- Born
- Died
- Birth nameKeith John Moon
- Nickname
- Moon the Loon
- Height5′ 8″ (1.73 m)
- Keith John Moon was born to working class parents in Wembley, London, England, on the 23rd August, 1946. At the age of 12, he had joined the Sea Cadet Corp and was given his first musical instrument, the bugle. He left school by 15 and was in his first band, The Beachcombers; this was around the summer of 1963. There was rumour that Keith was self-taught, but history says otherwise, he was shown how to play by the late Carlo Little (1938-2005), Carlo was the original drummer in The Rolling Stones and Screaming Lord Sutch's band, The Savages.
By the age of 18, he had joined a local London band, The High Numbers; this was to consist of what is now known as The Who.
With his own unique style of drumming, rolling the sticks along the skins as to banging the typical beat, he was to become extrovertly charismatic in his life as well as his playing. With a desire, a need if you like, to be the centre of attention, this hyperactive, and largely, self destructive, personality became his own worst enemy.
With a flair for theatrical and ridiculous behaviour, he was the centre point and self-publicist for, if they liked it or not, The Who.
In the meantime, he had fathered a daughter, Mandy, to Kim. He may have been the perfect showman, but behind the scenes, he was often a very aggressive man to live around and with. Kim soon left him, taking their young daughter with her.
He started to live the high life in California, with the likes of John Lennon, Harry Nilsson and Ringo Starr, Ringo's son, Zak, was his godson, ironically, it was Zak who played with The Who in their later career, during the nineties and beyond.
While in California, he made his only solo album, Two Sides of The Moon, for MCA Records, a 1975 release, with many guest artists. Keith rarely played the drums while away from The Who, he sang on the album, and played the drums on only three of the tracks.
His on-stage aggression, destroying his drum kits while still playing them and wrecking hotel rooms, apart from being an obvious publicity stunt, was fuelled with an over use of drugs and alcohol. This addictive side to his nature flowed into the 70s, playing against the band, his family and friends. His drumming became irregular and unpredictable. He put on weight, so much so as to have him sit in a chair with the backrest toward the camera, to hide his paunch, on the cover of the last The Who album with Keith, the 1978 Who are You.
He died in September 7th, 1978; his death was an accident, by the overuse of the prescribed medicine that was designed to ease him off his drink addiction. He died in the same London apartment as Cass Elliot, from The Mamas and the Papas, who had died there some four years earlier.- IMDb Mini Biography By: Cinema_Fan
- SpouseKim McLagan(March 17, 1966 - 1975) (divorced, 1 child)
- Wild drum playing and subsequent destruction of his kit when performing live.
- Extremely destructive personality even off-stage, often at the expense of hotel rooms
- Bowl Haircut
- His public image was so pronounced that the Muppet character, Animal, whose credo is "Drums. Women. Food." was inspired by Moon.
- Did not like school and was not a good student. A teacher once wrote in his report card, "Retarded artistically, idiotic in other respects".
- On the cover of the last The Who album recorded with Moon, he is seated in chair upon which the words "Not to Be Taken Away" are stenciled. Moon died within weeks of the album's release.
- Packed flash powder in his bass drum during an appearance on the The Smothers Brothers Comedy Hour (1967), causing it to explode. This not only caused Pete Townshend's hair to catch fire and damaged his hearing, but Moon was injured as well. His prime purpose in this prank was to upstage Smothers, and when he appeared right in front of the camera whilst a joke was being cracked, before collapsing, his attempts were successful. Bette Davis was standing backstage during the explosion and fainted.
- The Beach Boys and Jan & Dean were his favorite musicians.
- I love to see people laugh and I love it more if I can make them laugh. I think this comes across in my drumming. I watch a lot of The Marx Brothers' movies and they were doing the same sort of things. You've seen the way [Chico Marx] plays the piano with that certain flair . . . adding something to the music while taking liberties within his own capabilities? It's a question of taking somebody else's music but not sending it up in a derogative sense, just injecting your own personality. [Pete Townshend]'s music allows me to do this.
- You know, if I ever stopped laughing inside and quit believing in people then I would get very hurt and totally disillusioned. You have to treat everything - even if at that time it seems like a right bummer
- as a good experience. There are things that have happened to me that
- At heart I cannot accept that I am a well-known rock 'n' roll star and one of the greatest drummers in the world. I can't believe that person on the television is really me. The Keith Moon the public knows is a myth, even if I have created him. The real me is the person who sits at home having a cup of tea with his old lady, Annette. The hotel smashing is one way I get relief from the public image. I have no temper. I do it in a spirit of amusment [sic] rather than anger. When I've done damage to a friend's house I come back sheepishly the next day and offer to put things right, which means I'm willing to foot the bill.
- They're always saying I'm a capitalistic pig. I suppose I am. But ... it's good for my drumming.
- I'm not tempted to quit now like I was when we where having our internal troubles. I'd be mad to, wouldn't I? Said in an interview concerning him, possibly, leaving The Who October 1966.
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