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An only child, Idrissa Akuna Elba was born and raised in London, England. His father, Winston, is from Sierra Leone and worked at Ford Dagenham; his mother, Eve, is from Ghana and had a clerical duty. Idris attended school in Canning Town, where he first became involved in acting, before he dropped out. He gained a place in the National Youth Music Theatre - thanks to a £1,500 Prince's Trust grant. To support himself between acting roles, he worked in jobs such as tyre-fitting, cold call advertising sales, and working night shifts at Ford Dagenham. He worked in nightclubs under the nickname DJ Big Driis at age 19, but began auditioning for television roles in his early-twenties.

His first acting roles were on the soap opera Family Affairs (1997), the television serial Ultraviolet (1998), and the medical drama Dangerfield (1995). His best known roles are as drug baron Russell "Stringer" Bell on the HBO series The Wire (2002), as DCI John Luther on the BBC One series Luther (2010), and as Heimdall in the Marvel Cinematic Universe. He later starred in the films Daddy's Little Girls (2007), Prom Night (2008), RocknRolla (2008), The Unborn (2009) and Obsessed (2009). He also appeared in the films American Gangster (2007), Takers (2010), Thor (2011), Prometheus (2012), Pacific Rim (2013), Thor: The Dark World (2013), Beasts of No Nation (2015) and Star Trek Beyond (2016). He voiced Chief Bogo in Zootopia (2016), Shere Khan in The Jungle Book (2016), and Fluke in Finding Dory (2016).

Idris Elba was appointed Officer of the Order of the British Empire (OBE) by Queen Elizabeth II at the 2016 New Years Honours for his services to drama.

Sharon Lorencia Horgan is an Irish actress, writer, director, comedian and producer. She is best known for the comedy series Pulling (2006-2009) and Catastrophe (2015-2019), both of which she starred in and co-wrote. She also created the HBO comedy series Divorce (2016-2019).

Horgan won the 2008 British Comedy Award for Best TV Actress for Pulling, while the show's 2009 hour-long final episode won the British Comedy Award for Best Comedy Drama. A seven-time BAFTA TV Award nominee, she won the 2016 BAFTA TV Award for Best Comedy Writer for Catastrophe (with Rob Delaney). Catastrophe was also nominated for Scripted Comedy in the 2020 BAFTA TV Awards and for the 2016 Primetime Emmy Award for Outstanding Writing for a Comedy Series. She has also won five Irish Film and Television Awards in both acting and writing for her work on Catastrophe. Horgan also won the 2021 Irish Film and Television Award in the category of Actress in a Supporting Role for her performance in Dating Amber (2020).

Horgan has appeared in the films Valiant (2005), Imagine Me & You (2005), Man Up (2015), and Game Night (2018), Military Wives (2019), Dating Amber (2020), and BBC Two film Together (2021).

Zawe Ashton is an actor, writer and director.

Her role as Vod in Channel 4's "Fresh Meat" won her a cult following, and the diversity of her work across television, film, and stage has attracted numerous accolades and awards.

Most recently, Zawe starred on Broadway in the critically acclaimed revival of Harold Pinter's BETRAYAL directed by Jamie Lloyd, opposite Tom Hiddleston and Charlie Cox. Ben Brantley of The New York Times wrote that Zawe is "a breakout star... her deeply sensitive performance elicits a feminist subtext in Betrayal." She also received a WhatsOnStage nomination for the West End run of the show.

Zawe's recent film and TV credits include the Netflix feature film Velvet Buzzsaw, in which she starred alongside Jake Gyllenhaal, Toni Colette, and Rene Russo. She is seen teaming up with Toni Colette again in the BBC/Netflix TV series Wanderlust. She will appear as a new character Oona in the fourth series of the critically acclaimed Handmaid's Tale. She was nominated for two British Comedy Awards for her break out role as Vod in 'Fresh Meat', the show was nominated for a BAFTA in 2014. Her heartbreaking portrayal of Joyce Vincent in Carol Morley's 'Dreams of a Life' earned her a Best Newcomer nomination at the British Independent Film Awards in 2012.

In addition to being an accomplished actress, Zawe has also established herself as an award-winning writer, producer and director. As a playwright, her second play FOR ALL THE WOMEN WHO THOUGHT THEY WERE... MAD was produced in London at the Hackney Showroom and at Soho Rep in New York, simultaneously in 2019. Her writing career began when she became the youngest winner of the London Poetry Slam Championship in 2000. Her debut play Harm's Way was nominated for a Verity Bargate Award in 2007. Zawe's directorial debut Happy Toys was nominated for Best British Short at the Raindance Film Festival in 2014.

