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The Academy Awards grew up at the 16th annual ceremony March 2, 1944. Since the first Oscar ceremony at the Hollywood Roosevelt’s Blossom Room in 1929, the Academy Awards were small banquet ceremonies for La La Land movers and shakers. But that all changed 80 years ago. World War II was in its third year and movies meant more than ever to war-weary audiences.

So, the Oscars moved to the then-Grauman’s Chinese Theatre in Hollywood and bleachers were introduced giving fans a chance to see their favorites walk the red carpet. And instead of a select industry audience, attendees included members of all branches of the armed services many of whom sat in bleachers on the stage at the Chinese. The ceremony was heard locally on Kfwb; Jack Benny hosted the international broadcast for the troops on CBS Radio via shortwave. And for the first time, supporting performers finally received a full-size Academy Award.

Betta St. John, who portrayed the lovely island girl Liat in the original Broadway production of South Pacific and starred as a princess alongside Cary Grant and Deborah Kerr in the MGM romantic comedy Dream Wife, has died. She was 93.

St. John died June 23 of natural causes at an assisted living facility in Brighton, England, her son, TV producer Roger Grant, told The Hollywood Reporter.

The California native played one of the survivors of an airline crash, who is chased by a crocodile in Tarzan and the Lost Safari (1957) — the first Tarzan film in 15 years and the first one in color — and then returned for Tarzan the Magnificent (1960). Both films starred Gordon Scott as the King of the Jungle.

St. John also starred with Stewart Granger, Ann Blyth and Robert Taylor in All the Brothers Were Valiant (1953); with Victor Mature, Piper Laurie and Vincent Price in the 3-D adventure Dangerous...

Beneath every placid surface and between each crashing wave, the movies’ most magical aquatic adventures portend the possibility of mermaids. Half-human, half-fish creatures swam onto the big screen at the turn of the 20th century, appearing in silent works such as Georges Méliès‘ 1904 short film “The Mermaid” and John G. Adolfi’s 1918 feature “Queen of the Sea” among others. The mythical archetype was subsequently reeled in as the effervescent love interest template for numerous ’30s and ’40s rom-coms, with the concept perfected in Irving Pichel’s well-loved talky “Mr. Peabody and the Mermaid,” starring Ann Blyth.

The siren songs characteristic of these mysterious ocean-dwellers even resulted in a string of MGM aqua musicals. Disney’s “The Little Mermaid” brought the mermaid musical to the animation-loving masses in 1989, winning Best Original Score and Best Original Song for “Under the Sea” at the Oscars. Darryl Hannah appeared opposite Tom Hanks not much...

When Hollywood from time to time reinvented the western the results were sometimes sensationally good, as attested to by this superior neglected classic. We’d call it the first psychological western if the term weren’t so limiting. Gregory Peck once again proves how good he can be when well cast and he’s surrounded by fine characterizations, not typical oater walk-ons. The screenplay and direction are so pleasing that the downbeat finale isn’t a drawback — it doesn’t strain to enforce an irony, or to sell a deep-dish ‘author’s message.’ This one’s just a winner in all categories.

The Gunfighter

Blu-ray

The Criterion Collection 1053

1950 / B&w / 1:37 Academy / 84 min. / available through The Criterion Collection / Street Date , 2020 / 39.95

Starring: Gregory Peck, Helen Westcott, Millard Mitchell, Jean Parker, Karl Malden, Skip Homeier, Anthony Ross, Verna Felton, Ellen Corby, Richard Jaeckel, Alan Hale Jr., Mae Marsh, James Millican, Kim Spalding.

If you have to name One movie that’s not likely to ever be screened in a prison, this one’s a good bet. In his sophomore starring outing Burt Lancaster leads a group of rebel convicts on a do-or-die bust-out against Hume Cronyn’s utter Nazi of a warden Captain. Richard Brooks’ script and Jules Dassin’s direction don’t sugarcoat the sadistic goings-on and producer Mark Hellinger pushed the result through the Production Code office. Sure, sure, plenty of noirs are violent … but this one must have been quite a head-spinner in ’47.

Brute Force

Blu-ray

The Criterion Collection 383

1947 / B&w / 1:37 Academy / 98 min. / available through The Criterion Collection / Street Date September 8, 2020 / 39.95

Starring: Burt Lancaster, Hume Cronyn, Charles Bickford, Yvonne De Carlo, Ann Blyth, Ella Raines, Anita Colby, Sam Levene, Jeff Corey, John Hoyt, Jack Overman, Roman Bohnen, Sir Lancelot, Howard Duff, Art Smith, Whit Bissell.

Cinematography: William Daniels...

Although only one of these 1950s B&w thrillers falls within a mile of a hard definition of film noir, all give us glamorous actresses in interesting roles. Claudette Colbert takes her turn at playing a nun, Merle Oberon tries a femme fatale role on for size and Hedy Lamarr does very well for herself as a man-hungry movie star. Kino gives all three excellent transfers, and one comes with an appropriately gossipy audio commentary.

Film Noir the Dark Side of Cinema II

Thunder on the Hill, The Price of Fear, The Female Animal

Blu-ray

Kl Studio Classics

1951-58 / B&w / 1:37 Academy, 1:85 widescreen / 84,79,82 min. / Street Date May 12, 2020 / available through Kino Lorber / 49.95

Starring: Claudette Colbert, Ann Blyth, Robert Douglas, Anne Crawford, Connie Gilchrist, Gladys Cooper, Michael Pate, Phillip Friend; Merle Oberon, Lex Barker, Charles Drake, Gia Scala, Warren Stevens, Phillip Pine, Konstantin Shayne, Stafford Repp; Hedy Lamarr, Jane Powell,...

