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Marion Robert Morrison, more commonly known as John Wayne or ‘The Duke,’ left a lasting imprint on American cinema. His career spanned five decades, during which time he starred in 179 films and delivered countless illustrious performances.
He rose to fame with his starring role as Ringo Kid in the 1939 classic ‘Stagecoach,’ and would go on to play characters like Ethan Edwards in Ford’s 1956 ‘The Searchers’ – cementing his place in American film history.
In this blog post, we’ll be taking a look at some of the best John Wayne movies, which capture the actor’s undeniable talent and unforgotten legacy. From westerns like ‘True Grit’ (1969) to war films like ‘The Longest Day’ (1962), Wayne left an indelible mark on our collective culture.
The Highest-Rated John Wayne Films on IMDb ‘The Man Who Shot Liberty Valance’ (1962) – 8.1/10 ‘Rio Bravo’ (1959) – 8/10 ‘The Searchers’ (1956) – 7.9/10 ‘Stagecoach’ (1939) – 7.8/10 ‘Red River’ (1948) – 7.8/10 ‘The Longest Day’ (1962) – 7.7/10 ‘The Quiet Man’ (1952) – 7.7/10 ‘The Shootist...
He rose to fame with his starring role as Ringo Kid in the 1939 classic ‘Stagecoach,’ and would go on to play characters like Ethan Edwards in Ford’s 1956 ‘The Searchers’ – cementing his place in American film history.
In this blog post, we’ll be taking a look at some of the best John Wayne movies, which capture the actor’s undeniable talent and unforgotten legacy. From westerns like ‘True Grit’ (1969) to war films like ‘The Longest Day’ (1962), Wayne left an indelible mark on our collective culture.
The Highest-Rated John Wayne Films on IMDb ‘The Man Who Shot Liberty Valance’ (1962) – 8.1/10 ‘Rio Bravo’ (1959) – 8/10 ‘The Searchers’ (1956) – 7.9/10 ‘Stagecoach’ (1939) – 7.8/10 ‘Red River’ (1948) – 7.8/10 ‘The Longest Day’ (1962) – 7.7/10 ‘The Quiet Man’ (1952) – 7.7/10 ‘The Shootist...
- 3/26/2023
- by Buddy TV
- buddytv.com
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Western films have been a staple of American cinema for practically as long as movies have been made.
Movies in the Western genre are set in the American West, typically between the 1850s to the end of the 19th century. While it has been a stable genre — no pun intended! — it has also been the starting ground for several hybrid genres like Western comedies, Western musicals and horror Westerns.
No other genre’s history goes back quite as far as that of Westerns. According to documentarian David Gregory, “It has been estimated that up to 40 percent of all films made before 1960 were Westerns.”
Although the category reached its greatest popularity in the early and middle decades of the 20th century, with several becoming cult classics, films continued to be made even through droughts for Westerns in the late ‘70s, ‘80s and ‘90s. Actors have also made their name starring in Western films,...
Movies in the Western genre are set in the American West, typically between the 1850s to the end of the 19th century. While it has been a stable genre — no pun intended! — it has also been the starting ground for several hybrid genres like Western comedies, Western musicals and horror Westerns.
No other genre’s history goes back quite as far as that of Westerns. According to documentarian David Gregory, “It has been estimated that up to 40 percent of all films made before 1960 were Westerns.”
Although the category reached its greatest popularity in the early and middle decades of the 20th century, with several becoming cult classics, films continued to be made even through droughts for Westerns in the late ‘70s, ‘80s and ‘90s. Actors have also made their name starring in Western films,...
- 1/1/2023
- by Carly Thomas
- The Hollywood Reporter - Movie News
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Above: 1919 Swedish poster for Out West. Design by Eric Rohman.I’ve recently come across a little known, rather brief but quite extraordinary chapter in illustrated movie poster history, thanks to the poster department of Heritage Auctions. Just over one hundred years ago in Sweden, one distribution company or state agency seems to have commissioned an astonishing series of posters for imported American silent films that to today’s eyes seem both retro and modern at the same time (some of them could be mistaken for Mondo designs). They have been popping up for auction at Heritage over the past few years, reaching prices as high as 4,320 for Out West (above) and as low as 73 for the lovely Kingdom of Youth seen below. In fact there are a number coming up for auction next month and bidding begins next week.The posters are all 2- or 3-color linocut designs and...
