![Gabe Polsky](https://m.media-amazon.com/images/M/MV5BNzUzNzIxNzYyOV5BMl5BanBnXkFtZTgwODE2MDY0NDE@._V1_QL75_UY207_CR1,0,140,207_.jpg)
![Gabe Polsky](https://m.media-amazon.com/images/M/MV5BNzUzNzIxNzYyOV5BMl5BanBnXkFtZTgwODE2MDY0NDE@._V1_QL75_UY207_CR1,0,140,207_.jpg)
Gabe Polsky’s new acid Western “Butcher’s Crossing,” premiering at the Toronto Film Festival, takes place on the vast fertile plains of hubris, where if you stare far enough into the horizon, you can probably see your own uppance come.
Based on a novel by John Williams takes place in Kansas in 1874, where a young wide-eyed student named Will Andrews has abandoned his Ivy League education in favor of seeing the country and palling around with buffalo hunters. It’s a decision that old man McDonald, a fur trader and distant friend of the family, thinks is intensely ill-advised, so he warns him — in a tone so condescending it was practically guaranteed to have the opposite of its intended effect — that following this path will lead Will to soul-obliterating ruin.
Undeterred, Will proceeds to ally himself with the first semi-friendly person he meets, a hunter named Miller (Nicolas Cage), who...
Based on a novel by John Williams takes place in Kansas in 1874, where a young wide-eyed student named Will Andrews has abandoned his Ivy League education in favor of seeing the country and palling around with buffalo hunters. It’s a decision that old man McDonald, a fur trader and distant friend of the family, thinks is intensely ill-advised, so he warns him — in a tone so condescending it was practically guaranteed to have the opposite of its intended effect — that following this path will lead Will to soul-obliterating ruin.
Undeterred, Will proceeds to ally himself with the first semi-friendly person he meets, a hunter named Miller (Nicolas Cage), who...
- 9/10/2022
- by William Bibbiani
- The Wrap
![Image](https://m.media-amazon.com/images/M/MV5BZjIyMDQ0ODItYWM4YS00ZjljLWI4MjctMzY0MmZiZjQ2MWJlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UY281_CR0,0,500,281_.jpg)
It's perhaps no coincidence that John Huston's 1948 film "The Treasure of the Sierra Madre" came out the same year that comic book publisher William Gaines took control of EC Comics and began to work the company away from its original moniker, Educational Comics, to a much more commercially viable model -- Entertaining Comics. Both "Treasure" and the books that came out of EC in the late-'40s had a lurid horror bent, exploring the darker recesses of the human soul.
"Treasure" is about a trio of men who trek into a forbidding, hot wilderness to look for gold. As soon as gold is struck, each of the three men begins to eyeball each other suspiciously, instantly paranoid of being double-crossed. There will be multiple opportunities for each of the men to dispose of another and take a larger share of gold. It's a tale of the corrupting power of greed,...
"Treasure" is about a trio of men who trek into a forbidding, hot wilderness to look for gold. As soon as gold is struck, each of the three men begins to eyeball each other suspiciously, instantly paranoid of being double-crossed. There will be multiple opportunities for each of the men to dispose of another and take a larger share of gold. It's a tale of the corrupting power of greed,...
- 8/24/2022
- by Witney Seibold
- Slash Film
![John Huston in Mexico](https://m.media-amazon.com/images/M/MV5BMjI0OTcyMDcxMF5BMl5BanBnXkFtZTcwNDY0MjE3Mw@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![John Huston in Mexico](https://m.media-amazon.com/images/M/MV5BMjI0OTcyMDcxMF5BMl5BanBnXkFtZTcwNDY0MjE3Mw@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
John Huston's 1948 classic "The Treasure of the Sierra Madre" boasts one of the all-time great Humphrey Bogart roles. The Hollywood icon stars as Fred C. Dobbs, a drifter who struggles to make ends meet in 1920s Mexico. With the aid of a fellow American named Bob Curtin (Tim Holt) and a crusty prospector who goes by Howard (Walter Huston), Fred strikes it rich looking for gold in the Sierra Madre mountains. But as the three men fill their bags with gold dust, greed and paranoia begin to overtake Fred, making him as much a danger to his crew as the...
The post For One Star, The Treasure Of The Sierra Madre Was (Literally) Like Pulling Teeth appeared first on /Film.
The post For One Star, The Treasure Of The Sierra Madre Was (Literally) Like Pulling Teeth appeared first on /Film.
- 5/31/2022
- by Sandy Schaefer
- Slash Film
![Image](https://m.media-amazon.com/images/M/MV5BNDJkMDUxNGItZmJiMi00YjdmLTgzMGItYjRiMjRjOGE1MGExXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
![Image](https://m.media-amazon.com/images/M/MV5BNDJkMDUxNGItZmJiMi00YjdmLTgzMGItYjRiMjRjOGE1MGExXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
Paul Greengrass’ western drama “New of the World” starring Tom Hanks and Helena Zengel is gaining traction during this pandemic awards season despite the fact that sagebrush sagas often get short shrift at the Oscars. Only three traditional Westerns — 1931’s “Cimarron,” 1990’s “Dances with Wolves” and 1992’s “Unforgiven” — and one contemporary Western (2007’s “No Country for Old Men”) have won the Best Picture Oscar.
Among the oaters to be nominated for the top prize at the Academy Awards: John Ford’s 1939 “Stagecoach,” William A. Wellman’s 1943 “The Ox-Bow Incident,” Fred Zinnemann’s 1952’s “High Noon” (Gary Cooper won the Oscar for Best Actor), George Stevens’ 1953 “Shane”; 1960’s “The Alamo;” 1962’s “How the West Was Won”; and George Roy Hill’s 1969’s “Butch Cassidy and the Sundance Kid.”
But some of the most acclaimed, treasure and influential Westerns have been all but ignored. Here’s a look at some of the...
Among the oaters to be nominated for the top prize at the Academy Awards: John Ford’s 1939 “Stagecoach,” William A. Wellman’s 1943 “The Ox-Bow Incident,” Fred Zinnemann’s 1952’s “High Noon” (Gary Cooper won the Oscar for Best Actor), George Stevens’ 1953 “Shane”; 1960’s “The Alamo;” 1962’s “How the West Was Won”; and George Roy Hill’s 1969’s “Butch Cassidy and the Sundance Kid.”
But some of the most acclaimed, treasure and influential Westerns have been all but ignored. Here’s a look at some of the...
- 1/12/2021
- by Susan King
- Gold Derby
![Lloyd Kaufman](https://m.media-amazon.com/images/M/MV5BMTI5MzgyNjI4MF5BMl5BanBnXkFtZTcwNTQyMDI2Mg@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Lloyd Kaufman](https://m.media-amazon.com/images/M/MV5BMTI5MzgyNjI4MF5BMl5BanBnXkFtZTcwNTQyMDI2Mg@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
Right now, in this galaxy… featuring Lloyd Kaufman, Brad Simpson, Gilbert Hernandez, Grant Moninger and Blaire Bercy.
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
Please support the Hollywood Food Coalition. Text “Give” to 323.402.5704 or visit https://hofoco.org/donate!
