Seth Willenson, a producer and longtime marketing, finance and distribution executive, died peacefully at his home in Los Angeles after a long bout with heart disease, according to a representative for the family. He was 74.
Willeson first started his 52-year career in 1970 when he became the second hire at New Line Cinema. It was there where he pioneered a theatrical marketing concept of the 1970’s, the Midnight Movie – using the 1936 anti-cannabis propaganda film “Reefer Madness” – a practice that continued for more than a decade with movies such as “Pink Flamingos,” “Sympathy for the Devil” and “The Rocky Horror Picture Show.”
Willenson would return to New Line Cinema 20 years later after his first stint at the studio as president of Telecommunications & Planning. Willenson would subsequently serve as producer/executive producer on numerous indie films, most notably Allison Anders’ award-winning “Gas Food Lodging” and the Chuck Norris-starrer “Top Dog.”
Willenson would...
Willeson first started his 52-year career in 1970 when he became the second hire at New Line Cinema. It was there where he pioneered a theatrical marketing concept of the 1970’s, the Midnight Movie – using the 1936 anti-cannabis propaganda film “Reefer Madness” – a practice that continued for more than a decade with movies such as “Pink Flamingos,” “Sympathy for the Devil” and “The Rocky Horror Picture Show.”
Willenson would return to New Line Cinema 20 years later after his first stint at the studio as president of Telecommunications & Planning. Willenson would subsequently serve as producer/executive producer on numerous indie films, most notably Allison Anders’ award-winning “Gas Food Lodging” and the Chuck Norris-starrer “Top Dog.”
Willenson would...
- 3/24/2022
- by Umberto Gonzalez
- The Wrap
Longtime marketing and distribution executive and producer Seth Willenson, who pioneered the Midnight Movie marketing concept and mentored many industry leaders, died Friday at his home in Los Angeles after a long bout with heart disease. He was 74.
Willenson began his 52-year career in 1970 as employee number two at New Line Cinema. It was there that he innovated the theatrical marketing concept of the Midnight Movie. He began with the 1936 anti-cannabis propaganda film Reefer Madness and continued for more than a decade with soon-to-be classics such as Pink Flamingos, Sympathy for the Devil and the blockbuster Rocky Horror Picture Show, which is still being enjoyed today in late night showings, making its release the longest-running in movie history.
Speaking of long runs, about 20 years after his first stint at New Line, Willenson returned as President of Telecommunications & Planning. He subsequently served as a producer and EP on numerous indie films,...
Willenson began his 52-year career in 1970 as employee number two at New Line Cinema. It was there that he innovated the theatrical marketing concept of the Midnight Movie. He began with the 1936 anti-cannabis propaganda film Reefer Madness and continued for more than a decade with soon-to-be classics such as Pink Flamingos, Sympathy for the Devil and the blockbuster Rocky Horror Picture Show, which is still being enjoyed today in late night showings, making its release the longest-running in movie history.
Speaking of long runs, about 20 years after his first stint at New Line, Willenson returned as President of Telecommunications & Planning. He subsequently served as a producer and EP on numerous indie films,...
- 3/24/2022
- by Tom Tapp
- Deadline Film + TV
A nail-biting, action-packed, sci-fi adventure for the entire family, Portal Runner begins streaming and is available On Demand Dec. 10 from Terror Films. Here’s the trailer:
Portal Runner can be seen worldwide on Prime Video, Apple TV, Google Play, Kings of Horror, TubiTV, Roku, Film Freaks, Microsoft Movies & TV and Jungo+.
Starring Elise Eberle (Mae), Shameless, Salem, The Last Tycoon, Tiger Eyes, Lemonade Mouth, The Astronaut Farmer; Sloane Morgan Siegel (Nolan), Dwight in Shining Armor, The Call, Gortimer Gibbon‘s Life on Normal Street, Partners and as the voice of Time Drake/Robin in the Gotham Knights video game; Carol Roscoe (Mom/Klara), Language Arts, If There’s a Hell Below, West of Redemption, The Dark Horse and Joanna in The Gamers trilogy; and Brian S. Lewis (Uncle Boon), The Gamers series, Dwight in Shining Armor, JourneyQuest.
Portal Runner was directed by Cornelia Duryée (Language Arts, West of Redemption, The Dark Horse,...