As an author, Zawe's novel, CHARACTER BREAKDOWN, was published by Penguin / Random House in 2019. The Times called it "'Smart, funny, vivid, honest, dark, timely'".

Ray Winstone was born on February 19, 1957, in Hackney Hospital in London, England, to Margaret (Richardson) and Raymond J. Winstone. He moved to Enfield, at age seven, where his parents had a fruit and vegetable business. He started boxing at the age of twelve at the famous Repton Amateur Boxing Club, was three times London Schoolboy Champion and fought twice for England, UK. In ten years of boxing, he won over 80 medals and trophies.

Ray studied acting at the Corona School before being cast by director Alan Clarke as Carlin in the BBC Play production of Scum (1979). He has appeared in numerous TV series over the past 20 years including Robin Hood (1984), Palmer (1991), Birds of a Feather (1989), Between the Lines (1992), Ghostbusters of East Finchley (1995), Births, Marriages and Deaths (1999), and Vincent (2005). His film career has burgeoned since his award-winning role in Gary Oldman's Nil by Mouth (1997), and he has appeared in multiple films including Fanny and Elvis (1999), Tim Roth's The War Zone (1999), The Departed (2006), Hugo (2011), and Snow White and the Huntsman (2012). Known for his signature gritty voice, Winstone has also done a number of voiceover roles including Rango (2011), The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), as well as the Beowulf (2007) film and video games.

He married Elaine Winstone in 1979, and the couple have three children: Lois Winstone (born 1982), a singer with the London-based hip-hop group "Crack Village" who also played his on-screen daughter in Last Orders (2001) and got a part in four episodes of The Bill (1984), Jaime Winstone (born 1985) also an actress with ambitions to be a director, and Ellie Rae Winstone (born 2001).

Daniel Sharman was born in London. He began working as an actor at The Royal Shakespeare Company before going on to train for three years at The London Academy of Dramatic Art in 2007. After which he performed in many theatrical productions in London and Europe. He lives in Los Angeles and London.

Ruby Stokes was born on 4 September 2000 in Hackney, London, England, UK. She is an actress, known for Una (2016), Lockwood & Co. (2023) and As Dusk Falls (2022).

Martine McCutcheon was born Martine Kimberley Sherri Ponting on the 14th of May 1976 in Hackney, East London, to Jenny Tomlin (née Jeanette Lilian Ponting) and Thomas Hemmings. She has a younger brother called L.J.

She studied at the renowned Italia Conti stage school in London from the age of 10. She appeared in several billboard ads as a child, then won a part in the BBC children's series Bluebirds in '89, after which further TV and theatre roles followed. At 15 she was picked to front the all-girl band 'Milan', who went on tour with East 17, but they disbanded in April '94.

McCutcheon's big break came in January '95 with the part of Tiffany Raymond in 'EastEnders'. During her 4 years on the soap, Tiffany married Grant (Ross Kemp), had a daughter, and found a place in the nation's heart. However, her departure from the series was marked by controversy, with executive producer Matthew Robinson later saying in an interview "Martine McCutcheon didn't "decide to leave the show". She demanded the BBC allow her to come and go within the series at her behest, making it impossible for storyliners to write coherently for her character. So we had little choice but to kill Tiffany. Yes, the character was popular; yes, Martine had talent. But no one is bigger than the show - executive producers included."

McCutcheon went on to pursue a singing career. She went on to release six hit singles and three albums, two of which reached Gold and Platinum status.

Phia Saban was born on 19 September 1998 in Hackney, London, England, UK. She is an actress, known for House of the Dragon (2022), The Last Kingdom (2015) and IMDb Interviews (2017).

Maude Hirst (February 6, 1988) is a British actress mostly known for her role as Helga on The History Channel TV show Vikings between 2013 and 2017. Hirst studied drama arts at the renowned London school Italia Conti Academy of Theatre Arts.

Maude Hirst is the elder daughter of the producer and writer Michael Hirst, known for the films Elizabeth (1998) and its sequel Elizabeth: The Golden Age (2007) and most recently for the TV shows The Tudors (2007-2010) and Vikings (2013-).

Prior to Vikings, Maude Hirst also appeared on the British television series The Tudors in the role of Kat Ashley between 2008 and 2010, and in the films Nuryan (2009) and Cash and Curry (2008).

David Ajala was born on 21 May 1986 in Hackney, London, England, UK. He is an actor and producer, known for Jupiter Ascending (2015), Fast & Furious 6 (2013) and The Dark Knight (2008).

