ÉVALUATION IMDb
6,3/10
34 k
MA NOTE
Une journée dans la vie d'un salon de coiffure du sud de Chicago.Une journée dans la vie d'un salon de coiffure du sud de Chicago.Une journée dans la vie d'un salon de coiffure du sud de Chicago.
- Prix
- 1 victoire et 17 nominations au total
Cedric The Entertainer
- Eddie
- (as Cedric the Entertainer)
Lahmard J. Tate
- Billy
- (as Lahmard Tate)
Histoire
Le saviez-vous
- AnecdotesThe cast spent a month training at a barber college to prepare for their roles. Only Troy Garity had had previous hair-cutting experience.
- GaffesWhen Calvin is driving Ricky, after Ricky throws the gun in the river, he makes a left turn. His hands move and the background scenery changes accordingly, but he only slides his hand over the steering wheel, which stays still.
- Citations
Eddie: There are three things that Black people need to tell the truth about. Number one: Rodney King should've gotten his ass beat for being drunk in a Hyundai in a white part of Los Angeles. Number two: O.J. did it! And number three: Rosa Parks didn't do nuthin' but sit her Black ass down!
- Autres versionsUK video version was edited (for language) by 51 sec. to secure a '12' rating. Additionaly some of the supplementary material for the DVD was cut (47 sec.) to keep the video rating. An uncut '15' was available to the distributor.
- ConnexionsFeatured in Uncensored Comedy: That's Not Funny! (2003)
- Bandes originalesTrade It All (Part 2)
Written by Brandon Casey (as B. Casey), Brian Casey (as B. Casey), Duro (as K. Ifill),
Fabolous (as J. Jackson), DJ Clue (as E. Shaw), Loon (as C. Hawkins)
Performed by Fabolous featuring Sean 'Diddy' Combs (as P. Diddy) & Jagged Edge
Courtesy of Desert Storm/Elektra Records
Commentaire en vedette
Thanks Ice Cube. You did a great job in creating and showcasing a part of African-American life that was true-to-life. There were so many diverse elements that all came together, they seem too many to mention. But all of the main characters had a measure of character development and an intimacy that you couldn't forget.
Even the minor characters played a big role, such as Lamar (J. David Shanks). Though introduced briefly very early in the movie, he played a major- but again brief- role near the end. Minor character- major input. The robbery of the convenience store: five characters interwoven all with lessons to learn- Craig (Ice Cube), Ricky Nash (Michael Ealy), Detective Williams (Tom Wright), Samir (Parvesh Cheena) and, of course, JD (Anthony Anderson). The timing in various scenes were impeccable. The following sequence: the radio voice of Chicago deejay Howard Magee, Billy's mother (?), Gabby (Jasmine Randle), Billy (Lahmard J. Tate) and JD was wonderfully choreographed.
I know some will say, "Hey, it was predictable. I knew beforehand the resolution of some, most, or all of the character's plights." And that may be true. But it's the manner in which each character was interwoven- how one touched another and yet criss-crossed each other that gave this movie special meaning. How each character had their strengths or weaknesses to overcome. Great stories being told by Mark Brown, Don D. Scott, Marshall Todd and with Tim Story's direction. Every major character was (and is) a character study.
Terence Blanchard does an admirable job supporting the scenes with his score.
And regarding the Dr. Martin Luther King, Jr. and Rosa Parks controversy, the writers qualified that diatribe very clearly as it progressed. Did people hear just want they wanted to hear?
Another important feature that I admire was the honesty, sometimes brutal, on other issues such as foreigners owning businesses in the African-American community or how dangerous it can be for anyone living in certain parts of the "ghetto" or how we (yes I'm African-American) help keep each other from prospering.
It wasn't until I started viewing "Barbershop" a second time (and dissecting it) where I saw additional insightful and valuable revelations. An example being Hustle Guy (DeRay Davis). (Dogs and Pampers?) Many times we see the local hustler as a comedic tool, hustling whatever he/she can get their hands on. But he's only trying to earn a living- void of a storefront for lack of investment capital. And we find out how valuable Hustle Guy is, also, before the movie ends. Minor character- major message.