Portal Runner can be seen worldwide on Prime Video, Apple TV, Google Play, Kings of Horror, TubiTV, Roku, Film Freaks, Microsoft Movies & TV and Jungo+.
Starring Elise Eberle (Mae), Shameless, Salem, The Last Tycoon, Tiger Eyes, Lemonade Mouth, The Astronaut Farmer; Sloane Morgan Siegel (Nolan), Dwight in Shining Armor, The Call, Gortimer Gibbon‘s Life on Normal Street, Partners and as the voice of Time Drake/Robin in the Gotham Knights video game; Carol Roscoe (Mom/Klara), Language Arts, If There’s a Hell Below, West of Redemption, The Dark Horse and Joanna in The Gamers trilogy; and Brian S. Lewis (Uncle Boon), The Gamers series, Dwight in Shining Armor, JourneyQuest.
Portal Runner was directed by Cornelia Duryée (Language Arts, West of Redemption, The Dark Horse,...
- 11/11/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Exclusive: Actress Sarah Shahi stars in tonight’s premiere of Reverie on NBC, but she is already making moves towards the big screen. Shahi is set to star as the lead in the indie drama Language Arts and will star in the indie comedy Judy Small.
Directed by Cornelia Moore (Dark Horse) and produced by Larry Estes, Language Arts follows Allison Forche-Marlow (Shahi), a beautiful, bright, determined, and organized, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.
In the deadpan comedy Judy Small, Shahi stars opposite Rob Corddry (Ballers). The William Teitler-directed film is based on the book by Nancy Doyne (who also adapted the film). The story follows Bob and Susan Howard, who decide to see a marriage counselor named Judy Small who appears trustworthy but harbors dark and conflicted impulses, which cause her to manipulate Susan and Bob,...
Directed by Cornelia Moore (Dark Horse) and produced by Larry Estes, Language Arts follows Allison Forche-Marlow (Shahi), a beautiful, bright, determined, and organized, who never gives up trying to heal her autistic son, whom she fiercely loves, no matter what it demands of everyone.
In the deadpan comedy Judy Small, Shahi stars opposite Rob Corddry (Ballers). The William Teitler-directed film is based on the book by Nancy Doyne (who also adapted the film). The story follows Bob and Susan Howard, who decide to see a marriage counselor named Judy Small who appears trustworthy but harbors dark and conflicted impulses, which cause her to manipulate Susan and Bob,...
- 5/30/2018
- by Dino-Ray Ramos
- Deadline Film + TV
The distributor has acquired Us rights to Camilla Dickinson and The Jokesters.
Cornelia Duryée Moore’s Camilla Dickinson (pictured) stars Adelaide Clemens as the sheltered daughter of a well-heeled Manhattan clan in 1948 who meets a rebellious young man.
Gregg Sulkin, Cary Elwes, Samantha Mathis, Margaret Colin, Camryn Manheim and Robert Picardo also star in the adaptation of Madeleine L’Engle’s novel of the same name.
Random Media svp of acquisitions Bobby Rock negotiated the deal with producer Larry Estes. Camilla Dickinson premiered at the Seattle International Film Festival in 2012.
Aj Wedding’s 2014 comedy-horror The Jokesters centres on a group of pranksters whose farewell surprise on a departing member spirals out of control.
Rock brokered the deal with Eastgate Pictures president Ronna Wallace on behalf of Reinventing Films.
Cornelia Duryée Moore’s Camilla Dickinson (pictured) stars Adelaide Clemens as the sheltered daughter of a well-heeled Manhattan clan in 1948 who meets a rebellious young man.
Gregg Sulkin, Cary Elwes, Samantha Mathis, Margaret Colin, Camryn Manheim and Robert Picardo also star in the adaptation of Madeleine L’Engle’s novel of the same name.
Random Media svp of acquisitions Bobby Rock negotiated the deal with producer Larry Estes. Camilla Dickinson premiered at the Seattle International Film Festival in 2012.
Aj Wedding’s 2014 comedy-horror The Jokesters centres on a group of pranksters whose farewell surprise on a departing member spirals out of control.
Rock brokered the deal with Eastgate Pictures president Ronna Wallace on behalf of Reinventing Films.
- 2/20/2015
- by [email protected] (Jeremy Kay)
- ScreenDaily
Film review: 'Getting to Know You'
PARK CITY, Utah -- Bleak and unsettling but compulsively watchable, Lisanne Skyler's Sundance competition drama "Getting to Know You" marks her as a dynamic young talent.
