Die Produktion von „Das geheime Stockwerk“ machte Halt in Bad Gastein: Regisseur Norbert Lechner und die Produzenten von Amour Fou Vienna und Amour Fou Luxembourg quartierten sich mit Cast & Crew im geschichtsträchtigen Grand Hotel de l’Europe ein.
hinten, v.l.: André Fetzer, Produzent Amour Fou Luxembourg, Lea Freund, Regisseur Norbert Lechner, Konstantin Horn, Ben Winkler, Kamerafrau Daniela Knapp, Fanny Altenburger, Tobias Resch, Alexander Dumreicher-Ivanceanu, Produzent Amour Fou Vienna; vorne: Silas John, Maximilian Reinwald, Annika Benzin bei den Dreharbeiten im Grand Hotel de l’Europe in Bad Gastein (Credit: Severin Dostal / Amour Fou & Kevin Lee)
Nach Dreharbeiten am Semmering machte die Produktion von „Das geheime Stockwerk“ Halt in Bad Gastein. In einem alten Grand Hotel waren Cast und Crew von Norbert Lechners neuem Kinderfilm zugange, den seine Kevin Lee Filmproduktion mit Amour Fou Vienna (Alexander Dumreicher-Ivanceanu) und Amour Fou Luxembourg (André Fetzer) produziert. Die Kinderdarsteller der Geschichte über einen Jungen,...
hinten, v.l.: André Fetzer, Produzent Amour Fou Luxembourg, Lea Freund, Regisseur Norbert Lechner, Konstantin Horn, Ben Winkler, Kamerafrau Daniela Knapp, Fanny Altenburger, Tobias Resch, Alexander Dumreicher-Ivanceanu, Produzent Amour Fou Vienna; vorne: Silas John, Maximilian Reinwald, Annika Benzin bei den Dreharbeiten im Grand Hotel de l’Europe in Bad Gastein (Credit: Severin Dostal / Amour Fou & Kevin Lee)
Nach Dreharbeiten am Semmering machte die Produktion von „Das geheime Stockwerk“ Halt in Bad Gastein. In einem alten Grand Hotel waren Cast und Crew von Norbert Lechners neuem Kinderfilm zugange, den seine Kevin Lee Filmproduktion mit Amour Fou Vienna (Alexander Dumreicher-Ivanceanu) und Amour Fou Luxembourg (André Fetzer) produziert. Die Kinderdarsteller der Geschichte über einen Jungen,...
- 7/9/2024
- by Barbara Schuster
- Spot - Media & Film
Noch bis Oktober ensteht die 20. Staffel der Orf/Zdf-Krimiserie „Soko Donau“.
Cast und Crew am Set der „Soko Donau“ (Credit: Orf/Satel Film/Luca Breuer)
Nach Drehbüchern von Michael Grießler, Natalia Geb, Sönke Lars Neuwöhner, Andreas Quetsch, Frank Weller, Markus Staender, Peter Dommaschk, Ralf Leuther, Martin Muser, Jens Schäfer, Dominik Enzi, Andreas F. Schiessler, Sophia Sixta, Sigrid Neudecker, Eva Testor und Eva Spreitzhofer inszenieren Holger Barthel, Katharina Heigl und Sophie Allet-Coche noch bis Oktober u.a. in Wien, St. Pölten, Reitz, Graz und Leibnitz die 20. Staffel der Krimiserie „Soko Donau“.
Das Wiener Ermittlerteam verkörpern auch diesmal wieder Andreas Kiendl, Martin Gruber, Maria Happel, Lilian Klebow, Brigitte Kren und Max Fischnaller, in weiteren Rollen stehen u.a. . Ines Lutz, Daniel Langbein, Gabriel-Winner Amorin, Edith Saldanha, Nina Fog, Michael Glantschnig, Clemens Berndorff, Matea Novak, Annette Holzmann, Antonia Gohl, Markus Hamele, Karl Fischer, Jakob Schmidt, David Jakob, Lino Gaier, Annalena Hochgruber, Pamina Fürst,...
