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David Wark Griffith was born in rural Kentucky to Jacob "Roaring Jake" Griffith, a former Confederate Army colonel and Civil War veteran. Young Griffith grew up with his father's romantic war stories and melodramatic nineteenth-century literature that were to eventually shape his movies. In 1897 Griffith set out to pursue a career both acting and writing for the theater, but for the most part was unsuccessful. Reluctantly, he agreed to act in the new motion picture medium for Edwin S. Porter at the Edison Company. Griffith was eventually offered a job at the financially struggling American Mutoscope & Biograph Co., where he directed over four hundred and fifty short films, experimenting with the story-telling techniques he would later perfect in his epic The Birth of a Nation (1915).

Griffith and his personal cinematographer G.W. Bitzer collaborated to create and perfect such cinematic devices as the flashback, the iris shot, the mask and cross-cutting. In the years following "Birth", Griffith never again saw the same monumental success as his signature film and, in 1931, his increasing failures forced his retirement. Though hailed for his vision in narrative film-making, he was similarly criticized for his blatant racism. Griffith died in Los Angeles in 1948, one of the most dichotomous figures in film history.

J. Farrell MacDonald was born on 14 April 1875 in Waterbury, Connecticut, USA. He was an actor and director, known for Sunrise (1927), My Darling Clementine (1946) and The Great Lie (1941). He was married to Edith Bostwick. He died on 2 August 1952 in Hollywood, California, USA.

Though most famous as Capt. Englehorn, the ship captain who carried the expedition to an island to capture the great ape in King Kong (1933)--and its sequel, Son of Kong (1933)--Frank Reicher had a long history as a stage actor and director, and film director, prior to his "Kong" appearances, and in fact has more than 200 film roles to his credit.

Born in Munich, Germany, in 1875, he trained in Europe and then moved to New York in 1899 to act on the stage. His success there got him called to Hollywood in 1915, where he not only acted in films but also directed them. He took a few years off from his film career in 1921 to return to the New York stage, but then came back to Hollywood in 1926 and stayed there. He had a prolific career, acting and directing for most of the major studios, and was highly regarded in Hollywood not only as a filmmaker but as an acting teacher. In the World War II era he often played Nazi officials, or anti-Nazi partisans, and even turned up as a professor in The Mummy's Tomb (1942), a role he repeated in its sequel, The Mummy's Ghost (1944), and he played a succession of mad doctors, or their assistants, in several other Univeral horror films.

He made his final film in 1951, and died in 1965.

Samuel S. Hinds, a Harvard graduate, was a lawyer in Hollywood until the stock market crash of 1929, in which he lost most of his money. Hinds, who had an interest in theater acting, decided to embark on a career in acting, albeit it age 54. The tall, dignified-looking Hinds appeared in over 200 films, often cast as kindly authoritarian figures--doctors, judges, military officers, politicians, and such. His two most notable appearances were in Destry Rides Again (1939) and It's a Wonderful Life (1946). In addition to his film work, he kept busy appearing on stage, and continued working up until his death in 1948.

Although she could on a rare occasion display a bit of kindness, or at least some kind of grouchy benevolence, Helen Westley had few peers on stage or film when it came to outright unpleasantness. A stern, indomitable presence, her characters offered unsolicited advice to anyone and everyone within arm's reach. They could literally freeze a person in his or her own tracks with a mere hawk-like glare or arm-folding stance. They could be overbearing, greedy, spiteful, contentious, meddlesome, controlling, narrow-minded, viper-tongued, or all of the above. In essence, she was often major pain in the posterior to the film's star. It usually took a young, brave, gentle soul along the lines of a Shirley Temple or Anne Shirley to find a way to thaw out the icy cold heart that barely beat within.

The Brooklyn-born Helen was born on March 28, 1875 and studied at the American Academy of Dramatic Arts. She began on the stage at age 18 in a one-act comedy skit entitled "The Captain of the Nonesuch." Reaching stardom just before the dawn of the twentieth century, she co-founded both the Greenwich Square Players and the Washington Square Players, the latter growing into the Theatre Guild of which she became one of six managing directors. A steadfast player under the Broadway lights, she appeared in such classics as Chekhov's "The Seagull" (as Madame Arkadina) (1916), "Heartbreak House" (1920), "Liliom" (1921), "Peer Gynt" (1923), "The Adding Machine" (1923), "The Guardsman" (1924), "Caesar and Cleopatra" (1925), "The Doctor's Dilemma" (1927), "Strange Interlude" (1928), "Faust" (1928), "The Apple Cart" (1930), "Green Grow the Lilacs" (1931) and "They Shall Not Die" (1934), to name just a few.

By age 60, she had discovered and settled into filming, and for the next (almost) decade, spread misery in movie after movie. Her dour dowagers, no-nonsense matrons and acidulous relatives took the form of Granny Mingott in The Age of Innocence (1934); the designer title character in Roberta (1935); the manipulative and malicious mother of Joel McCrea in Splendor (1935); the harridan-like Parthy Hawkes in the Irene Dunne/Allan Jones version of Show Boat (1936); and the cackling, pipe-smoking grandmaw in Banjo on My Knee (1936). Her finger-wagging authority figures showed up to intimidate Anne Shirley in Anne of Green Gables (1934) and courageous little Shirley Temple who somehow managed to reveal her human side in four films: Dimples (1936), Stowaway (1936), Heidi (1937), and Rebecca of Sunnybrook Farm (1938). Helen remained a vital character presence on the large screen up until her death at age 67 in 1942. She married John Westley in 1900 but they parted ways 12 years later. She had one daughter.

