"There ain't nothing else to steal here." Momentum Pics has unveiled the official trailer for an indie crime thriller titled Disturbing the Peace, from director York Alec Shackleton. The film stars Guy Pearce in another leading role as a small town marshal named Jim Dillon, who hasn't carried a gun since he left the Texas Rangers after a tragic shooting. But he must pick up his weapon again to go to battle with a gang of outlaw bikers that have invaded the town to pull off a brazen and violent bank heist. The full cast includes Devon Sawa, Kelly Greyson, Michael Sirow, Barbie Blank, Jacob Grodnik, Michael Bellisario, Dwayne Cameron, Elle E. Wallace, and Jay Willick. Looks as unoriginal as possible, seen it all before. Here's the first official trailer (+ poster) for York Alec Shackleton's Disturbing the Peace, from YouTube: A small-town marshal (Guy Pearce) who hasn't carried...
- 12/18/2019
- by Alex Billington
- firstshowing.net
Traffik
Stars: Paula Patton, Omar Epps, William Fichtner, Missi Pyle, Luke Goss, Roselyn Sanchez, Dawn Olivieri, Laz Alonso, Claude Duhamel, Lorin McCraley | Written and Directed by Deon Taylor
Following her firing from her job at the Sacramento post, a romantic getaway is just what Brea and her boyfriend John need. But the trip, descends into terror when the pair run into a brutal biker gang. Luckily, they escape to a secluded mountain estate for the weekend, but their short-lived joy ends when the gang turn up at their front door demanding they give them what they want. Brea and John are forced into a deadly fight for their lives against a ring of criminals who will stop at nothing to protect their secrets.
On paper Traffik sounds like a cracking thriller reminiscent of the classic thrillers of the 90s – high concept, with a solid cast and a story that touches...
Stars: Paula Patton, Omar Epps, William Fichtner, Missi Pyle, Luke Goss, Roselyn Sanchez, Dawn Olivieri, Laz Alonso, Claude Duhamel, Lorin McCraley | Written and Directed by Deon Taylor
Following her firing from her job at the Sacramento post, a romantic getaway is just what Brea and her boyfriend John need. But the trip, descends into terror when the pair run into a brutal biker gang. Luckily, they escape to a secluded mountain estate for the weekend, but their short-lived joy ends when the gang turn up at their front door demanding they give them what they want. Brea and John are forced into a deadly fight for their lives against a ring of criminals who will stop at nothing to protect their secrets.
On paper Traffik sounds like a cracking thriller reminiscent of the classic thrillers of the 90s – high concept, with a solid cast and a story that touches...
- 8/6/2018
- by Phil Wheat
- Nerdly
Best known for her work in Outlander, Sophie Skelton stars in 211, an action-drama that’s headlined by Nicolas Cage. Skelton is Lisa MacAvoy, the pregnant daughter of a cop named Steve (Dwayne Cameron) who’s about to experience his most harrowing day on the job. Cage is Mike, Steve’s partner and father to an understandably distraught [...]
The post ‘Outlander’ Star Sophie Skelton Talks ‘211’ Journey Into Bulgaria appeared first on Hollywood Outbreak.
The post ‘Outlander’ Star Sophie Skelton Talks ‘211’ Journey Into Bulgaria appeared first on Hollywood Outbreak.
- 6/13/2018
- by Hollywood Outbreak
- HollywoodOutbreak.com
If you count the Sundance premiere of “Mandy,” Nicolas Cage has had no less than five films released in a span of five months — and 2018 isn’t half over yet. Quality doesn’t usually accompany such quantity, though in fact, three of the five (“Mom and Dad” and “The Humanity Bureau” as well as “Mandy”) have been pretty damn good. Balancing things out have been derivative thriller “Looking Glass” and, now, derivative crime meller “211.”
The latter’s publicity materials make a great deal of the film being inspired by a 1997 shootout between the Lapd and bank robbers. But apart from the huge amount of gunfire exchanged, there’s scant resemblance between that event and what’s depicted in York Alec Shackleton’s feature, which comes off as a rote, overstuffed compilation of genre cliches with pedestrian handling of action elements and frequent notes of maudlin contrivance. Nor does it help...
The latter’s publicity materials make a great deal of the film being inspired by a 1997 shootout between the Lapd and bank robbers. But apart from the huge amount of gunfire exchanged, there’s scant resemblance between that event and what’s depicted in York Alec Shackleton’s feature, which comes off as a rote, overstuffed compilation of genre cliches with pedestrian handling of action elements and frequent notes of maudlin contrivance. Nor does it help...
- 6/7/2018
- by Dennis Harvey
- Variety Film + TV
Unwatchable even by the subterranean standards of a direct-to-video Nicolas Cage thriller, director York Shackleton’s “211” is the kind of low-grade schlock that leaves you with a newfound respect for the basic competence that most bad movies bring to the table. Not even the opening credits feel totally credible, as they insist the film is “based on a screenplay” by the filmmaker, a point of attribution that doubles as a brutal self-own.
These are but a few of the many haunting questions that loom over “211”: “What?,” the more existential “why?,” and of course “wait… how the hell did this movie about war profiteers in Afghanistan suddenly become a heartwarming story about a black teenager who learns how to stop worrying and love white cops?”
Also, when the film’s IMDb trivia page says that “Nicolas Cage read the script in 2014,” was that the only time? And finally: “What the hell is a ‘211,’ anyway?...
These are but a few of the many haunting questions that loom over “211”: “What?,” the more existential “why?,” and of course “wait… how the hell did this movie about war profiteers in Afghanistan suddenly become a heartwarming story about a black teenager who learns how to stop worrying and love white cops?”
Also, when the film’s IMDb trivia page says that “Nicolas Cage read the script in 2014,” was that the only time? And finally: “What the hell is a ‘211,’ anyway?...
- 6/4/2018
- by David Ehrlich
- Indiewire
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