Sabu
Born	Sabu Dastagir (1924-01-27)January 27, 1924 Karapur, Mysore, Kingdom of Mysore, British India
Died	December 2, 1963(1963-12-02) (aged 39) Chatsworth, Los Angeles, California, United States
Cause of death	heart attack
Other names	Selar Shaik Sabu
Occupation	Actor
Years active	1937–1963
Spouse	Marilyn Cooper (1948–1963) (his death) 2 children
Children	Paul Sabu, Jasmine Sabu

Sabu Dastagir (27 January 1924 – 2 December 1963) was a film actor of Indian origin—although he later took American citizenship. He was normally credited only by his first name, Sabu, and is primarily known for his work in film during the 1930s–1940s in Britain and America.

Early life [link]

Born in 1924 in Karapur, Mysore, Kingdom of Mysore, then a Princely State of British India, Sabu was the son of an Indian mahout (elephant driver). While most reference books have his full name as "Sabu Dastagir", research by journalist Philip Leibfried suggests that was his brother's name, and that Sabu was in fact Selar Shaik Sabu or Sabu Francis. His brother managed his career.^[1] His brother was killed in a robbery of his furniture store, a failing business jointly owned by the two men.

Career [link]

When he was 13, Sabu was discovered by documentary film-maker Robert Flaherty who cast him in the role of an elephant driver in the 1937 British film Elephant Boy, based on Toomai of the Elephants, a story by Rudyard Kipling. In 1938 producer Alexander Korda commissioned A. E. W. Mason to script The Drum as a starring vehicle for the young actor. Sabu is perhaps best known for his role as Abu in the 1940 British film The Thief of Bagdad. In 1942 he once again played a role based on a Kipling story, namely Mowgli in Jungle Book directed by Zoltán Korda.

World War II [link]

After becoming an American citizen in 1944, Sabu joined the United States Army Air Forces and served as a tail gunner and ball turret gunner on B-24 Liberators. He flew several dozen missions with the 370th Bomb Squadron of the 307th Bomb Group in the Pacific, and was awarded the Distinguished Flying Cross for his valor and bravery.^[2]

After World War II, unable to secure the equivalent roles in Hollywood that British films had offered him, he saw his career go into decline. He occasionally did get significant parts, such as his supporting role in the classic British film Black Narcissus (1947).

Europe [link]

Through most of the 1950s he starred in largely unsuccessful European films. In 1952, he starred in the Harringay Circus with an elephant act.^[3]

His last completed film, A Tiger Walks, was released in March 1964, the year after his death.

Personal life [link]

In 1948, Sabu married actress Marilyn Cooper, with whom he had two children. Their marriage lasted until his death. Their son Paul Sabu established the rock band Sabu in the 1980s. Daughter Jasmine Sabu was an animal trainer on various films. She died in 2001.

Sabu was the subject of a famous paternity suit that resulted in a published opinion by the California Court of Appeal, Dastagir v. Dastagir, 241 P.2d 656 (Cal. App. 1952). Sabu was sued by an infant girl (born in 1948), through her mother, an unnamed unmarried English actress, who claimed to have had an affair with Sabu and that he was the infant's father. The suit was tried by a jury which returned a nine to three verdict in favor of Sabu.

Death [link]

On 2 December 1963, Sabu suddenly died in Chatsworth, California, of a heart attack at the age of 39. He is interred at the Forest Lawn – Hollywood Hills Cemetery.

Sabu in pop culture [link]

"Sabu the Elephant Boy" was featured in story and song, Sabu Visits The Twin Cities Alone, by folk singer John Prine, and also in the teen novel The Snarkout Boys and the Baconburg Horror, by Daniel M. Pinkwater.

ECW wrestler Sabu was given his ring name at an early age by his uncle Ed Farhat, who was a big fan of The Jungle Book and Dastagir.

Filmography [link]

Notes [link]

References [link]

External links [link]

Wikimedia Commons has media related to: Sabu (actor)

• Sabu at the Internet Movie Database
• Powell and Pressburger Pages article
• Criterion Collection Essay