Edgar Wallace was born on 1 April 1875 in Greenwich, London, England, UK. He was a writer and director, known for King Kong (2005), King Kong (1933) and King Kong (1976). He was married to Ethel Violet King and Ivy Maude Caldecott. He died on 10 February 1932 in Hollywood, California, USA.

Edward Alexander "Aleister" Crowley was an English occultist, ceremonial magician, philosopher, professional writer, and self-proclaimed prophet. In his youth, Crowley joined the occult organization Hermetic Order of the Golden Dawn (1887-1903), where he received much of his training in theurgy and ceremonial magic. In 1904, Crowley established his own religion: Thelema (Greek for "the will"). He had supposedly received a divine revelation from an angel. Crowley believed that humans should strive to overcome both their desires and their socially-instilled inhibitions in order to find out the true purpose of their respective lives. Several of Crowley's religious ideas went on to influence Wicca, the practice of chaos magick, Satanism, and Scientology.

In 1875, Crowley was born in Royal Leamington Spa, Warwickshire to a wealthy family. His father was the retired engineer Edward Crowley (1829-1887), who was 46-years-old at the time of Crowley's birth. Edward had grown wealthy due to being the partial owner of a successful brewery. Cowley's mother was Emily Bertha Bishop (1848-1917), a member of a somewhat prominent family whose members lived in both Devonshire and Somerset.

Crowley's parents were converts of the Plymouth Brethren, a Christian fundamentalist movement whose members believed that the Bible is the only authority for church doctrine and practice. Crowley received his early education at an evangelical boarding school located in Hastings. He was then send to the Ebor preparatory school in Cambridge. The boy grew to hate the abusive Reverend Henry d'Arcy Champney, who inflicted sadistic punishments on his students. Crowley eventually dropped out of this school, due to health problems. The boy had developed albuminuria, a urine disease.

By the time he was 12, Crowley was skeptical about Christianity and its teachings. Years of bible study had resulted in Crowley realizing and memorizing the inconsistencies in the Bible. He eagerly pointed these to his religious teachers. In his teen years, Crowley largely rejected Christian morality. He felt the need to satisfy his sexual urges, and did not view this need as immoral. He received college lessons in chemistry, and started writing poetry as a hobby. In his early 20s, Crowley was also a chess enthusiast, and an increasingly skilled mountaineer. In 1894, Crowley joined the Scottish Mountaineering Club. In 1895, Crowley climbed the peaks of five mountains in the Bernese Alps.

By 1895, Crowley started using his nickname "Aleister" as his legal name. From 1895 to 1898, Crowley attended Trinity College, Cambridge. He studied primarily philosophy and literature. He was the president of the local chess club, and briefly considered pursuing a career as a professional chess player. In 1896, Crowley had his first sexual experience with another man while vacationing in Stockholm, Sweden. He would later embrace his bisexuality. He had sexual sexual relationships with various men while living in Cambridge, though such activities were illegal in Victorian England. In 1897, Crowley started a romantic relationship with the on-stage female impersonator (drag queen) Herbert Charles Pollitt (1871-1942). They eventually broke up because Pollitt refused to join his boyfriend in his studies of mysticism and occultism. Crowley later wrote several texts concerning his lifelong regrets about ending his relationship with Pollitt.

In 1898, Crowley dropped out of Cambridge. He maintained excellent grades, but he lost interest in actually pursuing a degree. Also in 1898, Crowley published two volumes of his poems. Shortly after leaving Cambridge, the novice occultist Crowley started hanging out with members of the occultist organization Hermetic Order of the Golden Dawn (1887-1903). He was formally initiated into the organization in November 1898. His initiation ritual was performed by the organization's de facto leader, Samuel Liddell MacGregor Mathers (1854 -1918). Crowley grew to consider Mathers to be an ineffectual leader.

In the late 1890s, Crowley received training in ceremonial magic by more experienced members of the Golden Dawn. He was fascinated with the ritual use of drugs. He rose through the organization's ranks, but was soon refused entry into the group's inner Second Order. The openly bisexual and libertine Crowley was disliked by several conservative members of the organization. Crowley had started a feud with a fellow member, the Irish poet William Butler Yeats (1865-1939). Yeats' friends resented Crowley.

A schism eventually started within the Golden Dawn, between Mathers' supporters and the members who disliked Mathers' autocratic policies. Crowley chose to support Mathers, and tried to take over one of the organization's temples in the name of Mathers. The dispute resulted in a court case between the rival factions of the Golden Dawn, over ownership of the temple. Mathers lost the court case, and Crowley started being treated as a pariah by members of the winning faction.

