Welcome back to This Week In Discs… now on Mondays for your reading pleasure one day early! As always, if you see something you like, click on the image to buy it. Isn’t Anyone Alive? It’s afternoon on a college campus, and as the students chat about urban myths, employees go about their business and strangers pass through the area something begins to happen. They all begin to die. One by one they fall to the ground coughing and writhing in pain, but the conversations continue on around them. Director Gakuryu Ishii and screenwriter Shirô Maeda (adapting his own play) have delivered a film guaranteed to turn off 90% of viewers with its shifting tones, slow pace and lack of easy answers, but the 10% who stick with it will find a surreal gem exploring the things we share with each other and the things we keep secret. Dark, absurd humor exists alongside moments of real beauty...
- 22.10.2012
- von Rob Hunter
- FilmSchoolRejects.com
Isn’t Anyone Alive? (Ikiterumono wa inainoka)
Written by Shirô Maeda
Directed by Gakuryu Ishii
Japan, 2012
Set around a university and its campus hospital, veteran director Gakuryu Ishii’s play adaptation follows several groups of students, and the occasional older presence, who go about their everyday lives against the backdrop of a series of mysterious public transport accidents. They are each then inconvenienced by their deaths through sudden, unexplained internal failure, as human life around them seems to slowly be succumbing to a version of the apocalypse. A premise that seems ripe for a horror imagining by someone like Kiyoshi Kurosawa, Ishii’s film does not cater to any specific genre or narrative formula, instead following its characters as they wander the campus knowing and waiting to die.
The film’s strength is its farcical look at aspects of the human condition, where image is often valued over life. Characters...
Written by Shirô Maeda
Directed by Gakuryu Ishii
Japan, 2012
Set around a university and its campus hospital, veteran director Gakuryu Ishii’s play adaptation follows several groups of students, and the occasional older presence, who go about their everyday lives against the backdrop of a series of mysterious public transport accidents. They are each then inconvenienced by their deaths through sudden, unexplained internal failure, as human life around them seems to slowly be succumbing to a version of the apocalypse. A premise that seems ripe for a horror imagining by someone like Kiyoshi Kurosawa, Ishii’s film does not cater to any specific genre or narrative formula, instead following its characters as they wander the campus knowing and waiting to die.
The film’s strength is its farcical look at aspects of the human condition, where image is often valued over life. Characters...
- 26.6.2012
- von Josh Slater-Williams
- SoundOnSight
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