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Chicago – What is amazing about the texture of this 1992 film version of the 1848 Henri Murger novel, “La Vie de Bohéme,” is that it looks like it could have been filmed during the French New Wave period of the late 1950s/early ‘60s. The Criterion Collection offers a stunning new Blu-ray transfer of a now classic adaptation.

Rating: 4.5/5.0

Directed by Aki Kaurismäki (“Le Havre”), a Finnish filmmaker, but co-produced by France, Italy and Sweden as well, this version of “La Vie de Bohéme” – there have been over a dozen versions, including the opera “La Bohéme” and the Broadway musical “Rent” – has an international cast and beguiling black & white cinematography by Timo Salminen. It plays like a verité documentary, as all of the performers have such a naturalistic virtue in their portrayals. They are desperate but free, and even a woman searching for love cannot resist their slovenly grace. Each ne’er...

As an entry into Finnish auteur Aki Kaurismaki’s filmography, his 1992 film La Vie De Boheme, which is loosely based on Henri Murger’s Scenes De La Vie De Boheme, (the basis for the famed opera La Boheme), is an excellent starting point. His first French feature, Kaurismaki’s absurdist, deadpan tone is in high gear with this lively look at a trio of disheveled outcasts eking it out as artists on society’s fray.

Three struggling creative types (composer/writer/painter) live together for support and necessity as they try to peddle their own original output. Marcel Marx (Andre Wilms) is an aspiring playwright and magazine editor, and has had considerable difficulty getting someone to publish his latest work, “The Avenger: A Play in 21 Acts.” Rodolfo (Matti Pellonpaa) is an Albanian painter illegally living in Paris, though lucky enough to have found at least one patron to purchase his works.