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The older I get the more I appreciate and connect with Werewolf of London. It is a movie that does not follow the established rules of werewolf movies because it was created in a time before those rules were written. Many, if not most, of the most notable and enduring films of the subgenre deal in externalizing the internal struggles of the young using the metaphor of the beast within. Most of these characters are breaking away from their parents and childhoods, seeking to make their own way in the world.

Though Larry Talbot in The Wolf Man (1941) appears in the mature body of Lon Chaney, Jr., he is in many ways an angsty teenager tormented by the conflicting feelings of simultaneously falling in love for the first time while part of himself that he cannot control wishes to ravage her and tear her to shreds in the process. It...

With a full moon gracing us just in time for Halloween 2020, this critic decided to revisit one of the less-loved Universal Classic Monsters, Henry Hull’s titular beast in the flop curio Werewolf of London (1935). We’ll examine what was essentially a werewolf-infused reinterpretation of the Robert Louis Stevenson novel Strange Case of Dr Jekyll and Mr Hyde (1886), and how Universal learned from its mistakes to create a trailblazing masterpiece six years later. Werewolf of London, ultimately, stands as an imperfect but intriguing early stab at reinterpreting classic werewolf mythology for a big screen presentation.

As our tale begins, famed obsessive botanist and neglectful husband Dr. Wilfred Glendon (Henry Hull) travels to Tibet to retrieve a rare flower, the “mariphasa lumina lupina,” a “phosphorescent wolf flower” that only blooms under moonlight. Though he succeeds in grabbing the plant he covets, he is also bitten by a wild werewolf in the process.

Merle Oberon films: From empress to duchess in 'Hotel.' Merle Oberon films: From starring to supporting roles Turner Classic Movies' Merle Oberon month comes to an end tonight, March 25, '16, with six movies: Désirée, Hotel, Deep in My Heart, Affectionately Yours, Berlin Express, and Night Song. Oberon's presence alone would have sufficed to make them all worth a look, but they have other qualities to recommend them as well. 'Désirée': First supporting role in two decades Directed by Henry Koster, best remembered for his Deanna Durbin musicals and the 1947 fantasy comedy The Bishop's Wife, Désirée (1954) is a sumptuous production that, thanks to its big-name cast, became a major box office hit upon its release. Marlon Brando is laughably miscast as Napoleon Bonaparte, while Jean Simmons plays the title role, the Corsican Conqueror's one-time fiancée Désirée Clary (later Queen of Sweden and Norway). In a supporting role – her...

Ready for more Anthony Mann? This light comedy thriller / borderline noir leans on amnesia for a plot hook and to motivate an all-night prowl on the streets of Los Angeles the Rko back lot. Tom Conway and Ann Rutherford star, but the real thrill is in the secondary female leads -- Jean Brooks from the Val Lewton movies and dreamy Jane Greer in her billed feature debut. Two O'Clock Courage DVD-r The Warner Archive Collection 1945 / B&W / 1:37 flat Academy / 66 min. / Street Date June 16, 2015 / available through the WBshop / 18.49 Starring Tom Conway, Ann Rutherford, Jean Brooks, Bettejane Greer, Richard Lane, Lester Matthews, Roland Drew, Emory Parnell. Cinematography Jack Mackenzie Original Music Roy Webb Written by Robert E. Kent, Gordon Kahn from a story by Gelett Burgess Produced by Ben Stoloff Directed by Anthony Mann  

Reviewed by Glenn Erickson

This disc will get immediate attention from fans of director Anthony Mann. Another...

Douglas Fairbanks Jr. ca. 1935. Douglas Fairbanks Jr. was never as popular as his father, silent film superstar Douglas Fairbanks, who starred in one action-adventure blockbuster after another in the 1920s (The Mark of Zorro, Robin Hood, The Thief of Bagdad) and whose stardom dates back to the mid-1910s, when Fairbanks toplined a series of light, modern-day comedies in which he was cast as the embodiment of the enterprising, 20th century “all-American.” What this particular go-getter got was screen queen Mary Pickford as his wife and United Artists as his studio, which he co-founded with Pickford, D.W. Griffith, and Charles Chaplin. Now, although Jr. never had the following of Sr., he did enjoy a solid two-decade-plus movie career. In fact, he was one of the few children of major film stars – e.g., Jane Fonda, Liza Minnelli, Angelina Jolie, Michael Douglas, Jamie Lee Curtis – who had successful film careers of their own.

