Joao Canijo’s newest cinematic venture Mal Viver had its world premiere at the Berlin International Film Festival (Berlinale). The film revolves around a family of women trying to save their relationships and the family hotel and stars Anabela Moreir, Madalena Almeida, Cleia Almeida, Vera Barreto, and Rita Blanco.
Mal Viver starts with an establishing shot on a backyard pool, with Angela (Barreto) cleaning, and Piedade (Moreir) lounging poolside, when suddenly, Piedade’s mother Sara (Blanco), daughter Salome (Almeida), and Raquel (Almeida), show up. All the women exchange confused glances until Piedade and Salome awkwardly embrace because they haven’t seen one another in a long time. Apparently, she wasn’t aware her own child was visiting, and she’s pissed no one told her. The women sit down for dinner and have a catch-up conversation in the hotel restaurant they manage, and although it’s a lively albeit graphic discussion,...
Mal Viver starts with an establishing shot on a backyard pool, with Angela (Barreto) cleaning, and Piedade (Moreir) lounging poolside, when suddenly, Piedade’s mother Sara (Blanco), daughter Salome (Almeida), and Raquel (Almeida), show up. All the women exchange confused glances until Piedade and Salome awkwardly embrace because they haven’t seen one another in a long time. Apparently, she wasn’t aware her own child was visiting, and she’s pissed no one told her. The women sit down for dinner and have a catch-up conversation in the hotel restaurant they manage, and although it’s a lively albeit graphic discussion,...
- 2/22/2023
- by Valerie Complex
- Deadline Film + TV
Portuguese auteur Joao Canijo (Blood of My Blood) arrives at the 2023 Berlinale with not just one but two films — a diptych shot in the same hotel location with overlapping characters. Bad Living (Mal Viver) focuses largely on the women who own and run the hotel, while its companion, Living Bad (Viver Mal), centers on some of the hotel’s guests. (Both films unfold within the same time frame.) Full disclosure: I have not seen Living Bad, but given that Bad Living was selected for the festival’s main competition presumably it was deemed to be the stronger work. One can only shudder to imagine what an ordeal Living Bad must be to endure. Punishingly slow, grandiloquently depressing and ultimately not even especially convincing psychologically, Bad Living feels like the work of people who sincerely believed they were making great art. Sadly, they were mistaken.
Bad Living assembles a procession of mostly static,...
Bad Living assembles a procession of mostly static,...
- 2/21/2023
- by Leslie Felperin
- The Hollywood Reporter - Movie News
Portuguese auteur João Canijo (San Sebastián winner “Blood of My Blood”) has a brace of films at the Berlin Film Festival in 2023. “Bad Living” is in competition while its companion piece “Living Bad” is in the Encounters strand.
“Bad Living” follows five conflicted women who are operating an old family-run hotel, trying to save it from going under. The unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments. “Living Bad,” which plays out like the reverse shot of “Bad Living,” follows the stories of three groups of guests in the same hotel with glimpses of what transpires in the first film.
The genesis of the films go back to “Blood of My Blood” (2011), where the lives of a family living in the outskirts of Lisbon are disrupted within a short period of time.
“‘Blood of My Blood’ was supposed to be two...
“Bad Living” follows five conflicted women who are operating an old family-run hotel, trying to save it from going under. The unexpected arrival of a granddaughter to this oppressive space stirs trouble, reviving latent hatred and piled-up resentments. “Living Bad,” which plays out like the reverse shot of “Bad Living,” follows the stories of three groups of guests in the same hotel with glimpses of what transpires in the first film.
The genesis of the films go back to “Blood of My Blood” (2011), where the lives of a family living in the outskirts of Lisbon are disrupted within a short period of time.
“‘Blood of My Blood’ was supposed to be two...
- 2/20/2023
- by Naman Ramachandran
- Variety Film + TV
One of the most fascinating, ambitious cinematic projects premiering at the Berlin International Film Festival this month comes from Portuguese director João Canijo, who will be debuting a pair of connected films in different sections. First up, his Competition selection Mal Viver (Bad Living) draws inspiration from the plays of Strindberg and films of Rivette in telling the story of five women who are running a decaying hotel. Then the Encounters election Viver Mal (Living Bad) is set in the same location, but from the viewpoint of the guests. Ahead of the premieres, we’re thrilled to exclusively debut the first trailers.