Pauline grew up in the Stoke Newington and met Linda Robson at primary school. She started acting at 9 at a youth club and got a part in the television series Dixon of Dock Green. She married, for a second time, to Steve who was her agent and they had two children, Amy and Charlie

Ruby Ashbourne Serkis was born in 1998 in Hackney, London, England, UK. She is an actress and writer, known for Shardlake (2024), The Greatest Beer Run Ever (2022) and Becoming Elizabeth (2022).

Michelle Collins was born on 28 May 1962 in Hackney, London, England, UK. She is an actress, known for Two Thousand Acres of Sky (2001), Melodrive and Sunburn (1999). She has been married to Mike Davidson since 10 August 2022.

Anthony Newley was born in Hackney, London, England, to Frances Grace Newley and George Kirby, a shipping clerk. He was attracted to acting, after seeing an ad for a child actor in a Fleet Street window. He attended the Italia Conti Stage School from the age of 14 and, two years later, played the Artful Dodger in David Lean's film, Oliver Twist (1948). Newley was called up to the Army for his National Service and, by the late 1950s, had a hit song Idol on Parade (1959), while in the movie of the same name. He married his first wife, Tiller Girl Ann Lynn in 1956 but it was a rocky marriage and they divorced in 1963. He was in the pop charts seven times in 1960, twice at Number One with "Why?" and "Do You Mind?" written by Lionel Bart. In 1961, he collaborated with Leslie Bricusse on the hit stage show, Stop the World: I Want to Get Off (1966). After long runs in London and on Broadway, it was made into a film, starring Millicent Martin, with the hit song "What Kind of Fool Am I?". In 1963, he married Rank starlet Joan Collins. She described him at the time as "A half-Jewish Cockney git" and herself as a "half-Jewish princess from Bayswater via Sunset Boulevard". Newley's film career thrived, most notably with acting roles in Doctor Dolittle (1967) and The Cockleshell Heroes (1955), and as a writer and composer. His partnership with Bricusse continued with "The Roar of the Greasepaint: The Smell of the Crowd" and many other Oscar, Grammy and Ivor Novello award-winning collaborations. They had hit songs such as "The Candy Man" and "Goldfinger". His marriage to Joan Collins broke up in 1971. He had two of his four children with her. Tony was married a third time, to former air hostess Dareth Rich, only to divorce again. He once said "My only regret is that, in a show business career, you can have no private life". Alone and facing a battle against cancer, Newley moved in with his mother Gracie - now in her 90s - at her home in Esher, Surrey. The stage performances continued but were nothing to match his heyday. His last TV appearance was in "The Lakes" in February 1999. Anthony Newley died in April of that year.

Paloma Faith was born Paloma Faith Blomfield on July 21, 1981 in Hackney, London, England to Pamela "Pam" Oakes-Ash & Jose Ramon Blomfield.

Faith is known for her retro and eccentric style. The singer met her managers Jamie Binns and Christian Wåhlberg in 2007. Her debut album, Do You Want the Truth or Something Beautiful? was released in 2009 and has been certified double platinum in the UK. The album contains the singles "Stone Cold Sober", "New York" and "Upside Down", and earned Faith her first BRIT Award nomination in 2010. In 2012, Faith released her second studio album, Fall to Grace, which debuted at number two on the UK Albums Chart. The album was critically well received and surpassed the success of her debut, earning her numerous award nominations in 2013 and earning a double platinum certification in the UK. The album produced her first top ten single, "Picking Up the Pieces", the top twenty cover version of INXS's "Never Tear Us Apart" and earned her two BRIT Award nominations for Best British Female and British Album of the Year. Faith released her third album, A Perfect Contradiction in 2014, which stands as her most successful album to date. The album spawned the two UK top ten singles "Can't Rely on You" and "Only Love Can Hurt Like This", with the latter topping the charts in Australia. Faith won Best British Female Solo Artist at the BRIT Awards in 2015. Her fourth studio album, The Architect was released in 2017, and debuted at number one in the UK, becoming Faith's first number one album.

In addition to her solo work, Faith has also collaborated with the duo Sigma on the 2014 track "Changing", which charted at number one in the UK, and DJ Sigala on "Lullaby" which reached the top ten in 2018. Furthermore, she has also made feature film appearances in The Imaginarium of Doctor Parnassus, Dread, the 2007 remake of St Trinian's and Youth. In 2016, Faith appeared as a judge on the fifth series of The Voice UK.

Emma Cooke was born in St Bart's Hospital, London.