“How like a serpent’s tooth is a thankless child.” Few of them have been more thankless than Veda (16 year old Ann Blyth), Mildred’s ungrateful daughter in Michael Curtiz’s classic adaptation of James M. Cain’s best selling novel. Cain disliked the movie but thought Crawford was perfect in the role Bette Davis turned down. It was a huge hit and put Crawford back on top with an Oscar win for best actress. The recent mini-series cable remake with Kate Winslet was widely admired.

The post Mildred Pierce appeared first on Trailers From Hell.

Ah romance! A handsome stranger takes a room in your house, lets you feed him and doesn’t pay the rent — of course he’s the perfect man of your dreams. Excellent WB players Faye Emerson and Zachary Scott enliven an odd mix of moods in a tale of a murderous Bluebeard- boyfriend. Director Robert Florey’s thriller is half stylish spook show, and half romantic sitcom. With Dick Erdman, Rosemary DeCamp and perky Mona Freeman as the little sister who needs to be told, ‘Don’t you do what your big sister done.’

Danger Signal

DVD-r

The Warner Archive Collection

1945 / B&W / 1:37 flat Academy / 78 min. / Street Date March 6, 2018 / available through the WBshop / 21.99

Starring: Faye Emerson, Zachary Scott, Dick Erdman, Rosemary DeCamp, Bruce Bennett, Mona Freeman, John Ridgely, Mary Servoss, Joyce Compton, Virginia Sale, Robert Arthur.

Cinematography: James Wong Howe

Film Editor: Frank Magee

Original Music: Adolph Deutsch

Written by Adele Comandini,...

The National Academy of Television Arts and Sciences (NATAS) today proudly announced that Bill Hayes and Susan Seaforth Hayes, stars of television, film and stage and Sid and Marty Krofft, two legendary television producers, will be honored with Lifetime Achievement Awards this year during the Daytime Emmy® Awards. The Krofft Brothers will be celebrated at the 45th Daytime Creative Arts Emmy Awards which will take place on Friday, April 27th, 2018, while Bill Hayes and Susan Seaforth Hayes will be celebrated on Sunday, April 29th, 2018 at the 45th Daytime Emmy Awards. Both presentations will take place at the Pasadena Civic Auditorium in Southern California.

“I’ve been star-struck by the dynamic duo of Bill Hayes and Susan Seaforth Hayes for decades,” said David Michaels, Svp, Daytime Emmy Awards, NATAS. “The scope of their work across the television, film and stage landscape is amazing. Their continuing roles of almost 50 years on Days of our Lives,...

“How like a serpent’s tooth is a thankless child”. Few of them have been more thankless than Veda (16 year old Ann Blyth), Mildred’s ungrateful daughter in Michael Curtiz’s classic adaptation of James M. Cain’s best selling novel. Cain disliked the movie but thought Crawford was perfect in the role Bette Davis turned down. It was a huge hit and put Crawford back on top with an Oscar win for best actress. The recent mini-series cable remake with Kate Winslet was widely admired.

No jokes about fish and visitors please — Agnieszka Smoczyńska’s horror fantasy musical is indeed about delectable creatures from the deep, but these particular mythical misses have their own agenda, and woe to the man who trifles with their affections. What’s today’s catch? A Polish phantasmagoria seemingly teleported from the glitzy 1980s.

The Lure

Blu-ray

The Criterion Collection 896

2015 / Color / 2:39 widescreen / 92 min. / available through The Criterion Collection / Street Date October 10, 2017 / 39.95

Starring: Kinga Preis, Michalina Olszańska, Marta Mazurek, Jakub Gierszał, Andrzej Konopka, Zygmunt Malanowicz, Marcin Kowalczyk.

Cinematography: Kuba Kijowski

Film Editor: Jarosław Kamiński

Production Design: Joanna Macha

Costume: Katarzyna Lewińska

Special Effects makeup: Tomasz Matraszek

Choreography: Kaya Kołodziejczyk and Jarosław Staniek

Original Music and Lyrics: Barbara Wrońska and Zuzanna Wrońska

Written by Robert Bolesto

Produced by Włodzimierz Niderhaus

Directed by Agnieszka Smoczyńska

I’m normally an easy mark for bizarre genre-bending horror fare. I also like musicals of all sorts,...

The 1945 cinematic adaptation of Mildred Pierce, directed by Michael Curtiz and starring, of course, Joan Crawford, is a very different beast to the 2011 HBO mini-series starring Kate Winslet. In all honestly it is not as good, but more significantly it is very different in terms of costume. Interestingly enough the mini-series, which is evidently a period piece, is closer in terms of historical accuracy than the near contemporary set Crawford version. This is not the be all and end all, because while Winslet’s Pierce may feel more real in terms of costume and setting, Crawford’s is arguably more fun. If for no other reason than to exemplify how the importance of star wattage took over everything back then regardless of what was contained in the script. Make no mistake, the story may be centred on Mildred Pierce but the movie is one hundred percent centred on Joan Crawford.