If you haven't seen it, see it. If you've seen it, and just saw it for it's entertainment value, see it again for some valuable lessons.
Not only will it be in my movie collection, but it will be used as a teaching tool for my grandsons (and granddaughters if I'm blessed with any).
Believe it or not, to me, Eddie (Cedric the Entertainer's character) was the most unbelievable. Not that Eddie wasn't valuable, because he was. It was Cedric's interpretation of Eddie and the lack of age lines on his face that was a pure turn off for me. For those reasons, I wanted to remove 1 point. But because of the strength of the other characters and the story, I'm keeping it a 10.
The 7.1 rating as of this writing is an injustice to the quality and caliber of this production.
I give it a $10.00 haircut plus a $5.00 tip.
Great job Ice Cube to you and your production company, Cube Vision. Great job.
Even the minor characters played a big role, such as Lamar (J. David Shanks). Though introduced briefly very early in the movie, he played a major- but again brief- role near the end. Minor character- major input. The robbery of the convenience store: five characters interwoven all with lessons to learn- Craig (Ice Cube), Ricky Nash (Michael Ealy), Detective Williams (Tom Wright), Samir (Parvesh Cheena) and, of course, JD (Anthony Anderson). The timing in various scenes were impeccable. The following sequence: the radio voice of Chicago deejay Howard Magee, Billy's mother (?), Gabby (Jasmine Randle), Billy (Lahmard J. Tate) and JD was wonderfully choreographed.
I know some will say, "Hey, it was predictable. I knew beforehand the resolution of some, most, or all of the character's plights." And that may be true. But it's the manner in which each character was interwoven- how one touched another and yet criss-crossed each other that gave this movie special meaning. How each character had their strengths or weaknesses to overcome. Great stories being told by Mark Brown, Don D. Scott, Marshall Todd and with Tim Story's direction. Every major character was (and is) a character study.
Terence Blanchard does an admirable job supporting the scenes with his score.
And regarding the Dr. Martin Luther King, Jr. and Rosa Parks controversy, the writers qualified that diatribe very clearly as it progressed. Did people hear just want they wanted to hear?
Another important feature that I admire was the honesty, sometimes brutal, on other issues such as foreigners owning businesses in the African-American community or how dangerous it can be for anyone living in certain parts of the "ghetto" or how we (yes I'm African-American) help keep each other from prospering.
It wasn't until I started viewing "Barbershop" a second time (and dissecting it) where I saw additional insightful and valuable revelations. An example being Hustle Guy (DeRay Davis). (Dogs and Pampers?) Many times we see the local hustler as a comedic tool, hustling whatever he/she can get their hands on. But he's only trying to earn a living- void of a storefront for lack of investment capital. And we find out how valuable Hustle Guy is, also, before the movie ends. Minor character- major message.
If you haven't seen it, see it. If you've seen it, and just saw it for it's entertainment value, see it again for some valuable lessons.
Not only will it be in my movie collection, but it will be used as a teaching tool for my grandsons (and granddaughters if I'm blessed with any).
Believe it or not, to me, Eddie (Cedric the Entertainer's character) was the most unbelievable. Not that Eddie wasn't valuable, because he was. It was Cedric's interpretation of Eddie and the lack of age lines on his face that was a pure turn off for me. For those reasons, I wanted to remove 1 point. But because of the strength of the other characters and the story, I'm keeping it a 10.
The 7.1 rating as of this writing is an injustice to the quality and caliber of this production.
I give it a $10.00 haircut plus a $5.00 tip.
Great job Ice Cube to you and your production company, Cube Vision. Great job.
- camraman
- 3 janv. 2003
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Détails
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 75 782 105 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 627 433 $ US
- 15 sept. 2002
- Brut – à l'échelle mondiale
- 77 063 924 $ US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Chez le barbier (2002) officially released in India in English?
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