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1-16 of 16
- When a Jehovah's Witness community is attacked, leader's wife Yana questions her desires as her familiar world crumbles.
- Several elderly homosexual men and women speak frankly about their pioneering lives, their fearless decision to live openly in France at a time when society rejected them.
- In the streets of Paris, Juste collects the last memory of people only he can see, before helping them into the afterlife. Juste is a ghost. But one day Agathe recognizes him. She knew him when he was alive.
- On his clandestine journey from Cameroon to Europe through the Sahara desert, Léonard meets Hope, a Nigerian girl who's following the same dream.
- Paris, in the early 21st century. Edouard is a painter, Charles is a poet. The two artists are friends but their adverse circumstances are beginning to weigh on them. Gulcan, a foreigner, suddenly appears. An idea dawns on him.
- Director Ilan Ziv traces the origins of antisemitism in France from the Middle Ages to the Dreyfus Affair. Combining personal and collective narratives, Ziv showcases how the depiction of "the Jew" in society established an ideology of hate that eventually led to the Holocaust. In the aftermath of the war, a devastated France continued this ideology of antisemitism that set the stage for a modern wave of anti-Jewish sentiment and attacks, including the murders of Ilan Halimi and Mireille Knoll.
- Powerful rivers flow between the Pyrenees and the Atlantic, known as gaves. Human activity is altering the water cycle and its biodiversity. Men and women look curiously and lovingly at this fascinating world of beauty and disaster.
- Contemporary art provokes passion and denigration. The ironic formula of "art counting for nothing" expresses this ambivalence. Following the work of fifteen plastic artists, including that of John Armleder from Geneva, the film focuses on the figure of the artist in society, reflecting on the essence of the profession.
- An America plunged into a permanent heat wave, where nature has disappeared. Mostly homeless, its inhabitants are fed only by strange plankton-based biscuits distributed by a sprawling company. In 1973, Richard Fleischer's "Soylent Green", starring Charlton Heston, was the first science-fiction film to evoke not an exogenous threat (attack by Martians, nuclear war), but a climatic and environmental catastrophe for which man is solely responsible. A true ecological plea, the film also marked the beginnings of environmental awareness on the big screen and was followed by many emulators in Hollywood. But what lessons have been learned over the past fifty years?
- Somewhere toward the end of the Middle Ages, Antoine, a copyist monk, learns that, in a distant city, a machine that makes books has been invented. Disturbed, he leaves his monastery to go and see.
- What is striking when you talk with mathematicians is that sparkle in their eyes, and their sudden joyful voice trying to share with you a concept, a theory. They continuously use words such as invention, beauty, freedom. You then ask yourself : how such a rich language, this quasi-philosophical proposition about the world becomes rejected by a majority, 'the only discipline where one prides itself to be bad at it'! But for 40 years, mathematitians have become essential in sickness and in health !
- As an alternative to juvenile detention, Didier, a 15-year-old Black kid from a tough Parisian suburb, is deported from his city. He is fostered by his older brother, a reformed thug now working as a caretaker in a Parisian Project. But will Didier manage to leave the ghetto behind, start anew and come of age ?
- Watershed is a film about national territory: geography, landscapes in movement, and political boundaries: who decides what? How do citizens act on their own space ? An investigation into the tangle of institutions and the way the territory is being changed by new actors.