With the new release of Mildred Pierce, the Criterion Collection appears to be solidifying a trend over the past couple years of providing a showcase for some of the greatest female actors from Hollywood’s Golden Age. Since late 2014, stars like Claudette Colbert (It Happened One Night, The Palm Beach Story), Rita Hayworth (Gilda, Only Angels Have Wings) and Rosalind Russell (His Girl Friday) have made their first appearances in the Collection, in what can be considered career-defining roles. These additions seem to be addressing a notable blind spot for Criterion. As impressive as their reach has been in bringing many of the most iconic women from the past hundred years of world cinema to the forefront, the continuing absence of silver screen legends like Bette Davis, Olivia de Havilland, Greta Garbo and Elizabeth Taylor, just to name a few, seems like a lingering oversight, a problem yet to be...

“Cain, Curtiz, And Crawford”

By Raymond Benson

Mildred Pierce is one curious piece of cinema. As film critics Molly Haskell and Robert Polito point out in their fascinating conversation that is a supplement on this beautifully-presented Blu-ray release from The Criterion Collection, Pierce is a movie that almost doesn’t know what it wants to be. In many ways it is a woman’s picture, that is, a melodrama, but it’s disguised inside a manufactured film noir.

This reasoning is sound, for in spite of novelist James M. Cain being known for terrific pulp crime fiction (Double Indemnity, The Postman Always Rings Twice), his 1941 novel Mildred Pierce is not a crime story, unless you want to say that a young woman having an affair with her stepfather is “criminal.” The book is indeed hardboiled and pulpy, but there is no murder in it.

On the other hand, Michael Curtiz...

Stars: Joan Crawford, Jack Carson, Zachary Scott, Ann Blyth, Bruce Bennett, Butterfly McQueen | Written by Ranald MacDougall, Catherine Turney | Directed by Michael Curtiz

The shadow of Casablanca will always loom over Michael Curtiz’s bumper filmography, but time has been nearly as kind to Mildred Pierce, an adaptation of James M. Cain’s 1941 novel. A Joan Crawford vehicle made in 1945, the movie is a solid and relevant story that was remade recently for television by Todd Haynes for HBO – albeit minus the murder subplot, which wasn’t in the original text.

Crawford plays Mildred Pierce-Beragon, a woman hauled in by the police following the shooting of her husband, Monte (a slithery Zachary Scott). Mildred is the prime suspect, but then the film flicks to flashback as she starts telling the story of her rises and falls, and we begin to learn of the machinations that ended in murder.

We meet the younger Mildred,...

Mildred Pierce

Blu-ray

The Criterion Collection 860

1945 / B&W / 1:37 flat Academy / 111 min. / available through The Criterion Collection / Street Date , 2017 /

Starring Joan Crawford, Jack Carson, Zachary Scott, Eve Arden, Ann Blyth, Bruce Bennett, Lee Patrick, Moroni Olsen, Veda Ann Borg, Jo Ann Marlowe, Butterfly McQueen.

Cinematography: Ernest Haller

Art Direction: Anton Grot

Film Editor: David Weisbart

Original Music: Max Steiner

Written by: Ranald MacDougall from the novel by James M. Cain

Produced by: Jerry Wald, Jack L. Warner

Directed by Michael Curtiz

James M. Cain’s 1941 novel Mildred Pierce offers a venal and self-destructive view of America not with a story of respectable bourgeois society, not the criminal underworld. A de-classed, suburb-dwelling nobody fights her way onto the social register by using men and by hard work… and then watches as her obsessive goals blow up in her face In Cain’s worldview it’s every woman for herself. He drags in an odd personal theme,...

Update: The Before Trilogy on Criterion is currently $39.95. Pre-order while you can.

After The Criterion Collection hinted at it and some of the own crew confirmed it, it’s now been officially revealed that one of their most-requested releases will be arriving next year. Richard Linklater‘s Before trilogy will be joining the colelction just a few weeks after Valentine’s Day, on February 28th, featuring new 2K restorations of Before Sunrise and Before Sunset as well as Before Midnight.

Special features include a new discussion with Linklater, Julie Delpy, and Ethan Hawke, moderated by Kent Jones, and Athina Rachel Tsangari’s documentary on the making of the most recent feature. There’s also the full feature-length documentary Richard Linklater: Dream Is Destiny, and more. While we’re still waiting on cover art for the Linklater set, check out the full details on February’s line-up below, also including one...

The Little Black Dress—From Mourning to Night is a free exhibit currently at The Missouri History Museum (Lindell and DeBaliviere in Forest Park, St. Louis, Missouri). The exhibit runs through September 5th.

The Little Black Dress – a simple, short cocktail dress—is a sartorial staple for most contemporary women. Prior to the early 20th century, simple, unadorned black garments were limited to mourning, and strict social rules regarding mourning dress were rigidly observed.Featuring over 60 dresses from the Missouri History Museum’s world-renowned textile collection, this fun yet thought-provoking exhibit explores the subject of mourning, as well as the transition of black from a symbol of grief to a symbol of high fashion. You’ll also see fascinating artifacts—from hair jewelry to tear catchers—that were once a regular part of the mourning process. Plus, you’ll have the chance to share your own memories of your favorite...

