini had both seized power and began to conquer other countries, such as Ethiopia, Austria and Czechoslovakia. FDR was unable to respond to the threats from Europe and Asia, however, because sentiment in the US was strongly isolationist and Congress had passed a series of neutrality laws that gave the President very little power to respond to international aggression. World War II began in September 1939 when Hitler invaded Poland. Nine months later all of Western Europe had fallen to Hitler. The UK and its Commonwealth and Empire was standing alone. FDR wanted to help Britain, but had to move carefully and skillfully. He negotiated a deal in which the US gave Britain 50 old destroyers in exchange for bases in the Western Hemisphere. With World War II underway, FDR took the unprecedented move of seeking a third term as president. He won that term in November 1940, defeating Republican Wendell Willkie. Safely re-elected, he proposed a radical new program for helping Britain, known as Lend-Lease, in which Britain could buy armaments and other supplies from the US but not have to pay for them until after the war. FDR used the analogy of borrowing a neighbor's hose to put out a house fire to sell Lend-Lease. It passed and America became the "arsenal of democracy" as it began to build armaments for Britain and then the Soviet Union, when Hitler invaded it in mid-1941. Roosevelt met Britain's Prime Minister, Winston Churchill, for the first time in August 1941 where they drew up the Atlantic Charter. On December 7, 1941, the Japanese launched a surprise attack on Pearl Harbor, destroying much of America's Pacific fleet. The next day,FDR declared war on Japan, calling December 7 "a date that will live in infamy." America was in the war, and not only against Japan, but also against Germany and Italy. Under FDR's leadership, America quickly transformed itself from a decaying nation of idle factories, impoverished families, abandoned farms and masses of hobos roaming the streets to a nation turning out planes, tanks, guns, military vehicles and other armaments on a scale that quickly dwarfed the capability of Nazi Germany to do the same. World War II also changed American life as blacks got better jobs in the war plants and women began working outside the home in unprecedented numbers. Helped by Eleanor, FDR used the war as a vehicle for social progress, securing better treatment for minorities and women, higher wages and better benefits for workers and a GI bill, which guaranteed a free college education for all American soldiers who fought in the war. In so doing, he created the American middle class of today.

After a series of military defeats, the US and its allies began to win the war. Invasions of North Africa and Italy were launched and the US started retaking islands in the South Pacific it had lost to Japan at the beginning of the war, starting with the Battle of Midway in 1942. FDR met with Churchill several times throughout the war and with Soviet leader Joseph Stalin at Tehran in 1943 and at Yalta in 1945. The Allied invasion of France, known as D-Day, was launched on June 6, 1944. As the war ended, FDR pushed for his dream of a United Nations and for reforms that would ensure that another World War would never happen. The United Nations did come to pass, as well as new global institutions such as the World Bank and IMF. Also, FDR advocated for decolonization of Africa and Asia, leading to the collapse of the old European empires.

Because of the war, FDR felt he had no right to leave the presidency while Americans under his command were still fighting. So he sought a fourth term in 1944. His opponent was the new governor of New York, Thomas E. Dewey, who ran a campaign of innuendo, hinting that FDR was too ill to lead and that his government had gone stale. FDR retaliated with a speech accusing the Republicans of attacking his dog, Fala. FDR won his fourth term in November 1944. In January 1945 he journeyed to Yalta to confer with Churchill and Stalin for the last time, to settle the postwar world and push for Russian participation in the United Nations. By this time FDR was gravely ill. After the Yalta Conference, he traveled to his resort at Warm Springs, Georgia, where he died suddenly of a massive stroke on April 12, 1945. It was revealed that Lucy Mercer, his one-time lover, was with him when he died and that she had secretly visited him in the White House a number of times during his last year.

There was an elaborate funeral for him, with a train procession from Warm Springs to Washington DC, then to Hyde Park, where he was buried.

This distinguished theatrical tragedienne will be remembered forever if only for the fact George Bernard Shaw wrote his classic "Saint Joan" work specifically for her. Her over six-decade career allowed for a gallery of sterling, masterful portrayals, both classic and contemporary, performing all over the world including Australia, New Zealand, South Africa, India and both Western and Eastern Europe. She was created a Dame of the British Empire in 1931, when her career was not quite half over, and in 1970 was made Companion of Honor to Queen Elizabeth.

Born Agnes Sybil Thorndike on October 24, 1882 in Gainsborough, Lincolnshire, she was the daughter of a minor canon of Rochester Cathedral. She was the eldest of four children. One younger brother, Frank, was killed in WWI action, a tragedy that left her father inconsolable. He himself would die a few months later. Sybil first became a concert pianist until nerve injuries in her hands quickly altered her destiny. She, at brother Russell Thorndike's suggestion, decided upon acting. Russell would later become a novelist and his sister's biographer.