Cast und Crew am Set der „Soko Donau“ (Credit: Orf/Satel Film/Luca Breuer)
Nach Drehbüchern von Michael Grießler, Natalia Geb, Sönke Lars Neuwöhner, Andreas Quetsch, Frank Weller, Markus Staender, Peter Dommaschk, Ralf Leuther, Martin Muser, Jens Schäfer, Dominik Enzi, Andreas F. Schiessler, Sophia Sixta, Sigrid Neudecker, Eva Testor und Eva Spreitzhofer inszenieren Holger Barthel, Katharina Heigl und Sophie Allet-Coche noch bis Oktober u.a. in Wien, St. Pölten, Reitz, Graz und Leibnitz die 20. Staffel der Krimiserie „Soko Donau“.
Das Wiener Ermittlerteam verkörpern auch diesmal wieder Andreas Kiendl, Martin Gruber, Maria Happel, Lilian Klebow, Brigitte Kren und Max Fischnaller, in weiteren Rollen stehen u.a. . Ines Lutz, Daniel Langbein, Gabriel-Winner Amorin, Edith Saldanha, Nina Fog, Michael Glantschnig, Clemens Berndorff, Matea Novak, Annette Holzmann, Antonia Gohl, Markus Hamele, Karl Fischer, Jakob Schmidt, David Jakob, Lino Gaier, Annalena Hochgruber, Pamina Fürst,...
- 6/3/2024
- by Jochen Müller
- Spot - Media & Film
Magnify, formerly Magnolia Pictures International, has announced multiple territories out of EFM on Veni Vidi Vici, the provocative Sundance premiere from Austrian filmmakers Daniel Hoesl And Julia Niemann.
Deals have closed in France (L’atelier d’Images), Central and Eastern Europe (HBO Europe), Poland (Aurora), Czech Republic and Slovakia (Pilot), former Yugoslavia (Five Star Distribution), Middle East (Gulf), Taiwan (Joinstar), Ukraine (Arthouse Traffic), Hungary (Cinefil), and airlines (Spafax).
Magnify’s SVP of global sales, Lorna Lee Torres and director of global sales Austin Kennedy negotiated the deals and are considering offers on Germany, Japan and other territories.
Satire Veni Vidi Vici premiered...
Deals have closed in France (L’atelier d’Images), Central and Eastern Europe (HBO Europe), Poland (Aurora), Czech Republic and Slovakia (Pilot), former Yugoslavia (Five Star Distribution), Middle East (Gulf), Taiwan (Joinstar), Ukraine (Arthouse Traffic), Hungary (Cinefil), and airlines (Spafax).
Magnify’s SVP of global sales, Lorna Lee Torres and director of global sales Austin Kennedy negotiated the deals and are considering offers on Germany, Japan and other territories.
Satire Veni Vidi Vici premiered...
- 2/28/2024
- ScreenDaily
There’s a striking dissonance between the serene and realistic surface of Daniel Hoesel and Julia Niemann’s Veni Vidi Vici and the way it bludgeons its points home using the exaggerated methods of social critiques common to such genre pieces as Snowpiercer or Infinity Pool. How effective this will be depends in part on the viewer. Some will appreciate this class satire’s grim portrait of a venal polo-playing billionaire class who explain away their amoral behavior with self-aggrandizing business-speak. Others may thrill to the dark comedy of a serial killer operating so in the open that he’s practically begging to be caught. Either way, the message of Hoesel’s screenplay is blunt: Everyone not at society’s pinnacle is only prey.
The film’s serial killer is Amon (Laurence Rupp), a chipper Austrian billionaire with a thing for picking off strangers with a sniper rifle. He pursues his targets carefully,...