Show Notes: Movies Referenced In This Episode
Mondo Keazunt (1955)
The Human Tornado (1976)
Gigot (1962)
The Hustler (1961)
How to Commit Marriage (1969)
The Magnificent Ambersons (1942)
Citizen Kane (1941)
Touch of Evil (1958)
The Last Man On Earth (1963)
Night of the Living Dead (1968)
The Omega Man (1971)
I Am Legend (2007)
Panic In Year Zero! (1962)
Dogtooth (2009)
The Entity (1983)
Shelf Life (1993)
The Killers (1964)
The Next Voice You Hear… (1950)
Donovan’s Brain (1953)
Talk About A Stranger (1952)
Julius Caesar (1950)
They Saved Hitler’s Brain (1968)
The Exterminating Angel (1962)
The Jerk (1979)
Kings Row (1942)
Santa Fe Trail (1940
Bedtime For Bonzo (1951)
The Heart Is A Lonely Hunter (19468)
Point Blank (1967)
House of Wax (1953)
Black Shampoo (1976)
A History Of Violence (2005)
Return To Oz (1985)
Death Wish 4: The Crackdown (1987)
The Anderson Tapes (1971)
Psycho (1960)
Two Evil Eyes (1990)
The Taking of Pelham One Two Three...
- 5/15/2020
- by Kris Millsap
- Trailers from Hell
Hollywood’s most tragic ‘mangled masterpiece’ gets a new lease on life with this special edition of what could have been Orson Welles’ greatest film, had Rko not intentionally destroyed it to sully the stature of the unlucky Boy Genius. The movie can’t be reconstructed but its reputation can be restored — the story of the demise of a powerful industrial family would have been a dramatic powerhouse, perhaps more impressive than Citizen Kane.
The Magnificent Ambersons
Blu-ray
The Criterion Collection 952
1942 / B&W / 1:37 flat Academy / 88 min. / available through The Criterion Collection / Street Date November 27, 2018 / 39.95
Starring: Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead, Ray Collins, Erskine Sanford, Richard Bennett.
Cinematography: Stanley Cortez
Film Editor: Robert Wise
Original Music: Bernard Herrmann
From the novel by Booth Tarkington
Screenplay, Production and Direction by Orson Welles
Orson Welles’ The Magnificent Ambersons is probably the most mourned ‘lost’ title in American film history.
The Magnificent Ambersons
Blu-ray
The Criterion Collection 952
1942 / B&W / 1:37 flat Academy / 88 min. / available through The Criterion Collection / Street Date November 27, 2018 / 39.95
Starring: Joseph Cotten, Dolores Costello, Anne Baxter, Tim Holt, Agnes Moorehead, Ray Collins, Erskine Sanford, Richard Bennett.
Cinematography: Stanley Cortez
Film Editor: Robert Wise
Original Music: Bernard Herrmann
From the novel by Booth Tarkington
Screenplay, Production and Direction by Orson Welles
Orson Welles’ The Magnificent Ambersons is probably the most mourned ‘lost’ title in American film history.
- 12/18/2018
- by Glenn Erickson
- Trailers from Hell
Stars: Joseph Cotten, Tim Holt, Dolores Costello, Anne Baxter, Agnes Moorehead, Orson Welles | Written by Orson Welles, Booth Tarkington (novel) | Directed by Orson Welles
Aka the film that Orson Welles made after Citizen Kane, and which has become synonymous with studio interference. Perhaps an hour of footage was slashed and burned, hence the 90-minute version we are left with. Though, even without the full vision of Welles, it’s a cracking piece of cinema.
On the surface The Magnificent Ambersons is a simple story of youthful jealousy and impudence. It’s the early 20th century, and the western world is on the cusp of an automobile revolution. 20-year-old George (Tim Holt) doesn’t see it as such – he just sees an opportunistic businessman named Eugene (Joseph Cotton) trying to seduce his lonely mother, Isabel (Dolores Costello).
George has no great ambitions of his own. What use are ambitions when he...
Aka the film that Orson Welles made after Citizen Kane, and which has become synonymous with studio interference. Perhaps an hour of footage was slashed and burned, hence the 90-minute version we are left with. Though, even without the full vision of Welles, it’s a cracking piece of cinema.
On the surface The Magnificent Ambersons is a simple story of youthful jealousy and impudence. It’s the early 20th century, and the western world is on the cusp of an automobile revolution. 20-year-old George (Tim Holt) doesn’t see it as such – he just sees an opportunistic businessman named Eugene (Joseph Cotton) trying to seduce his lonely mother, Isabel (Dolores Costello).
George has no great ambitions of his own. What use are ambitions when he...
- 12/13/2018
- by Rupert Harvey
- Nerdly
“I think I’ll go to sleep and dream about piles of gold getting bigger and bigger and bigger.”
There are few pleasures greater for a movie fan than seeing classic movies in a theater and on the big screen, where they belong — and in 2018, Fathom Events and Turner Classic Movies are presenting 13 cinematic greats in theaters nationwide in the 2018 TCM Big Screen Classics Series.
The corrosive power of greed mixes with high adventure in the explosive movie classic The Treasure of the Sierra Madre, which will thrill movie lovers when it kicks off the 2018 TCM Big Screen Classics series on Sunday, January 14, and Tuesday, January 16.
From Fathom Events and Turner Classic Movies, the series presents 13 extraordinary cinema milestones throughout 2018, each playing in hundreds of theaters across the country. The Treasure of the Sierra Madre, celebrating its 70th anniversary, launches the series. Director John Huston’s unforgettable drama follows desperate prospectors (Humphrey Bogart,...
There are few pleasures greater for a movie fan than seeing classic movies in a theater and on the big screen, where they belong — and in 2018, Fathom Events and Turner Classic Movies are presenting 13 cinematic greats in theaters nationwide in the 2018 TCM Big Screen Classics Series.
The corrosive power of greed mixes with high adventure in the explosive movie classic The Treasure of the Sierra Madre, which will thrill movie lovers when it kicks off the 2018 TCM Big Screen Classics series on Sunday, January 14, and Tuesday, January 16.
From Fathom Events and Turner Classic Movies, the series presents 13 extraordinary cinema milestones throughout 2018, each playing in hundreds of theaters across the country. The Treasure of the Sierra Madre, celebrating its 70th anniversary, launches the series. Director John Huston’s unforgettable drama follows desperate prospectors (Humphrey Bogart,...
- 1/5/2018
- by Tom Stockman
- WeAreMovieGeeks.com
![Ricardo Cortez](https://m.media-amazon.com/images/M/MV5BNzEwMTQwOTMyOF5BMl5BanBnXkFtZTcwNzMxMDgxOA@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
![Ricardo Cortez](https://m.media-amazon.com/images/M/MV5BNzEwMTQwOTMyOF5BMl5BanBnXkFtZTcwNzMxMDgxOA@@._V1_QL75_UY207_CR8,0,140,207_.jpg)
'The Magnificent Ambersons': Directed by Orson Welles, and starring Tim Holt (pictured), Dolores Costello (in the background), Joseph Cotten, Anne Baxter, and Agnes Moorehead, this Academy Award-nominated adaptation of Booth Tarkington's novel earned Ricardo Cortez's brother Stanley Cortez an Academy Award nomination for Best Cinematography, Black-and-White. He lost to Joseph Ruttenberg for William Wyler's blockbuster 'Mrs. Miniver.' Two years later, Cortez – along with Lee Garmes – would win Oscar statuettes for their evocative black-and-white work on John Cromwell's homefront drama 'Since You Went Away,' starring Ricardo Cortez's 'Torch Singer' leading lady, Claudette Colbert. In all, Stanley Cortez would receive cinematography credit in more than 80 films, ranging from B fare such as 'The Lady in the Morgue' and the 1940 'Margie' to Fritz Lang's 'Secret Beyond the Door,' Charles Laughton's 'The Night of the Hunter,' and Nunnally Johnson's 'The Three Faces...