Not a classic beauty by any stretch, Dame Sybil had sharp features, prominent cheek bones and a pronounced chin that gave her a rather severe look. At age 21 she and her brother began professionally in a touring company guided by actor-manager Ben Greet. She performed as Portia in a production of The Merchant of Venice in 1907 while touring in New York. The following year she met playwright George Bernard Shaw while understudying the role of Candida in a tour which was being directed by the writer himself. It was also during this tour that Sybil met and married actor Sir Lewis Casson and solidified one of the most respected personal and professional relationships the acting realm has known. She stayed with The Old Vic for five years (1914-1919) and in 1924 earned stardom as Shaw's Joan of Arc.

Sybil's film career, unlike that of her esteemed contemporary Edith Evans, fell far short of expectations. Silent films recreated some of her finest theatrical experiences, including Lady Macbeth and, of course, Joan of Arc, but she would not evolve into a film star. She was sporadically utilized in later years as a flavorful character support and played a number of queens, dowagers and old crones with equal finesse. Such classic costumed fare would include Major Barbara (1941), The Life and Adventures of Nicholas Nickleby (1947), Stage Fright (1950), Gone to Earth (1950), The Lady with a Lamp (1951), Melba (1953), as Queen Victoria, and The Prince and the Showgirl (1957) in which she managed to grab focus during her scenes with Laurence Olivier and Marilyn Monroe. In 1969, Sybil lent her name to the new theatre in Leatherhead, Surrey, which became The Thorndike. Despite her 87 years, she performed in the new play There Was An Old Woman in its first season. It was to be her final theatrical performance. Always a healthy, vigorous woman, she died of a heart attack on June 9, 1976 at the ripe young age of 93. She was survived by four children and a number of grandchildren and great-grandchildren.

Sam Flint was born on 19 October 1882 in Gwinnett County, Georgia, USA. He was an actor, known for My Pal Trigger (1946), A Face in the Fog (1936) and Junior Prom (1946). He was married to Ella Ethridge. He died on 17 October 1980 in Woodland Hills, Los Angeles, California, USA.

US character actor; he of the close-cropped gray hair, thick spectacles and clipped, ominous tones who would serve most memorably as the nemesis of evil-doers and monsters in 30's and 40's horror movies and suspensers, antagonizing first the likes of Bela Lugosi and Boris Karloff and then, years later, Erich von Stroheim.

Fritz Leiber was born on 31 January 1882 in Chicago, Illinois, USA. He was an actor, known for Monsieur Verdoux (1947), Bagdad (1949) and Anthony Adverse (1936). He was married to Virginia Bronson. He died on 14 October 1949 in Pacific Palisades, California, USA.

Flamboyant, latterly white-maned, U.S. conductor known best for his popularization of classical music. (He is also known for teaching 'Mickey Mouse' a few things about music in Walt Disney's Fantasia (1940), in which Stokowski was featured with the Philadelphia Orchestra). He was a pioneer in the use of hi-fi sound and bringing great music to the screen.

Movies, especially comedies, have always needed big, blustery, booming authoritarian types for the lead to play off of (or against), and one of the best was Thurston Hall, most famous for his role of Mr. Schuyler in the Topper (1953) series of the early 1950s. Hall was a tall, distinguished, imposing-looking man, which fit perfectly with the variety of military officers, wealthy businessmen, bankers and upper-crust types he played so well. The Boston-born Hall was attracted to a theatrical career as a youth, and toured New England with a theater troupe and eventually journeyed to Britain, where he spent several years on the stage. He formed his own theater company and successfully toured South Africa, New Zealand and Australia. By the time he entered films he was an established and successful stage actor, in both the U.S. and Europe. He started out in silent films, but his rich baritone voice enabled him to easily transition into talkies. He appeared in more than 200 films, his final one being Affair in Reno (1957), although he had kept busy in television, with appearances on many different series in addition to his co-starring role on "Topper". He died of a heart attack in 1958.

Canadian native Edward Earle was born in Toronto on July 16, 1882, and was raised and schooled there. His stage career took form in Canada with an early emphasis on musical comedy, and he later toured in vaudeville and stock in association with Belasco, DeWolf Hopper Sr., Marie Cahill and the Schuberts, among other theatrical illuminaries. Making his Broadway debut in the comedy "The Triumph of Love" in 1904, his work on the stage eventually led to film parts in 1914.