Ernst Lubitsch: The movies' lost 'Touch.' Ernst Lubitsch movies on TCM: Classics of a bygone era Ernst Lubitsch and William Cameron Menzies were Turner Classic Movies' “stars” on Jan. 28, '16. (This is a fully revised and expanded version of a post published on that day.) Lubitsch had the morning/afternoon, with seven films; Menzies had the evening/night, also with seven features. (TCM's Ernst Lubitsch schedule can be found further below.) The forgotten 'Touch' As a sign of the times, Ernst Lubitsch is hardly ever mentioned whenever “connoisseurs” (between quotes) discuss Hollywood movies of the studio era. But why? Well, probably because The Lubitsch Touch is considered passé at a time when the sledgehammer approach to filmmaking is deemed “fresh,” “innovative,” “cool,” and “daring” – as if a crass lack of subtlety in storytelling were anything new. Minus the multimillion-dollar budgets, the explicit violence and gore, and the overbearing smugness passing for hipness,...

Hal Roach looks on as technicians install Vitaphone equipment in his studio screening room, ca. 1928. (Click on the image to enlarge it.) 'A Century of Sound': Q&A with former UCLA Preservation Officer Robert Gitt about the evolution of film sound technology Long before multi-track Dolby stereo and digital sound technology, there were the Kinetophone and the Vitaphone systems – not to mention organ and piano players at movie houses. Much of that is discussed in A Century of Sound, which chronicles the evolution of film sound from the late 19th century to the mid-1970s. A Century of Sound has been split into two parts, with a third installment currently in the planning stages. They are: Vol. 1, “The Beginning, 1876-1932,” which came out on DVD in 2007. Vol. 2, “The Sound of Movies: 1933-1975,” which came out on Blu-ray in 2015. The third installment will bring the presentation into the 21st century.

Joan Crawford in 'Mildred Pierce.' 'Mildred Pierce' review: Very entertaining soap opera Time has a way of making some films seem grander than they really are. A good example is Mildred Pierce, the 1945 black-and-white melodrama directed by Casablanca's Michael Curtiz, and that won star Joan Crawford a Best Actress Oscar. Mildred Pierce is in no way, shape, or form great art, even though it's certainly not a bad film. In fact, as a soap opera it's quite entertaining – no, make that very entertaining; and entertainment is a quality that can stand on its own. (The problem in recent decades is that cinema has become nothing but entertainment.) In the case of Mildred Pierce, the entertainment is formulaic and rather predictable – but in an enjoyable, campy sort of way. Unbridled Hollywood melodrama Now, what makes Mildred Pierce a melodrama is something known as the Dumbest Possible Action – Dpa for short.

Sure, children are our future. But what if they turn out to be our demise? Whether kids are compelled to murder through the extremity of a situation or because they are seemingly rotten to the core, the idea that precious innocence can be twisted into something hideously unrecognizable continues to be a terrifying trope of the horror genre. Here is a list of movies where creepy little hands commit unspeakable deeds.

5. The Bad Seed

Written by John Lee Mahin, Maxwell Anderson, and William March

Written by Mervyn LeRoy

USA, 1956

The Bad Seed’s Rhonda (Patty McCormack) is a pig-tailed little girl who threatens, hurts, and murders anyone who hinders her from getting every whim. Although the film skirts around this truth for too long, it is clear from the beginning that she is the culprit of any pain being inflicted. The movie contains lengthy intervals where almost nothing happens, but...

Theodore Bikel. Theodore Bikel dead at 91: Oscar-nominated actor and folk singer best known for stage musicals 'The Sound of Music,' 'Fiddler on the Roof' Folk singer, social and union activist, and stage, film, and television actor Theodore Bikel, best remembered for starring in the Broadway musical The Sound of Music and, throughout the U.S., in Fiddler on the Roof, died Monday morning (July 20, '15) of "natural causes" at the UCLA Medical Center in Los Angeles. The Austrian-born Bikel – as Theodore Meir Bikel on May 2, 1924, in Vienna, to Yiddish-speaking Eastern European parents – was 91. Fled Hitler Thanks to his well-connected Zionist father, six months after the German annexation of Austria in March 1938 ("they were greeted with jubilation by the local populace," he would recall in 2012), the 14-year-old Bikel and his family fled to Palestine, at the time a British protectorate. While there, the teenager began acting on stage,...

Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...

Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper.[1] Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year.

Christopher Reeve Foundation for spinal cord and stem cell research (photo: Darryl Hannah and Christopher Reeve in 'Rear Window') (See previous post: "'Superman' Christopher Reeve and his Movies: Ten-Year Death Anniversary.") In his 1998 autobiography Still Me, Christopher Reeve recalled: "At an especially bleak moment [prior to an operation that might result in his death], the door [of his hospital room] flew open and in hurried a squat fellow with a blue scrub hat and a yellow surgical gown and glasses, speaking in a Russian accent. For the first time since the accident, I laughed. My old friend had helped me know that somehow I was going to be okay." The "old friend" was the recently deceased Robin Williams, whom Reeve had befriended while both were studying at Juillard. Eventually, Reeve became a staunch advocate for spinal cord and stem cell research, sponsoring with his wife the Christopher Reeve Foundation — later renamed the Christopher and Dana Reeve Foundation (and formerly known...

