In the new crime drama "Pericle," a mafia hit man (Riccardo Scamarcio) living in Belgium accidentally kills a woman related to an enemy clan of his Don. When he's sentenced to death, Pericle goes on the run to hide in the shadows and live a new life. He finds safe harbor in France where he meets a woman who wishes to help him. Soon they start a relationship that provides Pericle the first chance at a different life, one that exists outside the confines of mafia culture. But when he discovers that his own Don sold his head, Pericle must takes revenge on those who wish to steal his life away. Check out an exclusive clip from the film above ahead of its Cannes premiere in the Un Certain Regard section. Read More: Cannes First Look: The Dardennes' 'The Unknown Girl,' Andrea Arnold's 'American Honey' And...
- 5/12/2016
- by Vikram Murthi
- Indiewire
Chicago – Matteo Garrone’s revelatory crime picture joins the esteemed group of worthy foreign film Oscar contenders (like “4 Months, 3 Weeks and 2 Days”) inexplicably snubbed by the Academy. But such accolades are meaningless compared to the reaction it has received, breaking box office records in its limited release, while acquiring the passionate support of film icons like Martin Scorsese. It has gained a reputation for being the “ultimate Mafia movie” (even though it’s actually about a different crime family), besting everything from “The Godfather” and “GoodFellas” to “The Sopranos.”
Blu-Ray Rating: 5.0/5.0
Yet Garrone doesn’t even attempt to mimic the larger-than-life style and scope of Coppola or Scorsese, and his film achieves an entirely different kind of greatness, stripping away any shred of romanticism or artifice to reveal the primal horror lying behind scenes of deceptively mundane life. His film also has the distinction of being set in modern-day Italy,...
Blu-Ray Rating: 5.0/5.0
Yet Garrone doesn’t even attempt to mimic the larger-than-life style and scope of Coppola or Scorsese, and his film achieves an entirely different kind of greatness, stripping away any shred of romanticism or artifice to reveal the primal horror lying behind scenes of deceptively mundane life. His film also has the distinction of being set in modern-day Italy,...
- 12/1/2009
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
Gomorra
Film Review: Gomorra, Cannes, In Competition
Powerful, stripped to its very essence and featuring a spectacular cast (of mostly non-professionals), Matteo Garrone's sixth feature film "Gomorra" goes beyond Tarrantino's gratuitous violence and even Scorsese's Hollywood sensibility in depicting the everyday reality of organized crime's foot soldiers. The characters of the film's five stories all work for the Camorra - the Neapolitan "mafia" behind over 4,000 murders in 30 years in Italy, and countless illegal activities - and besides being extremely dangerous are relentless, petty and anything but wise.
Success at home is virtually guaranteed for "Gomorra" as it's based on Roberto Saviano's eponymous 2006 bestseller (1.2 million copies sold, translated into 33 languages) and the build-up to its release along with selection in competition at Cannes have created a huge buzz in Italy. Internationally, the film has sold to a handful of European territories so far, as well as Canada, though buyers are expected to grow significantly after Cannes.
"Gomorra" is one of the rare dramatic films to come out of Italy in recent years that has the appeal to play well theatrically, at least in Europe, and in festivals worldwide. In the U.S., it should play to the widest possible range of Art House audiences looking for a thinking person's mafia movie.
At times slow and documentary-like, "Gomorra" is tension-filled and highly realistic. (Author and co-screenwriter Saviano, 29, has been under police escort even since the book was published.) Shot predominantly in Naples' Scampia neighborhood - an architectural nightmare of enormous rundown apartment blocks - the film never caters to those looking for the kind of adrenaline or over-the-top humor or glamor that's come to be associated with the genre.
Garrone neither judges nor idolizes in his sober approach, and restrains from too many other indulgences, artistic or formulaic, beyond handheld camera work and numerous close-ups. And the faces he chooses, predominantly people plucked from the streets on which he films, make most movie mafiosos look like models.