In 1900, Crowley decided to migrate to Mexico. He settled in Mexico City, where he experimented with the Enochian invocations of the famed occultist and alchemist John Dee (1527-1608/1609). His mountaineering activities led him to reach the top of several Mexican mountains, such as Iztaccihuatl, Popocatepetl, and Colima. After leaving Mexico, Crowley started traveling the world in search of new experiences. He visited California, Hawaii, Japan, Hong Kong, Ceylon (Sri Lanka), India, and France. Crowley took part in a failed mountaineering expedition that attempted to reach the peak of K2, the second-highest mountain on Earth. The expedition reached an altitude of 20,000 feet (6,100 meters). They abandon the attempt to reach the peak, as Crowley and several other expedition members were suffering from malaria.

In August 1903, Crowley married Rose Edith Kelly (1874-1932), the sister of one of his close friends. It was a marriage of convenience, not love. Rose wanted to escape an arranged marriage, and was fleeing from domineering family members. Her brother viewed the marriage as a personal betrayal by Crowley. The couple took an extended honeymoon. In February 1904, the couple settled in Cairo Egypt. Crowley started invoking ancient Egyptian deities in magical ceremonies. He also took the opportunity to study Islamic mysticism.

In early April 1904, Crowley started listening to the disembodied voice of the angel Aiwass. It supposedly delivered to Crowley messages from the god Horus, concerning a new age for humanity. Crowley recorded his divine revelations in "The Book of the Law", the first publication of Thelema. The disembodied voice supposedly also requested a number of difficult tasks from Crowley, who simply chose to ignore them as unreasonable demands.

In 1905, Crowley returned to his private estate in Scotland, for the first time in several years. He renounced his former mentor Mathers, as Crowley was convinced that the old man was conspiring against him. Crowley established his own printing company, the "Society for the Propagation of Religious Truth". He chose the name to mock a Christian charity organization, the Society for Promoting Christian Knowledge (1698-). The primary purpose of the company was the promotion of Crowley's literary works. By this point, Crowley was relatively famous as a poet. Several of his poems were favorably received by critics, but they never sold well.

Crowley soon resumed world traveling. He led a failed mountaineering expedition to climb the mountain Kanchenjunga in Nepal. Crowley faced a mutiny over his reckless behavior during the expedition. He returned to India, then made an extended tour of Southern China. He also visited Hanoi in Vietnam. He worked on a new ritual while in China, invoking his Holy Guardian Angel. He proceeded to travel through Japan and Canada, and visited New York City in a failed effort to secure funding for a new mountaineering expedition.

Crowley's return to the United Kingdom came with a nasty surprise for him. He learned that his first-born daughter Lilith Crowley had died of typhoid fever during his absence. He also realized that his wife Rose was struggling with alcoholism, and that she was probably not fit to be a parent. His own health was failing at the time, and he underwent a series of surgical operations.

In 1907, Crowley started regularly using hashish in his magic rituals. In 1909, he published an essay concerning the mystical aspects of hashish use. He published several books concerning the occult during the late 1900s. The family fortune which he had inherited was running out at the time, and he tried to secure additional funds. At one point, Crowley was hired by George Montagu Bennett, the Earl of Tankerville, to protect him from evil witchcraft. Crowley realized that Tankerville was a cocaine-addict suffering from paranoia, so Crowley just improvised a drug rehabilitation project for his employer.

In 1908, Crowley realized that horror short stories were selling much better than poetry. So he published a series of his own horror stories. He also became a regular writer for a weekly magazine, the so-called "Vanity Fair" (1868-1914). In 1909, Crowley established his own magazine, "The Equinox" (1909-1998). The magazine specialized in texts about occultism and magick, but also regularly published poetry, prose fiction, and biographies.

In 1909, Crowley divorced his wife Rose, as he was fed-up with her drinking binges. Rose was institutionalized in 1911.In November 1909, Crowley started a long journey through the deserts of Algeria. He chose to recite the Quran on a daily basis while living in the desert. At one point, Crowley offered a blood sacrifice to the demon Choronzon while still in Algeria. He returned to London in January 1910, to find that his old mentor Mather was suing him for publishing secret texts of the defunct Golden Dawn. Crowley both won the court case, and enjoyed the publicity which the case brought him. The yellow press was portraying him as a Satanist, and Crowley found it amusing to embrace various stereotypes about Satanism at the time.

In 1910, Crowley organized the Rites of Artemis, a public performance of magic and symbolism. All the performers were associates and followers of Crowley. The celebrations received favorable reviews from the press. The encouraged Crowley soon organized the Rites of Eleusis in Westminster, but this performance received mostly negative reviews. There were press reports at the time that Crowley was homosexual, but the authorities made no attempt to arrest him. Crowley devoted the next couple of years to his writing activities, completing 19 works on magic and mysticism in this period. He also continued publishing poetry and fiction.

In 1912, Crowley published the magical book "The Book of Lies", one of his best-reviewed works. Crowley found himself accused of plagiarizing the works of the German occultist Theodor Reuss (1855-1923), based on the similarities between their ideas. Crowley managed to convince Reuss that the similarities were coincidental, and befriended Reuss in the process. Crowley was then initiated in Reuss' own occult organization, the Ordo Templi Orientis (OTO). With Reuss' permission, Crowley established a British branch of the organization and completely rewrote most of the organization's rituals. OTO was practicing sex magic, and Crowley liked that idea.