Polly Bergen: 'Desperate Housewives' Emmy nominee; winner for 'The Helen Morgan Story' (photo: Felicity Huffman, Doug Savant, and Polly Bergen in 'Desperate Housewives') (See previous article: "Polly Bergen: Actress on Richard Nixon 'Enemies List'.") Polly Bergen began her lengthy — and to some extent prestigious — television career in 1950, making sporadic appearances in anthology series. She won an Emmy for Best Actress in a Single Performance – Lead or Supporting — beating Julie Andrews, Helen Hayes, Teresa Wright, and Piper Laurie — for playing troubled torch singer Helen Morgan (Show Boat) in the 1957 Playhouse 90 episode "The Helen Morgan Story," featuring veteran Sylvia Sidney as Morgan's mother. Curiously, Bergen's retelling of Helen Morgan's story was broadcast the same year that Ann Blyth starred in Michael Curtiz's Morgan biopic. Also titled The Helen Morgan Story, the film focused on the relationship between the singer and a...

Polly Bergen dead at 84: ‘First woman president of the U.S.A.,’ former mistress of Tony Soprano’s father Emmy Award-winning actress Polly Bergen — whose roles ranged from the first U.S.A. woman president in Kisses for My President to the former mistress of both Tony Soprano’s father and John F. Kennedy in the television hit series The Sopranos — died from "natural causes" on September 20, 2014, at her home in Southbury, Connecticut. The 84-year-old Bergen, a heavy smoker for five decades, had been suffering from emphysema and other ailments since the 1990s. "Most people think I was born in a rich Long Island family," she told The Washington Post in 1988, but Polly Bergen was actually born Nellie Paulina Burgin on July 14, 1930, to an impoverished family in Knoxville, Tennessee. Her father was an illiterate construction worker while her mother got only as far as the third grade. The family...

To mark the release of Brute Force on 15th September, we’ve been given 3 copies to give away on Blu-ray.

Before making the French crime classic Rififi, Jules Dassin was arguably the greatest of film noir directors, responsible for a string of gems including The Naked City, Thieves’ Highway and Night and the City. Brute Force kickstarted that run of pictures and never did a film live up to its name more. Burt Lancaster is Joe Collins, one of a number of convicts squeezed into cell R17 intent on staging a prison break. Not only does he need to return to the side of his cancer-ridden wife (Ann Blyth), he also wants to escape the clutches of sadistic warden Captain Munsey (an unforgettable performance from Hume Cronyn) who enjoys a reign of terror over the inmates.

Beautifully shot by the great William H. Daniels, tautly written by Richard Brooks (Blackboard Jungle,...

Joan Lorring, 1945 Best Supporting Actress Oscar nominee, dead at 88: One of the earliest surviving Academy Award nominees in the acting categories, Lorring was best known for holding her own against Bette Davis in ‘The Corn Is Green’ (photo: Joan Lorring in ‘Three Strangers’) Best Supporting Actress Academy Award nominee Joan Lorring, who stole the 1945 film version of The Corn Is Green from none other than Warner Bros. reigning queen Bette Davis, died Friday, May 30, 2014, in the New York City suburb of Sleepy Hollow. So far, online obits haven’t mentioned the cause of death. Lorring, one of the earliest surviving Oscar nominees in the acting categories, was 88. Directed by Irving Rapper, who had also handled one of Bette Davis’ biggest hits, the 1942 sudsy soap opera Now, Voyager, Warners’ The Corn Is Green was a decent if uninspired film version of Emlyn Williams’ semi-autobiographical 1938 hit play about an English schoolteacher,...

Oscar-nominated ‘Imitation of Life’ actress Juanita Moore has died Juanita Moore, Best Supporting Actress Academy Award nominee for the 1959 blockbuster Imitation of Life, died on New Year’s Day 2014 at her home in Los Angeles. According to various online sources, Juanita Moore (born on October 19, 1922) was 91; her step-grandson, actor Kirk Kahn, said she was 99. (Photo: Juanita Moore in the late ’50s. See also: Juanita Moore and Susan Kohner photos at the 50th anniversary screening of Imitation of Life at the Academy of Motion Picture Arts and Sciences.) Juanita Moore movies The Los Angeles-born Juanita Moore began her show business career as a chorus girl at New York City’s Cotton Club. According to the IMDb, Moore was an extra/bit player in a trio of films of the ’40s, including Vincente Minnelli’s all-black musical Cabin in the Sky (1942) and Elia Kazan’s socially conscious melodrama Pinky (1949), in which Jeanne Crain plays a (very,...

Sure, children are our future. But what if they turn out to be our demise? Whether kids are compelled to murder through the extremity of a situation or because they are seemingly rotten to the core, the idea that precious innocence can be twisted into something hideously unrecognizable continues to be a terrifying trope of the horror genre. Here is a list of movies where creepy little hands commit unspeakable deeds.

5. The Bad Seed

Written by John Lee Mahin, Maxwell Anderson, and William March

Written by Mervyn LeRoy

USA, 1956

The Bad Seed’s Rhonda (Patty McCormack) is a pig-tailed little girl who threatens, hurts, and murders anyone who hinders her from getting every whim. Although the film skirts around this truth for too long, it is clear from the beginning that she is the culprit of any pain being inflicted. The movie contains lengthy intervals where almost nothing happens, but...