The film’s serial killer is Amon (Laurence Rupp), a chipper Austrian billionaire with a thing for picking off strangers with a sniper rifle. He pursues his targets carefully,...
- 1/31/2024
- by Chris Barsanti
- Slant Magazine
One of my favorite categories of Reddit posts (don’t judge) are those where people who have worked for or near the super-rich share stories that people “wouldn’t believe.” From ordering private jets like they were pizza to hosting children’s parties where A-list performers sing to indifferent toddlers, these stories make it quite clear that the 1% lives on a planet most of us will never visit. “Pharaoh-level shit,” as one of my favorite Reddit reactions of all time said.
The craziest thing about Veni Vidi Vici, Daniel Hoesl and Julia Niemann’s pitch-black satire about a wealthy family with a predilection for human-hunting, is that it doesn’t seem that crazy.
The Ulrich Seidl-produced film opens with a quote from The Fountainhead, which can never mean a good thing unless we’re in store for a comedy. “The point is who will stop me”––a quote part...
The craziest thing about Veni Vidi Vici, Daniel Hoesl and Julia Niemann’s pitch-black satire about a wealthy family with a predilection for human-hunting, is that it doesn’t seem that crazy.
The Ulrich Seidl-produced film opens with a quote from The Fountainhead, which can never mean a good thing unless we’re in store for a comedy. “The point is who will stop me”––a quote part...
- 1/29/2024
- by Jose Solís
- The Film Stage
Hailing from the country that gave us such grim social critics as Michael Haneke and Ulrich Seidl, Vantablack Austrian satire “Veni Vidi Vici” opens with a senseless homicide. It’s a startling scene, no less upsetting than the Scorpio killing that kick-starts “Dirty Harry” — except that in this case, the incident is calibrated as the darkest sort of comedy. Rather than picking off an unsuspecting rooftop swimmer, the serial killer does his hunting out in the open, without shame or any pretense of covering his tracks.
The movie makes no mystery of the sniper’s identity, revealing it right from the jump, the way a “Columbo” episode might. And yet the authorities show zero interest in arresting the guilty party, even going so far as to toss an eyewitness out of the police station (that man winds up offing himself in exasperation). That’s because the person responsible, Amon Maynard (Laurence Rupp), is a millionaire,...
The movie makes no mystery of the sniper’s identity, revealing it right from the jump, the way a “Columbo” episode might. And yet the authorities show zero interest in arresting the guilty party, even going so far as to toss an eyewitness out of the police station (that man winds up offing himself in exasperation). That’s because the person responsible, Amon Maynard (Laurence Rupp), is a millionaire,...
- 1/19/2024
- by Peter Debruge
- Variety Film + TV
"Go ahead and run! I know what you look like!" Magnify Films has revealed the first look teaser trailer for a Sundance film called Veni Vidi Vici, from filmmakers Daniel Hoesl & Julia Niemann. This Austrian film is premiering in the "World Cinema Dramatic Competition" section at Sundance 2024 this month. Apparently it's commentary on the uber-rich, using a familiar idea in The Hunt and/or the classic "The Most Dangerous Game". The Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family's wealth allows them to live totally free from consequences. So he hunts humans. The cast includes Laurence Rupp, Ursina Lardi, Olivia Goschler, Kyra Kraus, Tamaki Uchida, and Dominik Warta. The filmmaker explains why: "The situation is serious... To create a parable, you have to exaggerate, paradoxically enough." This looks disquieting, with much more stronger commentary...
- 1/12/2024
- by Alex Billington
- firstshowing.net
For those missing the billionaire voyeurism of “Succession,” Sundance film “Veni Vidi Vici” is poised to be a more sinister remedy.
Directed by Julia Niemann and Daniel Hoesl (and written by Hoesl), the film centers on the Maynard family, who live an “almost perfect” billionaire lifestyle, per the official synopsis. Patriarch Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences, as the logline for the social satire dark comedy teases.
