Available today on DVD and Digital, we have an exclusive clip and character posters from Shadow of the Cat!
"Gato lives on a remote farm with his teenage daughter Emma where without even basic communications tools they’re entirely cut off from the outside world. But once Emma comes into possession of a phone, she’s contacted by a party claiming to be working on behalf of her mother, who her father claimed abandoned her at birth. Infuriated, Emma heads off on a journey of self-discovery to reconnect with her mother, all the while Gato and his best pal Sombra (Danny Trejo) race to rescue her from the grim fate she’s unknowingly heading towards.
Directed by Jose Maria Cicala and written by Cicala, Griselda Sanchez and Gustavo Lencina, Shadow of the Cat also boasts a supporting cast of Latinx talent, including Lanata, Zapata, Rita Cortese, Mónica Antonópulos, Miguel Ángel Solá,...
"Gato lives on a remote farm with his teenage daughter Emma where without even basic communications tools they’re entirely cut off from the outside world. But once Emma comes into possession of a phone, she’s contacted by a party claiming to be working on behalf of her mother, who her father claimed abandoned her at birth. Infuriated, Emma heads off on a journey of self-discovery to reconnect with her mother, all the while Gato and his best pal Sombra (Danny Trejo) race to rescue her from the grim fate she’s unknowingly heading towards.
Directed by Jose Maria Cicala and written by Cicala, Griselda Sanchez and Gustavo Lencina, Shadow of the Cat also boasts a supporting cast of Latinx talent, including Lanata, Zapata, Rita Cortese, Mónica Antonópulos, Miguel Ángel Solá,...
- 6/14/2022
- by Jonathan James
- DailyDead
Exclusive: Gravitas Ventures has acquired worldwide rights to Lance Kawas’ thriller Good Thief, also claiming North American rights to Sonny Mallhi’s Hurt and Phil Harding’s The Reunion. The Red Arrow Studios company will release the first title on Tvod and digital platforms on November 30, with the second debuting in select theaters and on internet, cable, and satellite platforms on December 10, and the third arriving on all Tvod and digital platforms in February.
Good Thief follows a pair of thieves (played by Peter Donahue and newcomer Shomari Giles) on the outskirts of Detroit who rob a neighborhood pawnbroker (Jimmy Doom) of his valuable baseball card collection, only to find out they’ve unleashed something far more sinister. Aaron Sizemore penned the script for the film, which also stars Melanie Mahanna and Bobby Laenen. Kawas produced with Hicham Benkirane’s company, Hbk F.C. Myriad Pictures is handling international sales.
Good Thief follows a pair of thieves (played by Peter Donahue and newcomer Shomari Giles) on the outskirts of Detroit who rob a neighborhood pawnbroker (Jimmy Doom) of his valuable baseball card collection, only to find out they’ve unleashed something far more sinister. Aaron Sizemore penned the script for the film, which also stars Melanie Mahanna and Bobby Laenen. Kawas produced with Hicham Benkirane’s company, Hbk F.C. Myriad Pictures is handling international sales.
- 11/5/2021
- by Matt Grobar
- Deadline Film + TV
Here at the Guadalajara Film Festival (Ficg), Verónica Cura is presenting her latest film, "Death in Buenos Aires" ("Muerte en Buenos Aires"), an Argentine policier. She is also meeting with her international sales agent, Film Factory, the Mexican distributor and the director, first-timer Natalia Meta. The film stars Demian Bichir, Chino Darin , Monica Antonopulos , Carlos Casella , Hugo Arana, Jorgelina Aruzzi , Emilio Disi, Fabián Arenillas, Humberto Tortonese, Gino Renni , Wullich Martin and Luisa Kuliok.
After one month in release in Argentina, it has racked up admissions which is astonishing for a first feature with no TV backing. Its returns were greater than 2014 and first semester 2015’s hit by Daniel Burman, " The Mystery of Happiness" ("El misterio de la felicidad”) .
One of Argentina’s top producers, Verónica Cura ’s opinions on the business and on the importance of education are crucial to understanding what is happening in Latin American production today. Not only does she teach about film production from an artistic and organizational perspective, starting from the moment the idea takes hold, to project development, to shooting and all the way to theatrical exhibition, but her productions are seminal to the cinema of Argentina.
Vero started working in 1992 as a director and head of production. In 2001 she began producing her own films. From 2007 to 2009 she was President of the Association of Independent Producers and Vice President of the Chamber of Film Producers from 2009 to 2011. Veronica has been Vice President of the Argentina Productions Companies Union from 2011 to 2013 .
She was the line producer on 2009’s U.S.- Spain coproduction "There Be Dragons" directed by Roland Joffe. Her credits go as far back as the 1995 film “Moebius" and the 1993 documentary "Radio Olmos," both directed by Gustavo Mosquera. She has been involved in films such as "The Headless Woman" ("La Mujer Sin Cabeza") by Lucrecia Martel (Cannes Competition), "The Other" by Ariel Rotter (Berlinale winner of two Silver Bears and the Jury Grand Prize).