Ann Blyth movies: TCM schedule on August 16, 2013 (photo: ‘Our Very Own’ stars Ann Blyth and Farley Granger) See previous post: "Ann Blyth Today: Light Singing and Heavy Drama on TCM." 3:00 Am One Minute To Zero (1952). Director: Tay Garnett. Cast: Robert Mitchum, Ann Blyth, William Talman. Bw-106 mins. 5:00 Am All The Brothers Were Valiant (1953). Director: Richard Thorpe. Cast: Robert Taylor, Stewart Granger, Ann Blyth. C-95 mins. 6:45 Am The King’S Thief (1955). Director: Robert Z. Leonard. Cast: Ann Blyth, Edmund Purdom, David Niven. C-79 mins. Letterbox Format. 8:15 Am Rose Marie (1954). Director: Mervyn LeRoy. Cast: Ann Blyth, Howard Keel, Fernando Lamas. C-104 mins. Letterbox Format. 10:00 Am The Great Caruso (1951). Director: Richard Thorpe. Cast: Mario Lanza, Ann Blyth, Dorothy Kirsten, Jarmila Novotna, Richard Hageman, Carl Benton Reid, Eduard Franz, Ludwig Donath, Alan Napier, Pál Jávor, Carl Milletaire, Shepard Menken, Vincent Renno, Nestor Paiva, Peter Price, Mario Siletti, Angela Clarke,...

Ann Blyth today: Light songs and heavy drama on TCM Ann Blyth, a 1940s Universal leading lady best remembered for her Oscar-nominated performance as Joan Crawford’s cute-but-sociopathic teenage daughter in Warner Bros.’ Mildred Pierce, is Turner Classic Movies’ "Summer Under the Stars" star on Friday, August 16, 2013. Note: Today, Ann Blyth, one of the earliest surviving Oscar nominees in the acting categories, turns 85 years old. (See: “Ann Blyth Movies: TCM Schedule.”) (Photo: Ann Blyth ca. 1955.) First, the good news: Ann Blyth is a likable, talented actress and singer, and it’s great that TCM is dedicating a whole day to her movies. The bad news: As mentioned above, Ann Blyth was mostly (1944-1952) a Universal star; TCM is presenting only one of Blyth’s Universal movies, Brute Force (1947), which has been shown before. In other words, not a chance of finally having the opportunity to catch Ann Blyth in B...

Turner Classic Movies’ (TCM) ultimate movie star showcase – Summer Under the Stars – returns this August for its 11th year as TCM pays tribute to 31 different stars in 31 days.

Sixteen of this year’s stars are being celebrated for the first time duringSummer Under the Stars, including Oscar® winners Joan Fontaine (Aug. 6), Mickey Rooney (Aug. 13), Wallace Beery (Aug. 17), Hattie McDaniel (Aug. 20), Downton Abbey star Maggie Smith (Aug. 22), Charles Coburn (Aug. 24), Martin Balsam(Aug. 27), Shirley Jones (Aug. 28) and Rex Harrison (Aug. 31). Also featured for the first time will be silent heartthrob Ramón Novarro (Aug. 8); legendary French actressCatherine Deneuve (Aug. 12), whose day features six films making their TCM debuts; Ann Blyth (Aug. 16), whose marathon will air on her 85th birthday; and Mary Boland (Aug. 4) and Glenda Farrell (Aug. 29), two outstanding character actresses who never received the recognition they deserved. They will join 15 returning favorites, including Humphrey Bogart (Aug. 1), Doris Day (Aug. 2), Charlton Heston (Aug.

Deanna Durbin: Highest-paid actress in the world [See previous post: "Deanna Durbin in the '40s: From Wholesome Musicals to Film Noir Sex Worker."] Despite several missteps in the handling of her career, David Shipman states that Deanna Durbin was Hollywood’s (and the world’s) highest-paid actress in both 1945 and 1947. In 1946, Durbin’s earnings of $323,477 trailed only Bette Davis’ $328,000 at Warner Bros. Those are impressive rankings (and wages), but ironically Durbin’s high earnings ultimately harmed her career. By the mid-’40s, her domestic box-office allure was beginning to fade, a situation surely worsened by World War II closing off most of Hollywood’s top international markets. As a result, Universal, since 1947 a new entity known as Universal-International, was unwilling to spend extra money in their star’s already costly vehicles. That’s a similar predicament to the one faced by silent-era superstar John Gilbert at MGM in the early ’30s: the studio had to pay Gilbert an exorbitant salary that made his movies much...

On Sunday, the last day of the fourth annual TCM Film Festival, I had the great pleasure of spending a bit of time with one of this year's honored guests of the fest, the legendary actress/singer Ann Blyth. The lovely and demure 84-year-old traveled from her home near San Diego to Hollywood for all four days of this year's fest, and many -- including TCM host Robert Osborne -- gushed that it was as special to see her as any of the dozens of Golden Age stars in attendance. Blyth, of course, is best known for her work opposite Joan

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Another edition of the TCM Classic Film Festival has wrapped in Hollywood, and I had a great time hosting a variety of events, as a backup to the channel’s stalwarts Robert Osborne and Ben Mankiewicz, and meeting a vast number of dedicated movie fans from all parts of the country. From opening night on the red carpet, where I saw longtime friends Ann Blyth and Jane Withers reunited, to a showing of Cinerama Holiday at the Cinerama Dome, where I interviewed two of its featured players, it was a jam-packed weekend. One of the highlights for me was a presentation of Hollywood home movies by the Academy of Motion Picture Arts and Sciences’ Randy Haberkamp and Lynn Kirste, the...

