IMDb रेटिंग
7.1/10
4.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA lonely princess and a poor cobbler fall in love while trying to reclaim three magical orbs stolen by a bumbling thief, all while outwitting an ambitious sorcerer.A lonely princess and a poor cobbler fall in love while trying to reclaim three magical orbs stolen by a bumbling thief, all while outwitting an ambitious sorcerer.A lonely princess and a poor cobbler fall in love while trying to reclaim three magical orbs stolen by a bumbling thief, all while outwitting an ambitious sorcerer.
Vincent Price
- ZigZag
- (वॉइस)
Eddie Carroll
- The Thief (Majestic Films version)
- (वॉइस)
- (as Ed. E. Carroll)
- …
Stanley Baxter
- Gofer
- (वॉइस)
- …
Kenneth Williams
- Goblet
- (वॉइस)
- …
Frederick Shaw
- Goolie
- (वॉइस)
Thick Wilson
- Hook
- (वॉइस)
Eddie Byrne
- Hoof
- (वॉइस)
कहानी
क्या आपको पता है
- ट्रिवियाThe film holds the record for the longest production schedule of a completed feature: 28 years.
- गूफ़During the song sequence in the desert scenes, it is said they are all illiterate, but earlier they were seen reading.
- भाव
[last lines]
[original version]
Princess Yum-Yum: I love you.
[Tack takes the tacks from his mouth at last]
Tack the Cobbler: And I love you.
[they hug]
- क्रेज़ी क्रेडिटThe end credits of the South African/Australian prints of "The Princess and the Cobbler" show scenes from the movie that were scrapped from the edited versions, including the Thief narrowly avoiding getting his arms chopped off, behind the credits. However, the prints of "Arabian Knight" only use a black background behind the credits.
- इसके अलावा अन्य वर्जनFour major versions of the film exist - the workprint, The Princess and the Cobbler, Arabian Knight, and the Recobbled Cut. Richard Williams' 1992 workprint was bootlegged on video, and copies have been shared among animation fans and professionals for years. It is an unfinished work in progress. A slightly later workprint from 13 May 1992 was preserved by Williams himself as "A Moment In Time," archived and digitally duplicated by the Academy of Motion Picture Arts and Sciences. "The Academy has it, it's in a 'golden box' now and it's safe," Williams said. The unfinished version was screened at the Academy's Samuel Goldwyn Theater.
- कनेक्शनFeatured in I Drew Roger Rabbit (1988)
फीचर्ड रिव्यू
Famously ill-fated animated feature by the renowned Richard Williams, which remains uncompleted despite his having worked on it for almost 30 years!; the film was eventually released in two bastardized versions under the titles of THE PRINCESS AND THE COBBLER (1993) and ARABIAN KNIGHT, while bootlegs actually a workprint closer to Williams' original vision have also surfaced (which is the edition I acquired).
It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!
The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).
At 96 minutes, THE THIEF AND THE COBBLER with its slight plot and even thinner characters does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!
It's a typical Arabian Nights fantasy and it's no secret that the Disney Studios 'borrowed' some of its ideas for their hugely successful ALADDIN (1992). Of course, we have a hero (the Cobbler), a heroine (the Princess), a comic-relief sidekick (the Thief) and a villain (the Grand Vizier); the latter is recognizably voiced by the late great Vincent Price (running the whole gamut of emotions in the process), while one of the more interesting aspects of the film is that the titular figures are given no dialogue (except for one silly line by the Cobbler at the very end). Both also have other weird characteristics: the Cobbler's mouth is shaped like two nails set side by side with their points meeting, while the Thief is constantly being followed by a swarm of buzzing flies!
The plot basically revolves around three golden balls atop the King's (shouldn't that be Caliph?!) palace which, if removed, would bring disaster upon the land and, sure enough, the Thief is after them. Needless to say, the Grand Vizier called Zig-Zag (with faithful vulture companion Phido in tow) not only craves power for himself but the Princess' hand, too, and he secretly connives with a warring people intent on conquering Arabia to this end. As expected, the visual design is extremely colorful and amazingly detailed (especially effective is Williams' clever use of perspective) though it's hardly rendered justice by the fuzzy quality of the copy under review (to check out the film as mangled by other hands is clearly out of the question for me).
At 96 minutes, THE THIEF AND THE COBBLER with its slight plot and even thinner characters does tend to drag a bit (especially during the climax and the Thief's protracted hair-raising stunts to survive a conflagration), but the latter's amiable antics throughout and Price's agreeably hammy rendition more than make up for any such deficiencies. For the record, many other notable actors were roped in for the project over the years with sometimes more than one person being engaged for the same role (the King, for instance, was voiced by both Anthony Quayle and Clive Revill and the narrator was either Felix Aylmer or Ralph Richardson)!
- Bunuel1976
- 29 दिस॰ 2008
- परमालिंक
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Arabian Knight
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $2,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,69,276
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,19,723
- 27 अग॰ 1995
- दुनिया भर में सकल
- $6,69,276
- चलने की अवधि1 घंटा 39 मिनट
- रंग
- पक्ष अनुपात
- 2.39:1
- 2.35 : 1
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