In 1913, Crowley served as the producer for a group of female violinists. Primarily because the group's leader was a close friend and lover of Crowley. He followed them during 6 weeks of performances in Moscow, Russia. Crowley wrote several new works while in Moscow. In January 1914, Crowley and his long-term lover Victor Neuburg settled together in a Parisian apartment. The couple experimented with sex magic rituals, which involved the use of strong drugs. At the time, Crowley regularly invoked the Roman gods Jupiter and Mercury in his new rituals. Noticing that Neuburg had started distancing himself from Crowley by the end of their vacation in Paris, Crowley had an intense argument with him and ritually cursed Neuburg.

By 1914, Crowley was nearly bankrupt. He financially depended on donation by his followers. In May 1914, he transferred the ownership of his estate in Scotland. Later that year, Crowley suffered from a bout of phlebitis. Following his recovery, he decided to migrate to the United States for financial reasons. He settled in New York City, where he became a regular writer for the American version of the magazine "Vanity Fair" (1913-1936). He continued experimenting with sex magic while living in the Big Apple.

During World War I, Crowley declared his support for the German Empire against the British Empire. His sympathies were possibly influenced by his German friends in the OTO. In 1915, Crowley was hired as a writer for the propagandist newspaper "The Fatherland", which championed German interests in the United States. Crowley left New York City for a while, going on an extended tour of Canada, Mexico, and the United States. He visited Vancouver to make contact with the local variation of the OTO. Crowley spend part of the winter of 1916 in New Orleans, which was his favorite American city. In February 1917, Crowley headed to Florida for a family reunion with a number of his evangelical Christian relatives who had settled there.

Later in 1917, Crowley returned to New York City. He struggled with unemployment, as several of the newspapers and magazines which had previously hired him had shut down. In 1918, Crowley worked on a new translation of the Taoist book "Tao Te Ching". At the time, Crowley claimed to have started experiencing past life memories. Fueled by his belief in reincarnation, Crowley proclaimed himself to be a reincarnation of Pope Alexander VI/Rodrigo de Borja (1431-1503, term 1492-1503). Having more free time than usual while living in Greenwich Village, Crowley found a new hobby in painting. He exhibited several of his painting at a local literary club, and attracted some attention from the local press.

In 1919, the impoverished Crowley moved back to London. The local press labeled a traitor for his Germanophile tendencies. He was suffering from asthma attacks at the time. An English doctor prescribed a supposedly miraculous drug for Crowley, which promised to cure his asthma. The drug was actually heroine, and was highly addictive. Crowley developed a drug addiction. In January 1920, Crowley moved to the Parisian apartment of his lover Leah Hirsig. While there, he started efforts to establish a new organization, the Abbey of Thelema. He named it after a fictional organization which had appeared in the works of Francois Rabelais (c. 1483-1553).

In April 1920, Crowley settled in Sicily with a number of his supporters and their families. They established the Abbey of Thelema. They established daily rituals for the sun god Ra. Crowley offered a libertine education for the children of his followers, and allowed them to witness sex magic rituals. The organization soon attracted new followers, but Crowley's drug addiction was increasingly out of control. In 1922, Crowley published the autobiographical novel "Diary of a Drug Fiend". The British press criticized it for supposedly promoting the use of drugs.

In 1923, Crowley was at the center of an international scandal. A young Thelemite follower died from a liver infection, after drinking polluted water. His widow published stories of the unsanitary conditions in the Abbey, and of self-harm rituals which Crowley had created for his followers. The international press published scathing stories for Crowley. Benito Mussolini, the fascist Prime Minister of Italy (1883-1945, term 1922-1943) decided to deport Crowley in April 1923. The Abbey was not officially targeted by the fascist government, but it soon collapsed due to its lack of leadership. There was no way to attract more followers of Crowley to Sicily without using Crowley's physical presence as a tool for recruitment.

In self-exile in Tunis during much of 1923, Crowley started working on his autobiography, "The Confessions of Aleister Crowley". In January 1924, Crowley moved back to France in preparation for a series of nasal operations. For the next few years, Crowley spend part of each year in Tunis and part of each year in France. He wrote a few significant works at the time, though some of his personal relationships deteriorated.

In the mid-1920s, Crowley declared himself to be the new leader of the OTO, following the death of Reuss. His right to leadership was questioned by other candidate leaders,. The OTO soon split itself to several rival factions, each proclaiming itself to be the true continuation of the original organization. In 1928, Crowley was deported from France. Due to Crowley's past loyalty to the German Empire, the French authorities worried that he may be a German agent.

In 1929, Crowley moved back to the United Kingdom. He secured a book deal with Mandrake Press, which agreed to publish his autobiography and several works of prose fiction. The Great Depression negatively affected Crowley. In November 1930, Mandrake went into liquidation. Crowley was left with no regular published for his works, and no regular source of income. Crowley spend part of the year 1930 in Berlin, Germany, where his expressionistic paintings were displayed in a gallery. His works gained favorable press reviews, but few of them were actually sold. Painting was not a profitable occupation for Crowley.

