Join our newsletter to get more stories like this Below Deck guest Kari Klein ruffles the crew’s feathers on tonight’s episode after complaining about the chicken, resulting in one offended diner shrieking, “chicken is what poor people eat!” Poor Chef Adrian Martin spent a good bit of time presenting his fare with a loving description of his deconstructed, fresh-perspective dish, aka, oven steamed chicken breast, and this is the thanks he gets! A few bites in Kari clucks, “who ordered chicken?” No one is brave enough to ‘fess up to ordering the offending fowl. Finally Kari concedes, “it is good, […]
The post Fans slam Below Deck guest for saying ‘chicken is what poor people eat’ appeared first on Monsters and Critics.
The post Fans slam Below Deck guest for saying ‘chicken is what poor people eat’ appeared first on Monsters and Critics.
- 12/11/2018
- by Tanya Clark
- Monsters and Critics
Diagonale: Festival of Austrian Film has taken place annually since 1998 in Graz (pron. "Grats," pop. 325,000), Austria's second city, capital of the wealthy Styria province, and best known internationally as the home town of Arnold Schwarzenegger. Over its six days (this year March 13-18) the event provides a handy snapshot of current Austrian film production, with a couple of retrospective strands included for context—rendered tantalizingly inaccessible to most international visitors by the lack of English subtitles.The newer films are divided into fiction, documentary, short fiction, short documentary and what the festival labels "Innovative Kino" (Ik). A sidebar dedicated to experimental and animated work would in most festivals of this type be a decidedly marginal affair—but, given the remarkable history of Austrian avant-garde cinema over the last half-century (and more; see Adrian Martin's essay "I Dream Of Austria"), at Graz it's a big deal indeed. The standard is...
- 3/25/2018
- MUBI
It may be a mildly controversial proposition to assert but, apart from clear-cut cases from fairly early in his career (pre-eminently Aguirre, the Wrath of God [1972] and Every Man for Himself and God Against All/The Enigma of Kaspar Hauser [1974]), Werner Herzog’s documentaries are far better, on the whole, than his fiction films. This assertion comes with necessary caveats: some of his fictions, including the even earlier Even Dwarfs Started Small (1970) and Fata Morgana (1972), come freighted with a bracing dose of "pure" documentary observation; and, inversely, some of his documentaries are enlivened by a large dose of fictional techniques, such as in the spooky Lessons of Darkness (1992).>>> - Adrian Martin...
- 7/15/2014
- Fandor: Keyframe
It may be a mildly controversial proposition to assert but, apart from clear-cut cases from fairly early in his career (pre-eminently Aguirre, the Wrath of God [1972] and Every Man for Himself and God Against All/The Enigma of Kaspar Hauser [1974]), Werner Herzog’s documentaries are far better, on the whole, than his fiction films. This assertion comes with necessary caveats: some of his fictions, including the even earlier Even Dwarfs Started Small (1970) and Fata Morgana (1972), come freighted with a bracing dose of "pure" documentary observation; and, inversely, some of his documentaries are enlivened by a large dose of fictional techniques, such as in the spooky Lessons of Darkness (1992).>>> - Adrian Martin...
- 7/15/2014
- Keyframe
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