

Monique van Vooren, the Belgian-born actress who starred as a villainess in Tarzan and the She-Devil and played the Penguin's moll in Burgess Meredith's final appearance on Batman, has died. She was 92.
Van Vooren died Saturday of cancer at her home in New York City, her son, New York realtor and occasional actor Eric Purcell, told The Hollywood Reporter.
Van Vooren also was seen in bed in a white negligee in the opening title sequence to introduce Ten Thousand Bedrooms (1957), the first movie Dean Martin made after his split with Jerry Lewis, and she portrayed Baroness Katrin Frankenstein in ...
Van Vooren died Saturday of cancer at her home in New York City, her son, New York realtor and occasional actor Eric Purcell, told The Hollywood Reporter.
Van Vooren also was seen in bed in a white negligee in the opening title sequence to introduce Ten Thousand Bedrooms (1957), the first movie Dean Martin made after his split with Jerry Lewis, and she portrayed Baroness Katrin Frankenstein in ...
- 1/28/2020
- The Hollywood Reporter - Movie News


Monique van Vooren, the Belgian-born actress who starred as a villainess in Tarzan and the She-Devil and played the Penguin's moll in Burgess Meredith's final appearance on Batman, has died. She was 92.
Van Vooren died Saturday of cancer at her home in New York City, her son, New York realtor and occasional actor Eric Purcell, told The Hollywood Reporter.
Van Vooren also was seen in bed in a white negligee in the opening title sequence to introduce Ten Thousand Bedrooms (1957), the first movie Dean Martin made after his split with Jerry Lewis, and she portrayed Baroness Katrin Frankenstein in ...
Van Vooren died Saturday of cancer at her home in New York City, her son, New York realtor and occasional actor Eric Purcell, told The Hollywood Reporter.
Van Vooren also was seen in bed in a white negligee in the opening title sequence to introduce Ten Thousand Bedrooms (1957), the first movie Dean Martin made after his split with Jerry Lewis, and she portrayed Baroness Katrin Frankenstein in ...
- 1/28/2020
- The Hollywood Reporter - Film + TV


Orson Welles' "Citizen Kane" is about one man from many perspectives. As a reporter travels the country in search of the meaning of Charles Foster Kane's last words, he hears stories about the man from wives, co-workers, friends, and guardians, all of whom see Kane's life differently. In the trailer, Welles describes the many dimensions of his character in the narration: "Kane is a hero, and a scoundrel, a no account and a swell guy. A great lover, a great American citizen and a dirty dog."
Certainly, Welles believed that one man could encompass all of these dissimilar traits. And in recent years, enough actors have portrayed enough variations of Welles himself to suggest that the acting/directing wunderkind, like Kane, was just as complex an individual. Some films have portrayed him as a hero, others as a scoundrel. Some, like Richard Linklater's new film "Me and Orson Welles,...
Certainly, Welles believed that one man could encompass all of these dissimilar traits. And in recent years, enough actors have portrayed enough variations of Welles himself to suggest that the acting/directing wunderkind, like Kane, was just as complex an individual. Some films have portrayed him as a hero, others as a scoundrel. Some, like Richard Linklater's new film "Me and Orson Welles,...
- 11/26/2009
- by Matt Singer
- ifc.com
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