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The star-studded 2013 TCM Classic Film Festival was packed with a plethora of great films and special legendary guests. Each spring, the TCM Classic Film Festival welcomes 25,000 movie fans from around the globe to Hollywood to celebrate the art and history of cinema and this year did not disappoint.

Being as this was my third year at the Festival, I was thrilled to see Oscar-winner, Cher, join Turner Classic Movies host Robert Osborne as a surprise guest at the opening night gala to kick off the 4th Festival in Hollywood. She joined Osborne onstage at the Tcl Chinese Theatre for a short conversation about her love of classic film, her favorite era of films and those that have inspired her prior to the world premiere screening of a brand new 45th anniversary restoration of the musical Funny Girl (1968).

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The 2013 TCM Classic Film Festival continues to expand, with newly added appearances by legendary stars at screenings of some of their most memorable films, including Mel Brooks, Carl Reiner, Mickey Rooney, Jonathan Winters, Marvin Kaplan, Barrie Chase, Polly Bergen,Coleen Gray, Theodore Bikel and Norman Lloyd, as well as producer Stanley Rubin, Clara Bow biographer David Stenn, Museum of Modern Art (MoMA) film collections manager Katie Trainor and director Nicholas Ray’s widow, Susan Ray. In addition, TCM’s Essentials Jr. host and Saturday Night Live star Bill Hader will present screenings of Shane (1953) and The Ladykillers(1955).

And The Film Forum’s Bruce Goldstein will present a special screening of Frank Capra’s The Donovan Affair (1929), complete with live voice actors and sound effects to replace the film’s long-lost soundtrack.Mel Brooks is slated to talk about his comedy The Twelve Chairs (1970). Carl Reiner, Mickey Rooney, Jonathan Winters, Marvin Kaplan...

The 2013 TCM Classic Film Festival is just over two months away, and is slowly unveiling its usual packed slate of classic stars set to make appearances. Included in this year's in-person lineup are Max von Sydow, Ann Blyth and Eva Marie Saint. These three will each appear with landmark films in their careers; Von Sydow will be on hand for Ingmar Bergman's "The Seventh Seal" and William Friedkin's "The Exorcist"; Blyth for Michael Curtiz' "Mildred Pierce" (pictured above with Joan Crawford) and Vincente Minelli's "Kismet"; and Saint for Elia Kazan's Best-Picture-winner "On the Waterfront." Actors Mitzi Gaynor and France Nuyen ("South Pacific") and Jacqueline White ("The Narrow Margin"), along with filmmakers Kevin Brownlow (introducing newly restored silent classic "The Big Parade"), and Jerry Zucker, David Zucker and Jim Abrahams ("Airplane!") are also scheduled...

Best Supporting Actress Nominees pre-1950 still alive, Oscar nonagenarians / centenarian. (Photo: Ann Blyth Mildred Pierce, with Joan Crawford.) Following Celeste Holm’s death today and Ernest Borgnine’s death last Sunday, there are only a handful of 90-year-old+ Oscar winners in the acting categories still alive: sisters Joan Fontaine (1941, Alfred Hitchcock’s Suspicion), who’ll turn 95 next October 22, and Olivia de Havilland (1946, Mitchell Leisen’s To Each His Own; 1949, William Wyler’s The Heiress), who turned 96 last July 1; and two-time Oscar winner Luise Rainer (Robert Z. Leonard’s The Great Ziegfeld, 1936; Sidney Franklin’s The Good Earth, 1937), who’ll turn 103 on January [...]...

Letters of Note "I feel every cut" an intimate glimpse back at Terry Gilliam's Brazil madness

Self Styled Siren a happy ending for For the Love of Film Blogathon III. The money raised towards film preservation (a digitial copy of a super early piece of the Hitchcock puzzle) will result in free streaming of the surviving reels this November. Well done, all!

24 Frames Broadway star Kelli O'Hara will star in not one but two new fillm drama to stage musical adaptations: Far From Heaven (previously discussed) and... The Bridges of Madison County?

The Daily Notebook 1948 was a good year for mermaids: Glynis Johns & Ann Blyth

Rope of Silicon new character photos from Anna Karenina including Keira Knightley, veiled

Pajiba says goodbye to sci-fi legend Ray Bradbury (Rip)

Antagony & Ecstacy "in space no one can hear you yawn"... on Alien Ressurection. Or is it Alien: Ressurection? 

Slate "Woman: The Other...

1948 was a good year for mermaids.

In Britain, producer Betty E. Box presented Miranda, starring Glynis Johns as a Cornish water-nymph who goes on dry land disguised as an invalid, making merry with the menfolk. Six years later, a sequel, Mad About Men, continued the character's amorous adventures in Technicolor.

Meanwhile in America, William Powell romanced mute mermaid Ann Blyth, an apparent manifestation of his mid-life crisis, in Mr. Peabody and the Mermaid. (Tarzan and the Mermaids, the same year, did not supply any true amphbious ladies.)

What do these fish stories reveal about their respective countries of origin? None of the films' directors have much in the way of auteur credentials—Ken Annakin directed the first Miranda film, staying true to the tradition of innocuous entertainment which was the defining quality of his career, and Ralph Thomas directed the second: though his son Jeremy has produced major films for Bertolucci and Cronenberg,...