- 7/8/2017
- by Andre Soares
- Alt Film Guide
This charming Roy Rogers oater could reboot interest in vintage ‘series’ westerns. Basically a film for little kids, it’s earnestly played by all concerned and director William Witney’s direction sparkles. The added filip that makes the difference is the beautifully restored Trucolor image — Roy’s wonder horse Trigger is indeed magnificent. I listened carefully, but I don’t think Roy actually says, “Yippie-ki-yay, M_____f____r.”
Sunset in the West
Blu-ray
Kl Studio Classics
1950 / Color / 1:37 flat Academy / 67 min. / Street Date April 18, 2017 / available through Kino Lorber / 19.95
Starring: Roy Rogers, Trigger, Estelita Rodriguez, Penny Edwards, Gordon Jones, Will Wright, Pierre Watkin, Charles La Torre, William Tannen, Gaylord Pendleton, Paul E. Burns, Dorothy Ann White, Riders of the Purple Sage.
Cinematography: Jack Marta
Color by Trucolor
Film Editor: Tony Martinelli
Original Music: R. Dale Butts
Special Effects: Howard & Theodore Lydecker
Written by Gerald Geraghty
Produced by Edward J. White
Directed...
Sunset in the West
Blu-ray
Kl Studio Classics
1950 / Color / 1:37 flat Academy / 67 min. / Street Date April 18, 2017 / available through Kino Lorber / 19.95
Starring: Roy Rogers, Trigger, Estelita Rodriguez, Penny Edwards, Gordon Jones, Will Wright, Pierre Watkin, Charles La Torre, William Tannen, Gaylord Pendleton, Paul E. Burns, Dorothy Ann White, Riders of the Purple Sage.
Cinematography: Jack Marta
Color by Trucolor
Film Editor: Tony Martinelli
Original Music: R. Dale Butts
Special Effects: Howard & Theodore Lydecker
Written by Gerald Geraghty
Produced by Edward J. White
Directed...
- 4/15/2017
- by Glenn Erickson
- Trailers from Hell
When the mood strikes, there’s nothing better than an Atomic Age Monster Movie (B Division). Glorious black & white, damsels in distress, iron willed heroes and rubberized villains never fail to hit all the pleasure centers. The Monster that Challenged the World (1957) is one such film, and better made than most of the era. As the tagline says, “A New Kind of Terror to Numb the Nerves!” Well, you may just feel a tingle, but it’s a blast nevertheless.
Released by United Artists in the States in June and rolled out to the rest of the world in ’58, Monster was produced for $250,000; a fair chunk of change for Gramercy Pictures, run by producers Arthur Gardner, Jules V. Levy and director Arnold Laven - they also produced the same year’s The Vampire (read my Dust Off here). And the price tag shows too; Monster is as polished looking as...
Released by United Artists in the States in June and rolled out to the rest of the world in ’58, Monster was produced for $250,000; a fair chunk of change for Gramercy Pictures, run by producers Arthur Gardner, Jules V. Levy and director Arnold Laven - they also produced the same year’s The Vampire (read my Dust Off here). And the price tag shows too; Monster is as polished looking as...
- 11/26/2016
- by Scott Drebit
- DailyDead
Ten years ago I attended the Lone Pine Film Festival for the first time. It was the 17th annual celebration in 2006 of a festival dedicated to the heritage of movies (mostly westerns, but plenty of other genres as well) shot in or near the town of Lone Pine, California, located on the outer edges of the Mojave Desert and nestled up against the Eastern Sierra Mountains in the shadow of the magnificent Mt. Whitney. The multitude of films that could and have been celebrated there were most often shot at least partially in the Alabama Hills just outside of town, a spectacular array of geological beauty that springs out of the landscape like some sort of extra-planetary exhibit, a visitation of natural and very unusual formations that have lent themselves to the imaginations of filmmakers here ever since near the dawn of the Hollywood filmmaking industry.
In writing about the...
In writing about the...
- 10/23/2016
- by Dennis Cozzalio
- Trailers from Hell
John Huston's 1948 masterpiece, The Treasure of the Sierra Madre, examines the dark psyche of humanity; and continues to influence cinema into the 21st Century. Humphrey Bogart, one of our finest actors, encapsulates the greed, power, betrayal, and violence that looms inside humanity.
In the 1940s, overshadowed by the Second World War, Hollywood began to produce darker and more cynical films to reflect the mood of the nation. In this decade Hollywood saw the birth of film noir and a boom of gangster pictures; writer/director John Huston and his frequent collaborator, Humphrey Bogart, contributed to these genres with The Maltese Falcon and Key Largo, respectively, both classics in their own regard, but it’s 1948’s The Treasure of the Sierra Madre which dug deeper into the human psyche, and whose influence extends into the 21st Century’s best cinema.
The story is simple: Dobbs (Humphrey Bogart) is looking for work in Tampico,...
In the 1940s, overshadowed by the Second World War, Hollywood began to produce darker and more cynical films to reflect the mood of the nation. In this decade Hollywood saw the birth of film noir and a boom of gangster pictures; writer/director John Huston and his frequent collaborator, Humphrey Bogart, contributed to these genres with The Maltese Falcon and Key Largo, respectively, both classics in their own regard, but it’s 1948’s The Treasure of the Sierra Madre which dug deeper into the human psyche, and whose influence extends into the 21st Century’s best cinema.
The story is simple: Dobbs (Humphrey Bogart) is looking for work in Tampico,...
- 9/21/2016
- by [email protected] (Collin Llewellyn)
- Cinelinx
Today's round of news and views opens with a review of Superior Viaduct's release of the audio track of Chris Marker’s La Jetée on vinyl. Plus: Essays on Nicholas Ray, Eric Rohmer and Alfred Hitchcock, Jean-Luc Godard's Pierrot le fou, Ida Lupino, Marguerite Duras, Stanley Kubrick, Tim Holt, a book on Danièle Huillet and Jean-Marie Straub, remembering the actual Big Lebowski, David Huddleston, interviews with Pedro Almodóvar, Kent Jones, Clint Eastwood, Steven Soderbergh, a trailer for the new restoration of Ken Loach's Kes—and more. » - David Hudson...
- 8/7/2016
- Keyframe
Today's round of news and views opens with a review of Superior Viaduct's release of the audio track of Chris Marker’s La Jetée on vinyl. Plus: Essays on Nicholas Ray, Eric Rohmer and Alfred Hitchcock, Jean-Luc Godard's Pierrot le fou, Ida Lupino, Marguerite Duras, Stanley Kubrick, Tim Holt, a book on Danièle Huillet and Jean-Marie Straub, remembering the actual Big Lebowski, David Huddleston, interviews with Pedro Almodóvar, Kent Jones, Clint Eastwood, Steven Soderbergh, a trailer for the new restoration of Ken Loach's Kes—and more. » - David Hudson...
- 8/7/2016
- Fandor: Keyframe
Rko's morale-building wartime thriller adds an element of sexual perversion to its story of Nazi crimes against children, thus creating one of the studio's all-time biggest hits. Bonita Granville is the victim Tim Holt her Nazi-youth heartthrob, and Otto Kruger provides the perverted sneers. Hitler's Children DVD-r The Warner Archive Collection 1943 / B&W / 1:37 flat Academy / 82 min. / Street Date December 1, 2015 / available through the WBshop / 21.99 Starring Tim Holt, Bonita Granville, Kent Smith, Otto Kruger, H.B. Warner, Lloyd Corrigan, Erford Gage, Hans Conried, Gavin Muir, Nancy Gates, Egon Brecher, Peter van Eyck, Edward Van Sloan. Cinematography Russell Metty Film Editor Joseph Noriega Original Music Roy Webb Written by Emmet Lavery from the book Education for Death by Gregor Ziemer Produced by Edward A. Golden Directed by Edward Dmytryk
Reviewed by Glenn Erickson
Perhaps the most popular anti-Nazi info-propaganda thriller of the war, Hitler's Children is a very well made shocker that...