In January 1932, Crowley started socializing with German communists and other far left figures in Berlin, despite having never previously expressed any interest in their ideologies. Some of his biographers suspect that Crowley was merely acting as a spy for British intelligence at this time. Later that year, he returned to London for another nasal surgery. In desperate need of money, Crowley launched a series of court cases for libel against his perceived enemies. The litigation proved more expensive than he expected, and he was declared bankrupt in February 1935. The bankruptcy case revealed that Crowley's expenses over the past few years had far exceeded his income.

In 1936, Crowley published "The Equinox of the Gods". It was his first new book in half a decade, and sold unusually well. Crowley also managed to secure funding from the Agape Lodge, a Californian splinter faction of the OTO. His benefactor was the Lodge's de facto leader, the rocket engineer Jack Parsons (1914-1952). Crowley was concerned at the time about the disestablishment of the German faction of the OTO, whose members faced persecution by the Nazi Party. Several of Crowley's German friends had been arrested, and others had fled the country.

During World War II, Crowley was closely associated with the British intelligence community. His biographers are uncertain whether he was working as a British agent, or merely assisting actual agents. Among Crowley's close associates during the War were two fellow British writers who were working as intelligence agents: Roald Dahl (1916-1990) and Ian Fleming (1908-1964). Crowley supposedly helped create a new war slogan for the BBC, called "V for Victory". His asthma attacks worsened during the war, in part because the medication he needed was unavailable. He was briefly hospitalized in Torquay. Among Crowley's last published works was a wartime book about the concept of human rights.

On December 1, 1947, Crowley died due to chronic bronchitis, aggravated by pleurisy. He was 72-years-old at the time of his death. Despite Crowley maintaining several friendly and professional contacts during the last years of his life, only about a dozen people bothered to attend his funeral. His body was cremated, and his ashes were delivered to the next leader of the OTO, Karl Gemer. Gemer was living at the time in exile in the United States. Gemer buried Crowley's ashes in a garden located in Hampton, New Jersey. Crowley remains one of the most famous and influential occultists of his era, thought the nature of his legacy remains a controversial topic.

His father had been a major in the Union army during the Civil War. Edgar Rice Burroughs attended the Brown School then, due to a diphtheria epidemic, Miss Coolie's Maplehurst School for Girls, then the Harvard School, Phillips Andover and the Michigan Military Academy. He was a mediocre student and flunked his examination for West Point. He worked a variety of jobs all over the country: a cowboy in Idaho, a gold miner in Oregon, a railroad policeman in Utah, a department manager for Sears Roebuck in Chicago. He published "A Princess of Mars" under the title "Under the Moons of Mars" in six parts between February and July of 1912. The same "All-Story Magazine" put out his immediately successful "Tarzan of the Apes" in October of that year. Two years later the hardback book appeared, and on January 27, 1918, the movie opened on Broadway starring Elmo Lincoln as Tarzan. It was one of the first movies to gross over $1,000,000. Burroughs was able to move his family to the San Fernando Valley in 1919, converting a huge estate into Tarzana Ranch. He was in Pearl Harbor December 7, 1941 and remained in Hawaii as a war correspondent. Afterward he returned home with a heart condition. On March 19, 1950, alone in his home after reading the Sunday comics in bed, he died. By then he had written 91 novels, 26 of which were about Tarzan. The man whose books have sold hundreds of millions of copies in over thirty languages once said "I write to escape ... to escape poverty".

Minor film player Francis Pierlot came to Hollywood in 1939 at the age of 63 with the notion that he would retire rather quickly. Instead he played a steady stream of small character roles in a film career that spanned well over a decade. Born July 15, 1875 in France, Pierlot came to the United States when he was still a child and was raised in Boston. His first contact with the entertainment business was as a theatre usher at the age of 13. He eventually played vaudeville and was a reliable performer on Broadway throughout the 20s and 30s with such shows as "Please Get Married" (1919), Gentlemen of the Press" (1928) and Knickerbocker Holiday (1938). In the 40s he shifted to films, never appearing in any flashy parts that would jump out at you but a reliable sort nevertheless. He played a number of benign, gray-haired fellows, usually well-dressed, respected and quite approachable. His many films include The Captain Is a Lady (1940), Henry Aldrich, Editor (1942), Hit the Hay (1945), Two Guys from Milwaukee (1946), The Flame and the Arrow (1950), and, It Happens Every Thursday (1953). On TV he occasionally played "Mr. Hubert" on Jack Carson's show in the early 50s. Pierlot died of a heart attack in Hollywood in 1955.

Gilbert Emery was born on 11 June 1875 in Naples, New York, USA. He was an actor and writer, known for Between Two Worlds (1944), Wife vs. Secretary (1936) and Let Us Be Gay (1930). He died on 28 October 1945 in Los Angeles, California, USA.

Eburne started on the stage in Ontario and New York, later appearing on Broadway in 1914, playing a cockney maid. She played comic servants on stage until 1930 then moved to films in 1931. On screen, she played a variety of roles from maids to aristocrats to pipe-smoking harridans. Eburne retired from the screen in 1951.

Titian haired, full figured, voluptuous Dorothy Vernon had a career that spanned from the early days of moving pictures through the boxed screen known as television.

