Ane Crabtree(I)
- Costume Designer
- Producer
- Actress
Ane Crabtree is a visual artist, painter, costume designer, and documentarian whose images conjure the hidden emotions behind the stories of memory, skewed reality, sense of place, and human nature. Her work in movies and television explores the use of deconstruction and dystopia, most notably in her original iconic designs for The Handmaid's Tale, seasons one and two. She is also responsible for The Sopranos pilot, Westworld season one, and Masters of Sex, seasons one and two.
Inspired by the landscapes of reality, alchemy, nature, and direct documentation, Crabtree's approach to her designs explores the transcendence of the real, utilizing emotions as a conduit or emotional decoder for the audience.
Crabtree was described as one of Fast Company's 100 Most Creative People in Business in 2018, deemed so "for designing the apocalypse". Her work reflects the rural roots of Kentucky and the rich influence of her Okinawan heritage as the backbone of her visual storytelling.
In 2018, Crabtree spoke at the United Nations, in support of the METoo movement, at the commemoration of The International Day to End Violence Against Women/Orange the World.
She has been nominated for three Emmy Awards (2017, 2018, 2019)for her work on The Handmaid's Tale and Westworld (2016). She has been nominated for four Costume Guild Awards for PanAm (2012), Masters of Sex (2015), Westworld (2016), and winning for The Handmaid's Tale (2018).
She is featured in the Margaret Atwood documentary A Word After a Word Is Power (2019). She designed the film adaptation of Joan Didion's The Last Thing He Wanted with director Dee Rees and producer Cassian Elwes. Crabtree designed the largest Apple TV project to date, Invasion, created by Simon Kinberg, David Weil, and Audrey Chon.
Her first solo exhibition was "Designs for Dystopia" at SCAD Museum of Fashion and Film, featuring her sketches, designs, and wall of inspiration from The Handmaid's Tale (2018). Her work for The Handmaid's Tale has been shown at pop up exhibitions for Vogue Magazine/The Public Hotel (2017), The Paley Center for Media (2017), and is a part of the permanent collection at The National Museum of American History at The Smithsonian Museum (2018). This work was also a part of the group exhibition, Designs for Different Futures at The Philadelphia Museum of Art (2019-2020), The Walker Museum of Art (2020-2021), and The Art Institute of Chicago (2021).
Crabtree's work will soon be featured in a group exhibition, "Mother!" at The Louisiana Museum of Modern Art in Denmark (2021).
Her most recent collaboration, with filmmaker Liam Young, for the National Gallery of Victoria Museum's Triennial (2020-2021), at MAAT in Lisbon (March 2021), and at the Shanghai Biennale (April 2021) features costumes in the short film "Planet City", directed and produced by Liam Young. Planet City is the first "design for utopia" for Crabtree. She served as costume designer, producer, and costume director for seven international artists, including herself.
She was recently chosen as one of the entrants for the Ridley Scott/Kevin Macdonald documentary, "Life In A Day 2020", which premiered at Sundance 2021 on February 1, 2021.
Inspired by the landscapes of reality, alchemy, nature, and direct documentation, Crabtree's approach to her designs explores the transcendence of the real, utilizing emotions as a conduit or emotional decoder for the audience.
Crabtree was described as one of Fast Company's 100 Most Creative People in Business in 2018, deemed so "for designing the apocalypse". Her work reflects the rural roots of Kentucky and the rich influence of her Okinawan heritage as the backbone of her visual storytelling.
In 2018, Crabtree spoke at the United Nations, in support of the METoo movement, at the commemoration of The International Day to End Violence Against Women/Orange the World.
She has been nominated for three Emmy Awards (2017, 2018, 2019)for her work on The Handmaid's Tale and Westworld (2016). She has been nominated for four Costume Guild Awards for PanAm (2012), Masters of Sex (2015), Westworld (2016), and winning for The Handmaid's Tale (2018).
She is featured in the Margaret Atwood documentary A Word After a Word Is Power (2019). She designed the film adaptation of Joan Didion's The Last Thing He Wanted with director Dee Rees and producer Cassian Elwes. Crabtree designed the largest Apple TV project to date, Invasion, created by Simon Kinberg, David Weil, and Audrey Chon.
Her first solo exhibition was "Designs for Dystopia" at SCAD Museum of Fashion and Film, featuring her sketches, designs, and wall of inspiration from The Handmaid's Tale (2018). Her work for The Handmaid's Tale has been shown at pop up exhibitions for Vogue Magazine/The Public Hotel (2017), The Paley Center for Media (2017), and is a part of the permanent collection at The National Museum of American History at The Smithsonian Museum (2018). This work was also a part of the group exhibition, Designs for Different Futures at The Philadelphia Museum of Art (2019-2020), The Walker Museum of Art (2020-2021), and The Art Institute of Chicago (2021).
Crabtree's work will soon be featured in a group exhibition, "Mother!" at The Louisiana Museum of Modern Art in Denmark (2021).
Her most recent collaboration, with filmmaker Liam Young, for the National Gallery of Victoria Museum's Triennial (2020-2021), at MAAT in Lisbon (March 2021), and at the Shanghai Biennale (April 2021) features costumes in the short film "Planet City", directed and produced by Liam Young. Planet City is the first "design for utopia" for Crabtree. She served as costume designer, producer, and costume director for seven international artists, including herself.
She was recently chosen as one of the entrants for the Ridley Scott/Kevin Macdonald documentary, "Life In A Day 2020", which premiered at Sundance 2021 on February 1, 2021.