Earle entered via the Edison film company and emerged a star not long after, distinguishing himself at other studios as well, including Vitagraph, Famous Players, Metro, Warners and Columbia, with a tally of over 400 silent and talking films by the time he retired four decades later. Tawny blond, blue-eyed, well-built and with a clean-cut handsomeness, Earle was a natural for dashing, romantic silent film leads. He gained initial film attention starring in Edison's "Olive's Opportunities" one-reeler series paired opposite Mabel Trunnelle in 1914 and 1915. Adding dash and verve to such silents as Ranson's Folly (1915), a western also showcasing Ms. Trunelle; The Innocence of Ruth (1916); The Light of Happiness (1916) and The Gates of Eden (1916), all opposite a dramatic Viola Dana, he went on to dress up everything from stalwart war dramas (For France (1917)) to mystery comedies (The Blind Adventure (1918)). From 1917 through 1919, he and Agnes Ayres enjoyed great success in a series of two-reeler shorts based on the works of O. Henry.

Earle ventured into the 1920s with such stylish movie showcases as East Lynne (1921), False Fronts (1922) and The Dangerous Flirt (1924), but then began to falter into second leads and support roles, which including the George Arliss starrer The Man Who Played God (1922), the Marie Prevost comedy How to Educate a Wife (1924), little Baby Peggy's showcase The Family Secret (1924), Colleen Moore's comedy romance Irene (1926), the John Gilbert/Joan Crawford sea tale Twelve Miles Out (1927), and Conrad Nagel's part talking prohibition tale Kid Gloves (1929). Come the advent of sound Earle was offered character parts and by the end of the pre-Code talkies era was relegated to bit and unbilled extra parts in Shirley Temple, Laurel and Hardy and Marx Bros. flicks.

He continued to appear throughout the 1930s, 1940s and 1950s and tended to be more visible in oaters and serial cliffhangers. Extremely athletic with a daredevil instinct, he tried his hand as an artist, aviator and automobile racing car driver. Retiring in the early 1960s, Earle eventually retired to the Woodland Hills, California Motion Picture Country Home, where he passed away from complications of old age at age 90 in 1972.

Creighton Hale was born on 24 May 1882 in County Cork, Ireland. He was an actor, known for The Cat and the Canary (1927), The Circle (1925) and Riley of the Rainbow Division (1928). He was married to Victoire Lowe and Kathleen Bering. He died on 9 August 1965 in South Pasadena, California, USA.

This veteran character and his younger brother, western actor Jack Rockwell, were born to American parents south of the border in Vera Cruz, Mexico in 1882. Charles Trowbridge was educated in Napa, California and Hawaii, then studied for his degree at Stanford University. He forsook a thriving career as an architect in his twenties for stage acting, receiving early training at the Alcazar Theatre in San Francisco with Bert Lytell and Bessie Barriscale. He then moved to New York where he earned a number of regional roles in the Chicago, Boston and Philadelphia areas before making his Broadway bow with "The Marriage Game" in 1913. He proceeded to build up his resume impressively with the plays "Daddy Long Legs" in 1914 and when it was revived in 1918, "The Broken Wing (1920), "Craig's Wife (1925), "Ladies Leave" (1929) and "Dinner at Eight" (1933). He made a sampling of silents over the years as well, primarily in drama, with The Fight (1915), Thais (1917) and The Eternal Magdalene (1919) to name a few. After co-starring opposite Corinne Griffith in Island Wives (1922), however, he was not seen again for nearly a decade.

After a steady diet of Broadway plays, he was signed by Paramount for character roles in sound pictures and proceeded to support the top stars. With his rangy build, piercing blue eyes, premature gray hair and serious countenance, Trowbridge was particularly useful throughout the 1930s and 1940s in crime yarns, horrors and in rugged settings starting out with Gary Cooper and Carole Lombard in the romantic drama I Take This Woman (1931). Trowbridge usually adopted a friendly but intelligent, officious demeanor as assorted doctors, judges, bankers, lawyers, military brass and even U.S. presidents. He appeared rather indiscriminately in a number of "A" quality films including Captains Courageous (1937), Meet John Doe (1941), Sergeant York (1941) and Mildred Pierce (1945), and in popular cliffhangers such as King of the Texas Rangers (1941), Adventures of the Flying Cadets (1943) and Captain America (1944). He often played well-meaning victims who died in the first reel, notably in horrors. His last two films were unbilled bits, courtesy of John Ford, in The Wings of Eagles (1957) and The Last Hurrah (1958). Retired thereafter, Trowbridge passed away a number of years later at age 85.