Her confident adaptation of a Joyce Carol Oates collection binds the stories of loss and anguish into an expressive vision.
The film offers no easy solutions, no sentimental resolutions to smooth out the uncomfortable moments ensnaring its characters. Its dour mood is a probable turn-off to distributors though this is a muscular, free-form work that deserves exposure.
The film's setting, a bus terminal in Asbury Park, N.J., is a stylized environment, a holding ground for starry-eyed dreamers, loners, castoffs and marginal figures, all escaping from the tragedies or disappointments underlying their lives.
The movie's key figures, Judith (Heather Matarazzo), a tentative, emotionally bruised 16-year-old, and her brother Wesley (Zach Braff), a math genius preparing to leave for college, are dealing with the emotional fallout of their uprooted lives. Their mother, Trix (Bebe Neuwirth) is hospitalized; their father, Darrell (Mark Blum) has disowned them.
Judith befriends another lost soul, Jimmy (a very strong Michael Weston). He tells her the emotionally devastating tales of the terminal inhabitants: the cop and basketball coach (Bo Hopkins) who has retreated from life following the death of his partner; an attractive brunette (Tristine Skyler, who collaborated with her sister on the script), whose longing for adventure occasions her dangerous affair with a high-stakes gambler (Chris Noth) in Atlantic City; and a sad, childless woman (Mary McCormack) fleeing from a marriage to a religious zealot (Leo Burmeister).
A former documentarian, Skyler has a penetrating grasp of character and mood, locating torment in off-handed gestures and inflections. Working with the excellent cinematographer Jim Denault, Skyler finds expressive possibilities in the sculpted lighting of faces.
Despite its literary source, "Getting to Know You" is in fact an intensely cinematic work. Skyler has a trenchant sense of the elliptical possibilities of time and space. The flow between the past and present is continually alive to feeling, temperament and desire.
The picture ends with a moment of optimism, tempered by the knowledge that Judith and Wesley are never fully free. Vivid and intense, "Getting to Know You" is not easily forgotten.
GETTING TO KNOW YOU
ShadowCatcher Entertainment and SearchParty Films
A Gabbert/LaVoo production
Producers: George Lavoo, Laura Gabbert
Director: Lisanne Skyler
Executive producers: Scott Rosenfelt, Larry Estes, David Skinner
Screenwriters: Lisanne Skyler, Tristine Skyler
Based on short stories by: Joyce Carol Oates
Director of photography: Jim Denault
Editors: Julie Janata, Anthony Sherin
Music: Michael Brook
Production design: Jody Asnes
Costume design: Astrid Brucker
Casting: Jordan Beswick
Color/stereo
Cast:
Judith: Heather Matarazzo
Wesley: Zach Braff
Jimmy: Michael Weston
Trix: Bebe Neuwirth
Darrell: Mark Blum
Caminetto: Bo Hopkins
Irene: Tristine Skyler
Sonny: Chris Noth
Leila Lee: Mary McCormack
Running time -- 94 minutes
No MPAA rating...
Her confident adaptation of a Joyce Carol Oates collection binds the stories of loss and anguish into an expressive vision.
The film offers no easy solutions, no sentimental resolutions to smooth out the uncomfortable moments ensnaring its characters. Its dour mood is a probable turn-off to distributors though this is a muscular, free-form work that deserves exposure.
The film's setting, a bus terminal in Asbury Park, N.J., is a stylized environment, a holding ground for starry-eyed dreamers, loners, castoffs and marginal figures, all escaping from the tragedies or disappointments underlying their lives.
The movie's key figures, Judith (Heather Matarazzo), a tentative, emotionally bruised 16-year-old, and her brother Wesley (Zach Braff), a math genius preparing to leave for college, are dealing with the emotional fallout of their uprooted lives. Their mother, Trix (Bebe Neuwirth) is hospitalized; their father, Darrell (Mark Blum) has disowned them.
Judith befriends another lost soul, Jimmy (a very strong Michael Weston). He tells her the emotionally devastating tales of the terminal inhabitants: the cop and basketball coach (Bo Hopkins) who has retreated from life following the death of his partner; an attractive brunette (Tristine Skyler, who collaborated with her sister on the script), whose longing for adventure occasions her dangerous affair with a high-stakes gambler (Chris Noth) in Atlantic City; and a sad, childless woman (Mary McCormack) fleeing from a marriage to a religious zealot (Leo Burmeister).