Her father, Bob Cooke, owns F. Cooke Pie & Mash shop on Broadway Market in Hackney. Emma's great-grandfather opened the shop in 1900.

Emma has a younger sister Jane, and younger brother, Robert.

Emma when to the Brits school in Croydon when she was 16 to further her interest in drama. She then applied to Webber Douglas Drama School and was offered a place a week before her 18th birthday.

After graduating, with honors, Emma got her first professional acting role in ITV's Grafters (starring Robson Green and Stephen Tompkinson). 2 months out of drama school Emma then landed the lead role as Arden Brooks in BBC's 6 part drama Sex, Chips and Rock'n'Roll. Several TV and film roles followed including Agatha Christie's Marple, A is for Acid, Eastenders special Pat and Mo (Ashes to Ashes) with Emma playing a young Pat Butcher.

Emma fronts a band called The Modern and in 2005 her band got a recording contract with Mercury Records, Universal. They released 3 singles (2 singles going top 40 in the UK charts) and an album, Life In A Modern World. After touring for 2 years Emma, missing her acting, decided to focus on her first love again. She got a small role in Midsomer Murders and then the part of Reenie Turpin in the prequel to Only Fools and Horses, Rock'n'Chips.

Emma is married to Chi Tudor-Hart and has 2 children, Cressida and Lucian.

David Graham was born on 11 July 1925 in Hackney, London, England, UK. He was an actor and writer, known for Thunderbird 6 (1968), Stingray (1964) and Supercar (1961). He died on 20 September 2024 in the UK.

Asif Kapadia is an Academy Award, Grammy and four time BAFTA winning Producer / Director / Writer who works across both film and television. Kapadia is known for his emotional engaging, visually striking, genre breaking films exploring 'outsiders' characters living in extreme circumstances, fighting against a corrupt or broken system and the price of fame. He has worked in drama and documentaries, Kapadia is best known for his trilogy of narratively driven, archive constructed documentaries SENNA, AMY & DIEGO MARADONA.

His debut feature 'THE WARRIOR' was nominated for three Bafta awards, winning Best British Film and Best Debut Film. His fourth feature 'SENNA', the story of the Brazilian motor racing legend Ayrton Senna, was nominated for three Bafta awards, winning Best Documentary and Best Editing. It went on to break UK box office records to become the highest grossing British Documentary of all time. 'AMY', about singer-songwriter Amy Winehouse has now overtaken 'SENNA' to become the most successful British Documentary of all time, winning numerous awards including the Academy Award, BAFTA, European Film Award and a Grammy for Best Documentary.

Born in Hackney, London in 1972, Kapadia studied filmmaking at the Royal College of Art where he first gained recognition with his short film THE SHEEP THIEF (1997) shot in Rajasthan, India, the film won many international awards including one in the Cinefondation section of the 1998 Cannes International Film Festival and the Grand Prix at the European Film Festival in Brest.

Kapadia's distinct visual style developed with his debut feature THE WARRIOR (Film4, 2001), shot in the deserts of Rajasthan and the snow capped Himalaya. The Warrior was championed in the British Press as 'epic' and 'stunning' (Peter Bradshaw, The Guardian) and in 2003 was nominated for three BAFTA awards, winning two for Outstanding British Film of the Year and The Carl Foreman Award for Special Achievement by a Director in their First Feature, as well as being nominated for Best Film Not in the English Language. The Warrior won the prestigious Sutherland Award at the London Film Festival, the Evening Standard British Film Award for the Most Promising Newcomer and the Douglas Hickox Award at the BIFAs for Best Debut Film.

FAR NORTH (2007), Starring Michael Yeoh and Sean Bean premiered at the Venice Film Festival. Based on a short story by writer Sara Maitland. Kapadia used the epic and brutal Arctic landscape to show what desperation and loneliness can drive people to do.

Kapadia's feature documentary SENNA (Universal Pictures / Working Title, 2011), the thrilling story and emotional story of the Brazilian motor-racing legend Ayrton Senna, constructed entirely from archive, was a groundbreaking feature documentary, the film was a break out hit at the international box office, grossing over $15m worldwide. SENNA was Nominated for three BAFTA awards, winning Best Documentary and Best Editing, as well as being nominated for Best British Film. SENNA broke records at the cinema and on DVD & Bluray in the UK. The film has won awards around the world including the World Cinema Documentary Audience Award at the Sundance Film Festival, Best Documentary at the London Critics Circle, the BIFA award for Best Documentary, the Audience Award for Best International Feature at the Los Angeles Film Festival and was nominated by the Producers Guild of America for the Documentary Theatrical Motion Picture Award 2012.