Alan Alexander Milne (signing with the initials A. A. ) was an English novelist, short story writer, poet, and playwright from London. He is primarily remembered for creating Winnie-the-Pooh and his supporting characters. He set their stories in the "Hundred Acre Wood", a fictionalized version of Ashdown Forest in East Sussex. Milne owned a country home near the forest, and resided there for about 3 months of the year. He depicted Winnie in the short story collections "Winnie-the-Pooh" (1926) and "The House at Pooh Corner" (1928), and the poetry collections "When We Were Very Young" (1924) and "Now We Are Six" (1927). All four books were illustrated by Ernest Howard Shepard (1879 - 1976). The Winnie stories have received several adaptations, and were the basis of a Disney media franchise introduced in 1966.

In 1882, Milne was born in Kilburn, London. It was a relatively new district of the London, with its first major building activity having started in 1819. Kilburn was named after Kilburn Priory, a small community of nuns who resided in the area from the 1130s to the 1530s. Milne's father was the educator John Vine Milne. He operated Henley House School, a small independent school in Kilburn. Milne and his family lived within the school building.

Milne was initially educated at his father's school. From 1889 to 1890, Milne's school teacher was the novelist H. G. Wells (1866- 1946). Milne received his secondary education at the Westminster School, a public school that had been operating since the 1540s. It had received royal patronage by both Henry VIII and Elizabeth I.

Milne received his college education at Trinity College, Cambridge. He entered the college with a mathematics scholarship, and graduated in 1903 with a Bachelor of Arts in Mathematics. During his college years, Milne was a writer and editor for the student magazine "Granta" (1889-). The magazine often published works by students who aspired to professional writing careers. It was relaunched as a literary magazine in 1979.

In 1903, Milne started regularly contributing texts for publication to "Punch" (1841-1992), the leading humor magazine of the United Kingdom. Most of his early published work consisted of humorous verse and whimsical essays. In 1905, Milne published his debut novel "Lovers in London". He later grew to dislike it. In 1906, he officially joined the "Punch" magazine's staff. He soon started working as an assistant editor for the magazine.

In 1913, Milne married Dorothy "Daphne" de Sélincourt (1890-1971). At the start of World War I, Milne joined the the British Army. He initially served in the Royal Warwickshire Regiment. He was commissioned as a second lieutenant (on probation) in February, 1915. His probationary status ended in late December 1915, when his commission was approved. Milne was transferred to the Royal Corps of Signals in 1916, as his health had declined during his military service. He returned from service in France to work as a signals instructor.

In 1917, Milne was transferred to Military Intelligence. He spend the rest of the war as a propaganda writer for MI7, an office of the Directorate of Military Intelligence with responsibilities for press liaison and propaganda. He was discharged from the army in February, 1919. He voluntarily relinquished his commission in February 1920, though he retained the rank of lieutenant. His son Christopher Robin Milne was born in August 1920.

During his war service, Milne had continued his writing career. In 1917, he published the fairy tale novel "Once on a Time". He tried to subvert the stereotypes of typical fairy-tales, by featuring morally grey "heroes" and "villains". He also portrayed Princess Hyacinth as a competent regent, rather than a damsel in distress.

In 1919, Milne published the comedy play "Mr. Pim Passes By". The play's female lead Olivia Marden is happily married to her second husband, following a miserable married life with her original husband Telworthy. Telworthy supposedly died abroad in Australia. Early in the play, Olivia learns from an elderly acquaintance that Telworthy may be still be alive, and that her second marriage is bigamous. How she tries to confirm whether Telworthy is alive forms the play's plot. The play had an initial run of total run of 246 performances in Manchester and London. It had several revivals during the 1920s, including a ran of 124 performances in Broadway, New York City. It firmly established Milne's reputation as a competent playwright.

In 1920, Milne was hired as a screenwriter by the film studio Minerva Films. It was co-owned at the time by the actor Leslie Howard (1893-1943) and the film director Adrian Brunel (1892-1958). Milne wrote the screenplays for the silent films "The Bump", "Twice Two", "Five Pound Reward", and "Bookworms".

In 1922, Milne published the mystery novel "The Red House Mystery", a "locked room" whodunit. In the novel, Mark Ablett is the owner of English country house. He already has several guests staying at his residence, and then he has an unexpected reunion with his long-lost brother Robert. Shortly after, Robert is murdered and Mark disappears. Amateur sleuth Tony Gillingham decides to find out what happened to the two brothers. Milne had been a long-time fan of mystery novels, and decided to write one of his own. The novel was a best seller, and remained in print for decades. However, Milne initially decided against writing another mystery novel.