Even the film's soundtrack (Neapolitan pop music, sparingly used) adds to the overall feel of background rather than imposing a mood. Garrone also makes use of total silence and, rather than coming across as a manipulative film school trick, it only enhances particularly emotional scenes.
Apart from the film's most notable star, Toni Servillo, other standout performances come from Gianfelice Imparatore, Salvatore Cantalupo, Carmine Paternoster and 13-year-old Salvatore Abruzzese.
Cast: Toni Servillo, Gianfelice Imparato, Maria Nazionale, Salvatore Cantalupo, Gigio Morra, Salvatore Abruzzese, Marco Macor, Ciro Petrone, Carmine Paternoster. Director: Matteo Garrone. Screenwriters: Maurizio Braucci, Ugo Chiti, Garrone, Massimo Gaudioso, Roberto Saviano. Producer: Domenico Procacci. Director of photography: Marco Onorato. Production designer: Paolo Bonfini. Costume designer: Alessandra Cardini. Editor: Marco Spoletini.
Production companies: Fandango, RAI Cinema
Sales Agent: Fandango Portobello Sales
No MPAA rating, 135 minutes.
Powerful, stripped to its very essence and featuring a spectacular cast (of mostly non-professionals), Matteo Garrone's sixth feature film "Gomorra" goes beyond Tarrantino's gratuitous violence and even Scorsese's Hollywood sensibility in depicting the everyday reality of organized crime's foot soldiers. The characters of the film's five stories all work for the Camorra - the Neapolitan "mafia" behind over 4,000 murders in 30 years in Italy, and countless illegal activities - and besides being extremely dangerous are relentless, petty and anything but wise.
Success at home is virtually guaranteed for "Gomorra" as it's based on Roberto Saviano's eponymous 2006 bestseller (1.2 million copies sold, translated into 33 languages) and the build-up to its release along with selection in competition at Cannes have created a huge buzz in Italy. Internationally, the film has sold to a handful of European territories so far, as well as Canada, though buyers are expected to grow significantly after Cannes.
"Gomorra" is one of the rare dramatic films to come out of Italy in recent years that has the appeal to play well theatrically, at least in Europe, and in festivals worldwide. In the U.S., it should play to the widest possible range of Art House audiences looking for a thinking person's mafia movie.
At times slow and documentary-like, "Gomorra" is tension-filled and highly realistic. (Author and co-screenwriter Saviano, 29, has been under police escort even since the book was published.) Shot predominantly in Naples' Scampia neighborhood - an architectural nightmare of enormous rundown apartment blocks - the film never caters to those looking for the kind of adrenaline or over-the-top humor or glamor that's come to be associated with the genre.
Garrone neither judges nor idolizes in his sober approach, and restrains from too many other indulgences, artistic or formulaic, beyond handheld camera work and numerous close-ups. And the faces he chooses, predominantly people plucked from the streets on which he films, make most movie mafiosos look like models.
Even the film's soundtrack (Neapolitan pop music, sparingly used) adds to the overall feel of background rather than imposing a mood. Garrone also makes use of total silence and, rather than coming across as a manipulative film school trick, it only enhances particularly emotional scenes.
Apart from the film's most notable star, Toni Servillo, other standout performances come from Gianfelice Imparatore, Salvatore Cantalupo, Carmine Paternoster and 13-year-old Salvatore Abruzzese.
Cast: Toni Servillo, Gianfelice Imparato, Maria Nazionale, Salvatore Cantalupo, Gigio Morra, Salvatore Abruzzese, Marco Macor, Ciro Petrone, Carmine Paternoster. Director: Matteo Garrone. Screenwriters: Maurizio Braucci, Ugo Chiti, Garrone, Massimo Gaudioso, Roberto Saviano. Producer: Domenico Procacci. Director of photography: Marco Onorato. Production designer: Paolo Bonfini. Costume designer: Alessandra Cardini. Editor: Marco Spoletini.
Production companies: Fandango, RAI Cinema
Sales Agent: Fandango Portobello Sales
No MPAA rating, 135 minutes.
- 5/17/2008
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.