A former documentarian, Skyler has a penetrating grasp of character and mood, locating torment in off-handed gestures and inflections. Working with the excellent cinematographer Jim Denault, Skyler finds expressive possibilities in the sculpted lighting of faces.
Despite its literary source, "Getting to Know You" is in fact an intensely cinematic work. Skyler has a trenchant sense of the elliptical possibilities of time and space. The flow between the past and present is continually alive to feeling, temperament and desire.
The picture ends with a moment of optimism, tempered by the knowledge that Judith and Wesley are never fully free. Vivid and intense, "Getting to Know You" is not easily forgotten.
GETTING TO KNOW YOU
ShadowCatcher Entertainment and SearchParty Films
A Gabbert/LaVoo production
Producers: George Lavoo, Laura Gabbert
Director: Lisanne Skyler
Executive producers: Scott Rosenfelt, Larry Estes, David Skinner
Screenwriters: Lisanne Skyler, Tristine Skyler
Based on short stories by: Joyce Carol Oates
Director of photography: Jim Denault
Editors: Julie Janata, Anthony Sherin
Music: Michael Brook
Production design: Jody Asnes
Costume design: Astrid Brucker
Casting: Jordan Beswick
Color/stereo
Cast:
Judith: Heather Matarazzo
Wesley: Zach Braff
Jimmy: Michael Weston
Trix: Bebe Neuwirth
Darrell: Mark Blum
Caminetto: Bo Hopkins
Irene: Tristine Skyler
Sonny: Chris Noth
Leila Lee: Mary McCormack
Running time -- 94 minutes
No MPAA rating...
- 1/29/1999
- The Hollywood Reporter - Movie News
Film review: 'Santa Fe' This cult film is no classic / But the timely 'Santa Fe' does have interesting characters and a healthy dose of good ol' charm
FORT LAUDERDALE, Fla. -- Andrew Shea's debut feature is an example of a film that doesn't work -- it unsuccessfully straddles the line between comedy and drama and suffers from awkward shifts in tone and lapses in credibility.
And yet, it has a freshness, an originality, a daringness to try something different that earns it major points. It also has that all-too-rare commodity in current American movies: charm. The film was recently showcased at the Fort Lauderdale International Film Festival.
"Santa Fe" takes on a timely subject that has gone relatively unexplored in the cinema, except for exploitation purposes: the insidious effects of cults. Gary Cole stars as Paul Thomas, a former policeman who has returned to Santa Fe after an eight-month imprisonment. It seems that he, his wife (Sheila Kelley) and young daughter (Tina Majorino) were members of a doomsday cult that culminated in a horrifying episode of mass murder, for which Paul was held partially responsible.
Now, his name cleared, he comes back to find his wife romantically involved with a New Age-style chiropractor/acupuncturist, who responds to Paul's anger at this turn of events with the offer of a hug. They advise him to attend the workshop of a local guru, Eleanor (Lolita Davidovich), but Paul, paranoid about self-styled leaders, vehemently refuses. He ultimately relents, and slowly, despite all his reservations, he finds himself first falling in love with Eleanor and then becoming obsessed by her.
Mark Medoff's screenplay veers unpredictably -- from somber melodrama to social satire to all-out slapstick. The film works best in its quieter moments, when it pokes fun at Santa Fe's various New Age philosophies and when it explores Paul's desperate need to find meaning in his life and his desperate crusade against gurus (talking to a group of sixth-graders, he offers Sarte's line about "Hell is other people"). The overly complex story line suffers from a surfeit of subplots; the one about the political battles between Paul's sister (Pamela Reed) and the town's condescending mayor (screenwriter Medoff) is particularly unnecessary.
Still, the film definitely has its moments, and the characterizations are complex and interesting. Cole skillfully delineates both the comic and haunted dimensions of his character, and Davidovich is at her most charming. Majorino offers one of the best child performances in quite a while, even if she must cope with such silly plot devices as her character's speaking in a French accent after a blow to the head. Coming off worst is deaf actress Phyllis Frelich (a Tony winner for Medoff's "Children of a Lesser God"). As Paul's outraged psychologist who expresses her anger in sign language, she is basically reduced to a walking sight gag.
