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IMDbPro

Luther Reed(1888-1961)

  • Writer
  • Director
  • Producer
IMDbProStarmeterSee rank
Luther Reed was born on 14 July 1888 in Berlin, Wisconsin, USA. He was a writer and director, known for Dixiana (1930), Hit the Deck (1929) and Rio Rita (1929). He was married to Jocelyn Lee and Naomi Childers. He died on 16 November 1961 in New York City, New York, USA.
BornJuly 14, 1888
DiedNovember 16, 1961(73)
BornJuly 14, 1888
DiedNovember 16, 1961(73)
IMDbProStarmeterSee rank
Add photos, demo reels

Known for

Bebe Daniels and Everett Marshall in Dixiana (1930)
Dixiana
5.3
  • Writer
  • 1930
Hit the Deck (1929)
Hit the Deck
6.6
  • Writer
  • 1929
Bebe Daniels in Rio Rita (1929)
Rio Rita
6.0
  • Writer
  • 1929
Bachelor Mother
7.1
  • Writer
  • 1932

Credits

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IMDbPro

Writer



  • Matinee Theatre (1955)
    Matinee Theatre
    6.7
    TV Series
    • teleplay
    • 1957
  • Kraft Theatre (1947)
    Kraft Theatre
    7.9
    TV Series
    • written by
    • 1954
  • Mary Carlisle and Buster Crabbe in The Sweetheart of Sigma Chi (1933)
    The Sweetheart of Sigma Chi
    6.7
    • dialogue
    • screenplay
    • 1933
  • Meet the Champ
    Short
    • story and adaptation
    • 1933
  • Bachelor Mother
    7.1
    • adaptation
    • 1932
  • Bebe Daniels and Everett Marshall in Dixiana (1930)
    Dixiana
    5.3
    • adapted by
    • 1930
  • Hit the Deck (1929)
    Hit the Deck
    6.6
    • adaptation
    • 1929
  • Bebe Daniels in Rio Rita (1929)
    Rio Rita
    6.0
    • adapted by
    • 1929
  • Eddie Cantor in Kid Boots (1926)
    Kid Boots
    6.9
    • adaptation
    • 1926
  • Richard Dix in Say It Again (1926)
    Say It Again
    4.6
    • story
    • 1926
  • Richard Dix and Lois Wilson in Let's Get Married (1926)
    Let's Get Married
    6.9
    • adaptation
    • 1926
  • Richard Dix in Womanhandled (1925)
    Womanhandled
    6.3
    • screenplay
    • 1925
  • Bebe Daniels in Lovers in Quarantine (1925)
    Lovers in Quarantine
    • screenplay
    • 1925
  • Richard Dix and Frances Howard in The Shock Punch (1925)
    The Shock Punch
    6.7
    • scenario
    • 1925
  • Marion Davies in Yolanda (1924)
    Yolanda
    6.4
    • scenario
    • 1924

Director



  • Weldon Heyburn and Rose Hobart in Convention Girl (1935)
    Convention Girl
    5.6
    • Director
    • 1935
  • Bebe Daniels and Everett Marshall in Dixiana (1930)
    Dixiana
    5.3
    • Director
    • 1930
  • Hit the Deck (1929)
    Hit the Deck
    6.6
    • Director
    • 1929
  • Bebe Daniels in Rio Rita (1929)
    Rio Rita
    6.0
    • Director
    • 1929
  • Esther Ralston in The Sawdust Paradise (1928)
    The Sawdust Paradise
    • Director
    • 1928
  • Florence Vidor in Honeymoon Hate (1927)
    Honeymoon Hate
    • Director
    • 1927
  • Mary Brian and Richard Dix in Shanghai Bound (1927)
    Shanghai Bound
    7.0
    • Director
    • 1927
  • The World at Her Feet
    • Director
    • 1927
  • Louise Brooks and Adolphe Menjou in Evening Clothes (1927)
    Evening Clothes
    • Director
    • 1927
  • Ricardo Cortez, Estelle Taylor, and Lois Wilson in New York (1927)
    New York
    4.7
    • Director
    • 1927
  • Susan Fleming, Alice Joyce, and Adolphe Menjou in The Ace of Cads (1926)
    The Ace of Cads
    • Director
    • 1926

Producer



  • Betty Compson and Ivan Lebedeff in Street Girl (1929)
    Street Girl
    6.2
    • associate producer (uncredited)
    • 1929

Personal details

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  • Alternative names
    • Lieutenant Luther A. Reed
  • Born
    • July 14, 1888
    • Berlin, Wisconsin, USA
  • Died
    • November 16, 1961
    • New York City, New York, USA
  • Spouses
      Jocelyn LeeJuly 15, 1930 - April 3, 1931 (2 children)
  • Publicity listings
    • 8 Articles

Did you know

Edit
  • Trivia
    Was one of several directors hired by producer Howard Hughes to direct Hell's Angels (1930), all of whom either quit or were fired by Hughes. Exasperated with the constant interference from Hughes, who had never directed a picture before, Reed one day threw up his hands, shouted at Hughes, "If you know so damn much, then direct the damn thing yourself!" and stormed out. Hughes, who hadn't liked the idea of others being in control of his money in the first place, took over the reins of the picture and finished it, albeit way over schedule and more than a million dollars over budget--which didn't bother him, as it was all his money anyway.

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