Reviewed by Glenn Erickson
Perhaps the most popular anti-Nazi info-propaganda thriller of the war, Hitler's Children is a very well made shocker that...
- 1/12/2016
- by Glenn Erickson
- Trailers from Hell
Before he would be forever marked by the Hollywood Blacklist, Edward Dmytryk churned out a succession of B movies in the late 1930s and early 1940s, averaging a handful of projects a year (he had six films in 1941 alone). Right before his first major breakthrough with 1944’s film noir classic Murder, My Sweet, he’d churn out a quintet of wide-ranging projects the year prior. In between a monster movie for Universal (Captive Wild Woman starring Acquanetta), Dmytryk completed four war related items, including Tender Comrade with Ginger Rogers dealing with a new living situation while Robert Ryan serves overseas, the noir-ish The Falcon Strikes Back which concerns a phony war bond operation, and then an exploration of the rise of militarism in Japan as experienced by a returning veteran with Behind the Rising Sun. But none of these hold a candle to another title he unleashed that year, the sensational Hitler’s Children,...
- 12/22/2015
- by Nicholas Bell
- IONCINEMA.com
We've already got a fine domestic disc with both versions of John Ford's fine Henry Fonda western. This Region B UK release duplicates that arrangement with different extras, and throws in a fine HD transfer of an earlier Allan Dwan version of the same story -- with strong similarities -- called Frontier Marshal. It stars Randolph Scott, Nancy Kelly, Cesar Romero and Binnie Barnes and it's very good. My Darling Clementine + Frontier Marshal Region B Blu-ray Arrow Academy (UK) 1946 / B&W / 1:37 flat Academy / 97 + 103 min. (two versions) / Street Date August 17, 2015, 2014 / Amazon UK / £19.99 Starring Henry Fonda, Linda Darnell, Victor Mature, Cathy Downs, Walter Brennan, Tim Holt, Ward Bond, Alan Mowbray, John Ireland, Roy Roberts, Jane Darwell, Grant Withers, J. Farrell MacDonald, Russell Simpson. Cinematography Joe MacDonald Art Direction James Basevi, Lyle Wheeler Film Editor Dorothy Spencer Original Music Cyril Mockridge Written by Samuel G. Engel, Sam Hellman, Winston Miller Produced by Samuel G. Engel,...
- 10/27/2015
- by Glenn Erickson
- Trailers from Hell
Stars: Henry Fonda, Linda Darnell, Victor Mature, Cathy Downs, Walter Brennan, Tim Holt, Ward Bond, Alan Mowbray, John Ireland, Roy Roberts, Jane Darwell, Grant Withers | Written by Samuel G. Engel, Winston Miller | Directed by John Ford
It is agreed by many that John Ford directed some of the best Westerns of all time, starring some of the most iconic actors of the time. My Darling Clementine is his take on Wyatt Earp and Doc Holliday’s friendship, and the Gunfight at the O.K Corral…
Wyatt Earp (Henry Ford) and his brothers Morgan and Virgin ride into Tombstone leaving their brother James in charge of their cattle. When they return to find the cattle stolen and James dead, Wyatt takes the job as marshal, with the aim of staying in Tombstone until he finds the people who killed his brother. Building a friendship with Doc Holliday (Victor Mature), when James...
It is agreed by many that John Ford directed some of the best Westerns of all time, starring some of the most iconic actors of the time. My Darling Clementine is his take on Wyatt Earp and Doc Holliday’s friendship, and the Gunfight at the O.K Corral…
Wyatt Earp (Henry Ford) and his brothers Morgan and Virgin ride into Tombstone leaving their brother James in charge of their cattle. When they return to find the cattle stolen and James dead, Wyatt takes the job as marshal, with the aim of staying in Tombstone until he finds the people who killed his brother. Building a friendship with Doc Holliday (Victor Mature), when James...
- 8/20/2015
- by Paul Metcalf
- Nerdly
Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...
- 7/2/2015
- by Andre Soares
- Alt Film Guide
The Magnificent Ambersons
Landon’S Take:
Orson Welles is celebrated as one of the foremost visionaries in the history of American filmmaking. He’s also renowned as the perennial artist against the system. While both of these factors make Welles perhaps the ideal auteur – someone satisfied with nothing less than a perfect articulation of his individual vision within the collaborative medium of filmmaking – it also presents some unique problems in examining works that were taken away from him.
The classically celebrated auteurs of studio era Hollywood (e.g., Hawks, Ford, Hitchcock) were known for creating individuated worldviews across their body of work either despite or even because of the strictures inherent in Classical Hollywood filmmaking. This was not Welles, who from his rise to infamy with the 1938 “War of the Worlds” broadcast to his first studio feature made a name by challenging the assumed utilities of a medium. Neither could...
Landon’S Take:
Orson Welles is celebrated as one of the foremost visionaries in the history of American filmmaking. He’s also renowned as the perennial artist against the system. While both of these factors make Welles perhaps the ideal auteur – someone satisfied with nothing less than a perfect articulation of his individual vision within the collaborative medium of filmmaking – it also presents some unique problems in examining works that were taken away from him.
The classically celebrated auteurs of studio era Hollywood (e.g., Hawks, Ford, Hitchcock) were known for creating individuated worldviews across their body of work either despite or even because of the strictures inherent in Classical Hollywood filmmaking. This was not Welles, who from his rise to infamy with the 1938 “War of the Worlds” broadcast to his first studio feature made a name by challenging the assumed utilities of a medium. Neither could...
- 5/24/2015
- by Drew Morton
- SoundOnSight
Welcome to a special Blu-ray edition of the horror round-up! This time we're taking a look at three upcoming home media releases of horror films featuring killers of the monstrous, human, and vampiric variety. This spring will see special two-disc Collector's Edition Blu-ray releases of Jesús Franco's Vampyros Lesbos and She Killed in Ecstasy, and fans of Arnold Laven's creature feature, The Monster That Challenged the World, should be pleased to know that the film will hit home media in high-definition in August from Kino Lorber (special features have yet to be revealed for all three releases).
Vampyros Lesbos (April 14th Blu-ray release): Directed by Jesús Franco, Vampyros Lesbos stars Soledad Miranda, Dennis Price, and Ewa Strömberg.
Synopsis: "Countess Nadine Carody, a vampire with an insatiable thirst for female blood, lures women to her isolated island to love...then kill...her victims! Linda Westinghouse comes to the...
Vampyros Lesbos (April 14th Blu-ray release): Directed by Jesús Franco, Vampyros Lesbos stars Soledad Miranda, Dennis Price, and Ewa Strömberg.
Synopsis: "Countess Nadine Carody, a vampire with an insatiable thirst for female blood, lures women to her isolated island to love...then kill...her victims! Linda Westinghouse comes to the...