Ann Blyth movies: TCM schedule on August 16, 2013 (photo: ‘Our Very Own’ stars Ann Blyth and Farley Granger) See previous post: "Ann Blyth Today: Light Singing and Heavy Drama on TCM." 3:00 Am One Minute To Zero (1952). Director: Tay Garnett. Cast: Robert Mitchum, Ann Blyth, William Talman. Bw-106 mins. 5:00 Am All The Brothers Were Valiant (1953). Director: Richard Thorpe. Cast: Robert Taylor, Stewart Granger, Ann Blyth. C-95 mins. 6:45 Am The King’S Thief (1955). Director: Robert Z. Leonard. Cast: Ann Blyth, Edmund Purdom, David Niven. C-79 mins. Letterbox Format. 8:15 Am Rose Marie (1954). Director: Mervyn LeRoy. Cast: Ann Blyth, Howard Keel, Fernando Lamas. C-104 mins. Letterbox Format. 10:00 Am The Great Caruso (1951). Director: Richard Thorpe. Cast: Mario Lanza, Ann Blyth, Dorothy Kirsten, Jarmila Novotna, Richard Hageman, Carl Benton Reid, Eduard Franz, Ludwig Donath, Alan Napier, Pál Jávor, Carl Milletaire, Shepard Menken, Vincent Renno, Nestor Paiva, Peter Price, Mario Siletti, Angela Clarke,...

Bette Davis movies: TCM schedule on August 14 (photo: Bette Davis in ‘Dangerous,’ with Franchot Tone) See previous post: “Bette Davis Eyes: They’re Watching You Tonight.” 3:00 Am Parachute Jumper (1933). Director: Alfred E. Green. Cast: Douglas Fairbanks Jr., Bette Davis, Frank McHugh, Claire Dodd, Harold Huber, Leo Carrillo, Thomas E. Jackson, Lyle Talbot, Leon Ames, Stanley Blystone, Reginald Barlow, George Chandler, Walter Brennan, Pat O’Malley, Paul Panzer, Nat Pendleton, Dewey Robinson, Tom Wilson, Sheila Terry. Bw-72 mins. 4:30 Am The Girl From 10th Avenue (1935). Director: Alfred E. Green. Cast: Bette Davis, Ian Hunter, Colin Clive, Alison Skipworth, John Eldredge, Phillip Reed, Katharine Alexander, Helen Jerome Eddy, Bill Elliott, Edward McWade, André Cheron, Wedgwood Nowell, John Quillan, Mary Treen. Bw-69 mins. 6:00 Am Dangerous (1935). Director: Alfred E. Green. Cast: Bette Davis, Franchot Tone, Margaret Lindsay, Alison Skipworth, John Eldredge, Dick Foran, Walter Walker, Richard Carle, George Irving, Pierre Watkin, Douglas Wood,...

Paul Henreid: From Eleanor Parker to ‘The Four Horsemen of the Apocalypse’ (photo: Paul Henreid and Eleanor Parker in ‘Between Two Worlds’) Paul Henreid returns this evening, as Turner Classic Movies’ Star of the Month of July 2013. In Of Human Bondage (1946), he stars in the old Leslie Howard role: a clubfooted medical student who falls for a ruthless waitress (Eleanor Parker, in the old Bette Davis role). Next on TCM, Henreid and Eleanor Parker are reunited in Between Two Worlds (1944), in which passengers aboard an ocean liner wonder where they are and where the hell (or heaven or purgatory) they’re going. Hollywood Canteen (1944) is a near-plotless, all-star showcase for Warner Bros.’ talent, a World War II morale-boosting follow-up to that studio’s Thank Your Lucky Stars, released the previous year. Last of the Buccaneers (1950) and Pirates of Tripoli (1955) are B pirate movies. The former is an uninspired affair,...

Paul Henreid: From lighting two cigarettes and blowing smoke onto Bette Davis’ face to lighting two cigarettes while directing twin Bette Davises Paul Henreid is back as Turner Classic Movies’ Star of the Month of July 2013. TCM will be showing four movies featuring Henreid (Now, Voyager; Deception; The Madwoman of Chaillot; The Spanish Main) and one directed by him (Dead Ringer). (Photo: Paul Henreid lights two cigarettes on the set of Dead Ringer, while Bette Davis remembers the good old days.) (See also: “Paul Henreid Actor.”) Irving Rapper’s Now, Voyager (1942) was one of Bette Davis’ biggest hits, and it remains one of the best-remembered romantic movies of the studio era — a favorite among numerous women and some gay men. But why? Personally, I find Now, Voyager a major bore, made (barely) watchable only by a few of the supporting performances (Claude Rains, Best Supporting Actress Academy Award nominee...

Eleanor Parker Now on TCM Palms Springs area resident Eleanor Parker, who turns 91 next June 26, is Turner Classic Movies’ Star of the Month of June. One of the best actresses of Hollywood’s studio era, Parker isn’t nearly as well-remembered today as she should be despite three Best Actress Academy Award nominations (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955), a number of box-office and/or critical hits, and a key role in one of the biggest blockbusters of all time (The Sound of Music). Hopefully, the 34 Eleanor Parker movies TCM will be showing each Monday this month — beginning tonight — will help to introduce the actress to a broader 21st-century audience. Eleanor Parker movies "When I am spotted somewhere it means that my characterizations haven’t covered up Eleanor Parker the person. I prefer it the other way around," Parker once said. In fact, the title of Doug McClelland’s 1989 Eleanor Parker bio,...