With the same creative team behind both films, including cinematographer Leonor Teles, editor João Braz, sound team of Elsa Ferreira and Tiago Raposinho, production designer Nádia Henriques, and costumer designer Silvia Siopa, the cast of Mal Viver features Anabela Moreira, Rita Blanco, Madalena Almeida, Cleia Almeida, and Vera Barreto,...
With the same creative team behind both films, including cinematographer Leonor Teles, editor João Braz, sound team of Elsa Ferreira and Tiago Raposinho, production designer Nádia Henriques, and costumer designer Silvia Siopa, the cast of Mal Viver features Anabela Moreira, Rita Blanco, Madalena Almeida, Cleia Almeida, and Vera Barreto,...
- 2/10/2023
- by Jordan Raup
- The Film Stage
The Berlin Film Festival on Monday unveiled the titles selected for its official competition as well as its sidebar Encounters competitive section.
A total of 18 films have been selected for the international competition with highlights including Christian Petzold’s latest film Roter Himmel (Afire), Margarethe von Trotta directing Phantom Thread star Vicky Krieps in Ingeborg Bachmann — Journey Into the Desert, and Philippe Garrel returns with a new feature titled The Plough.
Scroll down for the full lineup.
This morning the festival also revealed an extra special screening: Actor and filmmaker Sean Penn will debut a documentary titled Superpower, a film shot in Ukraine last year at the outbreak of Russia’s invasion and follows president Volodymyr Zelenskyy.
The Berlin Film Festival takes place February 16-26.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. The festival had initially done a good job of increasing...
A total of 18 films have been selected for the international competition with highlights including Christian Petzold’s latest film Roter Himmel (Afire), Margarethe von Trotta directing Phantom Thread star Vicky Krieps in Ingeborg Bachmann — Journey Into the Desert, and Philippe Garrel returns with a new feature titled The Plough.
Scroll down for the full lineup.
This morning the festival also revealed an extra special screening: Actor and filmmaker Sean Penn will debut a documentary titled Superpower, a film shot in Ukraine last year at the outbreak of Russia’s invasion and follows president Volodymyr Zelenskyy.
The Berlin Film Festival takes place February 16-26.
Organizers have already announced more than 100 titles across sidebars spanning Panorama, Forum, and Berlinale Special. The festival had initially done a good job of increasing...
- 1/23/2023
- by Zac Ntim
- Deadline Film + TV
Bloodletting: Canijo’s Latest a Masterwork of Familial Upheaval
Portuguese director Joao Canijo returns with his eighth feature, Blood of My Blood, (his first fictional outing since 2007’s Misbegotten) a sprawling, all consuming portrait of one week in the life a matriarchal run familial unit in the slums outside Lisbon, and may indeed be his masterpiece. Inevitably, there’s no denying a comparison of technique with Altman and Mike Leigh (Canijo spent two years developing the characters with the actors via a series of workshops as Leigh does), but the film stands quite firmly as an often uncomfortable, unpleasant, and always fascinating family saga that would, in a fair world, finally open up the English speaking market to Canijo’s previous directorial efforts, which date back to the early 80s.
In Padre Cruz, a slum on the edge of Lisbon, the Fialho clan, whose workable, but makeshift daily existence is about to be severely shaken.
Portuguese director Joao Canijo returns with his eighth feature, Blood of My Blood, (his first fictional outing since 2007’s Misbegotten) a sprawling, all consuming portrait of one week in the life a matriarchal run familial unit in the slums outside Lisbon, and may indeed be his masterpiece. Inevitably, there’s no denying a comparison of technique with Altman and Mike Leigh (Canijo spent two years developing the characters with the actors via a series of workshops as Leigh does), but the film stands quite firmly as an often uncomfortable, unpleasant, and always fascinating family saga that would, in a fair world, finally open up the English speaking market to Canijo’s previous directorial efforts, which date back to the early 80s.
In Padre Cruz, a slum on the edge of Lisbon, the Fialho clan, whose workable, but makeshift daily existence is about to be severely shaken.
- 11/4/2012
- by Nicholas Bell
- IONCINEMA.com
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