Santa Fe
Absolute Unequivocal LLC
Credits: Director: Andrew Shea; Screenplay: Mark Medoff, Andrew Shea; Producers: Larry Estes, Andrew Shea; Executive producers: Sharon Bialy, Boaz Davidson; Director of photography: Paul Elliott; Editor: Melissa Gerrero; Music: Mark Governor. Cast: Paul: Gary Cole; Crystal: Tina Majorino; Lea: Sheila Kelley; Dan: Jere Burns; Eleanor: Lolita Davidovich; Nancy:Pamela Reed. Color/stereo; Running time -- 97 minutes; No MPAA rating...
And yet, it has a freshness, an originality, a daringness to try something different that earns it major points. It also has that all-too-rare commodity in current American movies: charm. The film was recently showcased at the Fort Lauderdale International Film Festival.
"Santa Fe" takes on a timely subject that has gone relatively unexplored in the cinema, except for exploitation purposes: the insidious effects of cults. Gary Cole stars as Paul Thomas, a former policeman who has returned to Santa Fe after an eight-month imprisonment. It seems that he, his wife (Sheila Kelley) and young daughter (Tina Majorino) were members of a doomsday cult that culminated in a horrifying episode of mass murder, for which Paul was held partially responsible.
Now, his name cleared, he comes back to find his wife romantically involved with a New Age-style chiropractor/acupuncturist, who responds to Paul's anger at this turn of events with the offer of a hug. They advise him to attend the workshop of a local guru, Eleanor (Lolita Davidovich), but Paul, paranoid about self-styled leaders, vehemently refuses. He ultimately relents, and slowly, despite all his reservations, he finds himself first falling in love with Eleanor and then becoming obsessed by her.
Mark Medoff's screenplay veers unpredictably -- from somber melodrama to social satire to all-out slapstick. The film works best in its quieter moments, when it pokes fun at Santa Fe's various New Age philosophies and when it explores Paul's desperate need to find meaning in his life and his desperate crusade against gurus (talking to a group of sixth-graders, he offers Sarte's line about "Hell is other people"). The overly complex story line suffers from a surfeit of subplots; the one about the political battles between Paul's sister (Pamela Reed) and the town's condescending mayor (screenwriter Medoff) is particularly unnecessary.
Still, the film definitely has its moments, and the characterizations are complex and interesting. Cole skillfully delineates both the comic and haunted dimensions of his character, and Davidovich is at her most charming. Majorino offers one of the best child performances in quite a while, even if she must cope with such silly plot devices as her character's speaking in a French accent after a blow to the head. Coming off worst is deaf actress Phyllis Frelich (a Tony winner for Medoff's "Children of a Lesser God"). As Paul's outraged psychologist who expresses her anger in sign language, she is basically reduced to a walking sight gag.
Santa Fe
Absolute Unequivocal LLC
Credits: Director: Andrew Shea; Screenplay: Mark Medoff, Andrew Shea; Producers: Larry Estes, Andrew Shea; Executive producers: Sharon Bialy, Boaz Davidson; Director of photography: Paul Elliott; Editor: Melissa Gerrero; Music: Mark Governor. Cast: Paul: Gary Cole; Crystal: Tina Majorino; Lea: Sheila Kelley; Dan: Jere Burns; Eleanor: Lolita Davidovich; Nancy:Pamela Reed. Color/stereo; Running time -- 97 minutes; No MPAA rating...
- 11/18/1997
- The Hollywood Reporter - Movie News
Film review: 'Santa Fe'
PARK CITY, Utah -- Desert gurus, seminar spiritualists and every other form of New Age varmint that Los Angeles has tossed toward Santa Fe is the focus of this understated cerebral comedy about the flaky state of that current "in" spot.
Playing as a dramatic competition entrant here at the Sundance Film Festival, "Santa Fe" is a droll tale that should fork some decent returns on select-site roads. In particular, fans of novelist John Nichols, who has written extensively about the area in his New Mexico trilogy, will appreciate its satirical sense of the Southwest.
In this dry and dusty sendup, Gary Cole stars as Paul, a brainy lawman who was nearly killed in the line of duty and whose status as one of Santa Fe's finest was jeopardized by his being in a cult. A serious and scholarly sort, Paul's hostility to the pseudo-spiritualist gibberish of the area is topped off when he finds that his wife (Sheila Kelley) has taken up with a New Age acupuncturist. Further riling his sensibilities, Paul's daughter has become enamored with a self-help guru (Lolita Davidovich). Paul's predilection to quote Jean-Paul Sartre and remonstrate to them does not further endear him to his family, including his sister, a feisty councilwoman who has decided to run against the current mayor, an L.A. refugee.