“Destructive strength is creative strength,” a character says in the trailer. “But don’t predatory cats belong in the wild?”
The hunt for whomever the dangerous hunter with no regard for human life is takes over a community, as all fingers seem to point to the elite family at the center of the drama. Yet the whodunit takes on another social issue: When the presumed wealthy “madman” killer is revealed,...
Directed by Julia Niemann and Daniel Hoesl (and written by Hoesl), the film centers on the Maynard family, who live an “almost perfect” billionaire lifestyle, per the official synopsis. Patriarch Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences, as the logline for the social satire dark comedy teases.
“Destructive strength is creative strength,” a character says in the trailer. “But don’t predatory cats belong in the wild?”
The hunt for whomever the dangerous hunter with no regard for human life is takes over a community, as all fingers seem to point to the elite family at the center of the drama. Yet the whodunit takes on another social issue: When the presumed wealthy “madman” killer is revealed,...
- 1/11/2024
- by Samantha Bergeson
- Indiewire
Sales talks to commence in Park City and continue in Berlin.
Magnify, the company formerly known as Magnolia Pictures International, has made its first acquisition since the rebrand, taking global sales rights to upcoming Sundance premiere Veni Vidi Vici.
Daniel Hoesl and Julia Niemann (Davos) directed the Austrian social satire about a billionaire family and their children’s almost perfect life without consequences.
Laurence Rupp (Barbarians), Ursina Lardi (Lore), Dominik Warta (L’Animale), and newcomer Olivia Goschler star. Ulrich Seidl (Goodnight Mommy) of Ulrich Seidl Filmproduktion served as producer.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire...
Magnify, the company formerly known as Magnolia Pictures International, has made its first acquisition since the rebrand, taking global sales rights to upcoming Sundance premiere Veni Vidi Vici.
Daniel Hoesl and Julia Niemann (Davos) directed the Austrian social satire about a billionaire family and their children’s almost perfect life without consequences.
Laurence Rupp (Barbarians), Ursina Lardi (Lore), Dominik Warta (L’Animale), and newcomer Olivia Goschler star. Ulrich Seidl (Goodnight Mommy) of Ulrich Seidl Filmproduktion served as producer.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire...
- 12/13/2023
- by Jeremy Kay
- ScreenDaily
Magnify, which was formally known as Magnolia Pictures International, has acquired global and U.S. sales rights to “Veni Vedi Vici,” an Australian social satire from directors’ Daniel Hoesl and Julia Niemann. Written by Hoesl, the film will debut in the World Dramatic Competition section of the 2024 Sundance Film Festival. It marks the first title acquired for sales under the newly rebranded Magnify label.
In “Veni Vedi Vici,” the Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire that delves into the dynamics of privilege. Fuelled with dark humor, psychotic absurdity, and hyper-realistic violence, ‘Veni Vedi Vici’ promises a captivating watch in Park City, that we are thrilled to launch under the freshly rebranded Magnify label,...
In “Veni Vedi Vici,” the Maynards and their children lead an almost perfect billionaire family life. Amon is a passionate hunter, but doesn’t shoot animals, as the family’s wealth allows them to live totally free from consequences.
“Daniel and Julia have crafted an exquisite, sophisticated and timely satire that delves into the dynamics of privilege. Fuelled with dark humor, psychotic absurdity, and hyper-realistic violence, ‘Veni Vedi Vici’ promises a captivating watch in Park City, that we are thrilled to launch under the freshly rebranded Magnify label,...
- 12/13/2023
- by Brent Lang
- Variety Film + TV
Veni Vidi Vici
After checking in with the powerful elite with the ’20 docu Davos, Daniel Hoesl moved into a screenplay that is not that far removed. Working with a satire template on his third fic feature – his latest (a Les Arcs Film Festival Wip winner) is about an Austrian billionaire family with a penchant for hunting. Hoesl once again reteams with cinematographer Gerald Kerkletz on what was formerly titled “Vikinger” but now goes by the more aptly title of Veni Vidi Vici. Produced by Ulrich Seidl, this stars Laurence Rupp, Ursina Lardi, Dominik Warta, Johanna Orsini, and filmmaker Markus Schleinzer.…...