- 2/24/2015
- by Derek Anderson
- DailyDead
Jean Arthur films on TCM include three Frank Capra classics Five Jean Arthur films will be shown this evening, Monday, January 5, 2015, on Turner Classic Movies, including three directed by Frank Capra, the man who helped to turn Arthur into a major Hollywood star. They are the following: Capra's Mr. Deeds Goes to Town, You Can't Take It with You, and Mr. Smith Goes to Washington; George Stevens' The More the Merrier; and Frank Borzage's History Is Made at Night. One the most effective performers of the studio era, Jean Arthur -- whose film career began inauspiciously in 1923 -- was Columbia Pictures' biggest female star from the mid-'30s to the mid-'40s, when Rita Hayworth came to prominence and, coincidentally, Arthur's Columbia contract expired. Today, she's best known for her trio of films directed by Frank Capra, Columbia's top director of the 1930s. Jean Arthur-Frank Capra...
- 1/6/2015
- by Andre Soares
- Alt Film Guide
My Darling Clementine
Directed by John Ford
Written by Samuel G. Engel and Winston Miller
USA, 1946
In John Ford’s The Man Who Shot Liberty Valance (1962), it is remarked that, “When the legend becomes fact, print the legend.” This seems especially apt when it comes to the treatment of the Arizona city Tombstone and the historic western yarn of the gunfight at the O.K. Corral, the renowned confrontation between the Clantons on one side and the Earps with John “Doc” Holliday on the other. This famous battle, lasting all of about 30 seconds, took place the afternoon of Oct. 26, 1881, and in recalling this skirmish, multiple variations and interpretations have resulted in a cinematic legend in the making, with repeated appearances of its setting, characters, and actions. When the dust settles, one of the greatest depictions of the event, its decisive individuals, and the surrounding area and occurrences (true or false...
Directed by John Ford
Written by Samuel G. Engel and Winston Miller
USA, 1946
In John Ford’s The Man Who Shot Liberty Valance (1962), it is remarked that, “When the legend becomes fact, print the legend.” This seems especially apt when it comes to the treatment of the Arizona city Tombstone and the historic western yarn of the gunfight at the O.K. Corral, the renowned confrontation between the Clantons on one side and the Earps with John “Doc” Holliday on the other. This famous battle, lasting all of about 30 seconds, took place the afternoon of Oct. 26, 1881, and in recalling this skirmish, multiple variations and interpretations have resulted in a cinematic legend in the making, with repeated appearances of its setting, characters, and actions. When the dust settles, one of the greatest depictions of the event, its decisive individuals, and the surrounding area and occurrences (true or false...
- 10/20/2014
- by Jeremy Carr
- SoundOnSight
The second directorial feature effort of Orson Welles’ then young career, watching The Magnificent Ambersons now is a rather troubling experience as while the genius and overwhelming force of personality of the man is all over the film, so is that most depressing of complaints of the master director: that of the fight for creative control and final cut.
You’d be forgiven for thinking Welles had the world at his feet after Citizen Kane but this wasn’t neccesarilly the case. While its commonly held as “The Greatest Film Ever Made”, the film wasn’t universally acclaimed upon release and indeed didn’t sweep the board at the Oscars, losing Best Picture to How Green Was My Valley (always a good one to remember for pub quiz questions) and being booed whenever its name was mentioned thanks to Welles’ personality and the work against the film by William Randolph Hearst,...
You’d be forgiven for thinking Welles had the world at his feet after Citizen Kane but this wasn’t neccesarilly the case. While its commonly held as “The Greatest Film Ever Made”, the film wasn’t universally acclaimed upon release and indeed didn’t sweep the board at the Oscars, losing Best Picture to How Green Was My Valley (always a good one to remember for pub quiz questions) and being booed whenever its name was mentioned thanks to Welles’ personality and the work against the film by William Randolph Hearst,...
- 9/13/2013
- by Ian Loring
- Nerdly
Humphrey Bogart movies: ‘The Maltese Falcon,’ ‘High Sierra’ (Image: Most famous Humphrey Bogart quote: ‘The stuff that dreams are made of’ from ‘The Maltese Falcon’) (See previous post: “Humphrey Bogart and Lauren Bacall Movies.”) Besides 1948, 1941 was another great year for Humphrey Bogart — one also featuring a movie with the word “Sierra” in the title. Indeed, that was when Bogart became a major star thanks to Raoul Walsh’s High Sierra and John Huston’s The Maltese Falcon. In the former, Bogart plays an ex-con who falls in love with top-billed Ida Lupino — though both are outacted by ingénue-with-a-heart-of-tin Joan Leslie. In the latter, Bogart plays Dashiel Hammett’s private detective Sam Spade, trying to discover the fate of the titular object; along the way, he is outacted by just about every other cast member, from Mary Astor’s is-she-for-real dame-in-distress to Best Supporting Actor Academy Award nominee Sydney Greenstreet. John Huston...
- 8/1/2013
- by Andre Soares
- Alt Film Guide
Humphrey Bogart and Lauren Bacall: From ‘To Have and Have Not’ to ‘Key Largo’ Humphrey Bogart (born on Christmas Day 1899, in New York City) is Turner Classic Movies’ first “Summer Under the Stars” star on Thursday, August 1, 2013. TCM will be showing several Bogart movies not made at Warner Bros., e.g., 20th Century Fox’s The Left Hand of God and Columbia’s In a Lonely Place, but nothing that the cable network hasn’t presented before. In other words, don’t expect anything along the lines of the 1934 crime drama Midnight or the 1931 Western A Holy Terror (assuming these two movies still exist). Now, the good news: No Casablanca — which was shown on Tuesday, as part of TCM’s Paul Henreid movie series. (See “Humphrey Bogart Movies — TCM schedule.) (Photo: Humphrey Bogart and Lauren Bacall in To Have and Have Not.) Of TCM’s Humphrey Bogart movies I’ve seen,...
- 8/1/2013
- by Andre Soares
- Alt Film Guide
Look, up in the sky. It’s a bird, it’s a plane, it’s…. …the third consecutive week that the Geezer, also known as me, used that hokey lead. Pathetic? You decide. But as long as we’re here…what’s the Man of Steel doing this time? Looks like he’s holding his ears. That must mean that he’s somewhere near the end of his hit movie, at the climactic battle, before a kind of lengthy denouement. Because that was one noisy climax. But first, a geezerly digression. When I was young – and we’re talking really young, like six or seven – I much enjoyed the “cowboy pictures” I saw at the neighborhood theater on Friday nights. The dime Mom gave me bought a cartoon, maybe a Three Stooges feature and two cowboy pictures with real good guys: Hopalong Cassidy, Sunset Carson, Tim Holt, Red Ryder, and...
- 6/27/2013
- by Dennis O'Neil
- Comicmix.com
Monster movies are the ones that stuck with us as children. Whether it’s that first time you first saw Godzilla on the television or King Kong on a Sunday afternoon, you remembered those brazen-city-crushing-creatures for the rest of the day. They intrigued us, whether it was through their horrific actions or that we sympathized with them, the movie monster is the abhorrent combination of our fears.
The very word “monster” is Latin for monstrum, a biological perversion of the norm and most monsters are just that: a physical abnormality. One of the most famous monsters is, arguably, Frankenstein. Credited as a question mark and later as Frankenstein’s Monster, Boris Karloff showed us early on that what we fear most is what we do not understand. It is that fear of the unknown that stirs the imagination and instills terror across all mediums of entertainment.
Over the last 100 hundred...
The very word “monster” is Latin for monstrum, a biological perversion of the norm and most monsters are just that: a physical abnormality. One of the most famous monsters is, arguably, Frankenstein. Credited as a question mark and later as Frankenstein’s Monster, Boris Karloff showed us early on that what we fear most is what we do not understand. It is that fear of the unknown that stirs the imagination and instills terror across all mediums of entertainment.