AMY (Universal Music, 2015), world premiered in Official Selection at the Cannes Film Festival and tells the story of Amy Winehouse in her own words. The film was an international box office hit grossing over $20m, it is the highest grossing UK documentary of all time. AMY won the Academy Award for Feature Documentary, the BAFTA for Best Documentary, was nominated for Outstanding British Film. Kapadia was nominated for Outstanding Directorial Achievement in Documentary for AMY by the Directors Guild of America (DGA) (Documentaries & TV).

Kapadia's third feature documentary Diego Maradona, about the controversial genius, Argentinian footballer Diego Armando Maradona world premiered at the Cannes Film Festival, the film was Nominated for a BAFTA for Best Documentary and completed his epic trilogy on the price of fame,

Kapadia directed two episodes of Mindhunter (Netflix) for David Fincher.

in 2021 Kapadia Executive Produced and Series Directed the music series 1971: 'The year that music changed everything' and he Directed & Executive Produced the series THE ME YOU CAN'T SEE with Oprah Winfrey and Prince Harry focusing on mental health and well being, both for AppleTV+.

Kapadia was an Executive Producer of the landmark BBC ONE series Stephen: The Murder That Changed A Nation.

THE ODYSSEY (2012, Film4, BBC, LOCOG) Kapadia was commissioned to direct an official film for the London Cultural Olympiad, his film traces the journey from 2005 when London won the right to host the Olympic Games to the eve of the games in 2012. The film uses the voices of Londoners, archive, classic Olympic footage and stunning aerial photography of London to show how sport is essential, how it can inspire, provide unforgettable moments of beauty, purity and the sublime.

STANDARD OPERATING PROCEDURE (2013, Reprieve, Guardian films) More than 100 hunger-strikers in Guantánamo Bay protest as they continue to be held without charge, some for over a decade. A leaked document sets out the military instructions, or standard operating procedure, for force-feeding detainees. In this graphic four-minute film made by Human Rights organisation Reprieve and director Asif Kapadia, US actor and rapper Yasiin Bey (formerly known as Mos Def), experiences the procedure. SOP was released on The Guardian newspaper's website, the film went viral and was picked up by every major news source around the globe, picking up more than 10million views in a matter of days.

Kapadia directed the award winning Burberry commercial, "A Tale of Thomas Burberry", featuring an all-star cast of Domhnall Gleeson, Sienna Miller, Dominic West and Lily James and written by Academy Award nominee Matt Charman. Comprising of a three-minute cinematic trailer, the film is inspired by Thomas Burberry's life and achievements, reimagining key events that have shaped the company's history and values.

Abraham Popoola was born on 9 June 1991 in Hackney, London, England, UK. He is an actor and director, known for The Great (2020), Andor (2022) and Cruella (2021).

Michael Preston was born on 14 May 1938 in Hackney, London, England, UK. He is an actor, known for Mad Max 2: The Road Warrior (1981), The Getaway (2002) and A Caribbean Mystery (1983).

Harold Pinter, the 2005 Nobel Laureate for Literature, was born October 10, 1930, in London's working-class Hackney district to Hyman and Frances Pinter, Eastern European Jews who had immigrated to the United Kingdom from Portugal. Hyman (known as "Jack") was a tailor specializing in women's clothing and Frances was a homemaker. The Pinters, whose families hailed from Odessa and Poland in the Russian Empire, were part of a wave of Jewish emigration to the UK at the turn of the last century. It was a community that revered learning and culture. The Pinter family was close, and young Harold was traumatized when, at the outbreak of World War II, he was evacuated from London to Cornwall with other London children for a year to avoid becoming casualties of German aerial bombing.

Pinter has said that his encounter with anti-Semitism while growing up was the fuse that ignited the organic process leading him to becoming a playwright. As the Nobel Prize citation attests, Pinter developed into the greatest English dramatist of the post-World War II era. The young Pinter studied acting at the Royal Academy of Dramatic Art and the Central School of Speech and Drama. In 1950 he published several poems and began working as a professional actor. Under the stage name David Baron, he toured the Republic of Ireland with Anew McMaster's Shakespearean repertory company in 1951-52. Significantly for Pinter's future, 1951 not only marked the debut of his career as a professional actor but also marked the first performance of future Nobel Literature Laureate Samuel Beckett's absurdist masterpiece "Waiting for Godot." He next appeared with Sir Donald Wolfit's theatrical company at the King's Theatre, Hammersmith, for the 1953- 54 season before becoming a player with various provincial repertory companies, including the Birmingham Rep, until he gave himself over full-time to playwriting in 1959.