After checking in with the powerful elite with the ’20 docu Davos, Daniel Hoesl moved into a screenplay that is not that far removed. Working with a satire template on his third fic feature – his latest (a Les Arcs Film Festival Wip winner) is about an Austrian billionaire family with a penchant for hunting. Hoesl once again reteams with cinematographer Gerald Kerkletz on what was formerly titled “Vikinger” but now goes by the more aptly title of Veni Vidi Vici. Produced by Ulrich Seidl, this stars Laurence Rupp, Ursina Lardi, Dominik Warta, Johanna Orsini, and filmmaker Markus Schleinzer.…...
- 1/9/2023
- by Eric Lavallée
- IONCINEMA.com
It’s a strange feeling to be among the earliest audiences — and who can tell just how many more such a disturbing, hard-sell film will reach — for a project destined for notoriety. But then Sandra Wollner’s “The Trouble With Being Born” inspires nothing but strange feelings, from unnerving horror to shocked admiration to visceral disgust to that specific type of disorienting nausea that comes from the fractional delay between your eye processing a well-composed image, and your brain comprehending the implications of the actions so coolly depicted.
That gap is just one of the many conceptual fissures into which Wollner’s desperately creepy, queasy, thought-provoking film gnaws: image vs. implication; human vs. non-human; real vs. unreal. If “The Trouble With Being Born” lives anywhere, it is in a house in a forest on the deepest, most sunless lower slopes of the uncanny valley.
Indecipherable, abstract, staticky images flicker and jiggle,...
That gap is just one of the many conceptual fissures into which Wollner’s desperately creepy, queasy, thought-provoking film gnaws: image vs. implication; human vs. non-human; real vs. unreal. If “The Trouble With Being Born” lives anywhere, it is in a house in a forest on the deepest, most sunless lower slopes of the uncanny valley.
Indecipherable, abstract, staticky images flicker and jiggle,...
- 3/1/2020
- by Jessica Kiang
- Variety Film + TV
The 70th Berlin International Film Festival (Feb 20 – March 1) unveiled its Encounters program today, featuring the premieres of new works by Tim Sutton and Romanian director Cristi Puiu.
Also screening is Josephine Decker’s Shirley with Elisabeth Moss and Michael Stuhlbarg, marking the film’s international premiere after its upcoming Sundance bow, and Gunda by Victor Kossakovsky, whose last pic was the 2018 Venice doc Aquarela.
Encounters is a newly-created competitive section at the Berlin festival that looks to highlight “new voices in cinema and to give more room to diverse narrative and documentary forms.” A three-member jury will choose the winners for Best Film, Best Director and a Special Jury Award.
“As a result of passionate research, the 15 titles chosen for Encounters present the vitality of cinema in all of its forms. Each film presents a different way of interpreting the cinematic story: autobiographical, intimate, political,...
Also screening is Josephine Decker’s Shirley with Elisabeth Moss and Michael Stuhlbarg, marking the film’s international premiere after its upcoming Sundance bow, and Gunda by Victor Kossakovsky, whose last pic was the 2018 Venice doc Aquarela.
Encounters is a newly-created competitive section at the Berlin festival that looks to highlight “new voices in cinema and to give more room to diverse narrative and documentary forms.” A three-member jury will choose the winners for Best Film, Best Director and a Special Jury Award.
“As a result of passionate research, the 15 titles chosen for Encounters present the vitality of cinema in all of its forms. Each film presents a different way of interpreting the cinematic story: autobiographical, intimate, political,...
- 1/17/2020
- by Tom Grater
- Deadline Film + TV
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