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"Loverly" soprano Marni Nixon ensured herself a proper place in film history although most moviegoers would not have recognize her had they passed her on the street. But if you had heard her, that might be a horse of a different color. She was one of those unsung (or "much sung") talents given short shrift at that time.

For those who think film superstars such as Deborah Kerr, Natalie Wood, and Audrey Hepburn possessed not only powerhouse dramatic talents but amazing singing voices as well ... think again. Kerr's Anna Leonowens in The King and I (1956), Natalie's Maria in West Side Story (1961), and Audrey's Eliza Doolittle in My Fair Lady (1964) were all dubbed by the amazing but uncredited Nixon.

Born Margaret Nixon McEathron on February 22, 1930, in Altadena, California, she was a child actress. Once a soloist with the Roger Wagner Chorale in the beginning, she trained in opera. Possessing a versatile voice for pop music and easy standards as well, she not only sang for Arnold Schönberg and Igor Stravinsky, but also recorded light songs. During the war era, she appeared uncredited in the musicals Born to Sing (1942) and The Bashful Bachelor (1942), and later voiced one of the singing flowers in the Disney film Alice in Wonderland (1951).

Marni made her Broadway musical debut in 1954 in a show that lasted two months but nothing came from it. In 1955, the singer contracted to dub Deborah Kerr in The King and I (1956) was killed in a car accident in Europe and a replacement was needed. Marni was hired...and the rest is history. Much impressed, the studios brought her in to "ghost" Kerr's voice again in the classic tearjerker An Affair to Remember (1957). From there, she went on to make Natalie Wood and Audrey Hepburn sound incredibly good with such classic songs as "Tonight" and "Wouldn't It Be Loverly."

Providing the voice of the geese in Disney's Mary Poppins (1964), she finally appeared on screen in the box-office musical The Sound of Music (1965), starring Julie Andrews, who physically resembled Marni. The role was a minor one, however, and she was only given a couple of ensemble scenes and solo lines in "How Do You Solve a Problem Like Maria?" as a singing nun.

Marni's vocal career in films dissolved by the mid 1960s, but she continued on with concerts and in symphony halls, while billing herself as "The Voice of Hollywood" in one-woman cabaret shows. Throughout the years, she has played on the legit stage, including the lead roles in "The King and I" and "The Sound of Music," and in her matronly years has been seen as Fraulein Schneider in "Cabaret," and in the musicals "Follies" and "70 Girls 70."

Appearing very sporadically on the small screen, Marni appeared on such programs as "The Mothers-in-Law" (as herself), appeared in a filmed TV record of an off-Broadway musical entitled Taking My Turn (1985) and was featured in the romantic comedy film I Think I Do (1997) and made a final visual appearance on an episode of "Law & Order: SVU." Her last singing voice on film was as the grandmother in the animated feature Mulan (1998).

Married three times, twice to musicians, one of her husbands, Ernest Gold, by whom she had three children, was a film composer best known for his Academy Award-winning epic Exodus (1960). She died of breast cancer on July 24, 2016, in New York City, aged 86.

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