Two significant events that would change Great Britain forever occurred during his apprenticeship in provincial rep: (1) the Suez Crisis of 1955 that shattered the UK's pretensions to empire in a post-colonial world and doomed the imperial generations represented by Prime Minister Anthony Eden and his mentor Winston Churchill, and (2) the 1956 premiere of John Osborne's play "Look Back in Anger." The shattering of the United Kingdom's complacency over imperialism meant that many successful people of Pinter's generation, who normally would have become Tories upon achieving some modicum of success, were disillusioned and drifted towards Labour and the left. No longer would a working- class person, if he so chose, have to be ashamed or stymied if \eschewing becoming middle-class or bourgeois. Osborne's play was the seminal work of the "kitchen-sink" school of drama that would dominate English theater for a decade, in which working-class life and struggles were dramatized. The hegemony of this school of theater was such that for the first time, a working-class or provincial accent became something treasured, something to be proud of, as the former world was set firmly upon its head. Even the great Laurence Olivier turned his back on the commercial theater to assay Osbourne's Archie Rice, a down-at-the-heels music hall performer, in "The Entertainer" (1957).

The kitchen-sink drama was a movement that Pinter would not be a part of, though it did open the doors for working-class writers who, unlike the working class-born Noël Coward, had no interest in becoming bourgeois. The other major element in the cultural milieu that forged Pinter was the Cold War, the absurdity of facing doomsday everyday under the threat of The Bomb (the USSR had acquired the means to produce a bomb through its atomic spy ring and exploded its first A-bomb in 1949, thus ending the US monopoly on nuclear weapons and making the Korean war, the suppression of an East Berlin uprising and the squashing of the Hungarian Revolution practical, if not possible). The Cold War gave legitimacy to the rise of the police state, not in totalitarian countries but in the use of police-state tactics in the western industrial democracies. To quote American poet' Charles Bukowski', this was an era marked by "War All The Time," not between two superpower behemoths but in everyday human relations, poisoned as they were by the Cold War climate of absurdity, paranoia and imminent holocaust.

In 1953 the accused "atomic spies" Julius Rosenberg and Ethel Rosenberg were executed in the United States when President Dwight D. Eisenhower, the man who had overseen the liberation of Europe as Supreme Allied Commander fighting the Nazi totalitarian menace, had refused clemency for even Ethel, the mother of two small boys. It was a domestic drama -- a woman's loyalty to her husband, her loss of not only her life but the Issac-like evocative sacrifice of any normal life for her two children when Eisenhower-Jehovah refused to stay the executioner's hand -- that had combined with the felicities of affairs of state and world power politics. The question of whether they were guilty or innocent--not proven beyond a doubt in 1951, when they had been convicted in a trial that was compared by many to the Stalinist show-trials that had occurred in the Soviet Union and still occurred in the satellite countries of the Warsaw Pact after World War II - gave rise to an overwhelming fundamental question: What is real? Reality, as Hannah Arendt had put it in "The Human Condition," is socially defined; that is a given. But how about when that reality no longer makes sense, when the individual cannot partake of the consensus demanded of him in the 1950s, whether conservative, middle-class, haute bourgeoisie or radical left as dictated by some flaming Red party boss - a person struggling with his own life? How does he answer the question: What is real? It is a question that Pinter took upon himself to answer, and answered by showing us there is no answer. In this quest, a genius arrived on the world stage in the form of a player who decided to craft his own words, for himself and his post-Holocaust, pre-Holocaust audience. When life stops making sense, as it did in the 1940s when the global war against fascism left 50 million dead and the modern industrial state was tasked with the exigencies of mass- murder, and as it did in the 1950s when, under the aegis of combating another totalitarian system a domestic fascism in kind if not degree arose in the Anglo-Saxon countries with their great gravital pull towards conformity within a shell of consumerism, it still behooves a human being to try to understand the human condition.

In 1957 Bristol University staged Pinter's first play "The Room." He had told a friend who worked in Bristol University's drama department an idea he had for a play. The friend was so enamored of the idea that he commissioned the work, with the proviso that a script be ready within a week. Though he didn't believe he could meet his friend's demands, Pinter wrote the one-act play in four days. "The Room" had all the hallmarks of what would become known as "Pinteresque," in that it had a mundane situation that gradually filled with menace and mystery through the author's deliberate omission of an explanation or motivation for the action on stage. It is ironic perhaps that an actor would rid his script of motivation as "motivation" is the Holy Grail of inwardly-directed actors such as those tutored in "The Method" in America, but it was emblematic of the times that stated motivations frequently masked other, starker, more id-like drives in people or in nation-states that were beyond human comprehension in terms of being rational. Modern society had become irrational, and motivations post-Freud could be understood as a manifestation of Thanatos, the Death Instinct. Imminent violence and power plays would become other leitmotifs of Pinter's oeuvre.

