AVALIAÇÃO DA IMDb
6,7/10
3,6 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn idealistic tenderfoot Chicago hotel clerk is taken on a cattle-drive to Mexico by famous trail boss Tom Reece but discovers that cowboy life isn't what he expected.An idealistic tenderfoot Chicago hotel clerk is taken on a cattle-drive to Mexico by famous trail boss Tom Reece but discovers that cowboy life isn't what he expected.An idealistic tenderfoot Chicago hotel clerk is taken on a cattle-drive to Mexico by famous trail boss Tom Reece but discovers that cowboy life isn't what he expected.
- Indicado a 1 Oscar
- 2 indicações no total
Frank DeKova
- Alcaide
- (as Frank de Kova)
Joanne Arnold
- Reese's Girl
- (não creditado)
Russ Bender
- Joe
- (não creditado)
John L. Blaustein
- Peon Boy
- (não creditado)
Joan Bradshaw
- Reese's Girl
- (não creditado)
Don Carlos
- Jose
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe trumpeter in the cantina was Raphaël Mendez, who in the 1950s was considered by many professional musicians to be one of the finest trumpet players in the world, if not the best.
- Erros de gravaçãoIn a rail car containing the shipment of cattle, Tom Reese, an 'experienced' cattle-handler, attempts to help up a fallen steer by pulling the animal's head so that it can get up on its front legs then, presumably, on to its hind legs. No bovine will normally get up like this, and it's easier for it, firstly, to raise itself up on its hind legs by lunging forward, then put its front legs under it to stand up. To help this animal get up, you must lift its rear end by grabbing either the tail root or its backside.
- Citações
Charlie, Trailhand: I wouldn't go in there for a bottle of whiskey and a redhead to pour it.
- ConexõesFeatured in O Pimentinha: Dennis Goes to the Movies (1959)
- Trilhas sonorasBury Me Not on the Lone Prairie
Music by George N. Allen
Frequently referenced in George Duning's musical score
Avaliação em destaque
Cowboy is directed by Delmer Daves and adapted to screenplay by Edmund H. North and Dalton Trumbo from Frank Harris' book My Reminiscences as a Cowboy. It stars Glenn Ford, Jack Lemmon, Víctor Manuel Mendoza, Anna Kashfi, Dick York, King Donovan, Brian Donlevy and Richard Jaeckel. Music is by George Duning and cinematography by Charles Lawton Junior.
Based on Frank Harris' memoir, the story finds Lemmon as Harris, a Chicago hotel clerk who in an attempt to prove he is a man and impress the girl he loves, wrangles his way onto a cattle drive being led by rough and tough cowpoke Tom Reece (Ford). He soon finds that out there on the range, in amongst the dust, beef and perils of the west, that life is far from glamorous.
Once you buy into Lemmon as a Western character, accepting his transference from utter greenhorn into a man of the drive, it really becomes a very good film. It's a sort of debunking of the cowpoke myths whilst playing out as a character study of two men, who are polar opposites, as they build an understanding and ultimately help each other to grow and learn. Along the way, from Chicago to the Rio Grande, there is fights, death, stampedes and tests of loyalties and manhood. The great Delmer Daves directs it without fuss or filler (how nice that the romantic arc is rightly a side issue and doesn't get in the way) and Lawton's photography brings the sprawling landscapes to life.
Lead cast members are excellent, with Ford once again providing rich characterisation by way of layered acting, and Lemmon rises up to the challenge of genre work outside of what he would be known for. In support Donlevy is his usual excellent self, making what could have been a clichéd character (aging gunfighter wants to leave his past behind) interesting with emotional depth, and Mendoza as the Ramrod is good foil for Ford. There's some quibbles, such as Dick York hard to take seriously, Jaeckel and Strother Martin (uncredited) wasted and some of the humour doesn't come off. But this is a very enjoyable film, one that thrives on having some character depth and actually something worthy to say. 7.5/10
Based on Frank Harris' memoir, the story finds Lemmon as Harris, a Chicago hotel clerk who in an attempt to prove he is a man and impress the girl he loves, wrangles his way onto a cattle drive being led by rough and tough cowpoke Tom Reece (Ford). He soon finds that out there on the range, in amongst the dust, beef and perils of the west, that life is far from glamorous.
Once you buy into Lemmon as a Western character, accepting his transference from utter greenhorn into a man of the drive, it really becomes a very good film. It's a sort of debunking of the cowpoke myths whilst playing out as a character study of two men, who are polar opposites, as they build an understanding and ultimately help each other to grow and learn. Along the way, from Chicago to the Rio Grande, there is fights, death, stampedes and tests of loyalties and manhood. The great Delmer Daves directs it without fuss or filler (how nice that the romantic arc is rightly a side issue and doesn't get in the way) and Lawton's photography brings the sprawling landscapes to life.
Lead cast members are excellent, with Ford once again providing rich characterisation by way of layered acting, and Lemmon rises up to the challenge of genre work outside of what he would be known for. In support Donlevy is his usual excellent self, making what could have been a clichéd character (aging gunfighter wants to leave his past behind) interesting with emotional depth, and Mendoza as the Ramrod is good foil for Ford. There's some quibbles, such as Dick York hard to take seriously, Jaeckel and Strother Martin (uncredited) wasted and some of the humour doesn't come off. But this is a very enjoyable film, one that thrives on having some character depth and actually something worthy to say. 7.5/10
- hitchcockthelegend
- 11 de abr. de 2013
- Link permanente
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- How long is Cowboy?Fornecido pela Alexa
Detalhes
- Tempo de duração1 hora 32 minutos
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What is the Brazilian Portuguese language plot outline for Como Nasce um Bravo (1958)?
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