Republic raids an early Rko talkie for a fantastic special effects sequence, and you won’t believe how it’s repurposed — in a story about a TV personality (in 1939!) taking on a corrupt political mob. New York crumbles and is then washed away — sort of. It’s yet another resurfacing of a title that not long ago we couldn’t see to save our cinema-curious souls.
S.O.S. Tidal Wave
Blu-ray
Olive Films
1939 / B&W / 1:37 flat Academy / 62 min. / Street Date October 31, 2017 / available through the Olive Films website / 29.98
Starring: Ralph Byrd, George Barbier, Kay Sutton, Frank Jenks, Marc Lawrence, Dorothy Lee, Oscar O’Shea, Mickey Kuhn, Ferris Taylor, Don ‘Red’ Barry, Raymond Bailey.
Cinematography: Jack A. Marta
Film Editor: Ernest Nims
Musical Director: Cy Feuer
Written by Gordon Kahn, Stanley Rauh, Maxwell Shane, story by James Webb
Produced by Armand Schaefer
Directed by John H. Auer
If Republic wasn’t...
S.O.S. Tidal Wave
Blu-ray
Olive Films
1939 / B&W / 1:37 flat Academy / 62 min. / Street Date October 31, 2017 / available through the Olive Films website / 29.98
Starring: Ralph Byrd, George Barbier, Kay Sutton, Frank Jenks, Marc Lawrence, Dorothy Lee, Oscar O’Shea, Mickey Kuhn, Ferris Taylor, Don ‘Red’ Barry, Raymond Bailey.
Cinematography: Jack A. Marta
Film Editor: Ernest Nims
Musical Director: Cy Feuer
Written by Gordon Kahn, Stanley Rauh, Maxwell Shane, story by James Webb
Produced by Armand Schaefer
Directed by John H. Auer
If Republic wasn’t...
- 10/31/2017
- by Glenn Erickson
- Trailers from Hell
Part of a series by David Cairns on forgotten pre-Code films.
Trawling through Hollywood musicals before Gold Diggers of 1933 is a fascinating job. Asides from Lubitsch and the operetta-film, the most salient feature of films like Sunnyside Up (1929) and Follow Thru (1930) is the slenderness of their plots, which are willowy and attenuated in the extreme. Of course one expects musicals to have rather lightweight, simplistic storylines, but these movies extend rudimentary narrative conceits farther than one would think possible, coasting on pure charm.
In today's cinematic world, the art of the musical looks hopelessly difficult: how do you maintain enough story tension to keep the audience hooked, while suspending plot for minutes at a time to indulge in musical numbers which tend to capture the mood of a moment, extending it well past any narrative requirement? In the 30s, they not only did it regularly and effortlessly, they didn't...
Trawling through Hollywood musicals before Gold Diggers of 1933 is a fascinating job. Asides from Lubitsch and the operetta-film, the most salient feature of films like Sunnyside Up (1929) and Follow Thru (1930) is the slenderness of their plots, which are willowy and attenuated in the extreme. Of course one expects musicals to have rather lightweight, simplistic storylines, but these movies extend rudimentary narrative conceits farther than one would think possible, coasting on pure charm.
In today's cinematic world, the art of the musical looks hopelessly difficult: how do you maintain enough story tension to keep the audience hooked, while suspending plot for minutes at a time to indulge in musical numbers which tend to capture the mood of a moment, extending it well past any narrative requirement? In the 30s, they not only did it regularly and effortlessly, they didn't...
- 12/22/2011
- MUBI
In the final installment of our story about a new product collaboration between PopTech, Timbuk2 Designs, and the Portable Light Project, PopTech's Cordelia Newlin de Rojas discusses how the Flap solar-powered Led bag can and should be used right here in our own country.
The term "bottom of the pyramid" often conjures images of the poorest-of-the-poor in remote countries. But America has its own bottom of the pyramid, and with America Reimagined as our theme at this year's PopTech conference, I set out to find a community in the States who might benefit from the Flap initiative.
With the help of PopTech Social Innovation Fellows Emily Pilloton and Heather Fleming, we were able to connect with two communities, the Bodaway and Cameron chapters on the western edge of the Navajo Nation reservation. My colleague Beth Cohen and I set out to Arizona unsure of what to expect. On the whole,...
The term "bottom of the pyramid" often conjures images of the poorest-of-the-poor in remote countries. But America has its own bottom of the pyramid, and with America Reimagined as our theme at this year's PopTech conference, I set out to find a community in the States who might benefit from the Flap initiative.
With the help of PopTech Social Innovation Fellows Emily Pilloton and Heather Fleming, we were able to connect with two communities, the Bodaway and Cameron chapters on the western edge of the Navajo Nation reservation. My colleague Beth Cohen and I set out to Arizona unsure of what to expect. On the whole,...
- 10/29/2009
- by Cordelia Newlin de Rojas
- Fast Company
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