Actualités

Jesus Revolution Review — Jesus Revolution (2023) Film Review, a movie directed by Jon Erwin and Brent McCorkie, written by Jon Gunn and Jon Erwin and starring Kelsey Grammer, Jonathan Roumie, Kimberly Williams-Paisley, Joel Courtney, Mina Sundwall, Julia Campbell, Ally Ioannides, Anna Grace Barlow, Nic Bishop, Jackson Robert Scott, Jolie Jenkins, Charlie Morgan Patton, [...]

Continue reading: Film Review: Jesus Revolution (2023): Kelsey Grammer and Jonathan Roumie are Superb in Overlong but Interesting Christian Film...

Exclusive: The cast of Amazon Studios’ rom-com Sitting in Bars With Cake is growing by 12 with the addition of Bette Midler (Hocus Pocus), Ron Livingston (The Flash), Maia Mitchell (Good Trouble), Aaron Dominguez (Only Murders In The Building), Rish Shah (Ms. Marvel), and Odessa A’zion (Hellraiser).

Rounding out the group, led by previously announced star and EP Yara Shahidi, are Martha Kelly (Euphoria), Adina Porter (American Horror Story: Cult), Navid Negahban (The Old Man), Simone Recasner (The Big Leap), Will Ropp (The Fallout), and Charlie Morgan Patton (Jesus Revolution).

Details regarding the characters they will portray are under wraps.

Sitting in Bars with Cake begins production next month in Los Angeles.

Based on a true story, Sitting in Bars with Cake follows a quiet young woman who is unlucky in love and discovers an unlikely guy magnet when she bakes a cake for her best friend’s birthday and brings it to a bar,...

America’S Blues screens at The St. Louis International Film Festival Saturday, November 7th at The Stage at Kdhx (3524 Washington Boulevard‎ St Louis, Mo 63103). Director Patrick Branson will be in attendance. Ticket information can be found Here

From Charlie Patton’s roots in the rural South to Bob Dylan’s 1998 performance at Madison Square Garden, blues music has transcended generations and racial barriers. The foundation for pop culture and American music, blues not only influenced musical genres such jazz, country, and rock ‘n’ roll but also helped to tear down the walls of segregation and create acceptance of cultural diversity. Director Patrick Branson’s America’S Blues takes a new angle on an established narrative, focusing on the evolution of American music and the impact that blues music has had on American society and culture. Through interviews with musicians, historians, professionals, and activists, a compelling story of the music’s significant historical contribution unfolds.

I knew I was not a collector when I dropped that Charlie Patton 78 of “Pony Blues” on the floor. Recorded at the Gennet studio in Richmond, Indiana, on June 14, 1929, the disc came to me from a friend who, as any real collector would, had wrapped it in several layers of bubble wrap for safe travels through the U.S. Postal Service. Now the record lay about my feet, 50 shards of blackened shellac, the famous Paramount label split down the middle. All these years, through who knew how many owners, stored in uncounted garages and basements, across time and space, the neo-sacred object had persisted. Less than 60 seconds into my custodianship, its journey was at an end. There was nothing left to do but to stare in disbelief, cry in mortification. I was a slob. I could not be trusted with the past.The recall of this painful...