Pinter wrote a second one-act play in 1957, "The Dumb Waiter," an absurdist drama concerning two hit men employed by a secret organization to kill an unknown victim. It was with this play that Pinter added an element of black comedy, mostly through his brilliant use of dialog, which not only elucidated the killers' growing anxiety but underscored the very absurdity of their situation. The play would not be performed until 1960, after the staging of his first two full-length plays, one a flop, and one a hit. His first full-length play, "The Birthday Party," debuted at the Arts Theatre in Cambridge in 1958. In the play the apathetic Stanley, the denizen of a dilapidated boarding house, is visited by two men. The audience never learns their motivation, but knows that Stanley is terrified of them. They organize a birthday party for Stanley, who insists that it is not his birthday. Pinter is following in the footsteps of the great absurdist Samuel Beckett in that he steadfastly refuses to give clear motivations to his characters, or rational explanations for the sake of his audience (Pinter and Beckett became friends). The play, now considered a masterpiece, flopped on its initial London run after being savaged by critics. It was revived after Pinter's second full-length play, 1960's "The Caretaker," established him as a major force in the English-language theater.

His early plays were rooted in the absurdism that became the major theatrical paradigm on the European stage in the third quarter of the 20th century, after the horrors of the war and the Holocaust. The early plays that made his reputation such as "The Homecoming" (1964) and his middle-period work such as "No Man's Land" (1976) have been called "comedies of menace." Typically, they use what at first seems like an innocent situation and develop it into an absurd and threatening environment through actions that usually are inexplicable to the audience and sometimes even to the other characters in the play. A Pinter drama is dark and claustrophobic. His language is full of menacing pauses. The lives of Pinter's characters usually are revealed to be stunted by guilt and horror. The duality and absurdity of Pinter's theatrical world-view gave rise to the adjective "Pinteresque," which took its place next to "Kafkaesque," a product of the horrors of the first quarter of the century (Pinter would write the screenplay for an adaption of Franz Kafka's "The Trial".)

Beginning in the 1960s, Pinter further enhanced his reputation as a writer with his screenplays, particular his work with Joseph Losey in The Servant (1963) and Accident (1967) (Losey planned an adaptation of Marcel Proust's "Le Temps Retrouve" and commissioned Pinter to write the screenplay. The film was never made by Losey, but Pinter's screenplay was subsequently published to great acclaim). His later screenplays, including his last produced work with Losey, The Go-Between (1971), are, ironically, noted for their clarity. He was twice nominated for the Academy Award as a screenwriter, for his adaptation of John Fowles' labyrinthine novel into the film The French Lieutenant's Woman (1981) and for Betrayal (1983), his adaptation of his own play. Such was the respect that Pinter was held that Elia Kazan, one of the great film directors, complained in his autobiography "A Life" (1988) that The Last Tycoon (1976) producer Sam Spiegel had such reverence for Pinter that he would not let Kazan change his script.

After the great plays of his early and mid-period, Pinter became more overtly political. His later plays, which generally are shorter than the plays from the period in which he made his reputation, typically address political subjects and often are allegories on oppression. In the late 1970s Pinter became more outspoken on political issues and is decidedly of the left. He is passionately committed to human rights and is not shy about bringing examples of oppression from client states sponsored by the Anglo-Saxon democracies to the public's attention. In 2002 Pinter experienced what he described as a "personal nightmare" when he had to undergo chemotherapy to treat a case of cancer of the esophagus. The ordeal, which has been ongoing for three years, triggered a personal metamorphosis in the man. "I've been through the valley of the shadow of death," Pinter explained about his quickening. "While in many respects I have certain characteristics that I had, I'm also a very changed man."

In early 2005 Pinter declared in a radio interview that he was retiring as a dramatist in favor of writing poetry: "I think I've stopped writing plays now, but I haven't stopped writing poems. I've written 29 plays. Isn't that enough?" Pinter has become an outspoken critic of war. He was a bitter critic of the US-led intervention against Slobodan Milosevic's Serbia during President Bill Clinton's administration and an even harsher critic of the US-led war in Iraq. The fiercely anti- war Pinter has accused President George W. Bush of being a "mass-murderer" and has called British Prime Minister Tony Blair a "deluded idiot" for supporting US foreign policy. Pinter claimed immediately after the 9/11 attacks on New York City and the Pentagon that they were a requited revenge for the destruction wrought on Afghanistan and Iraq by US imperialism and its anti-Taliban policies and sanctions on Iraq. He has publicly denounced the retaliatory U.S. invasion of Afghanistan and the unprovoked 2003 invasion of Iraq. Pinter likens the Bush administration and Bush's America to Adolf Hitler and Nazi Germany, claiming the US is bent on world hegemony. Controversially, he has declared that the only difference between Nazi Germany and the Stalinist Soviet Union is that the US is more hypocritical and has better public relations.