Over the last 100 hundred...
- 6/24/2013
- by Nelson Cabral
- Obsessed with Film
by Brett White
Marvel Studios may have retained the film rights to Ghost Rider following his two Columbia Pictures movies, but that doesn't mean the spirit of vengeance's legal woes are over. Deadline reports that a federal appeals court overturned the 2011 ruling that landed in Marvel's favor regarding the character's ownership. Now if creator Gary Friedrich wants to take Marvel back to court in the hopes of wresting control of the character, he's free to do so.
Friedrich had a hand in creating two different versions of Ghost Rider, the most popular being Johnny Blaze, who debuted in 1972's "Marvel Spotlight" #5. Nicolas Cage brought Johnny Blaze to life in two Ghost Rider films: 2007's "Ghost Rider" and 2012's "Ghost Rider: Spirit of Vengeance."
Ghost Rider's rights are pretty tangled up, and I'm quite sure I'll be bungling them in this post, but Marvel says they own the character because...
Marvel Studios may have retained the film rights to Ghost Rider following his two Columbia Pictures movies, but that doesn't mean the spirit of vengeance's legal woes are over. Deadline reports that a federal appeals court overturned the 2011 ruling that landed in Marvel's favor regarding the character's ownership. Now if creator Gary Friedrich wants to take Marvel back to court in the hopes of wresting control of the character, he's free to do so.
Friedrich had a hand in creating two different versions of Ghost Rider, the most popular being Johnny Blaze, who debuted in 1972's "Marvel Spotlight" #5. Nicolas Cage brought Johnny Blaze to life in two Ghost Rider films: 2007's "Ghost Rider" and 2012's "Ghost Rider: Spirit of Vengeance."
Ghost Rider's rights are pretty tangled up, and I'm quite sure I'll be bungling them in this post, but Marvel says they own the character because...
- 6/11/2013
- by Splash Page Team
- MTV Splash Page
The Friday Noir column has been tugging along at a steady pace for well over a year at this point. After being privy to so many double-crosses, back stabbings, bleak outlooks and cynical one-liners, it feels like the right time to shine some proverbial light on the sinister world of film noir. What follows is a list of five previously movies reviewed that best exemplify many of the alluring qualities of this fondly remembered and frequently emulated genre.
Some pertinent details details about the list below need be shared with the readers in the hopes of anticipating and preventing any head scratching. First, the list is comprised strictly of films from the classic noir era, thus limiting the candidates to such films made and released in the mid 1940s up until the late 1950s. Neonoirs, and there are excellent ones, make no mistake about it, are therefore ineligible. The list...
Some pertinent details details about the list below need be shared with the readers in the hopes of anticipating and preventing any head scratching. First, the list is comprised strictly of films from the classic noir era, thus limiting the candidates to such films made and released in the mid 1940s up until the late 1950s. Neonoirs, and there are excellent ones, make no mistake about it, are therefore ineligible. The list...
- 3/8/2013
- by Edgar Chaput
- SoundOnSight
Cowboys who gallop and ride
Know how to take things in stride
They always have their pride
Cowboys who gallop and ride
Atrocious! Add your own melody and hold your nose. I made up that ditty, or one close to it, years ago and I don’t know why. (To provide a contrast to good verse? To avoid thinking about something I should have been thinking about?) Shrug. But it’s in my head today, maybe, is because last night on what we refer to around here as “the cowboy channel” had a “six gun salute” to Tim Holt, who was one of my favorite actors when I was six or seven. Five old movies: I watched two and recorded the other three for watching late at night when I’m not ready for the trek to the bedroom but should be. He was a favorite of my childhood, was ol’ Tim,...
Know how to take things in stride
They always have their pride
Cowboys who gallop and ride
Atrocious! Add your own melody and hold your nose. I made up that ditty, or one close to it, years ago and I don’t know why. (To provide a contrast to good verse? To avoid thinking about something I should have been thinking about?) Shrug. But it’s in my head today, maybe, is because last night on what we refer to around here as “the cowboy channel” had a “six gun salute” to Tim Holt, who was one of my favorite actors when I was six or seven. Five old movies: I watched two and recorded the other three for watching late at night when I’m not ready for the trek to the bedroom but should be. He was a favorite of my childhood, was ol’ Tim,...
- 2/21/2013
- by Dennis O'Neil
- Comicmix.com
The Treasure of Sierra Madre
Directed John Huston
Written by John Huston
U.S.A., 1948
Gordon Gekko, the central figure of Oliver Stone’s famous Wall Street, once uttered the phrase ‘Greed is good.’ That same individual was, understandably, also that film’s antagonist. To willfully adhere to the aforementioned philosophy is one thing, yet the reality of human frailty tells an altogether different, more subtle tale of ill advised deeds and nefarious scheming despite people continuously arguing for humanity common decency. John Huston’s directorial filmography includes some entries which explore that very theme, his most recognized success being 1950′s The Asphalt Jungle. Yet another came two years before, The Treasure of Sierra Madre, his second collaboration with actor Humphrey Bogart.
Dobbs (Humphrey Boggart) is not only down in Mexico, but down on his luck as well. Without nary a red cent to call his own, this bum is relegated to the streets,...
Directed John Huston
Written by John Huston
U.S.A., 1948
Gordon Gekko, the central figure of Oliver Stone’s famous Wall Street, once uttered the phrase ‘Greed is good.’ That same individual was, understandably, also that film’s antagonist. To willfully adhere to the aforementioned philosophy is one thing, yet the reality of human frailty tells an altogether different, more subtle tale of ill advised deeds and nefarious scheming despite people continuously arguing for humanity common decency. John Huston’s directorial filmography includes some entries which explore that very theme, his most recognized success being 1950′s The Asphalt Jungle. Yet another came two years before, The Treasure of Sierra Madre, his second collaboration with actor Humphrey Bogart.
Dobbs (Humphrey Boggart) is not only down in Mexico, but down on his luck as well. Without nary a red cent to call his own, this bum is relegated to the streets,...
- 5/4/2012
- by Edgar Chaput
- SoundOnSight
Last week, the Internets were all aflutter with the story about how Disney/Marvel successfully defended itself against Gary Friedrich’s Ghost Rider lawsuit. This was hardly surprising. Just ask Marv Wolfman or the ghost of Steve Gerber.
Then Disney/Marvel turned around and demanded $17,000 from Gary for the Ghost Rider prints he sold at comic book conventions – you know, just like hundreds of other artists do at every artists’ alley at nearly every comic book convention held in the past decade. This was very surprising. And quite disgusting. Not to mention overwhelmingly petty.
Well, those of us who followed Disney’s Air Pirates lawsuit weren’t surprised at all, but that’s another story.
When Gary filed his appeal and the noise went into the can for a while, I whipped out Marvel Spotlight #5. On that very first Ghost Rider story, the credits read “conceived and written by Gary Friedrich.
Then Disney/Marvel turned around and demanded $17,000 from Gary for the Ghost Rider prints he sold at comic book conventions – you know, just like hundreds of other artists do at every artists’ alley at nearly every comic book convention held in the past decade. This was very surprising. And quite disgusting. Not to mention overwhelmingly petty.
Well, those of us who followed Disney’s Air Pirates lawsuit weren’t surprised at all, but that’s another story.
When Gary filed his appeal and the noise went into the can for a while, I whipped out Marvel Spotlight #5. On that very first Ghost Rider story, the credits read “conceived and written by Gary Friedrich.
