Advanced search

When an ordinary housewife is convicted for seducing a minor, reckless love leads to obsession and creeping doubt.

Two women, a chef and an anorexic writer, are neighbors in an apartment building. The chef.

Through multiple story lines, amid graphic portrayals of actual births, caeseareans and a vasectomy, this satirical comedy-drama set in a women's clinic wages an all-out assault on contemporary Korean sexual and gender practices.

A savage look at food and sex, helms this black comedy about Japan's sizable and often beleaguered Korean-Japanese community. Motomi Hayashi (Eri Yu), a producer who is thoroughly dedicated to her career, returns to her abode to discover that her porn star sister (Ichio Matsuda) is going to make a film about her family's first reunion in 20 years. Motomi is less than thrilled with the prospect, seeing as all is not well at the Hayashi household. Motomi's father recently got canned from his longtime job at a Pachinko parlor, while her mother secretly plans to mortgage the house to finance her affair with a younger lover. Motomi grows more uneasy when she learns that the porn director in charge of the undertaking is known for mixing fact with fantasy.

When old Mr. Park dies, his first son Chan-Wu, a film director, and his troublesome daughter Mi-Seon hurriedly come back to their rural hometown, and third son Chan-Se comes back to Korea from America. As the quiet country village gets busy preparing funeral, the house in mourning becomes a meeting place where villagers gather to ask how they are getting along and meet old friends. The children mourn their father's death and above all Mi-Seon, who caused her parents a lot of grief, can't stop crying. Chan-Wu, the chief mourner, has a revelation about his career, and Chan-Se prepares to sing hymns for the Confucian funeral service. Old Man Park's sister sells insurance products and gradually the funeral service becomes for the living rather then the dead.