- 10/23/2022
- MUBI
Jennifer Jason Leigh: "I sent my mom [Barbara Turner] a picture of me the first day of shooting …"
New BAFTA nominee Jennifer Jason Leigh, at the Monkey Bar brunch for Quentin Tarantino's The Hateful Eight with Walton Goggins and Samuel L Jackson, hosted by Uma Thurman, Lucy Liu, Bob Weinstein and Harvey Weinstein, told me her favorite western is Howard Hawks and Arthur Rosson's Red River, starring John Wayne and Montgomery Clift. Her favorite bad guy is Oliver Reed in Carol Reed's Oliver! and Robert Richardson knows how to light up Heba Thorisdottir's makeup artistry. Alfred Hitchcock's The 39 Steps and Wim Wenders' Until The End Of The World did not influence Jennifer's relationship to handcuffs.
Daisy Domergue (Jennifer Jason Leigh): On cinematographer Bob Richardson "It's just his lighting is so gorgeous.
Her Daisy Domergue is a peculiar flower, planted in cuffs and linked to...
New BAFTA nominee Jennifer Jason Leigh, at the Monkey Bar brunch for Quentin Tarantino's The Hateful Eight with Walton Goggins and Samuel L Jackson, hosted by Uma Thurman, Lucy Liu, Bob Weinstein and Harvey Weinstein, told me her favorite western is Howard Hawks and Arthur Rosson's Red River, starring John Wayne and Montgomery Clift. Her favorite bad guy is Oliver Reed in Carol Reed's Oliver! and Robert Richardson knows how to light up Heba Thorisdottir's makeup artistry. Alfred Hitchcock's The 39 Steps and Wim Wenders' Until The End Of The World did not influence Jennifer's relationship to handcuffs.
Daisy Domergue (Jennifer Jason Leigh): On cinematographer Bob Richardson "It's just his lighting is so gorgeous.
Her Daisy Domergue is a peculiar flower, planted in cuffs and linked to...
- 1/9/2016
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The Criterion Collection has announced two new titles and three Blu-ray upgrades set for release in May. Check out the new cover art along with a full list of extra features for each in the gallery viewer below! Debuting in the collection are both Howard Hawks and Arthur Rosson 1948 western classic Red River and Abbas Kiarostami's 2012 drama Like Someone in Love while HD upgrades of earlier Criterion releases include Billy Wilder's Ace in the Hole , Stuart Cooper's Overlord and Wes Anderson's The Life Aquatic with Steve Zissou (the only film left from the director that hasn't been issued in HD). Special features for the new releases are listed as follows: Red River - New 4K digital restoration of the rarely presented original theatrical release version, the...
- 2/18/2014
- Comingsoon.net
Frederica Sagor Pt.2: Women Screenwriters in 1920s Hollywood [Photo: Emil Jannings in The Way of All Flesh.] Frederica Sagor's reported final Hollywood screen credit was the scenario for the 1928 slapstick comedy The Farmer's Daughter, directed by Arthur Rosson at Fox. Marjorie Beebe, previously featured in several comedy shorts, had the title role (no relation to Loretta Young's 1947 Oscar-winning Congresswoman-to-be). In her book, Sagor says she was paid $750 a week (approx. $9,700 today) to write the story for this programmer — one she hated — about rural lovers and piles of manure. The previous year, Sagor had married screenwriter Ernest Maas, who held an executive post at Fox. In her autobiography, she states that the couple wrote a story named Beefsteak Joe, inspired by the life of Maas' father, that was misappropriated by Paramount and released as The Way of All Flesh. Directed by Gone with the Wind's Victor Fleming, the now-lost melodrama — Madame X meets Stella Dallas in...
- 1/7/2012
- by Andre Soares
- Alt Film Guide
Screenwriter Frederica Sagor Dead at 111: Wrote Movies for Norma Shearer (photo), Clara Bow, Louise Brooks Now, whether Frederica Sagor's Hollywood Babylon-like tales bear any resemblance to what actually happened at studio parties and private soirees, I can't tell. But on the professional side, one problem with the information found in The Shocking Miss Pilgrim is that studios invariably used numerous writers, whether male or female, in their projects. Usually, in those pre-Writers Guild days, only two or three contributors received final credit, not because of the uncredited writer's gender but in large part because the final product oftentimes had little — if anything — in common with the original source. While doing research for my Ramon Novarro biography, I went through various drafts, written by various hands, of his movies. A Certain Young Man, for instance, went through so many changes (including director, cast, and title), that the final film...
- 1/7/2012
- by Andre Soares
- Alt Film Guide
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