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Warning: This article contains Spoilers for Sweetpea.

Alongside having a fantastic opening theme song, Sweetpea is full of great music that helps give the show a memorable tone, adding to its quality. The balance between comedy and drama can be hard to get right, but Sweetpea's exciting cast of characters helps bring a light-hearted feel to the British drama, while Ella Purnell's Rhiannon Lewis brings some sinister vibes. Despite developing murderous tendencies, Rhiannon maintains her endearing traits, creating a twistedly complicated protagonist. However, these qualities are what makes Sweetpea's reviews so good and the show's excellent soundtrack compliments the action and humorous moments perfectly.

While the series is filled predominately with pop music, the songs are used in a clever way that often conveys an intense and even unsettling atmosphere on occasion. Sweetpea episodes 1 and 2 use these catchy tracks to help build an identity, treating the audience to some bangers in the process.

The Gentlemen soundtrack features a mix of old-school and energetic modern music that matches the movie's style and adds to its energetic and quick-witted journey. The songs in the soundtrack are well-placed and establish a specific vibe, while the score by composer Christopher Benstead underlines the overall atmosphere of the film. The soundtrack includes classic rock 'n' roll tracks and independent music, creating a unique selection that enhances the narrative pacing of The Gentlemen.

The Gentlemen soundtrack includes old-school music and energetic modern tunes to match the main characters' collective style in the slick Guy Ritchie movie. Oscar-winning composer and mixer Christopher Benstead (Gravity) scores the crime thriller with numerous atmospheric tracks. However, it's the mainstream and independent music that punctuates key moments throughout The Gentlemen, both comedic and dramatic. Both the soundtrack and the score add to the energetic style of the movie while matching its fast-paced and quick-witted...

There are hundreds of colorful lightbulbs behind the stage of the dive-y Brooklyn venue Baby’s All Right, winking at the crowd gathered to see rock duo Mattiel. Then, suddenly, the room goes dark and a new image comes up to replace the lights: the projected face of Jeff Goldblum.

“He came and met me in the bathroom,” croons singer Atina Mattiel Brown, also known mononymously as Mattiel. “A little like a younger Jeff Goldblum/About to take my heart and break it pretty soon.”

Beside her, multi-instrumentalist Jonah Swilley...

Lauded producer/songwriter Linda Perry is teaming up with philanthropist Alisha Ballard for EqualizeHer, an initiative working to bring gender equity to the music industry. It launches at South by Southwest with panels and showcases running March 15 and 16 at Lustre Pearl Rainey in Austin, Texas. The events are open to the public.

“The imbalance of women represented in the music industry has gone on far too long. Alisha and I (and so many others) share in this passion to create a more equitable music business across all aspects of the music industry,...

Nearly 30 years ago, Jonathan Richman asked how the Velvet Underground got their sound. The band Mattiel seem to have cracked the code on “Millionaire,” the latest single to be released off the Atlanta group’s excellent Satis Factory album. Amid brittle guitars, laconically Lou Reed-esque “bah-bah-bah” backup vocals, and a thwapping backbeat, singer Mattiel Brown channels Nico with her gorgeously yearning, full-voiced alto range, as sings about her poor lot in life.

Brown has said that the song was inspired by “high expectations and empty promises,” the exact mathematical...

With a cutting garage-rock guitar riff and vocals that squeal with excitement, Mattiel sound like they’re embracing their very own manifest destiny — or, at least, making fun of dudes who think that way — on “Je Ne Me Connais Pas,” the latest single from the Atlanta band’s upcoming Satis Factory album. Singer Mattiel Brown toys with toxic masculinity throughout the three-minute song, declaring herself a “Lone Star Man” who’s “gonna get kicked right off my high horse.” The punch line is the chorus: “I don’t know myself” in French.