Whether it was a comedy, a western, a musical or whatever was needed, Dorothy did it all. Her unforgettable glow and her almost heavenly serene appearance was the focal point of many western square dances, slapstick sequences, or horrid haunts.

One film historian noted that he had seen Vernon in so many PRC westerns that he started to believe that she was Charles King's out of work mother.

At the end of the day, it doesn't matter what you watch from the 1920s - 1950, chances are eventually you'll run into the small lady with the big presence.

Distinguished Irish character actor of aristocratic or avuncular mien who appeared on stage from the age of 19. He had a penchant for appearing in plays by George Bernard Shaw (at first at London's Court Theatre and later on Broadway) and was an early interpreter of Dr. John Watson during an 1899 Australian tour of Sherlock Holmes. Hare was later prolific as actor-director on the New York stage, variously with the theatrical companies of Charles Frohman and William A. Brady between 1900 and 1928. He entered films in 1916 as leading man to some of the noted stars of the stage, among them Billie Burke, Janet Beecher and Ethel Barrymore. As he grew older (and with the coming of sound) he graduated to character portrayals of high ranking military officers, inspectors, lords and royalty. Hare spent pretty much the remainder of his lengthy career free-lancing in Hollywood, content with ever-diminishing roles right up until his retirement in 1961.

Tiny Jones was born on 25 November 1875 in Cardiff, Wales, UK. She was an actress, known for Manhattan Moon (1935), The Man from Blankley's (1930) and Drums Along the Mohawk (1939). She died on 21 March 1952 in Hollywood, California, USA.

Spencer Charters was a burly, moon faced man who got his start in the theater where he basically stayed until 1930. Thereafter, he quickly launched a career as a character actor in movies. His specialty was a lower-to-middle-class worker, and he portrayed many types, including judges, doctors, clerks, managers, jailers, etc. Charters was a busy man, with over 200 parts from 1930 to 1943. By the late 1930s, Charters was feeling the effects of advancing age, and was unable to play more than short bit parts. He ended his life in 1943 via sleeping pills and carbon monoxide poisoning.

Arthur Wontner (1875-1960), the critics' choice. "No better "Sherlock Holmes" than Arthur Wontner is likely to be seen and heard in pictures, in our time... The keen, worn, kindly face and quiet prescient smile are out of the very pages of the book", Vincent Starrett's 'The Private Life of Sherlock Holmes'.

Arthur Wontner made his first stage appearance in 1897 and his first film 18 years later. Best-known today for his characterization of "Sherlock Holmes" in five films produced between 1931 and 1938, some Holmes aficionados prefer Wontner's studious interpretation to the more aggressive, energetic portrayals of Basil Rathbone. Ironically, Wontner landed the role on the strength of his performance in the 1930 stage production, Sexton Blake, based on a pulp-fiction character who'd been created as a Sherlock Holmes imitation. In later years, he played several small but memorable character roles, such as the elderly automobile fancier in Genevieve (1953).

Wontner was fifty-six when he made his first Sherlock Holmes film, "Sherlock Holmes' Fatal Hour" (actually called Sherlock Holmes' Fatal Hour (1931) in England). The story was based on "The Final Problem", but with some liberal rearranging. Norman McKinnel played "Moriarty" in this movie but would be replaced by Lyn Harding ("Dr. Grimesby Roylott" in Doyle's play, "The Speckled Band") for the others in the series. "The Missing Rembrandt" (based on "Charles Augustus Milverton") and "The Sign of Four" would be the next two films with Wonter.

For the final two, he would be pitted against "Professor Moriarty". The Triumph of Sherlock Holmes (1935) was from "The Valley of Fear", and last up was Murder at the Baskervilles (1937). Apparently, the studio had difficulty in making the short story fill out to a feature-length film, as both "Moriarty" and "Henry Baskerville" are added to the movie. Strangely enough, though made in 1937, it wasn't released in the U.S. until 1941, when Basil Rathbone had already made The Hound of the Baskervilles (1939). To cash in on the success of that film, Wontner's movie was retitled "Murder at the Baskervilles".

Two actors played "Watson": Ian Hunter in The Sign of Four: Sherlock Holmes' Greatest Case (1932) and Ian Fleming, an Australian actor, who played "Watson" as "nice but dim". Of the five Holmes movies Wontner made, three were for Twickenham Studios, a low-budget production company. "Silver Blaze" and "The Sign of Four" were made by ARP. However, one of the films, Sherlock Holmes and the Missing Rembrandt (1932), is lost. Sherlock Holmes' Fatal Hour (1931) was unobtainable for decades, but it turned up on an American video dealer's list and was shown at the annual film evening in November 2000. It was very appropriate because it was first shown to the Society by Tony Howlett at the very first film evening in 1951, when Arthur Wontner, himself, was present.

The Society has the other three movies on film, "The Triumph of Sherlock Holmes", "Silver Blaze" and "The Sign of Four".

(This biography is used with the kind permission of The Sherlock Holmes Society of London.)

