An Important Work From A Forgotten Female Pioneer.
10 September 2024
Dorothy Davenport Reid (1895-1977) was one of the most important women producer/directors during the 1920s. She came from a distinguished theatrical family. Her father Harry Davenport is best remembered as Dr. Meade in GONE WITH THE WIND. She was married to early matinee idol Wallace Reid hence her being known as Mrs Wallace Reid. When he died in 1923 of complications from drug addiction, she became an advocate for social causes. Her hard hitting film about drug addiction HUMAN WRECKAGE (1923) with Bessie Love and her next film BROKEN LAWS no longer survive but THE RED KIMON0, a film about prostitution made in 1925, does.

While the real life story of New Orleans prostitute Gabrielle Darley who murders her pimp/lover is melodramatized for the screen, it remains surprisingly effective thanks to the lead performance of Priscilla Bonner (IT, THE STRONG MAN). There are also small parts for silent film regulars Tyrone Power Sr, Virginia Pearson, and George Siegmann. The direction is credited solely to Walter Lang who would become an in-house workhorse at 20th Century Fox for many years but the film was co-directed by Reid. Why she chose to leave her name off is curious. Perhaps as producer and with her appearance as herself, she felt it would be a case of overkill. Who can say. By the early 1930s with the advent of sound and the studio system firmly in place her career was over although she lived another 40+ years.

Today like so many of the women film pioneers she is forgotten but hopefully the release of this film on DVD along with the two others in the FIRST LADIES: EARLY WOMEN FILMMAKERS series from Kino will help to correct that. While not a great film, THE RED KIMONO is an important one and still plays well today. The social criticism of judgmental attitudes and misplaced philanthropy is still relevant to our time. The print from the Library Of Congress looks great and the hand tinted red sequences for certain scenes have been beautifully restored. Robert Israel's piano score is also a plus. The title comes from the article of clothing worn by Gabrielle as a prostitute...For more reviews visit The Capsule Critic.
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