With the arrival of the auteur theory, filmmakers like Michael Curtiz no longer get as much sway among the current generation of directors. Curtiz (born Kertész Kaminer Manó in Hungary in 1886), was a journeyman, a man who flourished in the studio system after being picked out by Jack Warner for his Austrian Biblical epic "Moon of Israel" in 1924. He stayed at the studio for nearly 20 years, taking on whatever he was assigned at a terrifyingly prolific rate -- he made over 100 Hollywood movies up to "The Comancheros" in 1961. And some of them are terrible, as you might expect.

But Curtiz was also responsible for some of the greatest films of the era, and those who diminish his abilities (including the director himself, who once said "Who cares about character? I make it go so fast nobody notices") are ignoring his enormous skill behind the camera, and his undeniable capacity for...

Actress Joan Taylor, best remembered for two sci-fi / horror B movies of the late 1950s, died March 4 in Santa Monica, in Los Angeles County. Taylor was 82. According to various sources, Taylor was born Rose Marie Emma in Geneva, Illinois, on August 18, 1929. She was the daughter of Austrian vaudeville player Amelia Berky and an Italian-born immigrant who later became a Hollywood prop man. Curiously, last Friday night I watched for the first time the 1957 Columbia release 20 Million Miles to Earth. Though wasted in a non-role in this King Kong rip-off with stop-motion animation by Ray Harryhausen, Taylor looked quite pretty (as an Italian) whether angry at leading man William Hopper (son of gossip columnist Hedda Hopper) or screaming at the ballooning Martian creature. I guess it says something about her screen presence that I was rooting for the Martian Monster to gobble up the film's director (Nathan Juran), writers (Robert Creighton Williams...

What is the secret of youth? And does it have anything to do with walking like an Egyptian? The Twilight Zone, Episode #143: "Queen of the Nile" (original air date March 6, 1964) The Plot: Syndicated newspaper columnist Jordan Herrick (Lee Phillips) arrives at the mansion where famed movie star Pamela Morris (Ann Blyth) resides in luxury. He's been promised a tell-all interview, and is especially interested in her apparently ageless appearance. Jordan asks Pamela her age, and she says she is 38. He wonders how it could be that she appeared in a movie in 1925; she denies that it was her, and maintains that her big break came in 1940 with "Queen of the Nile," when she was 15. Pamela's mother, Viola (Celia...

Evan Rachel Wood Evan Rachel Wood, nominated for Best Supporting Actress in a Television Series, Miniseries, or Movie for her role as Veda Pierce in Todd Haynes' Mildred Pierce, is seen above on the red carpet of the 69th Annual Golden Globes Awards at the Beverly Hilton in Beverly Hills on Sunday, January 15, 2012. Wood's fellow nominees in that category were veteran Jessica Lange, the eventual winner for American Horror Story; Kelly MacDonald for Boardwalk Empire; Emmy winner Maggie Smith for Downton Abbey; and Sofia Vergara for Modern Family. Kate Winslet, who plays Mildred Pierce (the mother of Wood's character), was chosen as Best Actress in a Television Movie or Miniseries. Sixty-seven years ago, Ann Blyth was nominated for a Best Supporting Actress for playing Veda Pierce. Joan Crawford was the Best Actress winner for her portrayal of the title role in Michael Curtiz's Mildred Pierce. Evan Rachel Wood...

Ann Blyth on TCM: Kismet, Rose Marie, Our Very Own 8:00 Pm Mildred Pierce (1945). A woman turns herself into a business tycoon to win her selfish daughter a place in society. Dir: Michael Curtiz. Cast: Joan Crawford, Jack Carson, Zachary Scott, Ann Blyth, Eve Arden, Bruce Bennett. Bw-111 mins. 10:00 Pm Kismet (1955). In this Arabian Nights musical, the "king of the beggars" infiltrates high society when his daughter is wooed by a handsome prince. Dir: Vincente Minnelli. Cast: Howard Keel, Ann Blyth, Dolores Gray. C-113 mins. Letterbox Format. 12:00 Am All The Brothers Were Valiant (1953). Brothers on a whaling schooner become romantic rivals. Dir: Richard Thorpe. Cast: Robert Taylor, Stewart Granger, Ann Blyth. C-95 mins. 2:00 Am Our Very Own (1950). The discovery that she's adopted shakes a young girl's sense of security. Dir: Dave Miller. Cast: Ann Blyth, Farley Granger, Joan Evans, Jane Wyatt. Bw-93 mins. 4:00 Am Rose Marie...

Ann Blyth is Turner Classic Movies Star of the Evening tonight, as part of TCM's "The Essentials" film series. [Ann Blyth Movie Schedule.] Opera- and Broadway-trained Ann Blyth began her film career in the mid-1940s at Universal, appearing in light B musicals opposite Donald O'Connor and/or Peggy Ryan, among them The Merry Monahans, Chip Off the Old Block, and Babes on Swing Street. Blyth's big break came in 1945, when — following back surgery — she played Joan Crawford's pathologically selfish daughter Veda in Michael Curtiz's classic film noir-cum-melodrama Mildred Pierce. A well-deserved Best Supporting Actress Oscar nomination followed, and so did leads in darker, bigger-budgeted productions, among them Jules Dassin's Brute Force (1947), with Burt Lancaster; Zoltan Korda's A Woman's Vengeance (1948), opposite Charles Boyer; and Michael Gordon's film version of Lillian Hellman's Another Part of the Forest (1948), a prequel to The Little Foxes. Unfortunately, TCM isn't showing any of Blyth's hard-to-find Universal titles.