Curated by the IndieWire Crafts team, Craft Considerations is a platform for filmmakers to talk about recent work that we believe is worthy of awards consideration. In partnership with HBO, for this edition we look at how the crafts team behind the martial arts drama series “Warrior” translated Bruce Lee’s original vision with stunt coordinator Brett Chan, costume designer Moira Anne Meyer, and visual effects supervisors Nathan Overstrom and Jonathan Alenskas.
In the early 1970s, Bruce Lee wrote a pitch for an American television series he was excited to make. The story centered around a Chinese martial artist — a role Lee wrote for himself — who comes to the American West circa the 1870s. Years later, his daughter Shannon Lee found the original eight-page treatment — one that every major studio in Hollywood passed on decades earlier — and brought it to “Fast and the Furious” director/producer Justin Lin. Together Shannon and Lin,...
In the early 1970s, Bruce Lee wrote a pitch for an American television series he was excited to make. The story centered around a Chinese martial artist — a role Lee wrote for himself — who comes to the American West circa the 1870s. Years later, his daughter Shannon Lee found the original eight-page treatment — one that every major studio in Hollywood passed on decades earlier — and brought it to “Fast and the Furious” director/producer Justin Lin. Together Shannon and Lin,...
- 6/16/2021
- by Chris O'Falt
- Indiewire
It’s truly a measure of the pandemic that the 19th annual Ves Awards (to be held virtually on April 6) was dominated by Disney+’s “The Mandalorian” with 13 nominations (topped by photoreal episode). Like the Oscar shortlist, there was an absence of big budget, VFX-intensive studio films. But, truth be told, Season 2 of Jon Favreau’s engaging “Star Wars” bounty hunter series offered the industry’s most innovative tech (wrapped around Industrial Light & Magic’s improved StageCraft virtual production system).
Pixar’s “Soul” was the top animation contender with five nominations, while the feature competition was split between “Project Power,” the Netflix superhero film, Robert Zemeckis’ “The Witches” (which streamed on HBO Max), and Disney’s live-action “Mulan” (which streamed on Disney+), each garnering three nominations.
Joining “Project Power” and “The Witches” in the top photoreal feature category were Netflix’s “Jingle Jangle: A Christmas Journey” and “The Midnight Sky...
Pixar’s “Soul” was the top animation contender with five nominations, while the feature competition was split between “Project Power,” the Netflix superhero film, Robert Zemeckis’ “The Witches” (which streamed on HBO Max), and Disney’s live-action “Mulan” (which streamed on Disney+), each garnering three nominations.
Joining “Project Power” and “The Witches” in the top photoreal feature category were Netflix’s “Jingle Jangle: A Christmas Journey” and “The Midnight Sky...
- 3/2/2021
- by Bill Desowitz
- Indiewire
The nominations for the 19th Annual Visual Effects Society Awards have been announced with “The Mandalorian” and “Soul” leading.
“The Mandalorian” leads with 13 nominations including outstanding visual effects in a photoreal episode. “Soul” was next with five nominations, followed by “The Witches” and “Project Power.”
The Ves awards will be handed out in a virtual ceremony and will stream worldwide on April 6.
“Traditions find a way to persist,” said Lisa Cooke, Ves Board Chair. “With vision and a lot of hard work, we are proud to host our annual celebration of the artistry, ingenuity and passion of visual effects practitioners around the world – virtually. We are seeing best in class work that elevates the art of storytelling and engages the audience in new and innovative ways. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of all our nominees!
“The Mandalorian” leads with 13 nominations including outstanding visual effects in a photoreal episode. “Soul” was next with five nominations, followed by “The Witches” and “Project Power.”
The Ves awards will be handed out in a virtual ceremony and will stream worldwide on April 6.
“Traditions find a way to persist,” said Lisa Cooke, Ves Board Chair. “With vision and a lot of hard work, we are proud to host our annual celebration of the artistry, ingenuity and passion of visual effects practitioners around the world – virtually. We are seeing best in class work that elevates the art of storytelling and engages the audience in new and innovative ways. The Ves Awards is the only venue that showcases and honors these outstanding artists across a wide range of disciplines, and we are extremely proud of all our nominees!
- 3/2/2021
- by Jazz Tangcay
- Variety Film + TV
The Visual Effects Society today announced the nominees for its 19th annual Ves Awards, which recognize VFX artistry in 25 categories spanning film, TV, animation, commercials and video games. Winners will be announced during a virtual ceremony on Tuesday, April 6.
Disney+’s The Mandalorian leads all TV shows and films with 13 noms, and Disney/Pixar’s animated Soul tops the film side with five. Project Power and The Witches tied for second among movies with three noms apiece in a decidedly strange year for VFX-heavy projects.
Vying for the Visual Effects in a Photoreal Feature prize are Jingle Jangle: A Christmas Journey, The Midnight Sky, Project Power, Tenet and The Witches. The films up for
Supporting Visual Effects in a Photoreal Feature are Da 5 Bloods, Extraction, Mank, News of the World and Welcome to Chechnya.
Soul will battle it out for the Visual Effects in an Animated Feature trophy against fellow Pixar pic Onward,...
Disney+’s The Mandalorian leads all TV shows and films with 13 noms, and Disney/Pixar’s animated Soul tops the film side with five. Project Power and The Witches tied for second among movies with three noms apiece in a decidedly strange year for VFX-heavy projects.
Vying for the Visual Effects in a Photoreal Feature prize are Jingle Jangle: A Christmas Journey, The Midnight Sky, Project Power, Tenet and The Witches. The films up for
Supporting Visual Effects in a Photoreal Feature are Da 5 Bloods, Extraction, Mank, News of the World and Welcome to Chechnya.
Soul will battle it out for the Visual Effects in an Animated Feature trophy against fellow Pixar pic Onward,...
- 3/2/2021
- by Erik Pedersen
- Deadline Film + TV
Vince Marcello, co-writer and director of “The Kissing Booth 2,” knew he needed an opening scene that quickly updated fans of the original with what Elle (Joey King) did over the summer after high school sweetheart Noah (Jacob Elordi) graduated and left for Harvard. Adding to the degree of difficulty: Marcello had to create visual references to Los Angeles in the sequence, even though the sequel, which hits Netflix on July 24, was shot in South Africa.
“The idea I had was to acquaint you with the character in a really fast way that was fun, energetic and exciting,” explains the director, who used snapshots of time — Elle at the beach, watching TV and working on her college essay — as the couple try to maintain their relationship from afar.
Marcello called on cinematographer Anastas Michos, who framed the first film, to deliver his vision — a flurry of images mixed with music and voiceover.
“The idea I had was to acquaint you with the character in a really fast way that was fun, energetic and exciting,” explains the director, who used snapshots of time — Elle at the beach, watching TV and working on her college essay — as the couple try to maintain their relationship from afar.
Marcello called on cinematographer Anastas Michos, who framed the first film, to deliver his vision — a flurry of images mixed with music and voiceover.
- 7/23/2020
- by Jazz Tangcay
- Variety Film + TV
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