A veteran stage actor, James Kirkwood entered films in 1909 as an actor and was soon playing leads in many of D.W. Griffith's early pictures. He turned to directing in 1912, and by 1914 was the favorite director of Mary Pickford, with whom he made nine films; he also co-starred in three of them. Although he was considered a major director in his day, he soon found directing assignments difficult to come by. His directing career faded by 1920, but he continued acting well into the 1950s.

Max Davidson was born on 23 May 1875 in Berlin, Germany. He was an actor, known for A Daughter of the Poor (1917), Don Quixote (1915) and The Johnstown Flood (1926). He was married to Alice Marti. He died on 4 September 1950 in Woodland Hills, Los Angeles, California, USA.

Frank Craven, the actor, director, playwright, and producer who achieved theatrical immortality as The Stage Manager in the original 1938 Broadway production and 1940 movie version of Thornton Wilder's classic Our Town (1940), was born into a theatrical family on August 24, 1875 in Boston, Massachusetts. The son of Ella Mayer Craven and John T. Craven, he first trod the boards in Boston as a child. He made his Broadway debut in George Ade's comedy "Artie" at the Garrick Theatre on October 28, 1907. In 1914, he starred in and directed the first of his many plays to be produced on the Great White Way, "Too Many Cooks" [Original, Play] The play, which opened on February 24 and closed in September 1914, was a hit, lasting 223 total performances.

His 1924 Broadway play "New Brooms (1925)" which he wrote, produced and directed, was made into a major motion picture the following year by Paramount. Screenwriter Clara Beranger adapted the play for the film, which was directed by William C. de Mille. As a screenwriter himself, Craven worked on State Fair (1933); in all, he wrote or contributed to eight films, including an adaptation of his own 1932 play That's Gratitude (1934), which he also directed and starred in at Columbia. His most famous screen work was providing the story for the Laurel & Hardy comedy Sons of the Desert (1933) and adapting "Our Town" for the screen. In addition, seven of his plays were made into movies and one of his short stories was adapted for television production.

As a playwright and screenwriter, Craven generally stuck to the domestic-comedy genre rooted in the trials and tribulations of everyday family life. As an actor, Craven was willing typecast as an actor as small-town men with a wry sense of humor. He made his acting debut on the Big Screen in an uncredited role in the 1928 drama We Americans (1928) for Universal. At R.K.O. the following year, he directed and starred in the movie adaptation of William LeBaron's play The Very Idea (1929), which he co-directed with _Richard Rosson (I)_. Then, he returned to Broadway.

His film career began in earnest after Fox signed him to a contract in 1932. At Fox, he appeared in Handle with Care (1932) before writing the screenplay and playing the Storekeeper in the classic "State Fair", which starred superstar Will Rogers. In all, he acted in almost two score films.

Craven returned to Broadway in 1935 to direct the play "A Touch of Brimstone", which opened in September and closed after 98 performances. He also directed and performed in the World War One drama "For Valor" on Broadway, a flop that lasted only one week of eight performances. His next appearance on Broadway, three years later, was more memorable.

"Our Town", which opened at Henry Miller's Theatre on February 4, 1938 and ran there and at the Morosco for 336 performances, won the 1938 Pulitzer Prize for Drama. The play set in to the fictional Grover's Corners, New Hampshire between 1901 and 1913, also was the Broadway debut of his son John Craven, who played one of the main roles, George Gibbs. The independently made film of "Our Town" was released in 1940, with Craven reprising his role as the Stage Manager (with William Holden replacing his son in the role of George Gibbs). The movie, directed by Sam Wood, earned seven Academy Award nominations and remains a part of the mystique of the American classic.

Craven appeared on Broadway in three more productions after "Our Town". His last appearance was in Zoe Akins' "Mrs. January and Mr. X" in 1944. He died on September 1, 1945 in Beverly Hills, California, shortly after completing his role in movie Colonel Effingham's Raid (1946). He was 70 years old.

Nora Bush was born on 13 November 1875 in Johnson, Scotland County, Missouri, USA. She was an actress, known for Valley of Vengeance (1944), My Little Margie (1952) and Dragnet (1951). She died on 22 April 1970 in Los Angeles, California, USA.

Thomas W. Ross was born on 22 January 1875 in Boston, Massachusetts, USA. He was an actor, known for Checkers (1913), Fine Feathers (1921) and Seventeen (1940). He died on 14 November 1959 in Torrington, Connecticut, USA.

