

"The world is marvelous and beautiful." Well Go USA has released an official Us trailer for an indie Korean drama titled House of Hummingbird, marking the feature directorial debut of filmmaker Bora Kim. This first premiered at the Busan Film Festival in Korea last year, then it went on to play at the Berlin, Tribeca, Seattle, Fantasia, and London Film Festivals as well. Positioned against the backdrop of a rapidly expanding Seoul in 1994, a lonely 14-year-old Eun-hee moves through life like a hummingbird searching for a taste of sweetness wherever she may find it. Only when she meets a new teacher does she finally feel like an adult really understands her. Described as a "critically-acclaimed coming-of-age drama," this won the Audience Award in Busan last year. Starring Ji-hu Park as Eun-hee, with Sae-byuk Kim, Seung-yeon Lee, and In-gi Jeong. This looks sad but also a reminder there is hope in...
- 5/29/2020
- by Alex Billington
- firstshowing.net


There is a certain tentativeness to the 14-year-old Eun-hee (Ji-hu Park) in writer-director Bora Kim’s sure-handed feature debut “House of Hummingbird,” a tender yet somewhat underpowered coming-of-age film set in the Seoul of 1994. Lonely, reserved, and stuck in a dysfunctional household among her frequently quarrelling parents (Seung-Yeon Lee and In-gi Jeong), her troublemaking sister Su-hee (Su-yeon Park), and bully of a brother Dae-hoon (Sang-yeon Sohn), eighth-grader Eun-hee seems to move through life involuntarily, like a bird with a pair of broken wings. And yet, she still copes with routine neglect behind a youthful shield of resilience — Kim slowly lays bare Eun-hee’s toughened spirit from a minimalist and acutely feminine perspective.
Loosely inspired by the writer-director’s own adolescence, Kim’s personal film timidly drifts without narrative spikes for a while, until a sense of direction emerges alongside era-specific facts (like Seoul’s undisciplined real-estate expansion) in the backdrop.
Loosely inspired by the writer-director’s own adolescence, Kim’s personal film timidly drifts without narrative spikes for a while, until a sense of direction emerges alongside era-specific facts (like Seoul’s undisciplined real-estate expansion) in the backdrop.
- 5/1/2019
- by Tomris Laffly
- Variety Film + TV
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