- 2/15/2012
- by Mike Gold
- Comicmix.com
Yeah, that’s him, little Denny, aged six or seven (or maybe even five), dragging the kitchen chair across the linoleum and putting it next to the icebox. He climbs up on it and then he’s close to Mom’s radio. He knows which knobs to turn, he knows how to find what comes from the speaker, what is very important: his programs.
Every weekday afternoon, after school, from 3:30 to six – dinner time, Dad’s nightly return from Work (and work is also very important, though Denny doesn’t know why) – Denny listens to Tom Mix and Superman and Hop Harrigan and Jack Armstrong, the All-American Boy (what other kind of boy could there be?) and what may be his very, very favorite, Captain Midnight. Mom has her programs, too – Ma Perkins and Young Doctor Malone and some others – but Denny thinks they’re no better than okay.
Every weekday afternoon, after school, from 3:30 to six – dinner time, Dad’s nightly return from Work (and work is also very important, though Denny doesn’t know why) – Denny listens to Tom Mix and Superman and Hop Harrigan and Jack Armstrong, the All-American Boy (what other kind of boy could there be?) and what may be his very, very favorite, Captain Midnight. Mom has her programs, too – Ma Perkins and Young Doctor Malone and some others – but Denny thinks they’re no better than okay.
- 9/29/2011
- by Dennis O'Neil
- Comicmix.com
![Joan Fontaine and Cary Grant in Suspicion (1941)](https://m.media-amazon.com/images/M/MV5BOTFlY2FiMzUtYTNlOC00OTQxLTgxMzgtNWUxNGJhMzNjMzNhXkEyXkFqcGdeQXVyNjc5NjEzNA@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
![Joan Fontaine and Cary Grant in Suspicion (1941)](https://m.media-amazon.com/images/M/MV5BOTFlY2FiMzUtYTNlOC00OTQxLTgxMzgtNWUxNGJhMzNjMzNhXkEyXkFqcGdeQXVyNjc5NjEzNA@@._V1_QL75_UX140_CR0,1,140,207_.jpg)
Most Hollywood movies are products of collaboration and compromise. Unless their directors have the contractual right to select their own final cut, the ultimate decision on the content of the film belongs to the studio that distributes it. Occasionally, this process can produce a stronger movie than one made in a creative vacuum. Other times, the results can be disastrous. Just recently, I watched two films whose endings had been radically recut by their distributors in last ditch attempts to lighten up uncommercial material. When test audiences found 1972's "Conquest of the Planet of the Apes" too dark for their taste, an unmotivated reconciliation speech was hastily and awkwardly woven into existing footage. "Conquest" is a famous example of studio intervention; 1997's "Mimic" is not. But as I sat and watched a character heroically sacrifice themselves and then magically reappear alive a few scenes later, I could just tell I...
- 8/22/2011
- by Matt Singer
- ifc.com
Dante gives us the details of TCM’s June 23rd back-to-back-to-back double-features.
Another week in June means that TCM — possibly the best channel on any cable box anywhere — is back with another Thursday night chock full of monstrous mayhem. This week they’re turning their attention to something near and dear to our very hearts: underwater fiends.
Here’s Joe (and company) with the rundown:
June 23
It Came From Beneath The Sea - The top half of what Bill Warren has called the greatest double bill of the 50s (withCreature with the Atom Brain), this Harryhausen classic benefits from its newsreelish location shooting. Ernest Dickerson appreciates it here.
The Monster That Challenged The World – A surprisingly well produced cheapie with a cool, if immobile, monster by Augie Lohman that takes place on the Salton Sea. It’s a far cry from The Magnificent Ambersons, but a bulky Tim Holt makes...
Another week in June means that TCM — possibly the best channel on any cable box anywhere — is back with another Thursday night chock full of monstrous mayhem. This week they’re turning their attention to something near and dear to our very hearts: underwater fiends.
Here’s Joe (and company) with the rundown:
June 23
It Came From Beneath The Sea - The top half of what Bill Warren has called the greatest double bill of the 50s (withCreature with the Atom Brain), this Harryhausen classic benefits from its newsreelish location shooting. Ernest Dickerson appreciates it here.
The Monster That Challenged The World – A surprisingly well produced cheapie with a cool, if immobile, monster by Augie Lohman that takes place on the Salton Sea. It’s a far cry from The Magnificent Ambersons, but a bulky Tim Holt makes...
- 6/20/2011
- by Danny
- Trailers from Hell
Blu-ray is often sold as the ideal way to watch big-budget blockbusters on your home theater system. Yet, as Disney's home entertainment division has shown, the format can also be used to give classic films a new lease of life. In the last couple of months Warner Home Video (Whv) has re-issued several such movies on Blu-ray. Two of the most recent are The Treasure of the Sierra Madre and The Maltese Falcon, starring Humphrey Bogart. There is little point in reviewing the quality of these films because they are widely acknowledged as landmarks in cinema history. Instead, this review focuses on how they look in Hi-Def and the extra features provided on each release.
The good news is that Whv, like Disney, has done its past proud. As with many of its releases of modern blockbusters, the company knows how to deliver a quality product.
The Treasure of the Sierra Madre...
The good news is that Whv, like Disney, has done its past proud. As with many of its releases of modern blockbusters, the company knows how to deliver a quality product.
The Treasure of the Sierra Madre...
- 11/6/2010
- CinemaSpy
From 1941 to 1953, John Huston and Humphrey Bogart worked on six films together that made Huston a highly respected director and Bogart the leading man of his time (Casablanca notwithstanding). While my favorite remains The Maltese Falcon, the other one most often touted as their best is undoubtedly The Treasure of the Sierra Madre.
Those two films actually make for a fine double feature, not only because they are the highlights of this collaboration, but also because it's fun to contrast one against the other. They're similar in design, yet operating on totally different constructs. Bogart hunts a legendary treasure in both and has to fight his way through hell to get to them, but while The Maltese Falcon is stalked by shadows, deep in the noir genre, The Treasure of the Sierra Madre is a high-riding adventure in sunkissed Mexico.
Somewhat stepping aside from the charismatic leading man role to...
Those two films actually make for a fine double feature, not only because they are the highlights of this collaboration, but also because it's fun to contrast one against the other. They're similar in design, yet operating on totally different constructs. Bogart hunts a legendary treasure in both and has to fight his way through hell to get to them, but while The Maltese Falcon is stalked by shadows, deep in the noir genre, The Treasure of the Sierra Madre is a high-riding adventure in sunkissed Mexico.
Somewhat stepping aside from the charismatic leading man role to...
- 10/24/2010
- by Arya Ponto
- JustPressPlay.net
Chicago – Humphrey Bogart is one of the most beloved and iconic movie stars to ever grace the form. The legend of Bogart built through caricatures, impressions, and the rarified air in which some of his films exist can sometimes disguise his unbelievable talent. “Casablanca” may be his best film and we’ll be back with a discussion of more Bogie works in our review of the new box set later this week, but arguably the two best Bogart performances have recently been released on Blu-ray in 1941’s “The Maltese Falcon” and 1948’s “The Treasure of the Sierra Madre.”
Television Rating: 5.0/5.0
It’s rare to have two films from the infamous American Film Institute Top 100 list released in HD in the same week but that’s exactly what we get with “The Maltese Falcon” and “Sierra Madre,” two of the most acclaimed films of all time. The pair being released on...