In the US from the age of 10, he first worked as a journalist-illustrator for the New York World. Interviewing Thomas A. Edison, he so impressed the inventor with his drawings that Edison suggested he allow some of them to be photographed by the Kinetograph camera. The result was a short film, Edison Drawn by 'World' Artist (1896). Fascinated by the new medium, Blackton bought a Kinetoscope from Edison, went into partnership with a friend, Albert E. Smith, and exhibited films with it. In 1897 they added a third partner, William T. Rock, and the young partners converted the projector into a motion-picture camera and established the Vitagraph Company. They started film production in an open-air studio on the roof of the Morse Building at 140 Nassau Street, New York City. Their first film, The Burglar on the Roof (1898), was about 50 feet long, with Blackton playing the leading role. In 1898, during the Spanish-American War, they produced Tearing Down the Spanish Flag (1898), probably the world's first propaganda film. Smith operated the camera and Blackton was again the actor, tearing down the Spanish flag and raising the Stars and Stripes to the top of a flagpole. Blackton and his partners continued filming fake and real news events, ranging from Spanish-American War footage to coverage of local fires and crimes in New York City. They constantly expanded their activities and soon moved into the world's first glass-enclosed studios, in Flatbush, Brooklyn. Blackton directed most of the production of this early period, including such story films as A Gentleman of France (1905) and Raffles, the Amateur Cracksman (1905), two milestones in the development of the American feature film. Blackton pioneered the single-frame (one turn, one picture) technique in cinema animation, turning out a number of animated cartoons between 1906 and 1910, including the immensely successful Humorous Phases of Funny Faces (1906), The Haunted Hotel (1907), and The Magic Fountain Pen (1909). He also introduced (in 1908, before Griffith) the close shot, a camera position between the close-up and the medium shot. Like Griffith, he emphasized film editing, setting his films apart from most of the products of this very early period. His film editing was especially noteworthy in his 'Scenes Of True Life' series, a realistic group of films he directed beginning in 1908. Next to Griffith, Blackton was probably the most innovative and creative force in the development of the motion picture art, not only as the director of hundreds of films but also as organizer, producer, actor, and animator. He pioneered the production of two- and three-reel comedies and starred in one such series as a character called Happy Hooligan. Beginning in 1908, he also pioneered the American production of distinguished stage adaptations, including many Shakespeare plays and historical re-creations. When the output at Vitagraph became too heavy for one man to handle, he initiated the system (later to be adopted by Ince) of overseeing the work of several underling directors as production supervisor. In 1917 he left active work with Vitagraph and began independent productions. During WWI, he directed and produced a series of patriotic propaganda films, the most famous of which, and which he also wrote, was The Battle Cry of Peace (1915), based on a hypothetical attack on New York City by a foreign invader. Blackton later went to England, where he directed a number of costume pageants, two of them experiments in color. When Vitagraph was absorbed by Warner Bros. in 1926, Blackton retired. He lost his entire fortune in the 1929 crash and was forced to seek work on a government project in California. Later he was hired as director of production at the Anglo-American Film Company, where he worked until his death. Between 1900 and 1915, Blackton was president of the Vitaphone Company, a manufacturer of record players. In 1915 he organized and became president of the Motion Picture Board of Trade, later known as the Association of Motion Picture Producers and Distributors of America. He was also publisher and editor of Motion Picture Magazine, one of America's first film-fan publications.

Lee Tong Foo was born on 23 April 1875 in Alameda, California, USA. He was an actor, known for Across the Pacific (1942), There's a Girl in My Heart (1949) and Mr. Wong, Detective (1938). He died on 1 May 1966 in Los Angeles, California, USA.

Thomas Mann was probably Germany's most influential author of the 20th century, receiving the Nobel Prize in Literature in 1929. Born on 6 June 1875 in Lübeck, his family moved to Munich in 1893, where he lived until 1933 and wrote some of his most successful novels like "Buddenbrocks" (1901), "Death in Venice" (1912) or "The Magic Mountain" (1924). After the Nazi takeover, the humanist and anti-fascist, married to Katia Pringsheim, daughter of a secular Jewish family, emigrated to Switzerland, then to Princeton and Pacific Palisades in the United States, where he finished his great tetra-logy "Joseph and His Brothers" in 1942. Two years later, he became a naturalized US citizen, but finally returned to Europe in 1952. The famous analyst and critique of the German and European soul died on 12 August 1955 in Kilberg near Zurich.

Carl Gustav Jung was born in Kessewil, Switzerland, on July 26, 1875. His father Paul was a rural preacher, and began to teach his son Latin when Carl was six years old, stoking his interest in language and literature (Jung was later able to read most European languages and several ancient ones, such as Sanskrit). He was not a particularly good student because he did not like the regimentation of school and was especially averse to competition (at boarding school in Basel he developed a habit of fainting under pressure).

After graduating he attended the University of Basel intending to major in archeology, but developed an interest in medicine and studied under renowned neurologist Richard von Krafft-Ebing. As a result, he decided on a career in psychiatry. Upon graduation from the university, he took a job in a Zurich mental hospital and began to specialize in the study and treatment of schizophrenia. He began to teach classes at the University of Zurich, and in addition started his own private practice. It was during this time that he developed what is known today as the system of word association.

Jung had long been an admirer of the famed Sigmund Freud, and in 1907 the two met in Vienna. They connected from the beginning, and Freud came away from the meeting convinced that Jung was at the top of the field in psychoanalysis and his "heir apparent". Jung, however, was not entirely convinced that Freud's theories were correct, and it wasn't long before matters came to a head. During a 1909 trip to the United States, things soured and Freud broke off their relationship.

The era of World War I was a painful one for Jung personally, but his professional career flowered and it was during this period that he developed his famous theory of personality. After the war he traveled extensively throughout the world, spending much time among primitive tribal societies in Africa and India and visiting and studying many Native American tribes in the U.S.

Jung retired in 1946, and after the death of his wife in 1955 he became somewhat reclusive. He died in Zurich, Switzerland, on June 6, 1961.