Inspired by his relationship with his young son Christopher Robin, Milne started writing poems and short stories for children in 1924. Besides the Winnie-the-Pooh stories, he also published the short story collection "A Gallery of Children" (1925). He took inspiration from a series of illustrations by Henriette Willebeek le Mair (1889-1966), and wrote one short story to accompany each of the illustrations.

In 1928, Milne wrote the short story "In Which Christopher Robin and Pooh Come to an Enchanted Place, and We Leave Them There" as the finale of the Winnie series. In the story, an older Christopher Robin and Winnie bid farewell to each other, but Winnie promises never to forget his friend. Milne decided to quit writing children's stories by the end of the 1920s. He felt that his son was too old to enjoy them. He had also grown to dislike that the public expected him to write only children's stories, while he had diverse literary interests.

In December 1929, Milne introduced his theatrical play "Toad of Toad Hall". It was the first theatrical adaptation of the novel "The Wind in the Willows" (1908) by Kenneth Grahame. Milne introduced a frame story, where the 12-year-old girl Marigold listens to an animal fable by her nurse. The play enjoyed several revivals in the West End until 1935. It became popular again in the 1960s, and enjoyed annual West End revivals for two decades.

In 1933, Milne published the mystery novel "Four Days Wonder". In the novel, an obsessive young woman investigates the unexpected death of her aunt. While not one of Milne's most famous works, it was adapted into the American mystery film "Four Days' Wonder" (1936). In 1934, Milne published the non-fiction book "Peace With Honour" in order to express his pacifist political views. In 1939, he wrote his autobiography "It's Too Late Now: The Autobiography of a Writer".

During World War II, Milne served in the Home Guard (1940-1944). It was an armed citizen militia, and most of its volunteers were too old to join the regular armed services. Milne received the rank of captain, but he insisted to be called "Mr. Milne" by members of his platoon. He wrote the non-fiction book "War with Honour" (1940) to express the view that Britain needed to achieve victory over Nazi Germany. During the War, his son Christopher Robin served as a sapper in the Royal Engineers.

In 1946, Milne published his final novel, "Chloe Marr". It featured a beautiful socialite who regularly manipulated her suitors, but had a hidden agenda. Milne then published his final short story collections, "The Birthday Party" (1948) and "A Table Near the Band" (1950). They were met with little success, as Milne's popularity had declined. In his personal life, Milne was estranged with his son Christopher Robin. In 1948, Christopher Robin had married his maternal first cousin Lesley de Sélincourt, against the wishes of both his parents. Lesley's father was the hated brother of Daphne de Sélincourt, and the two siblings had been avoiding each other for 30 years.

In 1951, Milne published his final play, "Before the Flood". It was his first new play since the early 1940s. In 1952, Milne survived a stroke. Its effects reportedly invalidated him, and he was forced to retire from his writing career. By 1953, Milne looked older than his actual age . He was also increasingly depressed. He died on January 31, 1956, two weeks following his 74th birthday. His remains were cremated and his ashes "were scattered in a crematorium's memorial garden in Brighton".

In 1964, the University of Texas at Austin acquired a collection of Milne's manuscripts. It has also acquired fragments of Milne's correspondence, his legal documents, his genealogical records, and some of his personal effects. The original manuscripts for "Winnie-the-Pooh" and "The House at Pooh Corner" have been acquired by the Trinity College Library, Cambridge. In 1979, a memorial plaque was unveiled in Ashdown Forest. It commemorates the works of Milne and Shepard which granted worldwide fame to the Forest. While Milne is long gone, Winnie and his other famous characters have remained popular for nearly a century.

Holmes Herbert was a tall, intense English actor who made his first films after coming to America. He began in silent movies as a leading man but eventually was relegated to less important roles as a character actor when sound came in. He played in several of the Universal "Sherlock Holmes" movies, the title character of which was the initial inspiration for his stage name. His career spanned a total of 37 years, and he retired in 1952.

Balding, worried-looking character actor of the 1930's who had a strong line in lawyers, judges, sheriffs, mayors and storekeepers. He was especially effective at playing choleric or obtuse. Bates had a career in dramatic plays on Broadway spanning the years from 1925 to 1935. He began in films with Essanay in 1917. His performance in The Great Man Votes (1939), as a corrupt, incompetent mayor, was particularly noteworthy. His best role, however -- occurring well towards the end of his life -- was as the bewildered judge in My Favorite Wife (1940). Bosley Crowther (May 31) considered this a 'masterpiece of comic creation'. That same year, Bates stood out in the otherwise forgettable Men Against the Sky (1940). He died soon afterward of a heart attack.

Bates was a member of the Lambs Club in New York, America's most venerable theatrical organisation.