She was executive producer on "Las Acacias" by Pablo Giogelli (Camera D’Or, Cannes 2011), an Argentina–Spain coproduction, as well as "Whisky Romeo Zulu" … and many many more including "One Love" ("Un Amor") by Paula Hernandez in 2011, "In the Eyes Abides the Heart" by Mary Sweeney, a short for Turner Classics Channel, all directed by women, which is something of importance in today’s world. She also produced "Live-in Maid" by Jorge Gaggero (Sundance Special Jury Prize), "Torrent 3" by Santiago Segura, "The Dead and Being Happy" by Javier Rebolla and "The Game Maker" by John Paul Buscarini, among others.
She was the Academic Coordinator for Production at Enerc and teaches in different labs and schools throughout Latin America. She is also a former student of La Fuc. Most recently she spent 1 1/2 weeks in Cuba at the International Film School (Eictv) giving a week's seminar and working with a director and two writers on scripts as part of a new Doctorate program for screenwriters.
"Regarding The film business today, as in every part of the world, cinema in Argentina is facing new challenges. Only about 20% of the theaters remain Un-digitized. Producers must be thinking about budgets, distribution and new forms of exhibition."...
After one month in release in Argentina, it has racked up admissions which is astonishing for a first feature with no TV backing. Its returns were greater than 2014 and first semester 2015’s hit by Daniel Burman, " The Mystery of Happiness" ("El misterio de la felicidad”) .
One of Argentina’s top producers, Verónica Cura ’s opinions on the business and on the importance of education are crucial to understanding what is happening in Latin American production today. Not only does she teach about film production from an artistic and organizational perspective, starting from the moment the idea takes hold, to project development, to shooting and all the way to theatrical exhibition, but her productions are seminal to the cinema of Argentina.
Vero started working in 1992 as a director and head of production. In 2001 she began producing her own films. From 2007 to 2009 she was President of the Association of Independent Producers and Vice President of the Chamber of Film Producers from 2009 to 2011. Veronica has been Vice President of the Argentina Productions Companies Union from 2011 to 2013 .
She was the line producer on 2009’s U.S.- Spain coproduction "There Be Dragons" directed by Roland Joffe. Her credits go as far back as the 1995 film “Moebius" and the 1993 documentary "Radio Olmos," both directed by Gustavo Mosquera. She has been involved in films such as "The Headless Woman" ("La Mujer Sin Cabeza") by Lucrecia Martel (Cannes Competition), "The Other" by Ariel Rotter (Berlinale winner of two Silver Bears and the Jury Grand Prize).
She was executive producer on "Las Acacias" by Pablo Giogelli (Camera D’Or, Cannes 2011), an Argentina–Spain coproduction, as well as "Whisky Romeo Zulu" … and many many more including "One Love" ("Un Amor") by Paula Hernandez in 2011, "In the Eyes Abides the Heart" by Mary Sweeney, a short for Turner Classics Channel, all directed by women, which is something of importance in today’s world. She also produced "Live-in Maid" by Jorge Gaggero (Sundance Special Jury Prize), "Torrent 3" by Santiago Segura, "The Dead and Being Happy" by Javier Rebolla and "The Game Maker" by John Paul Buscarini, among others.
She was the Academic Coordinator for Production at Enerc and teaches in different labs and schools throughout Latin America. She is also a former student of La Fuc. Most recently she spent 1 1/2 weeks in Cuba at the International Film School (Eictv) giving a week's seminar and working with a director and two writers on scripts as part of a new Doctorate program for screenwriters.
"Regarding The film business today, as in every part of the world, cinema in Argentina is facing new challenges. Only about 20% of the theaters remain Un-digitized. Producers must be thinking about budgets, distribution and new forms of exhibition."...
- 3/11/2015
- by Sydney Levine
- Sydney's Buzz
Exclusive: New York-based festival veteran Laurence Asseraf is launching the invite-only Be Film International Features Festival as a platform to enable global films to find Us distribution.
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
- 9/30/2014
- by [email protected] (Jeremy Kay)
- ScreenDaily
Exclusive: New York-based festival veteran Laurence Asseraf is launching the invite-only Be Film International Features Festival as a platform to enable global films to find Us distribution.
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
This year’s inaugural event runs from October 24-26 in New York and will feature global films with a focus on Argentina.
“What we are trying to accomplish here, is bring home, in an intimate, relaxed, but highly professional setting certain foreign films that might have escaped the eyes of Us distributors while on their tour to all major festivals abroad,” said Asseraf (pictured).
“I knew Argentina very well since I lived there as a child,” said the French industry veteran, who also founded Be Film The Underground Film Festival. “Their cinema is very European and speaks to the world.”
The Argentinian Consulate will sponsor the opening night reception.
The line-up of screenings includes:
Muerte En Buenos Aires (Argentina) – Natalia Meta’s 1980s set mystery-drama in Buenos Aires starring [link=nm...
- 9/30/2014
- by [email protected] (Jeremy Kay)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.