One cannot fault Pinter, in the political ring, for being inconsistent or for jumping on a bandwagon. The man, as well as the artist, is a person that sticks to his convictions. The award of the Nobel Prize for Literature to Pinter just after he celebrated his 75th birthday was completely unexpected by pundits handicapping the award. Turkish writer Orhan Pamuk and Syrian poet Adonis were considered the front-runners, as European writers recently had dominated the award (Pinter's Nobel Prize makes it nine out of ten times in the past ten years that a European writer has won, and the second time in the past five years an English writer has banged the gong), and it was felt the Academy would recognize a writer from another continent, particularly one from Asia Minor. Thus, the award can be seen as a not-so-veiled criticism of the United States in general and President George W. Bush in particular by the Swedish Academy. Because of Pinter's renouncing of the form of which he was a master and his anointment of himself as a poet, in light of his volume of poetry, "War" (2003) that denounces the Iraq War frequently in vulgar, raw and unrythmic poetry that poses no threat to William Butler Yeats or W.H. Auden or Robert Frost or Stevens, one must consider that the Swedish Academy was giving the world's highest prize for literature at least in part to a poet whose latest work was fiercely anti-American and anti-imperialist.

Despite being highly controversial, Pinter -- who was appointed a Commander of the British Empire in 1966 (one step down from a knighthood, an honor he subsequently turned down) -- was named a Companion of Honour in 2002, an honor that does not carry a title. In addition to writing poetry, acting and directing in the theater, Pinter serves as the chairman of the Gaieties Cricket Club, an affiliate of he Club Cricket Conference. He also is active in the Cuba Solidarity Campaign, an organization that supports Fidel Castro, who remains the #1 bugaboo of the United States after Islamic terrorists, just slightly ahead of fellow hemispheric boogeyman Hugo Chávez, a recent arriviste on the world stage. He also is a member of the International Committee to Defend Slobodan Milosevic, an organization that appeals for the freedom of Slobodan Milosevic on the grounds that NATO's war against Milosevic's Yugoslavia was unjustified under international law.

Nell was scouted in a National Youth Music Theatre production aged 11. She was swiftly cast in Caryl Churchill's LOVE AND INFORMATION at the Royal Court, and Peter Morgan's THE AUDIENCE in the Gielgud Theatre in the West End. She worked on projects such as GAME OF THRONES and Victoria Wood's LOVING MISS HATTO alongside her education. During this time, Nell also studied History at UCL and was handpicked by Wolfgang Tillmans to exhibit her artwork in the Royal Academy. She has also exhibited in the Saatchi Gallery.

Whilst at university, Nell was soon dubbed one of the UK's most promising young actors for her starring role in BLINDED BY THE LIGHT, which received rave reviews at Sundance. Following this, she had her second experience working with Helen Mirren in THE GOOD LIAR, and starred in BAFTA winning ELIZABETH IS MISSING opposite the late Glenda Jackson.

Nell has been closely involved in the independent breakthrough feature INLAND, playing next to Mark Rylance, directed by 20 year old Fridtjof Ryder.

Alongside acting, Nell is also a climate activist, and member of the UKYCC, representing young people in the UK at COP summits and UN climate conferences.

Fenella Fielding was born on 17 November 1927 in Hackney, London, England, UK. She was an actress and writer, known for Guest House Paradiso (1999), Carry on Screaming! (1966) and The Avengers (1961). She died on 11 September 2018 in Hammersmith, London, England, UK.

Roger Frost was born on 9 June 1948 in Hackney, London, England, UK. He is an actor, known for The Wolfman (2010), The Bourne Identity (2002) and Time Bandits (1981). He has been married to Pam Ferris since 1986.

Mike Reid was born on 19 January 1940 in Hackney, London, England, UK. He was an actor and producer, known for Snatch (2000), EastEnders (1985) and Doctor Who: Dimensions in Time (1993). He was married to Shirley Collins and Sheila A Axe. He died on 29 July 2007 in Marbella, Spain.