Television Rating: 5.0/5.0
It’s rare to have two films from the infamous American Film Institute Top 100 list released in HD in the same week but that’s exactly what we get with “The Maltese Falcon” and “Sierra Madre,” two of the most acclaimed films of all time. The pair being released on...
- 10/18/2010
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
.Can you help a fellow American down on his luck?. There.s gold in them thar. hills! This time the golden team of Bogart and Huston take on the novel written by an enigma. The result would be winners all around with a father and son actually finding Hollywood gold. Down-on-his-luck Yank Fred C. Dobbs (Humphrey Bogart) is panhandling in 1920.s Mexico (amusingly three times to a brash white-suited American played by director John Huston in a cameo). He eventually partners with a fellow down-on-his-luck traveler named Curtin (Tim Holt) and they both meet up with grizzled prospector Howard (Walter Huston). Howard spins tales of gold just ripe for the digging up and the trio set out to...
- 10/6/2010
- by Jeff Swindoll
- Monsters and Critics
![Humphrey Bogart](https://m.media-amazon.com/images/M/MV5BZDRiZWJjOTMtNzczMi00ZTIyLWJmNjAtMzlkNWU5ODc4NDk1XkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_QL75_UY207_CR11,0,140,207_.jpg)
![Humphrey Bogart](https://m.media-amazon.com/images/M/MV5BZDRiZWJjOTMtNzczMi00ZTIyLWJmNjAtMzlkNWU5ODc4NDk1XkEyXkFqcGdeQXVyMDc2NTEzMw@@._V1_QL75_UY207_CR11,0,140,207_.jpg)
When Humphrey Bogart was struggling to make his name on Broadway in the 1920’s, scalpel-wielding theater critic Alexander Woollcott sized him up thusly: he “is what is usually and mercifully described as inadequate.” Harsh. Then, in 1930, the young wannabe with the scarred lip, snarling lisp, and looks that might charitably be called “unconventional” finally landed a contract with Fox. The studio cut him loose after two years. Most actors might have thrown in the towel and started selling encyclopedias at that point. But Bogart’s best years were ahead of him.
In 1936, the not-so-young-anymore tough guy caught a break when...
In 1936, the not-so-young-anymore tough guy caught a break when...
- 10/5/2010
- by Chris Nashawaty
- EW.com - PopWatch
The IMDb250. A list of the top 250 films as ranked by the users of the biggest internet movie site on the web. It is based upon the ratings provided by the users of the Internet Movie Database, which number into the millions. As such, it’s a perfect representation of the opinions of the movie masses, and arguably the most comprehensive ranking system on the Internet.
It’s because of this that we at HeyUGuys (and in this case we is myself and Barry) have decided to set ourselves a project. To watch and review all 250 movies on the list. We’ve frozen the list as of January 1st of this year. It’s not as simple as it sounds, we are watching them all in one year, 125 each.
This is our 36th update, my next five films watched for the project. You can find last week’s update here.
It’s because of this that we at HeyUGuys (and in this case we is myself and Barry) have decided to set ourselves a project. To watch and review all 250 movies on the list. We’ve frozen the list as of January 1st of this year. It’s not as simple as it sounds, we are watching them all in one year, 125 each.
This is our 36th update, my next five films watched for the project. You can find last week’s update here.
- 9/30/2010
- by Gary Phillips
- HeyUGuys.co.uk
If you have Netflix and are a horror fan in need of something to watch this Labor Day weekend, one look at this gargantuan list I compiled of the new terror titles Netflix has added for instant streaming in just the first three days of this month should keep you busy until Labor Day next year. You'll find something for everyone, from older titles to recent releases, famous to obscure, classic to not-so-classic, monsters to maniacs - you name it.
For the record, I considered compiling this list in alphabetical order or by year of the film's release, but then I realized I had already spent well over an hour just sorting through the massive catalogue of titles Netflix has now made available for instant streaming and realized Labor Day would be over by the time I finished arranging this list in any kind of order. Ready? Here you go.
For the record, I considered compiling this list in alphabetical order or by year of the film's release, but then I realized I had already spent well over an hour just sorting through the massive catalogue of titles Netflix has now made available for instant streaming and realized Labor Day would be over by the time I finished arranging this list in any kind of order. Ready? Here you go.
- 9/3/2010
- by Foywonder
- DreadCentral.com
Russ Marker was a regional filmmaker and actor in Texas who made his film debut as Col. Curtis in Edgar Ulmer’s 1960 science fiction film Beyond the Time Barrier starring Robert Clarke. He produced, directed, and scripted the obscure 1963 sci-fi film The Yesterday Machine starring Tim Holt, about a Nazi scientist who invents a time machine to travel back to World War II to change the outcome. Marker also co-wrote and directed the unfinished early 1960s horror film Demon from Devil’s Lake. It was remade several years later starring John Agar under the title Night Fright (aka E.T.N.: The Extraterrestrial Nastie) (1968), and featured Marker in a small role.
He was born Hirom Monroe Kennamer in Tishomingo, Oklahoma, on October 11, 1926. He was featured in small roles in the films Bonnie and Clyde (1967) and Finding North (1998). He was also seen in various roles in several episodes of the television series Walker,...
He was born Hirom Monroe Kennamer in Tishomingo, Oklahoma, on October 11, 1926. He was featured in small roles in the films Bonnie and Clyde (1967) and Finding North (1998). He was also seen in various roles in several episodes of the television series Walker,...
- 3/15/2010
- by Jesse
- FamousMonsters of Filmland
Not sure what to watch? We can help with our comprehensive guide to the best films on TV this Christmas and new year
Choose a date
Saturday 19 December | Sunday 20 December | Monday 21 December | Tuesday 22 December | Wednesday 23 December |Christmas Eve | Christmas Day | Boxing Day | Sunday 27 December | Monday 28 December | Tuesday 29 December | Wednesday 30 December | New Year's Eve | New Year's Day
Saturday 19 December
Yes Man (Peyton Reed, 2008)
10am, 8pm, Sky Movies Premiere
Remember Jim Carrey in Liar, Liar, where he forces himself to tell the truth for 24 hours? Well, here Jim Carrey forces himself to answer yes to any request, for a year. Which is upping the ante somewhat, but doesn't make it a better film. This is a return to the manic, gurning, not-very-funny Carrey, as if The Truman Show, Eternal Sunshine etc hadn't happened. Just say no.
The Golden Compass (Chris Weitz, 2007)
11.40am, 8pm, Sky Movies Family
What with Harry Potter, Narnia, Lemony Snicket and all,...
Choose a date
Saturday 19 December | Sunday 20 December | Monday 21 December | Tuesday 22 December | Wednesday 23 December |Christmas Eve | Christmas Day | Boxing Day | Sunday 27 December | Monday 28 December | Tuesday 29 December | Wednesday 30 December | New Year's Eve | New Year's Day
Saturday 19 December
Yes Man (Peyton Reed, 2008)
10am, 8pm, Sky Movies Premiere
Remember Jim Carrey in Liar, Liar, where he forces himself to tell the truth for 24 hours? Well, here Jim Carrey forces himself to answer yes to any request, for a year. Which is upping the ante somewhat, but doesn't make it a better film. This is a return to the manic, gurning, not-very-funny Carrey, as if The Truman Show, Eternal Sunshine etc hadn't happened. Just say no.
The Golden Compass (Chris Weitz, 2007)
11.40am, 8pm, Sky Movies Family
What with Harry Potter, Narnia, Lemony Snicket and all,...
- 12/18/2009
- by Paul Howlett
- The Guardian - Film News
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