In all, the film is a percolating mix of personal problems and philosophical conundrums and, best of all, writers Mark Medoff and Andrew Shea have rattled it up with all the spicy trappings of life in the area. Overall, "Santa Fe" is a portrait of a mind-set, filtered through the contradictions of that city. If "Santa Fe" has a problem, it is that it does not know its own boundaries -- the writers have woven too much tapestry into this format.
Shea's sly sensibility serves the film well, especially in his keen lensing of production designer Rosario Provenza's sunny-funny mix of things. Visually, "Santa Fe" is scrappy and succinct, owing to cinematographer Paul Elliott's smart sense of framings.
The cast is solid, especially Cole and Davidovich.
SANTA FE
Nu Image
A Doradel Pictures production
A film by Andrew Shea
Producers Larry Estes, Andrew Shea
Director Andrew Shea
Screenwriters Mark Medoff, Andrew Shea
Executive producers Sharon Bialy,
Boaz Davidson
Director of photography Paul Elliott
Production designer Rosario Provenza
Costume designer Deborah Shaw
Editor Melissa Gerrero
Music Mark Governor
Line producer Holly Keenan
Casting director Sharon Bialy
Color/stereo
Cast:
Paul Gary Cole
Crystal Tina Majorino
Lea Sheila Kelley
Dan Jere Burns
Eleanor Lolita Davidovich
Alex Richard Schiff
Culpepper Michael Harris
Nancy Pamela Reed
Richard Adan Sanchez
Running time -- 97 minutes...
Playing as a dramatic competition entrant here at the Sundance Film Festival, "Santa Fe" is a droll tale that should fork some decent returns on select-site roads. In particular, fans of novelist John Nichols, who has written extensively about the area in his New Mexico trilogy, will appreciate its satirical sense of the Southwest.
In this dry and dusty sendup, Gary Cole stars as Paul, a brainy lawman who was nearly killed in the line of duty and whose status as one of Santa Fe's finest was jeopardized by his being in a cult. A serious and scholarly sort, Paul's hostility to the pseudo-spiritualist gibberish of the area is topped off when he finds that his wife (Sheila Kelley) has taken up with a New Age acupuncturist. Further riling his sensibilities, Paul's daughter has become enamored with a self-help guru (Lolita Davidovich). Paul's predilection to quote Jean-Paul Sartre and remonstrate to them does not further endear him to his family, including his sister, a feisty councilwoman who has decided to run against the current mayor, an L.A. refugee.
In all, the film is a percolating mix of personal problems and philosophical conundrums and, best of all, writers Mark Medoff and Andrew Shea have rattled it up with all the spicy trappings of life in the area. Overall, "Santa Fe" is a portrait of a mind-set, filtered through the contradictions of that city. If "Santa Fe" has a problem, it is that it does not know its own boundaries -- the writers have woven too much tapestry into this format.
Shea's sly sensibility serves the film well, especially in his keen lensing of production designer Rosario Provenza's sunny-funny mix of things. Visually, "Santa Fe" is scrappy and succinct, owing to cinematographer Paul Elliott's smart sense of framings.
The cast is solid, especially Cole and Davidovich.
SANTA FE
Nu Image
A Doradel Pictures production
A film by Andrew Shea
Producers Larry Estes, Andrew Shea
Director Andrew Shea
Screenwriters Mark Medoff, Andrew Shea
Executive producers Sharon Bialy,
Boaz Davidson
Director of photography Paul Elliott
Production designer Rosario Provenza
Costume designer Deborah Shaw
Editor Melissa Gerrero
Music Mark Governor
Line producer Holly Keenan
Casting director Sharon Bialy
Color/stereo
Cast:
Paul Gary Cole
Crystal Tina Majorino
Lea Sheila Kelley
Dan Jere Burns
Eleanor Lolita Davidovich
Alex Richard Schiff
Culpepper Michael Harris
Nancy Pamela Reed
Richard Adan Sanchez
Running time -- 97 minutes...
- 1/23/1997
- The Hollywood Reporter - Movie News
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