By Fahmidul Haq
After the advent of new technologies such as satellite TV, CD/DVD in 1990s and Internet streaming in 2000s, Bangladesh’s mainstream industry, which was once vibrant, started declining. Meanwhile, since the mid-1980s, there was a slow but steady growth of independent cinema which started representing the national cinema of Bangladesh by documenting politics, culture and society, both in fiction and documentary genres and by participating in international festivals. Primarily these films were artisanal in look – short in length and technically ordinary; gradually they started to be more mature – full length in duration and comprehensive in film techniques. Since 2000 and onward, Bangladeshi cinema is trying to find its own voice internationally, which is often overshadowed by Indian Bengali Cinema that reached its peak by the contributionsof Satyajir Ray, RitwikGhatak and others. In the new millennium, Bangladeshi cinema has elevated from the ‘artisanal’ to the ‘global’ stage.
After the advent of new technologies such as satellite TV, CD/DVD in 1990s and Internet streaming in 2000s, Bangladesh’s mainstream industry, which was once vibrant, started declining. Meanwhile, since the mid-1980s, there was a slow but steady growth of independent cinema which started representing the national cinema of Bangladesh by documenting politics, culture and society, both in fiction and documentary genres and by participating in international festivals. Primarily these films were artisanal in look – short in length and technically ordinary; gradually they started to be more mature – full length in duration and comprehensive in film techniques. Since 2000 and onward, Bangladeshi cinema is trying to find its own voice internationally, which is often overshadowed by Indian Bengali Cinema that reached its peak by the contributionsof Satyajir Ray, RitwikGhatak and others. In the new millennium, Bangladeshi cinema has elevated from the ‘artisanal’ to the ‘global’ stage.
- 12/06/2020
- por Guest Writer
- AsianMoviePulse
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